A short and obese Demosthenes (Charles Fox) with a worried expression on his face, appears to be delivering a pledge. He stands between tall and thin figures of Themistocles (Admiral Hood) on the left and Judas Iscariot (Sir Cecil Wray) on the right, who watch him with a condescending smile
Description:
Title etched below image., Printmaker from British Museum catalogue., and Publisher's name and address at end of imprint statement are stipple engraved and fainter than the text at the beginning of imprint, which is etched.
Publisher:
Pubd. April 8th, 1784, by W. Humphrey, No. 227 Strand
Subject (Geographic):
Great Britain, England, and Westminster
Subject (Name):
Fox, Charles James, 1749-1806, Hood, Samuel Hood, Viscount, 1724-1816, and Wray, Cecil, Sir, 1734-1805
Subject (Topic):
Politics and government, Political elections, Public speaking, and Clothing & dress
"The boxing scene from 'The Romp', Act II, between Young Cockney (left) and Priscilla Tomboy. They face each other with clenched fists. Young Cockney is fashionably dressed and portly, Priscilla's large hat and mittens are on the floor. Behind her (right) stands Captain Sightley in regimentals and Miss La Blond wearing a large hat which conceals her face. Behind them on the extreme right is a folding screen. Framed pictures decorate the wall."--British Museum online catalogue
Description:
Title etched below image., Signed in lower left of image with monogram RR [first 'R' reversed] delin., Sheet trimmed within plate mark., Watermark in center of sheet., and In pencil on verso: RR [R Rushworth?].
Publisher:
Publisehed [sic] Jany 3d. 1786, by S.W. Fores at the Caracature Warehouse No. 3, Piccadilly
Subject (Name):
Barnes, Mrs., active 1782-1808., Barrymore, Mr. 1759-1830. (William),, Dodd, James William, 1740?-1796, Jordan, Dorothy, 1761-1816, and Bickerstaff, Isaac, 1735-1812.
Subject (Topic):
Boxing, Military uniforms, British, Theaters, and Theatrical productions
Title from item., Publication date from British Museum catalogue., Two designs, side by side, within a border containing seventeen smaller designs., Temporary local subject terms: Allusion to 'Carus', fl. 1733 -- Allusion to William Arnall, ca. 1700-1736 -- Nicknames: W. Arnall as 'Francis Walsingham' or 'Mother Osborne' -- Allusion to James Pitt, fl. 1733 -- Nicknames: J. Pitt as 'Fr. Osborne' or 'Mother Osborne' -- Hand of Providence -- Newspapers: allusion to The daily gazeteer -- Journals: Prompter -- Mythology: Acteon as a stag -- Imperial princes as a naked boy -- Implements of torture -- Maps: Naples and Sicily -- Figure of Rome as a nun -- Figure of Germany -- Figure of Scotland -- Britannia -- Shields -- Magna Charta -- Nuns -- Altars -- Pyramids -- Defeat of the excise scheme -- Devils -- Coins -- Dragons -- Harpies -- Mottoes -- Houghton Hall -- Slogans: liberty and property -- Navy: fleet of ships -- Emblems: fleur-de-lis on globe -- Ropes: halter -- Allusion to the sinking fund -- Treaties: Hanover -- Treaties: Seville and Vienna -- Spithead expedition -- Fasces -- Sir Robert Walpole's mistresses as Harpies -- Headsman's axe -- British lion tied by heels -- Sir Robert Walpole as a serpent -- Sir Robert Walpole's French policy, 1733 -- English commerce foundering -- Writing fools -- Unobtainable justice -- Scales tipped by the judge -- Gibbets -- Executions -- Hanged traitors., and Watermark.
Publisher:
publisher not identified
Subject (Name):
Walpole, Robert, Earl of Orford, 1676-1745, Walpole, Maria, Lady, 1701 or 1702-1738, Fleury, André Hercule de, 1653-1743, and Norfolk, Edward Howard, Duke of, 1686-1777
"Satire on Robert Walpole and his continuing influence on government after his fall from power. A large folding screen in the centre stands open showing events from Walpole's career: the South Sea Bubble, the treaties of Hanover and Seville, the "Bank contract" of 1720, Admiral Hosier's expedition to Cartagena, the Excise Scheme (depicted as BM Satires 1918), the War of Jenkins' Ear, the Convention of the Pardo, the English ships held in the port of San Sebastian in 1740 (see BM Satires 2418 and 2440), and a general reference to "Bribery, &c.". A mirror on the left reveal that Walpole is standing behind the screen pulling strings that operate members of parliament assembled in the chamber shown below. Above the screen is a separate scene showing the reconciliation between George II and Frederick, Prince of Wales, early in 1742. To the right stands the Duke of Argyll in Garter robes resting against a lectern and pointing to Wapole's misdeeds as portrayed on the screen; above Argyll's head hangs a picture of Diogenes holding his lamp and a portrait of the "honest man" he sought; beside Argyll is lettered, "Glorious and Brave to shake Corruption's Seat, But much more Glorious is thy brave Retreat". Two columns of letterpress verse below warn "William", i.e. Pulteney, that Walpole continues to influence governement."
