Title from text above image., Print signed using Frederick Marryat's device: an anchor slanted diagonally., Artist identified in the British Museum catalogue., Earlier state. For reissue published by Thomas McClean in 1835 cf. no. 14092 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Temporary local subject terms: Sailors -- Ships., and Watermark: J Whatman 1821.
"The Blockhead family, seemingly older by some ten years, admire W. B., now a sturdy young man, in smart tight-waisted lieutenant's uniform with knee-breeches. He looks over his shoulder at his reflection in a cheval-glass, beside which stands another young man dressed as a dandy (cf. No. 13029). A lap-dog shaved in the French manner looks at itself in the glass. Mr. B. sits delightedly in an arm-chair. Mrs. B., stouter and less fashionable, stands by W. B.; the toddling child of No. 14089, now a little girl, stands behind her. A tiny boy holds the sword and eclipses himself with the cocked hat. An elder daughter stands by her father's chair. Three admiring servants stand just inside the door: the fat cook (little altered), a neat maid, and a gawky footman. Below the design: '" Some are born great, some atchieve greatness" Twelfth Night"--British Museum online catalogue
Alternative Title:
Mr. B. promoted to Lieutenant and first putting on his uniform and Mr. B promoted to Lieut. and first putting on his uniform
Description:
Title from text above image., Print signed using Frederick Marryat's device: an anchor titled diagonally., Artist identified in British Museum catalogue., Citation from Shakespeare below image: 'Some are born great, some atcheive [sic] greatness" -Twelfth Night., Plate numbered in upper right corner: P. 7., and For 1835 reissue by Thomas McClean, see no. 14096 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10.
Title from letterpress header to broadside on lower portion of sheet., Imprint statement in letterpress on lower portion of sheet., Eight stanzas of song in three columns below title: Mister Peter Snout was invited out Heigho ! fiddle de dee ..., Plate mark numbered '533' in upper right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Beds -- Nightclothes -- Sneaking.
Publisher:
Published the 1st of August, 1821 by R.H. Laurie, No. 53 Fleet Street
The husband and wife of British Museum satires number 14307 sit in a luxurious breakfast parlour, turning their backs on each other and the table. She caresses a cat, facing an empty grate (right); he is absorbed in a newspaper
"The Duke of Clarence, knock-kneed and meanly malignant, stands in profile to the left, his back to the sea. He wears top-hat, tail-coat, tight pantaloons, Hessian boots, and gloves, holding a cane; under his foot is a paper: 'Honor [thy] Father & thy Mother.' At sea is a man-of-war with furled sails flying the Royal Standard. Below the title; 'Vide Mr Denmans Speech. Octr 25 1820.' Said to be a good likeness. See British Museum Satires No. 14031, &c."--British Museum online catalogue
Description:
Title etched below image., A Maltese cross, at the center of an oval containing the year "1820", is etched below lower left corner of image., and Mounted on page 38 of: George Humphrey shop album.
Publisher:
Pubd. Jany. 1st, 1821, by G. Humphrey, 27 St. James's St.
Subject (Name):
William IV, King of Great Britain, 1765-1837, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., and Denman, Thomas Denman, Baron, 1779-1854.
Subject (Topic):
Caricatures, Libel & slander, Top hats, Staffs (Sticks), and Ships
Three London scenes: a man being cajoled by two prostitutes, a young man being accosted by two debt-collectors, and a physician attending a patient. In the left scene, the man stands outside a tavern with its fascia lettered "Cordials & compounds" and "Hodg[son's] best", i.e. ale brewed by George Hodgson (and subsequently Mark and Frederick Hodgson) at the Bow Brewery in London: the brewery was rebuilt and enlarged in 1821. The prostitute on the left holds his wallet concealed in her muff while the one on the right tries to steal his fobwatch. A burning gas light on the left indicates night. In the right scene, the moribund patient wearing a nightgown and nightcap sits in an armchair on casters next to the bed, while the physician (a thin elderly bald man in a black suit) looks at him intently from the next chair, and an old nurse stands nearby; medicine bottles on the mantlepiece behind
Alternative Title:
Love, law, & physic and Love, law, and physic
Description:
Title from text above and below image., Second part of title adapted from the farce by James Kenney, Love, law and physic, first performed in London in 1812., "A second state of British Museum Satires No. 14312, above the design as an additional title: SYMPTOMS OF LIFE IN LONDON--OR [cf. No. 14320]."--British Museum online catalogue., Sheet trimmed within plate mark., and Temporary local Medical Library subject terms: Apothecary Shops -- Exterior.
Publisher:
Pubd. Augt. 28th, 1821, by G. Humphrey, 27 St. James's St., London
Subject (Geographic):
London (England), England, and London.
