"Street scene. The showman (right) stands in profile to the right looking up at Punch and Judy who perform on their tiny stage, the supports of which are covered by a checked material. A monkey wearing a cocked hat and coat stands on his shoulder and takes an apple from the basket on the head of an apple-woman. A man plays a hurdy-gurdy in the foreground on the extreme right. The spectators gaze up intensely amused: A milkman (left), his yoke on his shoulder, has put down his pail, from which a second monkey dressed as a woman is drinking. A young woman holds out a hat for coins, while she picks the pocket of a spectator. A third monkey crouches on the ground. Beneath the title: 'Now 's the Time for Mirth & Glee, - Sing & Laugh & Dance with me.'"--British Museum online catalogue
Alternative Title:
Punch's puppet show
Description:
Title below image., Printmaker from British Museum catalogue., Two lines of verse below title: Now's the time for mirth & glee ..., Plate numbered '161' in lower left corner., and One of a series of Drolls.
Publisher:
Published 12th Sepr. 1795 by Laurie & Whittle, 53 Fleet Street, London
Subject (Topic):
City & town life, Criminals, Crowds, Dogs, Milkmen, Monkeys, Organ grinders, Peddlers, Puppet shows, Spectators, and Street vendors
published as the act directs [...] [not before 25 June 1774]
Call Number:
774.06.25.01
Image Count:
1
Resource Type:
still image
Abstract:
"Satire; an extravagantly dressed woman catches a fashionable man by the arm as she points with her fan at a mezzotint droll in a print-shop window; a small dog looks up at her; an old gentleman with a stick standing on the right, stares at the prints and is surprised by a man with a warrant for his arrest."--British Museum online catalogue
Description:
Title etched below image., Attributed to John Raphael Smith by Frankau., Later state, with plate number added. For an earlier state lacking plate number, see no. 3758 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., Date of publication inferred from earlier state with the date "25 June 1774" at end of imprint; see British Museum online catalogue, registration no.: 2010,7081.379., Sheet trimmed to plate mark on bottom edge., Description based on imperfect impression; date at end of imprint statement has been erased from sheet., and Plate numbered "300" in lower left corner.
Publisher:
Printed for Carington Bowles, at his map & print warehouse, No. 69 in St. Pauls Church Yard, London
Subject (Geographic):
England and London.
Subject (Name):
Bowles, Carington, 1724-1793.
Subject (Topic):
Dogs, City & town life, Clothing & dress, Stores & shops, Window displays, Dandies, British, Prints, Fans (Accessories), and Staffs (Sticks)
Smith, Adam, active 1760-approximately 1780, printmaker
Published / Created:
[1770]
Call Number:
770.00.00.65
Image Count:
1
Resource Type:
still image
Abstract:
A street scene in London near a butcher's shop with the portly owner assaults a gaunt Frenchman. A small chimney sweep drops a mouse into the Frenchman's wig as a dog fouls the Frenchman's legs. A woman with a tobacco pipe in her mouth trudges in the background balancing a basket of vegetables (or apples?) on her head. A lean Scotchman steals from the distracted butcher's stall
Description:
Title engraved below image., Text above image: Engraved for the Oxford magazine., Plate from: The Oxford magazine or, Universal museum. London : Printed for the authors, v. 5 (1770), page 216., and Mounted to 27 x 40 cm.
Publisher:
publisher not identified
Subject (Geographic):
England and London.
