V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Napoleon, a grotesque mannikin in a strait-waistcoat, sits on a three-legged 'Stool of Repentance' which stands in a large tub of 'Hot Water', whose steaming contents are inscribed 'Sea of Troubles'. The waistcoat is inscribed 'Allied Strait Waist-coat'; it has long sleeves extending far beyond his hands, the ends held by the Tsar (left) and a Cossack (right) so that the captive's arms are horizontally extended. His head is bald and is in profile to the left; he has a beak-like nose and his mouth gapes like a young bird's for a huge bolus inscribed 'Invasion of France' which John Bull, a fat 'cit', puts into his mouth. Alexander, who wears an ill-fitting bag-wig poised on his own hair, holds a knout with knotted lashes, inscribed 'Russia Hemp'; he says: "I have found, a constant application of this Russian Knout to work Wonders!!" John Bull, who stands beside him, says: "Work away my Masters I'll pay you your fees ay ay rave & rant Master Boney but the Devil will Bone you at last." In the centre of the design, high above the other figures, stands a grotesque Dutchman, with a conical hat, a frill round his neck, and grinning features. In his hat is a ribbon inscribed 'Orange' and a pipe. He holds up a short cannon or mortar inscribed 'Dutch Drops' [see British Museum Satires No. 12114], from which pours a flood containing tiny replicas of himself armed with dagger, axe, a blunderbuss or bayonet, who descend upon Napoleon's head; among these are balls (bullets or oranges), the largest inscribed 'Orange Boven'. He says: "We'll try what Dutch Drops will do!" By the tub (right) kneels a Spanish don, wearing slashed tunic and breeches, with cloak and ruff; he applies a plaster to Napoleon's back inscribed 'Spanish Flies' [cantharides or blister-beetles, see British Museum Satires No. 11016], and grins broadly, saying, "Here is a Plaster of Spanish flies for his - ." Behind him stands the Cossack, piercing Napoleon's left arm with his long spear, making a fountain of blood spurt into a bowl, inscribed 'Crown Bowl', held by Bernadotte, the Crown Prince of Sweden. Bernadotte wears an absurd powdered wig with queue perched on his own hair which is in a small pigtail. On the wig is poised a cocked hat. He says: "I think my Crown Razors have shaved his Crown pretty close." From his belt hangs an open razor, the blade inscribed 'Best Crown Steel'. Like Alexander, he wears uniform with jack-boots. The tub stands upon flames inscribed 'Moscow' from which emerge the towers and buildings of the city, see No. 12049. Napoleon frantically flourishes above the water one thin leg in a huge jack-boot with a giant spur. He exclaims: "Hence with your Medecines--they but drive me Mad-- Curse on your Dutch Drops your Leipsic Blister [see British Museum Satires No. 12093, &c.] & your Spanish flies they have fretted me to what I am D--n your Cossack Lancets They have drained my veins and rendered me poor & vulnerable indeed!--Oh! how I am fallen--But I will still struggle--I will still be great--Myriads of Frenchmen still shall uphold the glory of my Name the Granduer [sic] of my Throne & write my disgrace in the hearts of ye--ye Wretched creatures of English Gold!" On the extreme right a Frenchman wearing a bonnet rouge looks in through a window, much perturbed. He says: "By gar de grande Bounaparte get into de hot water at last, he no like his Doctors--by gar he say they be no doctors, but de journeymen of dat great Doctor John Bull." Behind Alexander and on the extreme left is the 'Allied Medecine Chest'. It contains a jar of 'Surgical Instruments' bristling with cutting and slashing weapons, axes, bayonets, sword, &c., with a jagged saw; a pile of 'snow balls' [cf. British Museum Satires No. 11917, &c.], and a jar of 'Cossack Leeches'."--British Museum online catalogue
Alternative Title:
Bleeding and warm water!, or, The allied doctors bringing Boney to his sense's and Allied doctors bringing Boney to his sense's
Description:
Title etched below image., Plate numbered "287" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., and Leaf 63 in volume 4.
