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10. Iohn Bull threatened by insects from all quarters!! [graphic].
- Creator:
- Williams, Charles, active 1797-1830, printmaker
- Published / Created:
- [August 1807]
- Call Number:
- 807.08.00.01+
- Image Count:
- 1
- Resource Type:
- still image
- Alternative Title:
- John Bull threatened by insects from all quarters
- Description:
- Title etched below image., Printmaker and artist from British Museum catalogue., Cf. No. 10766, Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8 for description lacking imprint statement., and Temporary local subject terms: Grog -- Cutlass -- Swords -- Guns -- Pistol -- Reference to Holland -- Dutchmen -- Reference to Italy -- Reference to Denmark -- Reference to America -- Reference to Westphalia -- Tobacco box -- Pipe -- Turk.
- Publisher:
- Pubd. Augt., 1807 by Walker, No. 7 Cornhill
- Subject (Name):
- Napoleon I, Emperor of the French, 1769-1821 and Beauharnais, Eugène de, 1781-1824
- Subject (Topic):
- John Bull (Symbolic character), Insects, Sailors, British, and Weapons
- Found in:
- Lewis Walpole Library > Iohn Bull threatened by insects from all quarters!! [graphic].
11. John Bull's visit to the Court Theatre to see and hear the famous German prima donna [graphic]
- Creator:
- Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
- Published / Created:
- [approximately 1833]
- Call Number:
- Folio 75 G750 833 Copy 2 (Oversize) Box 2
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "First panel: John Bull on the point of paying to attend the Queen's concert; policeman and Duke of Wellington dressed like a soldier; second panel: the Queen, dressed like a poor German woman, singing and playing an instrument like a sausage with a groom."--British Museum online catalogue
- Description:
- Titles from item., Initials of printmaker Charles Jameson Grant in lower left corner of first panel of design., Date of publication from the British Museum online catalogue., Design consists of two panels side by side, each individually titled., Wood engraving with letterpress text., Text centered beneath the titles of the two panels: Don't talk of Madame Malibran after this., Imperfect; sheet trimmed with loss of imprint and series statement. Missing text supplied from impression in the British Museum., Numbered "89" twice in brown ink, in top portion of each panel of design., and No. 89.
- Publisher:
- Printed and published by G. Drake, 12, Houghton Street, Clare Market
- Subject (Name):
- Wellington, Arthur Wellesley, Duke of, 1769-1852 and Adelaide, Queen, consort of William IV, King of Great Britain, 1792-1849
- Subject (Topic):
- John Bull (Symbolic character), Soldiers, British, Police, Singing, Musicial instruments, and Brooms & brushes
- Found in:
- Lewis Walpole Library > John Bull's visit to the Court Theatre to see and hear the famous German prima donna [graphic]
12. Perusing the state papers, or, Sounding the opinions of John Bull [graphic].
- Creator:
- Williams, Charles, active 1797-1830, printmaker
- Published / Created:
- [not before March 1808]
- Call Number:
- 808.03.00.04+
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "Napoleon, John Bull (a 'cit'), a British general wearing a star, and the Duke of Portland sit in conference, each holding a large double paper covered with type or script. Napoleon sits on the left, pointing to the text of his paper and saying to his neighbour, "You see Mr Bull the case is simply this If you do so, I'll do so!" John, much disconcerted, stares at the Emperor, exclaiming "O! O!" The general also looks at Napoleon, perturbed. Portland (right), who sits in an armchair facing the Emperor, with frank dismay says: "If he says O! O! I'm afraid t'is but so! so!"."--British Museum online catalogue
- Alternative Title:
- Sounding the opinions of John Bull
- Description:
- Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Later state, with imprint statement burnished from plate. For an earlier state with the imprint "Pubd. March 1808 by Walker & C., No. 7 Cornhill", see no. 10971 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., "March 1808" written in brown ink in lower right, over the remnants of the burnished imprint statement. Formerly mounted on a blue sheet, remnants visible on back., and Watermark, partially trimmed: 1811.
- Publisher:
- publisher not identified
- Subject (Name):
- Napoleon I, Emperor of the French, 1769-1821 and Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809
- Subject (Topic):
- Napoleonic Wars, 1800-1815, John Bull (Symbolic character), Generals, British, Sitting, and Meetings
- Found in:
- Lewis Walpole Library > Perusing the state papers, or, Sounding the opinions of John Bull [graphic].
13. The English ambassador and his suite before the King at Madrid, 1790 [graphic]
- Creator:
- Byron, Frederick George, 1764-1792, attributed name
- Published / Created:
- May 12, 1790.