Subject (Topic):
Prostitutes, Prostitutes' customers, Prostitution, Taverns (Inns), Gas street lamps, Debt, Debtor and creditor, Collecting of accounts, Physicians, Physician and patient, Patients, Nurses, Muffs, and Drugstores
"On the left is a pleasant old-fashioned tavern, 'The Kings Head', with a half length portrait of George IV in crown and robes. Ministers are seen within the open window, Castlereagh's profile on the left. A sturdy John Bull in top-boots stands outside, watching with distaste a disorderly and drunken rabble crowding round the door and (broken) window of the opposite house, the sign 'Mother Red Cap', a half length portrait of Queen Caroline, raddled and disreputable, a tricolour cockade in her conical hat. From the end of the beam supporting the sign hangs a pear (emblem of Bergami, see British Museum Satires No. 13869). The house (right) is a ruinous timber structure, shored up by beams. The crowd have a banner of a woman's shift inscribed 'Un Sun'd Snow NB "The Times" Taken in Here.' A man plays drum and pan-pipes. One man empties a bottle of spirits inscribed 'Queens Mixture' down the throat of a drunken fellow lying on his back. A fat man has a tankard of 'Qu[een's] Entire'. The two inns are respectively placarded 'The Original Brunswick House of Call for Loyalists--Pure Wine--Good Spirits --Sound Ale'; and 'The Brunswick Radical House of Call Italian Wines Bergamy Perry [cf. British Museum Satires No. 13869] No Adulteration! NB Good accomodation for all sorts of Cattle. Whitbread's Entire [cf. British Museum Satires No. 10414]--Small Beer.' In the background is a church tower among trees."--British Museum online catalogue, descr
Alternative Title:
Mother Red Cap public house, in oppsition to the Kings Head and Mother Red Cap public house, in opposition to the Kings Head
Description:
Title etched above image., State from British Museum catalogue. For an earlier state published 11 November 1820 as a plate to The Loyalist's magazine, see no. 13975 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Sheet trimmed within plate mark., and Mounted on page 44 of: George Humphrey shop album.
Publisher:
Pub. by G. Humphrey, 27 St. James's St.
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Castlereagh, Robert Stewart, Viscount, 1769-1822, Bergami, Bartolomeo Bergami, Baron., and Whitbread, Samuel, 1764-1815.
Subject (Topic):
Politicians, Taverns (Inns), Crowns, Robes, Crowds, Intoxication, Alcoholic beverages, Pears, Banners, Street musicians, and Churches
"Thomas Raikes sits on a divan between two courtesans, his head in profile to the right. On the right is a round table spread with a luxurious dessert, pine-apple, peaches, decanters, &c. The centre-piece is a figure of Mercury (cf. British Museum Satires No. 7592) poised on a globe and holding up a second globe, perhaps a lamp. A long bill hangs from the table . . . Dr to Mrs Wood--Bed--10-- Brandy 5--coffee 1--Eggs--Brandy 2--Oysters 1--Eggs--20, 0 Ham--10-- Coffee 11--Beds 5--Brandy 2--Bed 1-- to show that the establishment is a brothel run by Mrs. ('Mother') Wood (cf. British Museum Satires No. 13734). On the wall are two pairs of crossed rakes tied with ribbons, and pictures, with punning titles: Siege of Belle Lisle, Wood Deamon [cf. British Museum Satires No. 10796], Babes in ye Wood, The Rakes Progress, Burn em Wood, Deity of the Woods, Wood Pigeon Wood Cock."--British Museum online catalogue
Alternative Title:
The commercial dandy and his sleeping partners
Description:
Title from caption below image., "Dr. E.D." pseudonym of George Cruikshank?, Sheet trimmed within plate mark., Temporary local subject terms: Costume: male, female, 1821 -- Furniture: round table -- Divan -- Food: pineapple, fruit -- Decanters -- Lighting: candlestick -- Mythology: Mercury -- Rakes -- Mrs. "Mother" Wood, fl. 1821., Manuscript "256" in upper center of plate., and Watermark: J. Whatman.
Publisher:
Pubd. Novr. 1st, 1821 by G. Humprey [sic] 27 St. James's St.
Subject (Name):
Raikes, Thomas, 1777-1848
Subject (Topic):
Brothels, Courtesans, Dandies, British, and Prostitutes
"A sequel to British Museum Satires No. 13895. The Queen has reached the top of the column; she is blindfolded and wears a fool's cap; but the column is shattered by the radicals, and she falls backwards, dropping sceptre and firebrand. The pedestal tilts, the column is broken in three, and the summit is being hauled down by a rope tugged at by a cheering mob of radicals with pikes. Flames and towering clouds of smoke ascend from a large fire at its base, on which a Bible inscribed 'I H S' and books of 'Laws' and 'Religion' are burning. The Black Dwarf (Wooler, see British Museum Satires No. 12988), kneeling, blows it with bellows. Crown, Bible, and cushion fall from the column. Hunt cheers the catastrophe, waving his cap, as do others. There is a tricolour banner topped by a skull and inscribed 'Blood & Plunder'. Cobbett (?) is now on the top of the Queen's ladder, with (?) Wood who cheers from a lower rung."--British Museum online catalogue
Description:
Title etched below image., State from British Museum catalogue. For an earlier state published 28 October 1820 as a plate to The Loyalist's magazine, see no. 13902 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Sheet trimmed within plate mark on right and left sides., Companion print to: The radical ladder., and Mounted on page 5 of: George Humphrey shop album.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830., Wooler, T. J. 1786?-1853 (Thomas Jonathan),, and Cobbett, William, 1763-1835
Subject (Topic):
Ladders, Columns, Torches, Crowns, Bibles, Liberty cap, Blindfolds, Fires, Bellows, and Crowds