Publisher:
Pubd. Decr. 12th, 1813, by T. Tegg, Cheapside
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Alexander I, Emperor of Russia, 1777-1825, and Charles XIV John, King of Sweden and Norway, 1763-1844
The sudden entrance, through the window, of Napoleon Bonaparte startles tailors assembled in their shop, i.e., the European rulers at the Congress of Vienna, busy "cutting out" portions of Europe for themselves. With a blood-dripping sabre in his hand, Bonaparte declares his readiness to join them in this activity. To his left, a startled King of Holland moves toward the Austrian Emperor, shown with a pair of small scissors and an iron in his hands, who is Napoleon's father-in-law and whom the deposed French Emperor asks, "Where is my wife and son, father Francis?" Beside Francis I, the Russian Emperor stands on a large piece of cloth lined with "Polish fur," raising in his left hand a knot made out of the measuring tape. On the opposite side of the workbench, a fierce-looking Prussian general Blücher threatens Napoleon with huge shears. Behind him, the King of Prussia, sitting cross-legged, continues sewing a piece of cloth signed, "Pattern of an Emperors Robe." To his right stands Napoleon's former marshal, Bernadotte, now allied against him as the Crown Prince of Sweden. In the middle of the room, a frightened and helpless-looking King of France lies flat on the floor, consoled by John Bull, with a large club, who promises to sew up "that rascal Boney." Behind John Bull, a terrified Pope scrambles away for the safety, his tiara and cross fallen to the ground. On the other side of Louis XVIII, the French negotiator at the Congress, Talleyrand, attempts to hide under the tailors' bench
Alternative Title:
Devil among the tailors
Description:
Title from caption below image., Artist from British Museum catalogue., Sheet trimmed within plate mark., and Mounted to 29 x 44 cm.
Publisher:
Pubd April 21st, 1815 by H. Humphrey, St. James's Street
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821., Louis XVIII, King of France, 1755-1824., Francis I, Emperor of Austria, 1768-1835., Alexander I, Emperor of Russia, 1777-1825., William I, King of the Netherlands, 1772-1843., Frederick William III, King of Prussia, 1770-1840., Pius VII, Pope, 1742-1823., Charles XIV John, King of Sweden and Norway, 1763-1844., Blücher, Gebhard Leberecht von, 1742-1819., and Talleyrand-Périgord, Charles Maurice de, prince de Bénévent, 1754-1838
Subject (Topic):
John Bull (Symbolic character), Congress of Vienna, Tailor shops, Clothing and dress, Scissors & shears, Hats, and Crowns
Neice presented to her relatives by her French governess and Niece presented to her relatives by her French governess
Description:
Title from caption below image., Numerous lines of dialogue in English and French on either side of title: Well-a-day Aunt! What monstrosities are these? ..., Sheet trimmed within plate mark., Reissue of no. 12922 in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9; originally published Jan. 3, 1817, by H. Humphrey., Temporary local subject terms: Hatboxes -- Education., and Numbered in ms. at top of sheet: 121.
"The Duke of Clarence dances with a tall thin girl (right), holding both her hands; they face each other in profile. He is unrecognizable, a plainly dressed short and obese John Bull. She wears a cross suspended from a long necklace. The room, with boarded floor and small musicians' gallery, suggests an English provincial assembly-room rather than a Russian palace. Two couples stand against the wall (left), a lady and her partner sit on a bergère (right); a man stands near them. Two of the men have moustaches, as an indication that they are foreigners. All are much amused at the ill-matched partners."--British Museum online catalogue
Alternative Title:
Longitude and latitude of St. Petersburgh
Description:
Title from caption below image. and Temporary local subject terms: Dancing -- Sconces -- Russia.
Publisher:
Pub. May 18th 1813 by H Humphrey St James's Street
"Imp-like creatures of the railway company, gathered around the seated figure of John Bull, stripping him of his clothes and possessions, an auctioneer selling elements of his wardrobe, trains pulling boxes of money and silver plate"--British Museum online catalogue
Alternative Title:
Anticipated effects of the railway calls
Description:
Title from caption below image., Date of publication and publisher from British Museum catalogue., Illustration to: George Cruikshank's Table book. Published by George Bell in London., Illustration accompanying a brief article on railroad speculation by the periodical's editor, Gilbert Abbott a Beckett., Sheet trimmed within plate mark., and Window mounted to 30 x 23 cm.
Publisher:
George Bell
Subject (Geographic):
England.