- Call Number:
- 790.05.12.01+
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "The King of Spain sits on a circular dais under a canopy, turning his head away from the English ambassador (left), a stout John Bull wearing top-boots behind whom stand four pugilists. Three Spaniards with pikes stand on the extreme right behind the throne, and three courtiers stand in the background. The King wears a short tunic and ruff with a feathered hat; all the Spaniards have long upturned moustaches, all look dismayed. Three of the pugilists are inscribed: 'Big Ben' [Benjamin Brain], 'Humphries', and 'Mendoza'; the fourth is Ward. Beneath the design is etched: 'Great Sir, I am arrived from Albion's Court, Who have taken in Dudgeon what you may think Sport; So it may for the present; but we'll soon make it appear, You'll have reason to laugh the wrong side of your ear! Our Traders in Nootka, by some of your Curs, Were all sent to Quod and robb'd of their Furs, Your right so to do which you claim from the Pope, We Britons dont value the end of a rope! It's a farce you may make your weak Subjects believe, But our right's equal to yours from Adam and Eve. Therefore if you don't make us immediate amends, No longer can we look upon you as Friends, Should you wish for a War we have got a new race, Of such brave fighting fellows, not the Devil dare face! A sample I've brought, only four of our men, Mendoza, Dick Humphries, Joe Ward, and Big Ben: So great is their power each Lad with one blow, Would knock down an Ox, or twelve Spaniards lay low, At home we can raise twelve hundred like these, That would crush all your Troops as easy as fleas. For Centuries past England's rul'd o'er the main, And if it please Heavn'n hope to do so again. Thus with Sailors and Bruisers we your power defy, Being determin'd to conquer or fight till we die!'"--British Museum online catalogue
- Description:
- Title etched above image., Printmaker identified by Andrew Edmunds as Frederick George Byron., Text etched below image: 'Great Sir, I am arrived from Albion's Court, Who have taken in Dudgeon what you may think Sport; So it may for the present; but we'll soon make it appear, You'll have reason to laugh the wrong side of your ear! Our Traders in Nootka, by some of your Curs, Were all sent to Quod and robb'd of their Furs, Your right so to do which you claim from the Pope, We Britons dont value the end of a rope! It's a farce you may make your weak Subjects believe, But our right's equal to yours from Adam and Eve. Therefore if you don't make us immediate amends, No longer can we look upon you as Friends, Should you wish for a War we have got a new race, Of such brave fighting fellows, not the Devil dare face! A sample I've brought, only four of our men, Mendoza, Dick Humphries, Joe Ward, and Big Ben: So great is their power each Lad with one blow, Would knock down an Ox, or twelve Spaniards lay low, At home we can raise twelve hundred like these, That would crush all your Troops as easy as fleas. For Centuries past England's rul'd o'er the main, And if it please Heavn'n hope to do so again. Thus with Sailors and Bruisers we your power defy, Being determin'd to conquer or fight till we die!', Publisher's advertisement in lower left corner of image: In Hollands Exhibition Rooms may be seen the largest collection in Europe of humorous prints., Sheet trimmed to plate mark., and Formerly mounted on blue paper, with residue on verso.
- Publisher:
- Pubd. by Wm. Holland, No. 50 Oxford St.
- Subject (Geographic):
- Spain.
- Subject (Name):
- Charles IV, King of Spain, 1748-1819, Humphries, Richard, -1827., Bryan, Benjamin, 1753-1794., and Ward, Joseph, active 1790.
- Subject (Topic):
- John Bull (Symbolic character), Ambassadors, British, Audiences, Boxers (Sports), Ethnic stereotypes, Kings, and Reception rooms
- Found in:
- Lewis Walpole Library > The English ambassador and his suite before the King at Madrid, 1790 [graphic]
14. The court of love, or, An election in the island of Borneo [graphic]
- Creator:
- Cruikshank, George, 1792-1878, printmaker
- Published / Created:
- [1 November 1812]
- Call Number:
- Folio 53 Sh52 M78
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "Plate to the 'Scourge', iv, before p. 349. An illustration to 'Elections in the Isle of Borneo', pp. 349-55, relating a dream in which the Prince chooses his Ministers and Household officers according to their proficiency in adultery. A sequel to British Museum Satires No. 11899. The Regent is enthroned under a canopy in the centre of a long platform backed by the pillars of Carlton House. Below is the cobbled street, with passers-by and spectators whose heads are just below the platform, so that the figures are arranged in two tiers. The Regent's throne is on a triple dais; he puts one arm round the waist of Lady Hertford who sits on his knee, holding at arms' length a brimming goblet. She puts her right arm round his neck, and also supports herself by placing a finger on the branching antlers of her husband, who stands in