"A smaller copy of a satire on the repeal of the Stamp Act and the administration of George Grenville (First Lord of the Treasury, April 1763-July 1765)."--British Museum online catalogue
Description:
Title etched at top of image., Publication date from the Catalogue of prints and drawings in the British Museum., Sheet trimmed within plate mark., Reduced copy of The repeal by Benjamin Wilson, with several alterations and a key to persons numbered within image added below the design., "Price only six pence"--Following imprint., Temporary local subject terms: Merchant ships -- Skulls of the rebels of 1715 and 1745 -- Bible: burial service -- Stamps upon black flags -- Child's coffin -- Cargoes: bales and boxes -- Bank of Thames -- Boats: lighter -- House of Lords: votes on repeal of Stamp Act, 1766 -- Allusion to America -- Lawyers' briefs -- American trade -- Scotch appeals -- Weepers: Bute wearing a weeper -- Catches: funeral anthem -- Mottoes: semper eadem., and Design attributed to Wilson and subjects identified in contemporary hand below print on mounting sheet. Mounted to 38 x 51 cm.
Publisher:
publisher not identified
Subject (Name):
Scott, James, 1733-1814, Norton, Fletcher, 1716-1789, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Grenville, George, 1712-1770, Bute, John Stuart, Earl of, 1713-1792, Bedford, John Russell, Duke of, 1710-1771, Temple, Richard Grenville-Temple, Earl, 1711-1779, Sandwich, John Montagu, Earl of, 1718-1792, Rockingham, Charles Watson-Wentworth, Marquis of, 1730-1782, Conway, Henry Seymour, 1721-1795, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, and Halifax, George Montagu-Dunk, Earl of, 1716-1771
"An obese and gouty parson (left) reclines in an arm-chair, inspecting through an eye-glass a sucking-pig which a buxom maidservant brings in on a dish. She shows it to the clerk, who sits beside the parson, with a paper: 'An Estimate of the Tythes of this Parish'. The latter sniffs at the pig's snout. Two dogs eagerly fawn on the maid. Through the doorway (right) a lean yokel sourly scratches his head, waiting for the verdict on his pig. The parson's swathed leg is supported on a stool; beside him are a bottle and glass, a crutch and chamber-pot. On the wall is a picture of a group of church spires, suggesting that he is a pluralist, though the room is bare and old-fashioned."--British Museum online catalogue
Description:
Title etched below image., For an earlier version of this design, see Lewis Walpole Library call no.: 786.00.00.06+., and Temporary local subject terms: Tighe pig -- Gout -- Wine bottles -- Wine glasses -- Pictures amplifying subject.
Publisher:
Pub. Jan. 1, 1790, by S.W. Fores, N. 3 Piccadilly
Subject (Topic):
Chairs, Clergy, Clerks, Crutches, Dogs, Farmers -, Interiors, Religious dwellings, Servants, and Swine
"A series of eight violent quarrels arranged in two rows, the words (not transcribed in full) etched above the heads of the speakers. [1] An old parson threatens his footman: "If you ever dare to say I am in a passion again I'll break every bone in your skin." [2] A man and wife on the point of blows. [3] A man thrashing a dog. [4] A woman at a tea-table flinging the contents of a cup in the face of a maidservant. [5] A woman beating a prostrate man with a pair of tongs. [6] A man dragging on a boot so as to thrust his heel through it, the shoe-maker saying: "You are so hasty master you wont give the Goods fair play." [7] Two men facing each other in argument. [8] A black servant expostulates with his master for knocking down a boy who lies on the ground: "Dear Massa you have almost killed young Master." One of a set, see British Museum Satires No. 8541, &c."--British Museum online catalogue
Description:
Title etched below image., Publisher's advertisement following imprint: Folios of caracatures [sic] lent out for the evening., Sheet trimmed within plate mark on right and left edges., Plate numbered in upper right corner: Vol. 2, pl. 3., Temporary local Medical Library subject terms: Marriage and married life -- Cruelty to animals., Watermark: J. Whatman 1820., and Restrike.
Publisher:
Pubd. March 1st, 1796, by S.W. Fores, No. 50 Piccadilly, corner of Sackvill [sic] Street
Subject (Topic):
Black people, Anger, Aggression, Animal welfare, Marriage, Spouses, Fighting, Quarreling, Dogs, Staffs (Sticks), Clergy, Servants, Tea services, and Boys
Two vicars sit at a table in a sitting room; a painting on the wall behind them is labelled "View of the vicarage". One of the men is very fat and wears a night cap; he dozes in an arm chair, his foot on a sleeping dog at his feet, the "Oxford Journal" on the floor having apparently dropped from his hand. The other, a thinner man, pours two generous glasses of port from a full carafe, and observes to his companion "What is life without the enjoyment of a friend".
Description:
Title etched below image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Partial watermark.
Publisher:
Pubd. Sept. 10, 1799, by R. Akerman, No. 101 Strand
Title from item., Sheet trimmed within plate mark., First in a series of 8 illustrations to Henry Fielding's The History of Joseph Andrews ... from the 1792 Edinburgh edition, p. 5., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Interiors: kitchens -- Kitchen utensils -- Domestic servants: cooks -- Furniture: kitchen tables., and Mounted to 20 x 27 cm.