Subject (Topic):
John Bull (Symbolic character), Auctions, Fictitious characters, Money, and Railroads
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Two adjacent designs. [1] The Regent tipsily bestrides a fat and ugly cook, who is on her hands and knees; he flourishes a bottle of 'Royal Max' [gin] and a glass and shouts: "Ha! ha! D--me! this is glorious! this is Princely!!--better fun than the Hertford Hobby [see British Museum Satires No. 13213]--Kitchen stuff & Dishclouts for ever I say D--me!!--If the rascals caricature me, I'll buy em All up d--me." The cook, still holding the broken dish from which a huge cod's head has fallen, exclaims: "Oh! Master do let me alone & see! you've thrown the Cods head & Shoulders all in the dirt!" In the background, Lady Hertford, wearing a coronet, looks angrily from a doorway. On the floor in the foreground are a 'Royal Greas Pot', rolling-pin, and a ladle, with a playbill: 'Brighton--under the Pub [Patr]onage of [the Princ]e Regent--High Life below Stairs Principle Character--G P R'. See British Museum Satires No. 13208, &c. [2] The Duke of York, very erect, rides a velocipede (see British Museum Satires No. 13399) in profile to the right, with Mrs. Carey behind him in a little seat over the back wheel, her hands on his shoulders. He wears Windsor uniform of military cut, with breeches, spurred top-boots, and a top-hat, which he raises. Across the pole hangs a fat purse inscribed '10,000 pr annm Custos [Personae Regis]' which serves as saddle. He says: "I say Carey: this Windsor job, is a devilish snug concern & this saddle bag makes it very pleasant riding!--I wish our army had been mounted on these Hobby's in Flanders;--I don't mean Waterloo--" She answers: "I know what you mean;--but it is a good joke, to think while the Establishment of the Father is redud at Windsor: the sons Establist is increas'd at Fulham--tis properly coming York over John Bull." In the background John Bull, a sturdy fellow, stands with folded arms outside a miserable thatched hut where women and children are crouching. He says fiercely: "£10,000 a year for a son to do his duty to his Father!!!!!! whilst my Children are starving!!!--"Fie out! O Fie 'tis an unweeded garden that grows to seed things rank & gross in nature posess it merely." ['Hamlet', I. ii.]."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Three lines of quoted text following title: "De gustibus non est disputandum; that is, there is no disputing against hobby-horses." Tristram Shandy., Plate numbered "341" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Watermark: 1817., and Leaf 52 in volume 5.
Publisher:
Pubd. Apl. 9th, 1819, by T. Tegg, No. 111 Cheapside
Subject (Name):
George IV, King of Great Britain, 1762-1830, Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834, and Frederick Augustus, Prince, Duke of York and Albany, 1763-1827
Vansittart and Castlereagh, as surgeons, bleeding coins from the arms of John Bull. The coins are collected by Prince Leopold, Princess Charlotte, a tiny McMahon, a Chinese mandarin, and the gouty Regent. Brougham, stands on the left, pointing finger at John Bull, saying, "Retrench! Johnny, Retrench! practise [sic] a little more Economy." and "John Bull sits foursquare in an arm-chair, between two surgeons, his arms extended horizontally and supported by the vertical poles which he clutches; these are spirally striped, like the barber's pole, and are such as were used by practisers of phlebotomy. The one in his right hand is inscribed 'Additional Military Staff to support the Peace'; the other: 'Wellington's Staff'. The surgeon on the left is Vansittart, in his Chancellor of the Exchequer's gown, triumphantly holding up his lancet as guineas spout from the incision in John's right arm. The coin is collected by Prince Leopold in a warming-pan inscribed '60,000 per Ann'. [see British Museum Satires No. 12754] and by Princess Charlotte, who holds out a large receptacle inscribed 'For Wedding Garm[ents] Diamond Trinkets & Baubles'. She looks sideways at the warming-pan; her very décolletée dress has a train, and she wears a small crown or coronet. His military tunic is covered with stars, and he stares intently at the golden shower. Castlereagh, with a cynical smile, operates on the left arm. A tiny McMahon swarms up the pole and holds out his 'Privy