Subject (Topic):
Street life, City & town life, Butchers, Butcher shops, Chimney sweeps, Dogs, Occupations, Ethnic stereotypes, and Pipes (Smoking)
"A disorderly mass of pedestrians fills the pavement outside the White Horse in Piccadilly, the street slanting in perspective from left to right. The pillared porch of the hotel is flanked by large curved windows, above which is the inscription 'Coffee House & Hotel'. The porch is inscribed 'Hatchetts', above it, against the wall, is the (pictorial) sign of a white horse, inscribed: 'Coaches & waggons to all parts of the kingdom'. Above the area railings, which are hidden by the crowd, is a placard (over the entrance to the basement): 'White Horse cellar coaches to all part[s]'. In the foreground (right) a coach and pair with outside passengers is driven recklessly (right to left) by a driver in a many-caped coat; an angry man sprawls by the horses' hoofs, another escapes to the right. A box-like coach or wagon facing in the opposite direction is on the off-side of the first; a man pushes a fat woman in at the back, while two outside passengers are about to fall from the roof, which is open. It is inscribed 'T[O] . . . MERS . . . TURNHAM' [? To Amersham by Turnham Green]. At the edge of the pavement stands a tough-looking coach-tout pointing out the Amersham wagon to an oafish-looking and would-be fashionable countryman whose pocket is being picked by a little Jewish boy; a Jewish woman with a basket of fruit slung from her neck deftly screens him. A raffish tout dressed as a coachman assails alarmed pedestrians with violent gestures. A stout John Bull pushes violently past a Jewish fruit-seller, spilling the fruit, while the Jew takes a watch from his fob. A boy diving for the falling fruit upsets a man carrying on his head and porter's knot a large corded chest. A little chimney-sweep with twisted shin-bones quizzes an amused negro servant, who holds a band-box, and is smartly dressed, but wears an apron. Facing the coaches stands a newsboy, holding up his papers to the passengers. He holds his horn; in his hat is a placard: 'Great News from St Hel[ena]'. Below, where the crowd is thickest in front of the hotel porch, men fight with fists. Two dandies stand under the porch, above the mêlée."--British Museum online catalogue
Description:
Title from caption below image. and Sheet trimmed within plate mark.
Publisher:
Pubd. Decr. 29, 1818 by G. Humphrey, 27 St. James's St., London
Subject (Geographic):
Piccadilly (London, England), England, and London
Subject (Topic):
Accidents, Carriages & coaches, Chimney sweeps, City & town life, Crowds, Dandies, Dogs, Street vendors, and Taverns (Inns)
"A disorderly mass of pedestrians fills the pavement outside the White Horse in Piccadilly, the street slanting in perspective from left to right. The pillared porch of the hotel is flanked by large curved windows, above which is the inscription 'Coffee House & Hotel'. The porch is inscribed 'Hatchetts', above it, against the wall, is the (pictorial) sign of a white horse, inscribed: 'Coaches & waggons to all parts of the kingdom'. Above the area railings, which are hidden by the crowd, is a placard (over the entrance to the basement): 'White Horse cellar coaches to all part[s]'. In the foreground (right) a coach and pair with outside passengers is driven recklessly (right to left) by a driver in a many-caped coat; an angry man sprawls by the horses' hoofs, another escapes to the right. A box-like coach or wagon facing in the opposite direction is on the off-side of the first; a man pushes a fat woman in at the back, while two outside passengers are about to fall from the roof, which is open. It is inscribed 'T[O] . . . MERS . . . TURNHAM' [? To Amersham by Turnham Green]. At the edge of the pavement stands a tough-looking coach-tout pointing out the Amersham wagon to an oafish-looking and would-be fashionable countryman whose pocket is being picked by a little Jewish boy; a Jewish woman with a basket of fruit slung from her neck deftly screens him. A raffish tout dressed as a coachman assails alarmed pedestrians with violent gestures. A stout John Bull pushes violently past a Jewish fruit-seller, spilling the fruit, while the Jew takes a watch from his fob. A boy diving for the falling fruit upsets a man carrying on his head and porter's knot a large corded chest. A little chimney-sweep with twisted shin-bones quizzes an amused negro servant, who holds a band-box, and is smartly dressed, but wears an apron. Facing the coaches stands a newsboy, holding up his papers to the passengers. He holds his horn; in his hat is a placard: 'Great News from St Hel[ena]'. Below, where the crowd is thickest in front of the hotel porch, men fight with fists. Two dandies stand under the porch, above the mêlée."--British Museum online catalogue
Description:
Title from caption below image. and Reprint. Originally published by George Humphrey, 29 December 1818.
Publisher:
Pubd. by Thos. McLean, 26 Haymarket
Subject (Geographic):
Piccadilly (London, England), England, and London
Subject (Topic):
Accidents, Carriages & coaches, Chimney sweeps, City & town life, Crowds, Dandies, Dogs, Street vendors, and Taverns (Inns)
The Bristol London Royal mail wagon arrives outside the Post Office as men, women, and children (and dogs) walk about the street, some reading letters others conversing. Next to the Post Offfice is the Fire Office
Description:
Title from caption below image., Date of publication from British Museum catalogue., Sheet trimmed within plate mark., and Date of publication erased from sheet.