his chamberlain's robes, and holding his wand of office, beside the dais, at which he points with a complacent grin. He says: "My gracious Master is personelly acquainted with my merits, they live in his bosom, & he will reward me, according to my Deserts." Lady Hertford wears a spiky crown, and her vast spherical breasts are divided by a jewel in the form of the Prince's feathers with his motto 'Ich Dien.' The drapery over the throne is centred by the crowned skull of a stag, with wide antlers; in its nostrils is a ring from which a birch-rod hangs above the Prince's head. A grinning demon, standing on the antlers, straddles across the crown, holding up the drapery. On the left of the throne the Duke of York, in uniform with cavalry boots, his hand on his sword, stands swaggeringly. A woman clutches his arm and whispers in his ear; beside them is a basket containing three infants and inscribed 'Mother Careys Chickin' [see British Museum Satires No. 11050]. He says: "I was turned out of the Office I now solicit because I was too fond of a married Woman [Mrs. Clarke, see British Museum Satires No. 11216, &c.] & could not live without commiting Adultery I claim therefore to be once more elevated to the Office of Commander in Cheif." Behind Lord Hertford (and a pendant to Mrs. Carey) stands an elderly posturing peer, wearing a star, his hands deprecatingly extended. He says: "As for business I never had a Headfor't but I have laid the Country under a Massy load of Obligations in other respects Adultery is my Motto so give me ******ship of the H-." Next (right) is a group of three: the Duke of Cumberland in outlandish Death's Head Hussar uniform holding a sabre with a notched blade and seemingly dripping blood, though not so coloured. He stands between two young women; one, holding his arm, brandishes a razor over her head, the other holds a paper called 'Nugent'. The Duke says: "Considering my Exploits you cannot do less than make me a Field Marshal." On the extreme right is the Duke of Clarence in admiral's uniform with trousers, pointing to a broken chamber-pot ('Jordan') decorated with a crown and containing seven children, two in uniform. Mrs. Jordan takes him affectionately by the arm. He points downwards, saying, "I have lived in Adultery with an actress 25 years & have a pretty Number of illegetimate Children. I hope you will make me an Admiral of the Fleets." On the extreme left McMahon, dwarfish and ugly, stoops over the edge of the platform, pouring coins from a bag marked 'P P' [reversed letters], for Privy Purse (or Pimp), into the apron of a hideous bawd who grins up at him. He says: "Let her be forty at least, plump & Sprightly." Next stands Lord Yarmouth, wearing a star, his hands in his pockets, scowling at a young woman who puts her hands on his shoulders; he says: "Confound my Wishers if Venus alias Fanny Anny [Fagniani] may not go to Juno----I'm Vice all over. Let me con tinue so." Next is a tall man wearing a long driving-coat with a star and a small rakish top-hat (? Lord Melbourne); one leg terminates in a cloven hoof. He stands between two disreputable women of the lowest St. Giles type, ragged and hideous, an arm across the shoulders of each; both offer him drink, one takes him by the chin. A third and younger woman sits on the ground at his feet, drinking from a bottle. He says: "As for me my Name is sufficient, I am known as the Paragon of Debauchery and I only claim to be the-s [Regent's] Confidential Friend." On the ground (left to right) are the bawd receiving money from McMahon, a ragged dustman with the curved shin-bones then known as 'cheese-cutters', a result of rickets; George Hanger, with his bludgeon under his arm (cf. British Museum Satires No. 8889, &c.), saying, "Hang her She's quite Drunk"; Augustus Barry, grotesquely thin and very rakish, with long coat, standing with widely splayed-out feet. These three stare up at the throne, Barry looking through an eye-glass. A ragged, sub-human creature picks Barry's pocket, taking a paper: 'A Sermon to be Preached at Cripple gate by Revd Honble A Newgate'. A blind beggar (? a sailor) walks with a stick, and a dog on a string, holding out his tattered hat. A Quaker-like figure stares up at the platform where the legs of the seated prostitute hang over its edge, as does a beggar boy with badly twisted legs. Next, a fashionably dressed man and woman shake hands, bending to stare into each other's face. He takes her left hand. His dress resembles that of the dandy of a few years later: shock of hair, exaggerated neck-cloth, hussar-pattern trousers, and long tail-coat. The centre figure in this lower row is John Bull looking up angrily over his shoulder at the prostitute, and pushing away to the right three young girls; he says to them: "Get away get away, if you go near the Platform you'll be ruined." His bull-dog looks pugnaciously up at the platform. A tall emaciated cavalry soldier speaks to a woman in a poke-bonnet, while a little ragged boy clasps the long horse-tail which hangs from his helmet. On the extreme right is Sheridan in (ragged) Harlequin's dress (cf. British Museum Satires No. 9916), moribund or drunk, supported between two top-booted bailiffs; one holds a writ and says "Poor fellow his Magic wand is broken." On the ground lies his wooden sword in two pieces, one inscribed 'M', the other 'P'; at his feet is a paper: 'Princely Promises'."--British Museum online catalogue