Purse', see British Museum Satires No. 11874, to catch a trickle from the wound. The main shower of guineas falls into the enormous jaws of a squatting and grotesque Chinese mandarin (see British Museum Satires No. 12749) whose obese body, in the form of a large bag, is inscribed 'To pay off Arrears of the Civil List'. Over this bag, the biggest of the receptacles depicted, the gouty Regent stoops forward, supported on crutches, his head turned to the left, staring with apprehensive malevolence at Brougham who stands on the extreme left, not caricatured. John Bull, a stout 'cit', wears patched and ragged waistcoat and breeches. His empty pockets are inside out. He registers alarm, and exclaims: "Pray good folks have a little mercy & spare the Vital stream which sustains me!-- Consider what Oceans I have spilt in the late Wars!--I am too much exhausted to Bleed as freely as formerly--You have Open'd so many veins & drain'd me so incessantly that I fear my Constitution is impair'd for ever! My Friends, say that I am Declining fast & will certainly Die of a Galloping Consumption!!!" Two hussars with drawn sabres stand on guard behind his chair, watching the operation with pleased surprise. Behind them, the middle distance and background are filled with soldiers standing at attention with drawn sabres or fixed bayonets, wearing braided tunics and high hussar caps. They have British flags, faintly indicated, one being a Union flag, another the Royal Standard, and a fringed banner inscribed 'Standing Army For the Peace Establishment'. On the right, behind the Regent, the Tsar walks off to the right, looking over his shoulder with a pleased smile; he carries a sack across his shoulder inscribed 'Subsidies Russia'. With him, but less conspicuous, are Francis I and Frederick William; each carries a basket on his head heaped with coins, one 'Subsidies For Austria', the other 'Subsidies for Prussia'. All three wear uniform. Brougham, who wears a long loose coat, with trousers, and holds a top-hat, stands in profile to the right, his right arm extended with admonitory finger pointing at John Bull. He says: "Retrench! Johnny, Retrench!--practise a little more Economy in your present Wretched State, or you'll never Recover!--you have too many Physicians & their constant Employment is very Expensive they will not leave you till they have the last Shilling!--Kick out the Doctors & a fig for the Disease!!" At his feet and in the foreground is a neat box inscribed '37 Styptics [see British Museum Satires No. 12750, &c.] for Curing John Bull's Dreadful Disorder by Brougham & C°.' Near it are the fragments of a broken tub inscribed: 'Property Tax receiver rendered useless by the "ignorant impatience" of John Bull.' In front of John are a jar of 'Leeches' and a book: 'The Red Book or or [sic] a list of Persons Holding Sinecures'. Three tubs heaped with coin stand on the right, each progressively larger in size, inscribed: [1] 'Regency Presents & Yearly Allowance to Bonaparte & the Govenors [sic] Establist at St Helena'; [2] 'To Support the Allied Army in France'; [3] 'Extra Allowance for Commissrs of Dockyards & other fresh-water Agents of the Navy who will on the Peace Establishment of 1816 greatly exceed in expence the War Estabt of 1804 when the British Navy with 140,000 seamen Covered the Ocean.'"--British Museum online catalogue
Description:
Title etched below image., Month of publication from the British Museum catalogue., Sheet trimmed within plate mark., and Temporary local Medical Library subject terms: Politics, British.
Publisher:
Pubd. by F. Sidebotham, 96 Strand
Subject (Geographic):
England
Subject (Name):
Vansittart, Nicholas, 1766-1851, Castlereagh, Robert Stewart, Viscount, 1769-1822, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, George IV, King of Great Britain, 1762-1830, Léopold I, King of the Belgians, 1790-1865, Charlotte Augusta, Princess of Great Britain, 1796-1817, McMahon, John, approximately 1754-1817, Francis I, Emperor of Austria, 1768-1835, Alexander I, Emperor of Russia, 1777-1825, Frederick William III, King of Prussia, 1770-1840, Wellington, Arthur Wellesley, Duke of, 1769-1852., Brougham and Vaux, Henry Brougham, Baron, 1778-1868., Castlereagh, Robert Stewart, Viscount, 1769-1822., George IV, King of Great Britain, 1762-1830., and Vansittart, Nicholas, 1766-1851.
