Title from item., Sheet trimmed within plate mark., Three lines of text below title., Temporary local subject terms: Hot air balloons -- Boats -- Cannons -- Apothecary's pestle and mortar -- Hibernia (Symbolic character) -- Fights; duels -- Expressions of speech: 'Neck or nothing' -- Allusion to the American War of Independence -- Allusion to Fox-North Coalition, 1783 -- Spy-glasses -- Devil -- Clergy: Jesuits., and Partial watermark center left side of sheet.
Publisher:
Pubd. as the act direct, by J. Brown, Rathbone Place
Subject (Name):
Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, North, Frederick, Lord, 1732-1792, Hall, Edward, active 1784-1793, and Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809
"The Queen and Alderman Wood head a procession through the City, all riding asses (cf. British Museum Satires No. 13918, &c.). They advance towards a group of Radical Reformers with placards who wave their hats. Notes below the design divided by vertical lines indicate the characters; these are centred by a description of the Queen, enclosed in an oval: 'Her most Gracious M.....y Columbine B--i, alias Mother Red Cap 2nd [cf. British Museum Satires No. 13975], Queen of all the Radicals, Whigs, Hoaxers &c B......i in all her looks and Brandy in her eye [see British Museum Satires No. 14175].' Wood is dressed as a jester in party-coloured clothes, red and yellow, here indicating the royal liveries used by the Queen; he takes the Queen's right hand; his right hand is on his breast, and he looks with eager anticipation at the Reformers. Behind him is the profile of Lady Ann Hamilton, who plays a fiddle; she wears a much-feathered (military) Scots cap. They are: 'Absolute Wisdom [see British Museum Satires No. 13899] alias Mathew Jackall Master of the Ceremonies--A rare specimen of disinterestedness--a keen eye for the Loaves & Fishes', and 'Lady Ann Bagpipe principal Scotch Fiddler [cf. British Museum Satires No. 14110, &c.] to her M.....y with an accompaniment of All round the Rad pole how we Flock.' The Queen wears a red cap with the décolletée over-dress with frilled trousers of British Museum Satires No. 14103, a large miniature of Bergami (see British Museum Satires No. 13858) hanging from her waist. She holds the tail of the ass which she bestrides with ungartered stocking, her shoe having fallen to the ground; on her saddle-cloth: 'B B Knight of St Columbine' [see British Museum Satires No. 14120]. A fat décolletée woman, also in a red cap, rides just behind her; she is Countess Oldi, Bergami's sister (who was with the Queen in London), described as 'Countess Patois Bourgois The Elegant & Accomplished Sister of Bart.....o The Fancy-Man.' On the Queen's left rides a thin young man, Wood's son, in quasi-dandy dress with red and yellow jacket, holding a banner inscribed 'All Majesty & Grace'; he registers alarm at a small barking dog which causes his ass to stop and kick. He is 'The Dandy Standard Bearer alias Young Absolute'. Just behind a youth, Willy Austin, rides, holding two children before him: 'Billy By-Blow of Black-heath [see British Museum Satires No. 12027] in charge of the Nursery.' Next him is a man wearing a braided coat or tunic and holding up a flag inscribed 'Innocence'. He is not described, and is perhaps Keppel Craven. Close behind him is a turbaned Moor or negro (cf. British Museum Satires No. 13929), in red and yellow. They are followed by two naval officers, one in civilian dress and wearing a Maltese cross. They hold a banner between them: 'Rights and Privileges.' They are 'Lieutt Humm'en [Hownam] 1st Champion & Knight of St Columbine' and 'Lieutt Flim Flam [Flinn] 2nd Champion & Knight of the Smelling Bottle'. The last ass in the procession is ridden by a naked Bacchus, a wine-bottle in each hand, and a half-draped Woman who puts an arm round his neck. They are: 'Two Proteges and Bosom Friends of her M.....y'. The procession continues, receding in perspective to the extreme right, as a dense crowd with bludgeons, banners, and staves supporting caps of Liberty. The banners are 'Anarchy', 'Riot' (both tricolour), 'Disaffection', 'Immorality', 'Indecency'. Description: 'A long Train of concomitant Blessings to add to the Peace, Comfort, Relief, and Happiness of that first rate Martyr Broad-shouldered and patient Bull.' The radicals face the procession in the foreground (left) and are more realistically drawn than the other figures. On the extreme left is Hunt, smartly dressed, but with a chain dangling from one wrist. He is 'The Hero of Spa and Peters Fields with a day rule from Ilchester'. Next him is Wilson: 'Sir Robert Lavalette [see British Museum Satires No. 12706, &c.] of Southwark KMT [sic] & MP'. Beside him is Hobhouse: 'Jack Cam Westminster's Darling' [see British Museum Satires No. 13501]. In front of Wilson is Sir Charles Wolseley, wearing a striped straight-jacket over fashionable dress, his arms (compulsorily) folded. He is 'The Legislatorial Attorney for Brummigum [see British Museum Satires No. 13251] with a day rule from St Lukes' [a lunatic asylum]. Behind him is Cobbett: 'William Tompaine [see British Museum Satires No. 13525] Cobt Weathercock' [see British Museum Satires No. 14032, &c.]