publish'd according to act of Parliament, August 1, 1763.
Call Number:
Kinnaird 77K(b) Box 220
Image Count:
1
Resource Type:
still image
Abstract:
A re-working of Hogarth's self-portrait of 1749 (Paulson 181); the artist has been replaced by a bear representing Charles Churchill wearing preaching bands and holding a tankard of beer in one paw and a knotty club in the other; the knots in the club are labelled 'Lye 1, Lye 2, Lye 3 ... Lye 16". The oval canvas rests on two books, on top is 'Great George Street : a list of the subscribers to the North Britons' and below 'A new way to pay old debts, a comedy by Massenger.' The dog Trump is urinating on a copy of Churchill's "Epistle to Hogarth". The palette on the right in this state is blank
Description:
Title engraved beneath image., "Price 1s."--Following Hogarth's name., Quote following title: But he had a club this dragon to drub, or he had ne'er don't I warrant ye., and Sheet trimmed within plate mark.
publish'd according to act of Parliament, August 1, 1763.
Call Number:
Folio 75 H67 800 v.2 (Oversize) Box 2
Image Count:
1
Resource Type:
still image
Abstract:
A re-working of Hogarth's self-portrait of 1749 (Paulson 181); the artist has been replaced by a bear representing Charles Churchill wearing preaching bands and holding a tankard of beer in one paw and a knotty club in the other; the knots in the club are labelled 'Lye 1, Lye 2, Lye 3 ... Lye 16". The oval canvas rests on two books, on top is 'Great George Street : a list of the subscribers to the North Britons' and below 'A new way to pay old debts, a comedy by Massenger.' The dog Trump is urinating on a copy of Churchill's "Epistle to Hogarth". The palette on the right in this state is blank
Description:
Title engraved below image., Publisher from Paulson., Quote following title: 'But he had a club this dragon to drub, or he had ne'er don't I warrant ye.", "Price 1s."--Following Hogarth's name., Lacks publication line as described by Paulson., Sheet trimmed within plate mark., Ms. note in pencil in Steevens's hand along inner side of page: See Mr. Nicholl's book, 3d edit. p. 387 & seg., Formerly on page 197 in volume 2. Removed in 2012 by LWL conservator., and Sheet trimmed to: 37.2 x 27.6 cm.
publish'd according to act of Parliament, August 1, 1763.
Call Number:
Kinnaird 77K(a) Box 220
Image Count:
1
Resource Type:
still image
Abstract:
A re-working of Hogarth's self-portrait of 1749 (Paulson 181); the artist has been replaced by a bear representing Charles Churchill wearing preaching bands and holding a tankard of beer in one paw and a knotty club in the other; the knots in the club are labelled 'Lye 1, Lye 2, Lye 3 ... Lye 16". The oval canvas rests on two books, on top is 'Great George Street : a list of the subscribers to the North Britons' and below 'A new way to pay old debts, a comedy by Massenger.' The dog Trump is urinating on a copy of Churchill's "Epistle to Hogarth". The palette on the right in this state is blank
Description:
Title engraved below image., Publisher from Paulson., Quote following title: 'But he had a club this dragon to drub, or he had ne'er don't I warrant ye.", "Price 1s."--Following Hogarth's name., Lacks publication line as described by Paulson., and Sheet trimmed within plate mark.
"A plainly dressed man with lank hair falling on his shoulders, bends over a dog, placing his left hand on the head of the trustful animal. With a large brush he applies a smoking liquid to its side saying, "Come here poor Dog! Thee shalt not say I called thee names, or beat thee, for that would be cruel!! but I will anoint thee with Oil, and moisten thy sides with my pure Linnement." The scene is in a yard with a high paling, outside an open door leading to the dispensing-room of the Quaker, evidently an apothecary. Just within the room is a large smoking jar of 'Oil of Vitriol'; on the door-step is a dish of smoking vitriol. Above are the neatly ranged jars, bottles, and drawers of an apothecary, with a pestle and mortar. A woman in an upper window of an adjacent house looks down into the yard; she shouts: "Ah Obadiah, that decietfull whining Cant, to allure the poor Animal, in order to inflict the most Diabolical unheard of Cruelty on him, shall not go unpunished"."--British Museum online catalogue
Alternative Title:
Mercifull example of Quaerism at Brighton and Merciful example of Quakerism at Brighton
Description:
Title etched below image., Printmaker from British Museum catalogue., Text below title: NB. the side of the poor animal was entirely burned through the next day and his bowels actuall [sic] fell out on the ground., Sheet trimmed within plate mark., and Ms. note in pencil below plate line.
Publisher:
Pubd. Septr. 1806 by S.W. Fores, 50 Piccadilly
Subject (Geographic):
England.
Subject (Name):
Hogarth, William, 1697-1764
Subject (Topic):
Quakers, Dogs, Drugstores, Ethnic stereotypes, and Punishment & torture
A pyramid-shaped monument with a caricatured portrait in profile of Wolfe; the plinth engraved with the text: 'Set honour in one eye and death in tother and I will look on both indifferent and let the gods so speed me as I love the name of honour more than I fear death.' At the foot of the monument lies a dead lion with the words 'Here lies honour' engraved on its hind leg. A dog with a collar labelled 'Minden' (an allusion Lord George Sackville's disgrace at the Battle of Minden) turns back and barks at the image: 'Honours a jest & all things show it. I thought so once but now I know it." He steps with his paws on a laurel wreath
Description:
Title etched beneath image., Formerly attributed to William Hogarth., One line of text above image: A living dog is better than a dead lion. Cf. Ecclesiastes ix.4., Reference to John Gay's quote on his tomb: Life is a jest; and all things show it, I thought so once; but now I know it., Ms. note in pencil in Steevens's hand above print: See Mr. Nichols's book, 3d. edit, p. 454. Spurious., and On page 185 in volume 2. Sheet trimmed to: 34.7 x 23.1 cm.
