John Bull's first visit to his old friend the new secretary
Description:
Title from item., Sheet trimmed within plate mark., Printseller's announcement following imprint: Folios of caricatures lent out for the evening., Temporary local subject terms: Dogs -- Politics., Mounted to 29 x 40 cm., and Watermark: Strasburg Lily.
"John Bull (left) capers clumsily to a tune played by Pitt, Dundas, and two others. He has a drink-bloated profile, wears a round hat and old-fashioned buckled shoes. He says: "Lord love ye my good Masters - do give us something new - I be tired of all the old Jigs - I knows the March to Paris by heart, - and as for Indemnity for the Past, and Security for the future, they are as easy to me as my A-B-C - I want something stilish, and grand." Pitt, seated, plays a large 'cello incorrectly drawn and having a rose under the strings which suggests the viol da gamba. He looks up at John Bull jauntily, saying, "I will endeavour to please you if I can, what do you think of this - it is a grand serious-movement called the Deliverance of Europe or Union with Ireland". Dundas (right), wearing kilt and feathered bonnet with legal wig and bands, stands in profile to the left, impassively playing the bagpipes. Two background figures dejectedly play wind-instruments; one is probably Grenville."--British Museum online catalogue
Description:
Title from item., Printmaker from Krumbhaar. Attributed to Sansom in the British Museum Catalogue., Printseller's announcement following publication statement: Folios of caracatures [sic] lent out for the evening., and Watermark: Strasburg lily.
Publisher:
Pub March 21, 1799, by S.W. Fores, No. 50 Piccadilly
Subject (Name):
Pitt, William, 1759-1806 and Melville, Henry Dundas, Viscount, 1742-1811
Subject (Topic):
John Bull (Symbolic character), Bagpipes, Dance, Musical instruments, and Violoncellos
"Dundas (right) turns the handle of a machine in which two cylinders revolve in contact. Pitt (left) drags out by the wrists the flattened and elongated body of John Bull from between the cylinders where his ankles are still confined. The upper cylinder is marked 'LOAN LOAN'; the lower, 'SUBSIDY TAX'. Pitt says: "He'll come out a great deal further yet turn the loan stone again he is not half flat enough!!" John Bull turns his eyes despairingly towards Pitt. Both his tormentors have discarded their coats; Dundas wears a plaid over his shirt."--British Museum online catalogue
Description:
Title etched at base of image., Attributed to West in British Museum catalogue., Sheet trimmed to plate mark on sides., Printseller's announcement following publication statement: Folios of caracatures [sic] lent out for the evening., Temporary local subject terms: Loans -- Subsidies: allusion to the subsidy for Austria -- Mills: hopper., Watermark: Strasburg bend., Mounted to 27 x 46 cm., and Printseller's stamp in lower right of sheet, partially cut off: S.W.F.
Publisher:
Pub. May 25, 1796, by S.W. Fores, No. 50 Piccadilly, the corner of Sackville Street
Subject (Geographic):
Great Britain.
Subject (Name):
Pitt, William, 1759-1806 and Dundas, Henry, 1742-1811
Subject (Topic):
John Bull (Symbolic character), Taxation, and Finance, Public
"George IV, seated in an armchair, plays a 'cello. Bloomfield stands behind, playing a flute; in his pocket is a paper: 'Farmer's Boy' [for this identification cf. (e.g.) that of Orger in No. 11940]. Lady Conyngham stands beside the King, saying blandly: "Play Here we go Up Up Up." On the right is a dancing bear, facing a stout jovial man (identified, A. de R. xviii. 4 as Sir L. Neagle, i.e. Sir E. Nagle, appointed Groom of the Bedchamber on George IV's accession). No one notices John Bull (wearing top-hat and top-boots) who enters, shouting: "Rome's on fire, Haste Haste Help Help the People 's Roused, Perjurys allowed Conspirators are suffered to Escape, the Directors are impeached-- the World's in Arms." Behind the King hangs a large placard: Estimate of Expenses at the Chinese Temple One Million--Building Repairing & Furnishing Mark Anthonys State Barges Building two New ones . . . £150,000 Cottage seat Como [Countess Cowper (25 Sept. 1820): 'They say the story is really true of blundering Sir E. Nagel saying in the boat on the Lake near the New Cottage, "We have also got our little Lake of Como"--the King and Ly C present.' Airlie, 'Lady Palmerston', 1922, i. 67; 'The King laughed very much...' 'Journal of H. E. Fox', 1923, p. 38; cf. No. 13857] formerly called V-g-o [sic] Water . . . 40,000 New Cottage at O-P Q . . . 20,000. Presents to Cleopatra. Horse 150 Diamond Necklace . . . 30,000. Pearl Ditto . . . to Cleo's Daughter 15000. Sinecure to Cleo's Boy Pr Anm 3000.' Above Lady Conyngham's head is a painting of a nude woman in bed; below this is an unframed print, a bust portrait of 'Caroline' with the head torn off."--British Museum online catalogue
Description:
Title from caption below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Temporary local subject terms: Male costume: 1820 -- Bloomfield, Benjamin, 1st baron Bloomfield, 1768-1846 -- Nagle, Sir Edmund, 1757-1830., Watermark: J. Whatman 1820., and Manuscript "265" in upper center of plate.