Subject (Topic):
John Bull (Symbolic character), Phlebotomy, Gout, Taxes, and Military personnel
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The Regent, flourishing a birch-rod and clenching his left fist, threatens three ladies who flee before him; he kicks them, one falls on her back. All three scream, the Regent shouts: "Get out! get out! you faggots! get out of the House I say--Zounds I've burst my Stays!-- what! what! you'll let Her see her Mother will you?!! O! you Jades!--but I'll soon put a stop to that, I'll lock the young baggage up, thats what I will & I'll kick you to the Devil & thats what I will so turn out! turn out! Out! Out! Out! & be d--d to you all?!" Through a wide-open door (right) Princess Charlotte, wearing a small coronet, is seen fleeing with raised arms, looking over her shoulder. She screams: "Oh! Mamme! Mamme--Pappe's going to whip me Oh dear oh--." Behind the Regent (left) stands the Bishop of Salisbury, burlesqued, holding a crosier in his right hand, with a mitre perched on his grotesque wig. He registers alarmed astonishment, saying, "Dash my Wig, here's a pretty Kick up!!!" Through an open window (left) a puzzled and uneasy John Bull stares in; he says: "What the Devil is he about now?!!" In the foreground (left) the Prince's hat and gloves lie on the floor beside an open book: 'Turnout A Farce'."--British Museum online catalogue
Alternative Title:
Regent kicking up a row, or, Warwick House in an uproar and Warwick House in an uproar
Description:
Title etched below image., Plate numbered "337" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., and Leaf 46 in volume 5.
Publisher:
Pubd. July 20, 1814, by T. Tegg, 111 Cheapside
Subject (Name):
George IV, King of Great Britain, 1762-1830, Charlotte Augusta, Princess of Great Britain, 1796-1817, and Fisher, John, 1748-1825
Title from caption below image., Publication date from unverified data in local card catalog record., Two columns of dialogue below title: Dialogue. Mrs. Bull: "Why bless me, John, be that you yourself? Why, I didn't know you agen! What on airth ha' ye letten your beard grow for, man? ..., and Temporary local subject terms: Paintings -- Homes.
"Plate to the 'Scourge', iv, before p. 349. An illustration to 'Elections in the Isle of Borneo', pp. 349-55, relating a dream in which the Prince chooses his Ministers and Household officers according to their proficiency in adultery. A sequel to British Museum Satires No. 11899. The Regent is enthroned under a canopy in the centre of a long platform backed by the pillars of Carlton House. Below is the cobbled street, with passers-by and spectators whose heads are just below the platform, so that the figures are arranged in two tiers. The Regent's throne is on a triple dais; he puts one arm round the waist of Lady Hertford who sits on his knee, holding at arms' length a brimming goblet. She puts her right arm round his neck, and also supports herself by placing a finger on the branching antlers of her husband, who stands in his chamberlain's robes, and holding his wand of office, beside the dais, at which he points with a complacent grin. He says: "My gracious Master is personelly acquainted with my merits, they live in his bosom, & he will reward me, according to my Deserts." Lady Hertford wears a spiky crown, and her vast spherical breasts are divided by a jewel in the form of the Prince's feathers with his motto 'Ich Dien.' The drapery over the throne is centred by the crowned skull of a stag, with wide antlers; in its nostrils is a ring from which a birch-rod hangs above the Prince's head. A grinning demon, standing on the antlers, straddles across the crown, holding up the drapery. On the left of the throne the Duke of York, in uniform with cavalry boots, his hand on his sword, stands swaggeringly. A woman clutches his arm and whispers in his ear; beside them is a basket containing three infants and inscribed 'Mother Careys Chickin' [see British Museum Satires No. 11050]. He says: "I was turned out of the Office I now solicit because I was too fond of a married Woman [Mrs. Clarke, see British Museum Satires No. 11216, &c.] & could not live without commiting Adultery I claim therefore to be once more elevated to the Office of Commander in Cheif." Behind Lord Hertford (and a pendant to Mrs. Carey) stands an elderly posturing peer, wearing a star, his hands deprecatingly extended. He says: "As for business I never had a Headfor't but I have laid the Country under a Massy load of Obligations in other respects Adultery is my Motto so give me ******ship of the H-." Next (right) is a group of three: the Duke of Cumberland in outlandish Death's Head Hussar uniform holding a sabre with a notched blade and seemingly dripping blood, though not so coloured. He stands between two young women; one, holding his arm, brandishes a razor over her head, the other holds a paper called 'Nugent'. The