Title from item., Printmaker from British Museum online catalogue., Publisher's advertisement following imprint: Folios of caracatures [sic] lent out for the evening., Temporary local subject terms: Bills: Seditious Meetings bill -- Crowd -- Symbols: the White Horse of Hanover -- Buildings: Treasury -- John Bull as a bulldog., and Watermark: countermark L & P.
Publisher:
Pub. Decr. 26, 1795, by S.W. Fores, N. 50 Piccadilly
"Two men in back view walk arm-in-arm, one (left) is short and fat, the other tall and thin. The former wears a short coat or spencer over his tail-coat, with wrinkled top-boots and a round hat, and carries a riding-switch. His hair is in a short queue with projecting side-pieces. The other wears a cylindrical hat with brim curled up at the sides, a coat reaching almost to his ankles with five capes forming a point in the centre of the back, with shoes tied with strings. He carries a bludgeon. The shoulders of both men are frosted with powder, see BMSat 8190. There is a landscape background. The spencer was a short double-breasted overcoat without tails called after George John Spencer, 2nd Earl Spencer (1758-1834), who is probably here caricatured. Gillray anticipates the earliest use of the word (1796) in the 'O.E.D.' The name derives from Earl Spencer's bet in 1792 that he would invent a coat which should become the fashion. 'Social England', ed. Traill, 1904, v. 676. This garment was associated by Byron in 'English Bards and Scotch Reviewers' with Sir Lumley Skeffington (1771-1850) ..."--British Museum online catalogue
Alternative Title:
Spencer and a thread-paper and Spencer & a threadpaper
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., and Temporary local subject terms: Male costume: spencers -- Neologisms: spencer (coat).
Publisher:
Pubd. May 17th, 1792, by H. Humphrey, No. 18 Old Bond Street
"Pitt, very thin, stands rigidly erect in profile to the right. Mrs. Hobart, immensely fat, completely fills a globe which stands on a rectangular platform on castors, and whose circumference rests against Pitt's post-like person. She looks up at him expectantly; he stares over her head with a pained expression. Beneath the title is etched: 'Definitions from Euclid. Def: Ist B: 4th. A Sphere, is a Figure bounded by a Convex surface; it is the most perfect of all forms; its Properties are generated from its Centre; and it possesses a larger Area than any other Figure. - Def: 2d B: Ist A Plane, is a perfectly even & regular Surface, it is the most Simple of all Figures ; it has neither the Properties of Length or of Breadth ; and when applied ever so closely to a Sphere, can only touch its Superficies, without being able to enter it - Vide. Euclid, illustrated; by the Honble Mrs Circumference.'"--British Museum online catalogue
Description:
Title from item., Sheet trimmed mostly within plate mark., "No. 72" in upper right corner., and Restrike of No. 8054 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6.
Publisher:
Pubd. Jany. 3d. 1792 by H. Humphrey, N. 18 Old Bond Street
"Pitt, very thin, stands rigidly erect in profile to the right. Mrs. Hobart, immensely fat, completely fills a globe which stands on a rectangular platform on castors, and whose circumference rests against Pitt's post-like person. She looks up at him expectantly; he stares over her head with a pained expression. Beneath the title is etched: 'Definitions from Euclid. Def: Ist B: 4th. A Sphere, is a Figure bounded by a Convex surface; it is the most perfect of all forms; its Properties are generated from its Centre; and it possesses a larger Area than any other Figure. - Def: 2d B: Ist A Plane, is a perfectly even & regular Surface, it is the most Simple of all Figures ; it has neither the Properties of Length or of Breadth ; and when applied ever so closely to a Sphere, can only touch its Superficies, without being able to enter it - Vide. Euclid, illustrated; by the Honble Mrs Circumference.'"--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., and Temporary local subject terms: Vehicles: platform on castors -- Mathematics: definitions of sphere and plane -- Literature: Euclid's Elements, Bk. i, def. 2; Bk. iv, def. 1.
Publisher:
Pubd. Jany. 3d, 1792, by H. Humphrey, N. 18 Old Bond Street
Subject (Name):
Buckinghamshire, Albinia Hobart, Countess of, 1738-1816 and Pitt, William, 1759-1806
Title from item., Printmaker and publication year from British Museum catalogue., Sheet trimmed to plate mark., Publisher's announcement below title: In a few days will be publishd Ld T-ls observation on excessive damages dedicated to the D-e of Y-., Temporary local subject terms: Furniture: bed -- Reference to George Carpenter, 2nd Earl of Tyrconnell, 1750-1805 -- Sarah (Hussey), Countess of Tyrconnell, 1764-1800., and Window mounted to 33 x 44 cm., matted to 47 x 63 cm.