Publisher:
Pub. Oct. 11th, 1820 by S.W. Fores 41 Picadilli
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, and Caroline Amelia Elizabeth, consort of George IV, 1768-1821
Subject (Topic):
John Bull (Symbolic character) and Musical instruments
"A farmer (John Bull) and his family gape in amazement at the arrangements for the Regency fête on 19 June. The narrow table extends across the design receding from left to right, the cloth hanging over the seats of chairs in the foreground. The famous canal decorates the centre of the table with its gold and silver fish, and the table is laid with gold plate, and ornate cut-glass goblets and decanters labelled 'Dry Champain', 'Claret', and 'Burgundy'. There are three-branched gold candelabra. The Prince's chair is on the extreme right; beside it stand a man in livery and an attendant in plain clothes. Behind the chair large ornate gold salvers are arranged on shelves covered with white drapery, as in No. 11729. This was 'a kind of circular buffet . . . lined by festoons and antique draperies of pink and silver' ('Ann. Reg.', 1811, p. 69). The sightseers are on the farther side of the table (left) with their backs to the windows, John in the centre; he says, pointing: "Why Odd Zookers this is marvellous fine indeed. Oh Nan how we should relish a rasher on one of they monstracious beautifull Plates, why now I think I shan't grumble to pay three or four Bank Tokens towards this grand treat - methinks I should Just like a nippikin too." His wife puts out her hands protestingly: "Oh John one of our milk white Chickens roasted by myself by our wood fire would be Luscioscious indeed." His daughter says: "La Feather do zee how they gilded Fishes be stareing at yow." There are three loutish sons; one says: "I say Sue I thinks I should not like that dry Shampain, but a Dobbin of our home brewed in that there gilded gold thing would be dreadfully noice indeed"; another (looking up at the (invisible) ceiling : "Dang it if the top 0 the pleace beant all Eel pottles I'll be hang'd."--British Museum online catalogue
Alternative Title:
John Bull in the conservatory
Description:
Title from caption below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark with partial loss of imprint., Watermark: NV, and Manuscript "63" in ink upper center of plate.
Byron, Frederick George, 1764-1792, attributed name
Published / Created:
May 12, 1790.
Call Number:
790.05.12.01+
Image Count:
1
Resource Type:
still image
Abstract:
"The King of Spain sits on a circular dais under a canopy, turning his head away from the English ambassador (left), a stout John Bull wearing top-boots behind whom stand four pugilists. Three Spaniards with pikes stand on the extreme right behind the throne, and three courtiers stand in the background. The King wears a short tunic and ruff with a feathered hat; all the Spaniards have long upturned moustaches, all look dismayed. Three of the pugilists are inscribed: 'Big Ben' [Benjamin Brain], 'Humphries', and 'Mendoza'; the fourth is Ward. Beneath the design is etched: 'Great Sir, I am arrived from Albion's Court, Who have taken in Dudgeon what you may think Sport; So it may for the present; but we'll soon make it appear, You'll have reason to laugh the wrong side of your ear! Our Traders in Nootka, by some of your Curs, Were all sent to Quod and robb'd of their Furs, Your right so to do which you claim from the Pope, We Britons dont value the end of a rope! It's a farce you may make your weak Subjects believe, But our right's equal to yours from Adam and Eve. Therefore if you don't make us immediate amends, No longer can we look upon you as Friends, Should you wish for a War we have got a new race, Of such brave fighting fellows, not the Devil dare face! A sample I've brought, only four of our men, Mendoza, Dick Humphries, Joe Ward, and Big Ben: So great is their power each Lad with one blow, Would knock down an Ox, or twelve Spaniards lay low, At home we can raise twelve hundred like these, That would crush all your Troops as easy as fleas. For Centuries past England's rul'd o'er the main, And if it please Heavn'n hope to do so again. Thus with Sailors and Bruisers we your power defy, Being determin'd to conquer or fight till we die!'"--British Museum online catalogue
