"Scene on the steps of a London club. A Life Guards officer with moustache and whiskers stares at two exotic-looking civilians who appear arm-in-arm, walking (right to left) along the pavement, both moustached and with whiskers of incredible length and luxuriance. These are worn with wide turn-down collars, one with a loosely knotted tie, the other with his tie passed through a ring, a contrast with the tightly curled whiskers and high stock of the officer. A Guards officer in a high bearskin, without moustache but with bushier whiskers than those of the cavalry officer, stands on the steps, stretching and yawning, his back to the whiskered civilians. Through the open sash-windows two whiskered civilians are seen, one raises a side of his collar, to which the whiskers seem to be attached; the other pompously caresses an immense whisker. A man of French appearance, whiskered and moustached, standing on the steps, gapes at the two pedestrians, whose whiskers have something of the lion's mane. This is stressed by a poster behind them headed by a picture of a lion: Nero is to be Seen . . . On a second poster is a bear: Bears' Grease for the Growth of Whiskers. Two bees make for the tawny whiskers of the taller pedestrian, who holds a riding-whip and is followed by a poodle with shaggy ears and shoulders. A woman in a bonnet and shawl (right) gapes in amazement. A little chimney-sweeper laughs."--British Museum online catalogue
Description:
Title from caption below image., Publication date from British Museum catalogue., Quote below title: "They look not like the inhabitants o' the earth and yet are on't"., Sheet trimmed within plate mark., and Watermark: J. Whatman.
Publisher:
publisher not identified
Subject (Geographic):
England and London.
Subject (Topic):
Beards, Broadsides, Chimney sweeps, City & town life, Clubs, and Dogs
A view of Tyburn Turnpike (now where Marble Arch is located) showing street life in London including a man accepting a toll payment from a man on horse back with another man on horseback, a dog running ahead, approaches the gate from the left. Another man with a basket over his arm and a walking stick, a dog by his side, looks over to the right as his young female companion gestures. On the left a begger leans against the rails. Along the road beyond the gate and to the left are several carriages; a small hut on the right is identified as "illegible Water Works 1812". The gate is shown with lamp posts
Description:
Title etched below image. and "Plate 3. Vol. 9"--Upper right edge above image.
Publisher:
No. 49 of R. Ackermann's Repository of Arts &c. Pub. 1 Jany. 1813, at 101 Strand, London
Subject (Geographic):
London (England)
Subject (Topic):
Carriages & coaches, City & town life, Dogs, Horseback riding, Lampposts, Pedestrians, Pleading (Begging), and Toll roads
Title from item., Date supplied by curator., Place of publication from item., Below title: Preston's Illustrations of Popular Songs (No.4)., A satire of a popular song written by Thomas H. Bayly., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Mad dogs.
Publisher:
Published by Preston Burlington Arcade
Subject (Name):
Bayly, Thomas Haynes, 1797-1839.
Subject (Topic):
Rabies in dogs, Songs, Women, Dogs, and City & town life
A scene in Paris on the Boulevard des Italiens outside a coffee house (or French café) in which fashionable ladies (several wearing large hoop earrings) and gentlemen sit in ladderback chairs or stand about in conversation. One man looks through his quizzing glass at the scene. One woman sits with her two children and a dog. On the left a coachman looks done from his box
Description:
Title and date from contemporary manuscript annotations on a separate piece of paper pasted below the image., Sheet trimmed within plate., Watermark., and Mounted to 33 x 40 cm.
Publisher:
publisher not identified
Subject (Geographic):
France
Subject (Topic):
City & town life, Carriages & coaches, Children, Clothing & dress, Dogs, and Quizzing glasses
The third print in the series "Four Times of the Day" is set at Sadler's Wells. "A dyer and his wife walking with their dog beside the New River; the wife holds a fan with a design of Aphrodite and Adonis, the husband carries a small child, a somewhat older boy stands behind them in tears because his sister is demanding the gingerbread figure he holds; behind them is a young woman holding a shoe and a cow being milked by another woman; to the right is a tavern with the sign of Sir Hugh Middleton's Head, two women and a man are in the tavern garden, other figures are visible through the window, and a grape vine is climbing up towards the roof."--British Museum online catalogue
Description:
Title, printmaker, state, imprint, and series from Paulson and finished states. Third print in a series: Four times a day and Strolling actresses dressing in a barn., "Price 5 shillings"--Following printmaker's name., Sheet trimmed to plate mark., Ms. note in Steevens's hand below print: See Mr Nichols's book, 3d edit p. 250. This 3rd Plate of the set, was engraved by Baron, the figure of the girl excepted, which being an afterthought, was added by Hogarth's coarser burin., and On page 93 in volume 1. Sheet 498 x 373 mm.
Hogarth shows Sganarelle coming up behind his wife, who is admiring a miniature portrati of a young man which she had innocently discovered on the ground. Sganarelle is making the cuckold's sign with his right hand over his head
Description:
Title, state, and date from Paulson., Third state: Scene number has been removed but traces remain., Sheet trimmed to plate mark with loss of last two character's in printmaker's name., Ms. note in Steevens's hand above: Cocu Imaginaire / 171., and On page 52 in volume 1.