Description:
Caption title in letterpress below image., The title from the caption above the image on the plate: A new screen for an old one, or, The screen of screens., "Price 6p.", Imprint on plate below design., Letterpress broadside poem illustrated with an etching in upper part of the sheet (plate mark 17.3 x 17.2 cm.). The title from the caption above the image on the plate: A new screen for an old one, or, The screen of screens., Two lines of verse engraved vertically on the right of plate: Glorious and brave to shake corruption's seat, but much more glorious is thy brave retreat., Twenty six lines of verse in two columns below the plate, in letterpress: Dear William, did'st thou never go, to mimic farce, call'd Puppet-Shew? ... Lond. Evening Post, Mar. 11, 1741-2., Bowditch's ms. annotations on the mounting sheet; mounted to 35 x 42 cm., and Watermark.
Publisher:
Publish'd according to act of Parliament by T.B.
Subject (Name):
George II, King of Great Britain, 1683-1760, Frederick Louis, Prince of Wales, 1707-1751, Argyle, John Campbell, Duke of, 1680-1743, Bath, William Pulteney, Earl of, 1684-1764, Walpole, Robert, Earl of Orford, 1676-1745, and Diogenes, -approximately 323 B.C.
"Two-part satire on the resignation of Lord Bute, April 1763. On the left is a scene of execution, headed "Excise", with Bute, identified by his plaid waistcoat, hanging from an apple tree (referring to the Cider Bill), a devil sitting on the branch above him wears a large boot (a pun on Bute) on one leg, the other ending in a claw; two men below exult. In the centre a man (evidently another representation of Bute as he wears a large boot on one leg and on the other leg wears a garter lettered "Honi ..." as in the scene on the right) lies across a fire while another pumps a pair of bellows to fan the flames; three farmers standing behind the fire and another to the right rejoice at Bute's downfall. On the right, another devil reciting the proverb, "Harm watch, Harm catch", one leg ending in a hammer, sits on top of a gallows from which hangs a fox (Henry Fox) wighted down by money bags tied around his neck. On the right is a scene set in a grand interior, headed "Resignation, in which Princess Augusta sprawls weeping in a chair her breasts partly exposed while a devil delves into Bute's breeches as he drags him through a door through which flames and smoke can be seen, the Duke of Cumberland brandishes a sword in his right hand and pushes Bute with his left; he is encouraged by a nephew, Edward, Duke of York, at lower right, a lusty goat, one of whose hands is a claw, looks on with pleasure."--British Museum online catalogue
Alternative Title:
Excise and Resignation
Description:
Title etched below image, between the verses., Two images on one plate, each with caption title above., Eight lines of verse under each image: With greater joy, his L- see, like Judas hanging on a tree ..., Temporary local subject terms: Laws & statutes: Cyder Act, 1763 -- Bute's resignation, April 8, 1763., Watermark., and Subjects identified below plate mark in an unknown hand.
Publisher:
J. Williams
Subject (Name):
Augusta, Princess of Wales, 1719-1772, William Augustus, Prince, Duke of Cumberland, 1721-1765, Edward Augustus, Prince, Duke of York and Albany, 1739-1767, Bute, John Stuart, Earl of, 1713-1792, and Holland, Henry Fox, Baron, 1705-1774
Title from item., Sheet trimmed within plate mark., State without imprint. Cf. No. 4141 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Temporary local subject terms: Laws and statutes: repeal of the Stamp Act -- Laws and statutes: Cyder act -- Monuments -- Demons: Fury -- MIrrors: hand-held mirror -- Rebellions: skulls of the Jacobite rebels -- Poverty -- Emblems: tobacco leaves -- Emblems: apple tree branch as Cyder act -- Stamps: caricature of stamps for the American colonies., Watermark: countermark: initials GR below crown., and Mounted to 30 x 45 cm.
Publisher:
publisher not identified
Subject (Name):
Scott, James, 1733-1814, Halifax, George Montagu-Dunk, Earl of, 1716-1771, Sandwich, John Montagu, Earl of, 1718-1792, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Norton, Fletcher, 1716-1789, Grenville, George, 1712-1770, and Pitt, William, Earl of Chatham, 1708-1778
Title from item., Seven lines of verse in two columns below title: Why man, he doth bestride [the] narrow world ... Shakespeare., Five lines of text titled "Description" below verse: The Colossus at Rhodes, a stature of [the] Sun 70 cubits high ..., Temporary local subject terms: Cuba -- Literature: quotation from Shakespeare -- Colossus -- Cardinal Fleury as a fox., and Watermark: countermark I V.
Publisher:
publisher not identified
Subject (Name):
Walpole, Robert, Earl of Orford, 1676-1745 and Fleury, André Hercule de, 1653-1743
Title from item., Four columns of verse below image and title: A lion that was bred up tame, Was tutor'd by a man of fame ..., Temporary local subject terms: British Lion., and Watermark: Anglo-Dutch coats of arms.
Publisher:
publisher not identified
Subject (Name):
Augusta, Princess of Wales, 1719-1772, George III, King of Great Britain, 1738-1820, and Bute, John Stuart, Earl of, 1713-1792
Title from item., Printmaker identified by former owner as probably Kingsbury., Sheet trimmed to plate mark on top., Place of publication from publisher's entry in Maxted, I. London book trades., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Tax collectors -- Tradesmen -- Taxes: tax book -- Weapons: pistols -- Emblems: royal crown stamped on pistol as proof of paid tax -- Ink-bottles attached to coat -- Furniture: inkstands -- Children -- Reference to coalition with Portugal., Mounted to 30 x 42 cm., and Watermark: Strasburg lily.