Plate 12. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
Tom and a wealthy old woman are being married in the dilapidated church of St. Marylebone. The bride has only one eye and growths on her forehead; the IHS on the wall behind her serve as a mock halo. In contrast the old woman is attended by a beautiful young woman who has already caught Tom's eye. In the background on the left, the elderly pew opener pushes Sarah Young, carrying Tom's child in her arms, and Sarah's mother; she shakes her keys in their faces to prevent them from entering the church to stop the marriage. Two dogs in the lower left of the image mirror the courtship of Tom and his bride; the courted dog has only one eye. The clergyman is assisted at the altar by a clerk, and a charity-boy kneels at the bride's feet offering a hassock. The Poor Box on the left is covered with a cobweb; there is a large crack down the center of the slab with the numbered commandments on the wall behind the clergyman
Alternative Title:
New to [ye] school of hard mishap, driven from [the] ease of Fortune's lap ... and New to ye school of hard mishap, driven from ye ease of Fortune's lap
Description:
Title, state, and imprint from Paulson., Added title from first line of verses below image on 1st state., Third state with the bridesmaid's hat replaced with a smaller one and her faced changed so it is less like Sarah's. Shadows on her apron and the clergyman's eyelid, nose and forehead have been darkened. For other changes see Paulson., After the painting at Sir John Soane's Museum., and On page 73 in volume 1.
Tom and a wealthy old woman are being married in the dilapidated church of St. Marylebone. The bride has only one eye and growths on her forehead; the IHS on the wall behind her serve as a mock halo. In contrast the old woman is attended by a beautiful young woman who has already caught Tom's eye. In the background on the left, the elderly pew opener pushes Sarah Young, carrying Tom's child in her arms, and Sarah's mother; she shakes her keys in their faces to prevent them from entering the church to stop the marriage. Two dogs in the lower left of the image mirror the courtship of Tom and his bride; the courted dog has only one eye. The clergyman is assisted at the altar by a clerk, and a charity-boy kneels at the bride's feet offering a hassock. The Poor Box on the left is covered with a cobweb; there is a crack down the center of the slab with the Commandments on the wall behind the clergyman
Alternative Title:
New to [the] school of hard mishap, driven from [the] ease of Fortune's lap ..., New to the school of hard mishap, driven from the ease of Fortune's lap, and New to ye school of hard mishap, driven from ye ease of Fortune's lap
Description:
Title, state and imprint from Paulson., Added title from first line of verses below image., Brevigraphs in title sometimes incorrectly rendered "ye" expanded as [the]., Added title and state from Paulson., "Plate 5"--Lower right corner., After the painting at Sir John Soane's Museum., and On page 73 in volume 1. Trimmed sheet: 351 x 390 mm.
Publisher:
Wm. Hogarth
Subject (Name):
St. Marylebone Church (Marylebone, London, England)
Tom and a wealthy old woman are being married in the dilapidated church of St. Marylebone. The bride has only one eye and growths on her forehead; the IHS on the wall behind her serve as a mock halo. In contrast the old woman is attended by a beautiful young woman who has already caught Tom's eye. In the background on the left, the elderly pew opener pushes Sarah Young, carrying Tom's child in her arms, and Sarah's mother; she shakes her keys in their faces to prevent them from entering the church to stop the marriage. Two dogs in the lower left of the image mirror the courtship of Tom and his bride; the courted dog has only one eye. The clergyman is assisted at the altar by a clerk, and a charity-boy kneels at the bride's feet offering a hassock. The Poor Box on the left is covered with a cobweb; there is a crack down the center of the slab with the Commandments on the wall behind the clergyman
Alternative Title:
New to [the] school of hard mishap, driven from [the] ease of Fortune's lap ..., New to the school of hard mishap, driven from the ease of Fortune's lap, and New to ye school of hard mishap, driven from ye ease of Fortune's lap
Description:
Title, state and imprint from Paulson., Added title from first line of verses below image., Brevigraphs in title sometimes incorrectly rendered "ye" expanded as [the]., Added title and state from Paulson., "Plate 5"--Lower right corner., After the painting at Sir John Soane's Museum., and Trimmed to image: sheet 324 x 403 mm. Engraved caption and imprint mounted separately below image: sheet 30 x 404 mm.
Publisher:
Wm. Hogarth
Subject (Name):
St. Marylebone Church (Marylebone, London, England)
Tom and a wealthy old woman are being married in the dilapidated church of St. Marylebone. The bride has only one eye and growths on her forehead; the IHS on the wall behind her serve as a mock halo. In contrast the old woman is attended by a beautiful young woman who has already caught Tom's eye. In the background on the left, the elderly pew opener pushes Sarah Young, carrying Tom's child in her arms, and Sarah's mother; she shakes her keys in their faces to prevent them from entering the church to stop the marriage. Two dogs in the lower left of the image mirror the courtship of Tom and his bride; the courted dog has only one eye. The clergyman is assisted at the altar by a clerk, and a charity-boy kneels at the bride's feet offering a hassock. The Poor Box on the left is covered with a cobweb; there is a crack down the center of the slab with the Commandments on the wall behind the clergyman
Alternative Title:
New to [the] school of hard mishap, driven from [the] ease of Fortune's lap ..., New to the school of hard mishap, driven from the ease of Fortune's lap, and New to ye school of hard mishap, driven from ye ease of Fortune's lap
Description:
Title, state and imprint from Paulson., Added title from first line of verses below image., Brevigraphs in title sometimes incorrectly rendered "ye" expanded as [the]., Added title and state from Paulson., "Plate 5"--Lower right corner., and After the painting at Sir John Soane's Museum.
Publisher:
Wm. Hogarth
Subject (Name):
St. Marylebone Church (Marylebone, London, England)