"Satire on the "bad taste of the town" (as described by Hogarth, Daily Courant, 24.ii.1724); a composite street scene with a theatre on either side and an "Academy of Arts" (Lord Burlington's recently remodelled house in Piccadilly) beyond; on the left, a fool and a devil are leading a crowd of masqueraders into the Opera House in the Haymarket from which hang a banner advertising an opera (based on British Museum satire no. 1768 with the singers Cuzzoni, Senesino and Berenstadt) and a sign for "Dr. Faux's [Isaac Fawkes] Dexterity of Hand", the impressario John James Heidegger leans from an upper window; on the right, a crowd is flocking to see the pantomime "Dr Faustus"; in the centre, a woman pushes a wheelbarrow of waste paper including volumes of Congreve, Dryden, Ottway, Shakespeare, Addison, and Pasquin No. XCV"; the gate of the Academy beyond is topped with statues of Michelangelo, Raphael and William Kent, admired by three gentlemen."--British Museum online catalogue
Alternative Title:
Bad taste of the town
Description:
Titles, state, publisher, and date from Paulson., Text and image from two plates., "Price 1 shilling"--Before date, centered on lower edge., Two columns of four lines of verse engraved below image: Could new dumb Faustus, to reform the age, Conjure up Shakespear's or Ben Johnson's ghost, they'd blush for shame, to see the English stage Debauch'd by fool'ries, at so great a cost. What would their Manes say? should they behold Monsters and masquerades, where usefull plays Adorn'd the fruitfull theatre of old, And rival wits contended for the bays., Sheet trimmed to plate mark., and On page 26 in volume 1.
Publisher:
Wm. Hogarth
Subject (Geographic):
England and London.
Subject (Name):
Heidegger, John James, 1659?-1748, Senesino, -1759?, Kent, William, 1685-1748, Cuzzoni, Francesco, approximately 1680-1759, Fawkes, Isaac, -1731, Burlington, Richard Boyle, Earl of, 1694-1753, and Hercules (Roman mythological character),
Subject (Topic):
Britannia (Symbolic character), City & town life, Clergy, Costumes, Dogs, and Masquerades
"Satire on the "bad taste of the town" (as described by Hogarth, Daily Courant, 24.ii.1724); a composite street scene with a theatre on either side and an "Academy of Arts" (Lord Burlington's recently remodelled house in Piccadilly) beyond; on the left, a fool and a devil are leading a crowd of masqueraders into the Opera House in the Haymarket from which hang a banner advertising an opera (based on British Museum satire no. 1768 with the singers Cuzzoni, Senesino and Berenstadt) and a sign for "Dr. Faux's [Isaac Fawkes] Dexterity of Hand", the impressario John James Heidegger leans from an upper window; on the right, a crowd is flocking to see the pantomime "Dr Faustus"; in the centre, a woman pushes a wheelbarrow of waste paper including volumes of Congreve, Dryden, Ottway, Shakespeare, Addison, and Ben John[son]; the gate of the Academy beyond is topped with statues of Michelangelo, Raphael and William Kent, admired by three gentlemen."--British Museum online catalogue
Alternative Title:
Bad taste of the town
Description:
Titles, state, and date from Paulson., "Price 1 shilling"--Before date, centered on lower edge., Two columns of four lines of verse engraved below image: Could new dumb Faustus, to reform the age, Conjure up Shakespear's or Ben Johnson's ghost, they'd blush for shame, to see the English stage Debauch'd by fool'ries, at so great a cost. What would their Manes say? should they behold Monsters and masquerades, where usefull plays Adorn'd the fruitfull theatre of old, And rival wits contended for the bays., Sheet trimmed to plate mark., and On page 26 in volume 1.
Publisher:
Wm. Hogarth
Subject (Name):
Heidegger, John James, 1659?-1748., Senesino, -1759?,, Kent, William, 1685-1748, Cuzzoni, Francesco, approximately 1680-1759, Fawkes, Isaac, -1731, Burlington, Richard Boyle, Earl of, 1694-1753, and Hercules (Roman mythological character),
Subject (Topic):
Britannia (Symbolic character), City & town life, Clergy, Costumes, Dogs, and Masquerades
"Satire on the "bad taste of the town" (as described by Hogarth, Daily Courant, 24.ii.1724); a composite street scene with a theatre on either side and an "Academy of Arts" (Lord Burlington's recently remodelled house in Piccadilly) beyond; on the left, a fool and a devil are leading a crowd of masqueraders into the Opera House in the Haymarket from which hang a banner advertising an opera (based on British Museum satire no. 1768 with the singers Cuzzoni, Senesino and Berenstadt) and a sign for "Dr. Faux's [Isaac Fawkes] Dexterity of Hand", the impressario John James Heidegger leans from an upper window; on the right, a crowd is flocking to see the pantomime "Dr Faustus"; in the centre, a woman pushes a wheelbarrow of waste paper including volumes of Congreve, Dryden, Ottway, Shakespeare, Addison, and Ben John[son]; the gate of the Academy beyond is topped with statues of Michelangelo, Raphael and William Kent, admired by three gentlemen."--British Museum online catalogue
Alternative Title:
Bad taste of the town
Description:
Titles, state, and date from Paulson., "Price 1 shilling"--Before date, centered on lower edge., Two columns of four lines of verse engraved below image: Could new dumb Faustus, to reform the age, Conjure up Shakespear's or Ben Johnson's ghost, they'd blush for shame, to see the English stage Debauch'd by fool'ries, at so great a cost. What would their Manes say? should they behold Monsters and masquerades, where usefull plays Adorn'd the fruitfull theatre of old, And rival wits contended for the bays., Sheet trimmed to plate mark., and Plate with text lacking; top plate with image only. Sheet 13.4 x 18.2 cm.
Publisher:
Wm. Hogarth
Subject (Name):
Heidegger, John James, 1659?-1748., Senesino, -1759?,, Kent, William, 1685-1748, Cuzzoni, Francesco, approximately 1680-1759, Fawkes, Isaac, -1731, Burlington, Richard Boyle, Earl of, 1694-1753, and Hercules (Roman mythological character),
Subject (Topic):
Britannia (Symbolic character), City & town life, Clergy, Costumes, Dogs, and Masquerades