Description:
Title etched above image., Printmaker identified by Andrew Edmunds as Frederick George Byron., Text etched below image: 'Great Sir, I am arrived from Albion's Court, Who have taken in Dudgeon what you may think Sport; So it may for the present; but we'll soon make it appear, You'll have reason to laugh the wrong side of your ear! Our Traders in Nootka, by some of your Curs, Were all sent to Quod and robb'd of their Furs, Your right so to do which you claim from the Pope, We Britons dont value the end of a rope! It's a farce you may make your weak Subjects believe, But our right's equal to yours from Adam and Eve. Therefore if you don't make us immediate amends, No longer can we look upon you as Friends, Should you wish for a War we have got a new race, Of such brave fighting fellows, not the Devil dare face! A sample I've brought, only four of our men, Mendoza, Dick Humphries, Joe Ward, and Big Ben: So great is their power each Lad with one blow, Would knock down an Ox, or twelve Spaniards lay low, At home we can raise twelve hundred like these, That would crush all your Troops as easy as fleas. For Centuries past England's rul'd o'er the main, And if it please Heavn'n hope to do so again. Thus with Sailors and Bruisers we your power defy, Being determin'd to conquer or fight till we die!', Publisher's advertisement in lower left corner of image: In Hollands Exhibition Rooms may be seen the largest collection in Europe of humorous prints., Sheet trimmed to plate mark., and Formerly mounted on blue paper, with residue on verso.
Publisher:
Pubd. by Wm. Holland, No. 50 Oxford St.
Subject (Geographic):
Spain.
Subject (Name):
Charles IV, King of Spain, 1748-1819, Humphries, Richard, -1827., Bryan, Benjamin, 1753-1794., and Ward, Joseph, active 1790.
Subject (Topic):
John Bull (Symbolic character), Ambassadors, British, Audiences, Boxers (Sports), Ethnic stereotypes, Kings, and Reception rooms
Title from caption etched at top of image., Mary Darly located at the Golden Acorn on this date., Sheet trimmed to plate mark., Temporary local subject terms: Emblems: the white horse of Hanover -- British Lion -- Buildings: temple -- Flags: map of Germany as a flag., Watermark: Strasburg lily., and Mounted to 32 x 47 cm.
Publisher:
To be had at the Golden Acorn facing Hungerford, Strand
Subject (Name):
William Augustus, Prince, Duke of Cumberland, 1721-1765, Holland, Henry Fox, Baron, 1705-1774, Pitt, William, Earl of Chatham, 1708-1778, Beckford, William, 1709-1770, and Barnard, John, Sir, 1685-1764
Subject (Topic):
John Bull (Symbolic character) and Britannia (Symbolic character)
Title from item., Plate from: London und Paris. Weimar: Im Verlage des Industrie-Comptoirs, 1798, v. 2, opp. p. 216., Numbered 'No. V' in upper right corner., Temporary local subject terms: Liberty: tree of liberty -- Uniforms: Windsor uniform -- Literature: Thomas Paine's Rights of Man -- Vices -- Cap of liberty as bonnet rouge -- Serpents -- Reforms., Mounted to 33 x 40 cm., and Watermark (partially trimmed): Strasburg lily.
An oversized John Bull with a carbuncled-faced sits at a round table across from a very young looking William Betty and his father, both handsome and not caricatured. John Bull toasts the two, full wine glass in hand: "Youngster, heres to you I'm glad to see you in town. Old Master Roscius your health, and may you get such another boy every New Year's Day for the benifit [sic] of the English stage." Behind them pinned to the wall are two prints: the one a profile portrait of Mrs. Siddons, hangs from one corner only, and the other a portrait of J.P. Kemble. The three ostrich feathers on the back of Master Betty's chair may indicate the patronage of the Prince of Wales
Description:
Title etched below image., Printseller's stamp in lower right corner: S.W.F., and Description from British Museum catalogue of "Young Roscius and Don John" mounted on verso.
Publisher:
Pubd January 4, 1805, by S.W. Fores, No. 50 Piccadilly
Subject (Geographic):
Great Britain
Subject (Name):
Betty, William Hen. West 1791-1874. (William Henry West),, Siddons, Sarah, 1755-1831, and Kemble, John Philip, 1757-1823
Subject (Topic):
John Bull (Symbolic character), Theater, Actors, British, and Child actors