Duke says: "Considering my Exploits you cannot do less than make me a Field Marshal." On the extreme right is the Duke of Clarence in admiral's uniform with trousers, pointing to a broken chamber-pot ('Jordan') decorated with a crown and containing seven children, two in uniform. Mrs. Jordan takes him affectionately by the arm. He points downwards, saying, "I have lived in Adultery with an actress 25 years & have a pretty Number of illegetimate Children. I hope you will make me an Admiral of the Fleets." On the extreme left McMahon, dwarfish and ugly, stoops over the edge of the platform, pouring coins from a bag marked 'P P' [reversed letters], for Privy Purse (or Pimp), into the apron of a hideous bawd who grins up at him. He says: "Let her be forty at least, plump & Sprightly." Next stands Lord Yarmouth, wearing a star, his hands in his pockets, scowling at a young woman who puts her hands on his shoulders; he says: "Confound my Wishers if Venus alias Fanny Anny [Fagniani] may not go to Juno----I'm Vice all over. Let me con tinue so." Next is a tall man wearing a long driving-coat with a star and a small rakish top-hat (? Lord Melbourne); one leg terminates in a cloven hoof. He stands between two disreputable women of the lowest St. Giles type, ragged and hideous, an arm across the shoulders of each; both offer him drink, one takes him by the chin. A third and younger woman sits on the ground at his feet, drinking from a bottle. He says: "As for me my Name is sufficient, I am known as the Paragon of Debauchery and I only claim to be the-s [Regent's] Confidential Friend." On the ground (left to right) are the bawd receiving money from McMahon, a ragged dustman with the curved shin-bones then known as 'cheese-cutters', a result of rickets; George Hanger, with his bludgeon under his arm (cf. British Museum Satires No. 8889, &c.), saying, "Hang her She's quite Drunk"; Augustus Barry, grotesquely thin and very rakish, with long coat, standing with widely splayed-out feet. These three stare up at the throne, Barry looking through an eye-glass. A ragged, sub-human creature picks Barry's pocket, taking a paper: 'A Sermon to be Preached at Cripple gate by Revd Honble A Newgate'. A blind beggar (? a sailor) walks with a stick, and a dog on a string, holding out his tattered hat. A Quaker-like figure stares up at the platform where the legs of the seated prostitute hang over its edge, as does a beggar boy with badly twisted legs. Next, a fashionably dressed man and woman shake hands, bending to stare into each other's face. He takes her left hand. His dress resembles that of the dandy of a few years later: shock of hair, exaggerated neck-cloth, hussar-pattern trousers, and long tail-coat. The centre figure in this lower row is John Bull looking up angrily over his shoulder at the prostitute, and pushing away to the right three young girls; he says to them: "Get away get away, if you go near the Platform you'll be ruined." His bull-dog looks pugnaciously up at the platform. A tall emaciated cavalry soldier speaks to a woman in a poke-bonnet, while a little ragged boy clasps the long horse-tail which hangs from his helmet. On the extreme right is Sheridan in (ragged) Harlequin's dress (cf. British Museum Satires No. 9916), moribund or drunk, supported between two top-booted bailiffs; one holds a writ and says "Poor fellow his Magic wand is broken." On the ground lies his wooden sword in two pieces, one inscribed 'M', the other 'P'; at his feet is a paper: 'Princely Promises'."--British Museum online catalogue
Alternative Title:
Election in the island of Borneo
Description:
Title etched below image., Plate from: The Scourge, or, Monthly expositor of imposture and folly. London: W. Jones, v. 4 (October 1812), page 349., Sheet trimmed within plate mark., Window mounted to 36 x 51 cm., and Mounted opposite page 318 (leaf numbered '143' in pencil) in volume 2 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Published November 1st, 1812, by W.N. Jones, No. 5 Newgate Street
Subject (Name):
George IV, King of Great Britain, 1762-1830, Hertford, Francis Ingram Seymour, Marquis of, 1743-1822, Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Ernest Augustus, King of Hanover, 1771-1851, William IV, King of Great Britain, 1765-1837, Jordan, Dorothy, 1761-1816, McMahon, John, approximately 1754-1817, Hertford, Francis Charles Seymour-Conway, Marquess of, 1777-1842, Melbourne, Peniston Lamb, Viscount, 1745-1828, Hanger, George, 1751?-1824, Barry, Augustus, Honble., 1773-1818, Sheridan, Richard Brinsley, 1751-1816, and Carlton House (London, England),
Subject (Topic):
Harlequin (Fictitious character), John Bull (Symbolic character), Dustmen, Thrones, Canopies, Columns, Adultery, Antlers, Cobblestone streets, Demons, Military uniforms, Baskets, Infants, Daggers & swords, Poor persons, Pickpockets, Beggars, Staffs (Sticks), Prostitutes, Soldiers, and British