. In front of him is Burdett (now with frontal baldness in place of the former prominent lock of hair), standing between Waddington, a ragged, dwarfish fellow holding up a placard inscribed 'Long Live Mother Red Cap', and Harrison, a man with chained wrists holding up a cap of Liberty on a staff. These three are: 'Sir Frank Demagogue Westminster's Jewel'; 'Little Wadd' [see British Museum Satires No. 14261]; 'Parson Har . . s . n Founder of the Sect of Radical Methodists, with a day rule from Durance Vile' [see British Museum Satires No. 13254]. The last also supports a tall pike which dominates the group, its head inscribed 'Rallying Point'; to this are tied a cap of Liberty and two banners: 'Revolution' (red) and 'Radical Reform' (blue); the shaft transfixes a wig (emblem of the Whigs). Hunt, Wilson, Cobbett, and Burdett wave white top-hats (emblem of Hunt and the radicals) with red favours; Wilson and Waddington wear similar hats. All wear large red disks on the left breast. From the crowd standing behind them emerge placards: [1] a Harlequin pattern inscribed 'Q Columbine for ever' [see British Museum Satires No. 14120]; [2] a wig, inscription: 'Q a handle to the Wig'; [3] 'Automaton for ever' [see British Museum Satires No. 14120]; [4] 'Poll Acre [polacca, see British Museum Satires No. 13818] for Ever'. All the banners of both contingents are topped with caps of Liberty, and other caps of Liberty are supported on staves. On the cobbles in the foreground a woman and a sailor sit drinking together, she holds out her arm towards the Queen. On the right ragged men run forward, cheering the Queen. The farther side of the route is lined with butchers shouting and making rough music with marrow-bones and cleavers, as at Westminster elections. Behind these a dense crowd of spectators is indicated. Behind are the houses and (shuttered) shops of 'Bridge Street'; cheering spectators lean from all the windows and watch from the roofs. Placards on two houses are: 'Adam and Eve', two nude figures, cf. British Museum Satires No. 14120, and 'Gill Tea Figs, &c.' This block is divided from the more distant houses by 'Cannon Row'. From the roofs of the latter buildings cannon are firing at three winged figures in the air; all three fall, wounded; they are 'Decency', 'Modesty', and 'Delicacy'. In the distance (right) are dark clouds, an owl, and a violent flash of lightning."--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 18 of: George Humphrey shop album.
Publisher:
Published by G. Humphrey, 27 St. James's St.
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wood, Matthew, Sir, 1768-1843, Hamilton, Anne, Lady, 1766-1846, Bergami, Bartolomeo Bergami, Baron., Wood, John Page, Sir, 1796-1866, Craven, Keppel Richard, 1779-1851, Dionysus (Greek deity),, Hunt, Henry, 1773-1835, Wilson, Robert, Sir, 1777-1849, Broughton, John Cam Hobhouse, Baron, 1786-1869, Wolseley, Charles, Sir, 1769-1846, Cobbett, William, 1763-1835, Burdett, Francis, 1770-1844, and Waddington, S. Ferrand 1759- (Samuel Ferrand),
Subject (Topic):
Politicians, Parades & processions, Donkeys, Dogs, Crowds, Arms & armament, Spears, Military officers, Banners, Flags, Miniatures (Paintings), Liberty cap, and Lightning
Title from item., Printmaker identified in the British Museum online catalogue., Four lines of verse in two columns below title: There was a laugh & a craw ... ., Publisher's advertisement following imprint: Folios of caracatures [sic] lent out for the evening., Variant state, with verse below title, of No. 8785 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Temporary local subject terms: Nurseries -- Pets -- Furnishings: window curtain tassles., and Watermark: E & P 1794.
Publisher:
Pub. Febry. 13, 1796, by S.W. Fores, No. 50 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820 and Charlotte Augusta, Princess of Great Britain, 1796-1817
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Atlas (right), bearded and muscular, nude except for swirling drapery, kneels on one knee, supporting with both hands a terrestrial globe which he pushes towards Napoleon on whom it is about to fall. The Emperor staggers back, dropping his sword, his left arm and right leg are raised high, to ward off the impact. He looks up, terrified, and says: "France be mine! Holland be mine! Italy be mine! Spain & Poland be mine! Russ, Prussia Turky, de whole World vil be mine!!! Monsr Atlas hold up dont let it fall on me." Atlas, with a menacing frown, answers: "When the Friends of Freedom and Peace have stop'd your shakeing it on my shoulders [and] got their own again, I'll bear it, till then you may carry it yourself Master Boney!" Close behind Napoleon (left) two French marshals or generals flee to the left, looking back at the globe One (left) says: "By Gar tis true tis fall on your Head! votre Serviteur! we no stop to be crush vid you"; the other: "Votre Serviteur Monsr Boney." Napoleon's head is scarcely caricatured, the generals are grotesques in the manner of Gillray, e.g. in British Museum Satires No. 9403, 'French Generals retiring, on account of their Health . . .' The globe is patterned with continents and islands regardless of geography."--British Museum online catalogue
Alternative Title:
Grasp all, lose all, Atlas enraged, and Punishment of unqualified ambition
Description:
Title etched below image., Printmaker from British Museum catalogue., Three lines of quoted text, from Spenser's The faerie queene, following title: "Most wretched wight, whom nothing might suffice, "whose greedy lust, did lack in greatest store ..., Plate numbered "254" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., "Price one shilling cold."--Following imprint., Watermark: 1817., and Leaf 35 in volume 4.