Publisher:
Pud. Decr 29 by S.W. Fores, N 3 Piccadilly
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827 and Strathmore, John Bowes, Earl of, 1769-1820
"Satire on the election of April 1754; the elected candidates chaired to Guildhall; the first state without the results of the poll in the foreground."--British Museum online catalogue
Alternative Title:
Some folks at Guild-Hall
Description:
Title from item., Sheet trimmed to plate mark., Earlier state, without "Ministers of propagation" inscribed below a group of clergymen in upper left background., Eight stanzas of verse in four columns below title: O! see my raree shew good folks, all you who love election jokes ..., Plate numbered 'No. 3' on lower right., and Temporary local subject terms: Lottery: allusion to profits from lottery -- Shows: allusion to raree show -- Bills: Jews Naturalization Bill, 1753 -- Societies: Propagation of the Gospel -- Silversmiths: B. Jiffles -- Buildings -- Trades: butchers -- Newspapers: The Public Advertiser -- City of London: contest for representation of the City -- Quackery -- Livery of London: address to the Livery of London by A. Freeport, Feb. 1754 -- Literature: Address to the Livery of London by Andrew Freeport, 1754 -- Elections: parliamentary elections, 1754 -- Bridges: allusion to the Blackfriars Bridge -- Armine Wodehouse, 5th bt., ca. 1714-1777
Publisher:
Sold by John Smith at Hogarths Head, opposite Wood Street, Cheapside
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Napoleon bestraddles the globe, seated at the Pole, about half of it being between his legs; countries are marked, but without regard to geography. A little figure looks from behind the globe (right) below the conqueror's left toe; his left hand is placed on 'Old England', and he raises a sabre menacingly. Napoleon, a fine figure, wearing an enormous cocked hat, a sabre in his right hand, looks down at the little man, his left arm extended; he says: "Ah, who is it dares interupt me in my Progress." The little fellow answers: "Why 'tis I little Johnny Bull Protecting a little spot I clap my hand on, and d-n. me if you come any Farther that's all." He is a 'cit' with an ill-fitting wig. 'France' lies between 'Switzerland', on which Napoleon's right foot rests, and 'Itali' [north of 'England'], on which is his left leg."--British Museum online catalogue
Description:
Title etched below image; lowercase letter "a" preceding "stride" is etched backwards., Printmaker from British Museum catalogue., Second reissue of a plate first published by Piercy Roberts in 1803 and then reissued by Blacklock in May 1806; Blacklock's imprint statement is scored through but still visible in lower right corner of design. See British Museum catalogue., Plate numbered "252" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Watermark: Basted Mill 1817., and Leaf 82 in volume 4.
Title from item., Printmaker from British Museum online catalogue., Publisher's advertisement following imprint: where may be seen the greatest collectn of caracatures [sic] in the Kingdom, admitce 1 sh, likways [sic] the head & hand of Count Struenzee., Temporary local subject terms: Chelsea, King's Road -- West Bourne Stream -- Factories: Chelsea, Patent Floorcloth -- Plenipotentiaries -- Literature: allusion to Alexander Pope's Eloisa to Abelard -- Turks -- Musicians -- Carriages -- Dogs., and Watermark: fleur-de-lis on crowned shield with monogram W at bottom.
Publisher:
Londn. Pub. April 25, 1791, by S. Fores, N. 3 Piccadilly
Subject (Name):
Duncan, Mary Tufton, Lady, 1723-1806 and Pacchierotti, Gasparo, 1744-1821
"In the foreground John Bull, a drink-blotched 'cit', and George IV tug at a large pair of antlers. The King (right): "I tell you Bull I will wear them--I know they will become me--what am I allways to be disappointed." John wears a large white favour in his hat inscribed 'The Queen'; he says: "I'll be D--n'd if you do wear them yet, however much you may deserve them so it is useless contending G--e." At his feet is a large bludgeon: 'John Bull's Oke'. Behind them, a woman, apparently Mrs. Bull, strikes Majocchi, so that his nose gushes blood, saying: "You're one of the Villians from Cotton Garden" [see British Museum Satires No. 13824, &c.]. He falls backwards, saying: "Non mi Ricordo" [see British Museum Satires No. 13827]. In the middle distance behind John (left), stands a woman arm-in-arm with a sailor, who is next a soldier; she waves her handkerchief, saying; "The Queen for ever"; the other two wave their hats, shouting: "Go it John we'll stand by You." Behind the King (right) stand four witnesses: three villainous-looking fops and a woman; they are 'Inhabitants of Cotton Garden'."--British Museum online catalogue
Description:
Title etched below image., Date of publication from the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 41 of: George Humphrey shop album.
Publisher:
Pubd. by J.L. Marks, 28 Fetter Lane, Fleet Street
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George IV, King of Great Britain, 1762-1830, and Majocchi, Theodore, active 1820
Subject (Topic):
John Bull (Symbolic character), Adultery, Antlers, Pulling, Fighting, Witnesses, Sailors, and Soldiers