Publisher:
Published by Sherwood & Co.
Subject (Geographic):
England.
Subject (Topic):
City & town life, Crowds, Dogs, Mail wagons, Postal service, and Post offices
Plate 30. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A scene in London, possibly near St. Martin's-in-the-Fields, shows a musician at an open window holding his ears against the noise of the street; a pregnant ballad-seller chants while her baby cries and a parrot above her head on the lamp post squawks; a milkmaid and other street-traders cry their wares; one small boy plays a drum while another urinates under the startled gaze of a small girl who holds a rattle and stands by a house made of toy blocks; an itinerant oboist plays; a dustman carries his basket and a bell; a knife-grinder sharpens a cleaver, a dog barking at his feet; on the roof at the right two cats fight (both shown with arched backs) just beyond the chimney from which a chimney sweep emerges. A sign to the left of the musician's window advertises The Beggar's Opera. A sign on the building to the right reads "John Long Pewterer." In this state the horse on the extreme right is black (white in the earlier state), the boy's slate trailing on the ground was only half shaded in the earlier state, but is now darkened
Description:
Title engraved below image., State from Paulson., "Price 3 shillings"--Following imprint., and On page 103 in volume 2. Sheet trimmed to: 35.6 x 40.8 cm.
Publisher:
Wm. Hogarth
Subject (Topic):
Blocks (Toys), Cats, Children, City & town life, Chimney sweeps, Dogs, Musical instruments, Musicians, Noises, Occupations, Parrots, Street vendors, and Urination
A scene in London, possibly near St. Martin's-in-the-Fields, shows a musician at an open window holding his ears against the noise of the street; a pregnant ballad-seller chants while her baby cries and a parrot above her head on the lamp post squawks; a milkmaid and other street-traders cry their wares; one small boy plays a drum while another urinates under the startled gaze of a small girl who holds a rattle and stands by a house made of toy blocks; an itinerant oboist plays; a dustman carries his basket and a bell; a knife-grinder sharpens a cleaver, a dog barking at his feet; on the roof at the right two cats fight (both shown with arched backs) just beyond the chimney from which a chimney sweep emerges. A sign to the left of the musician's window advertises The Beggar's Opera. A sign on the building to the right reads "John Long Pewterer." In this state the horse on the extreme right is black (white in the earlier state), the boy's slate trailing on the ground was only half shaded in the earlier state, but is now darkened
Description:
Title engraved below image., State from Paulson., "Price 3 shillings"--Following imprint., Sheet trimmed to plate mark., and On page 102 in volume 2. Sheet trimmed to: 35.6 x 40.9 cm.
Publisher:
Wm. Hogarth
Subject (Topic):
Blocks (Toys), Cats, Children, City & town life, Chimney sweeps, Dogs, Musical instruments, Musicians, Noises, Occupations, Parrots, Street vendors, and Urination
A scene in London, possibly near St. Martin's-in-the-Fields, shows a musician at an open window holding his ears against the noise of the street; a pregnant ballad-seller chants while her baby cries and a parrot above her head on the lamp post squawks; a milkmaid and other street-traders cry their wares; one small boy plays a drum while another urinates under the startled gaze of a small girl who holds a rattle and stands by a house made of toy blocks; an itinerant oboist plays; a dustman carries his basket and a bell; a knife-grinder sharpens a cleaver, a dog barking at his feet; on the roof at the right two cats fight (both shown with arched backs) just beyond the chimney from which a chimney sweep emerges. A sign to the left of the musician's window advertises The Beggar's Opera. A sign on the building to the right reads "John Long Pewterer." In this state the horse on the extreme right is black (white in the earlier state), the boy's slate trailing on the ground was only half shaded in the earlier state, but is now darkened
Description:
Title engraved below image., State from Paulson., "Price 3 shillings"--Following imprint., and Sheet trimmed to plate mark.
Publisher:
Wm. Hogarth
Subject (Topic):
Blocks (Toys), Cats, Children, City & town life, Chimney sweeps, Dogs, Musical instruments, Musicians, Noises, Occupations, Parrots, Street vendors, and Urination