Publisher:
Pubd. Decr. 1st, 1813, by Thos. Tegg, 111 Cheapside
A large, full-face portrait of Sir Robert Walpole yawning violently
Description:
Title engraved below image., Fourteen lines of verse in two columns below title: More he had said, but yawn'd. All nature nods: What mortal can resist the yawn of gods? ... Dunciad., For a similar print. Cf. No. 2607 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., and With spine title: Caricatures anglaise 1740.
Publisher:
Octor. 11th 1743, publish'd by G. Bickham in May's Buildings
Litchfield races transpos'd and Litchfield races transposed
Description:
Caption title., Place of publication and suggested date from English short title catalogue and British Museum catalogue., An etching at top of sheet satirising the Jacobite enthusiasms of Staffordshire sportsmen, is followed below by a song in letterpress., Six stanzas of an anonymous song that is a patriotic British plea for unity, in two columns below the image: Ye subjects of true British race, Whether old Whig or Tory ... which does not clearly relate to the engraving in its contents., Temporary local subject terms: Union: Great Britain and Scotland -- Scotland : Rebellion, denial of redress for grievances -- Emblems: Britannia as symbol of the Union -- Emblems: fleur-de-lis as France, tied to Britain -- Races: Litchfield -- Ballads -- Cannons: touchole -- Tents -- Emblems: anchor for the Duke of Bedford., Watermark: Fleur-de-lis., and Sheet trimmed on the right, within plate mark of the etching, resulting in some loss of image and in loss of 'd' in 'transpos'd'.
Publisher:
publisher not identified
Subject (Geographic):
Great Britain
Subject (Name):
James, Prince of Wales, 1688-1766, William Augustus, Prince, Duke of Cumberland, 1721-1765, and Bedford, John Russell, Duke of, 1710-1771
Subject (Topic):
Jacobites, Caricatures and cartoons, Patriotism, Britannia (Symbolic character), National emblems, British, French, and Scottish
Leaf 13. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
Charles Fox, dressed only in breeches, tries to flee from the Devil who caught him by the leg and is shearing off the hair from his chest. On the left, in front of the "India House" a group of elated men dance around a burning stake to which is tied a fox. A reference to the rejection of the India Bill in the House of Lords and the demise of the Coalition government
Description:
Title etched below image; the letter "a" in the word "and" is etched backwards., Attribution to Rowlandson from the British Museum catalogue and Grego., Restrike. For original issue of the plate, see no. 6283 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Several letters in imprint statement, as well as the digit "7" in "1783," are etched backwards., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Cf. Grego, J. Rowlandson the caricaturist, v. 1, pages 109-10., Temporary local subject terms: Bills: Defeat of India Bill -- India House., and On leaf 13 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Published 22 Decr. 1783 by Humphrys, Strand and Field & Tuer
Subject (Name):
Fox, Charles James, 1749-1806 and East India Company.
Subject (Topic):
Devil, Foxes, Burning at the stake, and Scissors & shears
Charles Fox, dressed only in breeches, tries to flee from the Devil who caught him by the leg and is shearing off the hair from his chest. On the left, in front of the "India House" a group of elated men dance around a burning stake to which is tied a fox. A reference to the rejection of the India Bill in the House of Lords and the demise of the Coalition government
Description:
Title etched below image; the letter "a" in the word "and" is etched backwards., Printmaker from British Museum catalogue and Grego., Several letters in imprint statement, as well as the digit "7" in "1783," are etched backwards., and Mounted to 37 x 57 cm.
Publisher:
Published 22 Decr. 1783 by Humphrys, Strand
Subject (Name):
Fox, Charles James, 1749-1806 and East India Company.
Title from signboard in image., Artist from original drawings in the British Museum., Date of publication based on running dates of the Great Exhibition: 1 May to 15 October, 1851., Design consists of six horizontal rows of small figures, five of the rows having titles etched within them: [The arts and manufactures of] Switzerland; The arts and manufactures of Italy; The arts and manufactures of Germany; The arts and manufactures of China; The arts and manufactures of Scotland., and Description based on imperfect impression; sheet trimmed within plate mark with some loss of image or text on right and left sides.