- Alternative Title:
- Election in the island of Borneo
- Description:
- Title etched below image., Plate from: The Scourge, or, Monthly expositor of imposture and folly. London: W. Jones, v. 4 (October 1812), page 349., Sheet trimmed within plate mark., Window mounted to 36 x 51 cm., and Mounted opposite page 318 (leaf numbered '143' in pencil) in volume 2 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
- Publisher:
- Published November 1st, 1812, by W.N. Jones, No. 5 Newgate Street
- Subject (Name):
- George IV, King of Great Britain, 1762-1830, Hertford, Francis Ingram Seymour, Marquis of, 1743-1822, Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Ernest Augustus, King of Hanover, 1771-1851, William IV, King of Great Britain, 1765-1837, Jordan, Dorothy, 1761-1816, McMahon, John, approximately 1754-1817, Hertford, Francis Charles Seymour-Conway, Marquess of, 1777-1842, Melbourne, Peniston Lamb, Viscount, 1745-1828, Hanger, George, 1751?-1824, Barry, Augustus, Honble., 1773-1818, Sheridan, Richard Brinsley, 1751-1816, and Carlton House (London, England),
- Subject (Topic):
- Harlequin (Fictitious character), John Bull (Symbolic character), Dustmen, Thrones, Canopies, Columns, Adultery, Antlers, Cobblestone streets, Demons, Military uniforms, Baskets, Infants, Daggers & swords, Poor persons, Pickpockets, Beggars, Staffs (Sticks), Prostitutes, Soldiers, and British
- Found in:
- Lewis Walpole Library > The court of love, or, An election in the island of Borneo [graphic]
15. The omni-buss [graphic]
- Creator:
- Heath, William, 1795-1840, printmaker
- Published / Created:
- [15 October 1829]
- Call Number:
- 829.10.15.01+
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- Wellington drives a large new coach pulled by three horses with human heads. He is dressed in a a triple-caped greatcoat and broad brimmed hat and flicks the long whip with skill on the backs of the horses depicted with the heads of John Bull and on either side, stock characters of an Irishman and Scotsman wearing traditional hats. They ride on a road labelled "national debt' as the horses hoves sink in the mud labelled "sinking fund." Peel rides behind in the conductor's seat. One of the four curtains on the windows of the omnibus is pulled aside to reveal George IV about to kiss Lady Conyngham. The splash board of the new omnibus is painted with the gold initials 'GR' and a crown
- Alternative Title:
- Omnibus
- Description:
- Title etched below image., Sheet trimmed within plate mark., and Printseller's announcement following publication statement: sole publisher of WH's etchings.
- Publisher:
- Pub. Oct. 15th, 1829, by T. McLean, 26 Haymarket
- Subject (Geographic):
- Great Britain. and Great Britain
- Subject (Name):
- Conyngham, Elizabeth Conyngham, Marchioness, -1861, George IV, King of Great Britain, 1762-1830, Peel, Robert, 1788-1850, and Wellington, Arthur Wellesley, Duke of, 1769-1852
- Subject (Topic):
- Catholics, Catholic emancipation, Debts, public, John Bull (Symbolic character), Economic conditions, Buses, and British
- Found in:
- Lewis Walpole Library > The omni-buss [graphic]
16. Young Roscius and his pappa in company with John Bull [graphic].
- Published / Created:
- [4 January 1805]
- Call Number:
- 805.01.04.01+
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- An oversized John Bull with a carbuncled-faced sits at a round table across from a very young looking William Betty and his father, both handsome and not caricatured. John Bull toasts the two, full wine glass in hand: "Youngster, heres to you I'm glad to see you in town. Old Master Roscius your health, and may you get such another boy every New Year's Day for the benifit [sic] of the English stage." Behind them pinned to the wall are two prints: the one a profile portrait of Mrs. Siddons, hangs from one corner only, and the other a portrait of J.P. Kemble. The three ostrich feathers on the back of Master Betty's chair may indicate the patronage of the Prince of Wales
- Description:
- Title etched below image., Printseller's stamp in lower right corner: S.W.F., and Description from British Museum catalogue of "Young Roscius and Don John" mounted on verso.
- Publisher:
- Pubd January 4, 1805, by S.W. Fores, No. 50 Piccadilly
- Subject (Geographic):
- Great Britain
- Subject (Name):
- Betty, William Hen. West 1791-1874. (William Henry West),, Siddons, Sarah, 1755-1831, and Kemble, John Philip, 1757-1823
- Subject (Topic):
- John Bull (Symbolic character), Theater, Actors, British, and Child actors
- Found in:
- Lewis Walpole Library > Young Roscius and his pappa in company with John Bull [graphic].