Publisher:
publisher not identified
Subject (Name):
Sackville, George Germain, Viscount, 1716-1785 and Wolfe, James, 1727-1759
A pyramid-shaped monument with a caricatured portrait in profile of Wolfe; the plinth engraved with the text: 'Set honour in one eye and death in tother and I will look on both indifferent and let the gods so speed me as I love the name of honour more than I fear death.' At the foot of the monument lies a dead lion with the words 'Here lies honour' engraved on its hind leg. A dog with a collar labelled 'Minden' (an allusion Lord George Sackville's disgrace at the Battle of Minden) turns back and barks at the image: 'Honours a jest & all things show it. I thought so once but now I know it." He steps with his paws on a laurel wreath
Description:
Title etched beneath image., Formerly attributed to William Hogarth., One line of text above image: A living dog is better than a dead lion. Cf. Ecclesiastes ix.4., Reference to John Gay's quote on his tomb: Life is a jest; and all things show it, I thought so once; but now I know it., and Sheet trimmed to 346 x 248 mm.
Publisher:
publisher not identified
Subject (Name):
Sackville, George Germain, Viscount, 1716-1785 and Wolfe, James, 1727-1759
A pyramid-shaped monument with a caricatured portrait in profile of Wolfe; the plinth engraved with the text: 'Set honour in one eye and death in tother and I will look on both indifferent and let the gods so speed me as I love the name of honour more than I fear death.' At the foot of the monument lies a dead lion with the words 'Here lies honour' engraved on its hind leg. A dog with a collar labelled 'Minden' (an allusion Lord George Sackville's disgrace at the Battle of Minden) turns back and barks at the image: 'Honours a jest & all things show it. I thought so once but now I know it." He steps with his paws on a laurel wreath
Description:
Title etched beneath image., Formerly attributed to William Hogarth., One line of text above image: A living dog is better than a dead lion. Cf. Ecclesiastes ix.4., and Reference to John Gay's quote on his tomb: Life is a jest; and all things show it, I thought so once; but now I know it.
Publisher:
publisher not identified
Subject (Name):
Sackville, George Germain, Viscount, 1716-1785 and Wolfe, James, 1727-1759
Self-portrait of William Hogarth in a fur cap, looking right; a bust in an oval canvas resting on volumes of Shakespeare's works; with his dog Trump on the right. In the lower right, an artist's palette engraved with the words: "The line of beauty and grace. WH 1745". Stack of books labeled: Shakspeare, Swift Works, Milton Paradise Lost
Description:
Title from caption below image., Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 181., Ms. note in pencil in Steevens's hand in margin at top of print: See p. 1 & Mr. Nichols's book, 3d, edit. p. 295., and On page 147 in volume 2. Sheet trimmed within plate mark to: 39.6 x 29.9 cm.
Publisher:
Published June 4, 1795 by J. & J. Boydell, No. 90, Cheapside, & at the Shakspeare Gallery Pall Mall
Self-portrait of William Hogarth in a fur cap, looking right; a bust in an oval canvas resting on volumes of Shakespeare's works; with his dog Trump on the right. In the lower right, an artist's palette engraved with the words: "The line of beauty and grace. WH 1745". Stack of books labeled: Shakspeare, Swift Works, Milton Paradise Lost
Description:
Title from caption below image. and Copy of: Paulson, R. Hogarth's graphic works (3rd ed.), no. 181.
Publisher:
Published June 4, 1795 by J. & J. Boydell, No. 90, Cheapside, & at the Shakspeare Gallery Pall Mall
Plate 11. Queen Charlotte's collection of Hogarth works. Leaf 11. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The fourth plate in the series The rake's progress. In this scene two baliffs, one with an arrest notice in his hand, have stopped Tom Rakewell's sedan chair in St. James's Street; Tom is presumably on his way to White's gaming house which can be seen in the background. They are foiled in their attempt to arrest Tom for debt as Sarah Young, the young woman whom he had seduced and abandoned, offers the bailiffs her purse instead. Sarah is now a dealer in millinery as is suggested by the notions falling from her purse. In the right foreground a shoe-black apparently taking advantage of the situation to take hold of Tom's elegant walking stick. Above them a careless lamplighter spills some oil on Tom's head. To the left a Welshman, probably the creditor, honouring St David's day (March 1st) with a leek in his hat, accompanied by his manicured dog, simply watches the scene. In the distance is the gate of St James's Palace with a crowd of sedan-chairs approaching to celebrate the birthday of Queen Caroline
Alternative Title:
O vanity of youthfull blood, so by misuse to poison good ...
Description:
Title, state and imprint from Paulson., Added title from first two lines of the verse etched below image., After the painting now at Sir John Soane's Museum., "Plate 4."--Lower right corner., and On page 71 in volume 1.
Publisher:
Wm. Hogarth
Subject (Topic):
Bailiffs, Dogs, Children, Lamps, Lust, Seduction, Sedan chairs, Seamstresses, Street vendors, Young adults, Ethics, Rake's progress, and Traffic congestion