"A man with a stick, points to the left where other men, one with a horse, halloo, directing the young king beside him towards the game, while the king points in another direction, 'where the huntsmen stand.'; after Miller; early unlettered state with little tone, the front of the huntsman's feather outlined only."--British Museum online catalogue
Description:
Title, artist, printmakers, and imprint from Brit. Museum online catalogue.
Publisher:
J. & J. Boydell
Subject (Name):
Shakespeare, William, 1564-1616. and Shakespeare, William, 1564-1616
"Portrait of Thomas Howard, 14th Earl of Arundel, three-quarter length, standing to right in front of a large rock, holding a baton in his right hand, the left on the shoulder of his grandson."--British Museum online catalogue, description of a later state
Description:
Title from later state of the plate., Early state without title. For a later state with title, see British Museum online catalogue, registration no.: 1853,0112.1640., Imperfect; sheet trimmed to plate mark and printmaker's signature mostly erased from sheet. Missing text inferred from that on a later state of the plate in the British Museum., Possibly engraved after the watercolor drawing by Vertue that was kept by Horace Walpole in the Gallery at Strawberry Hill., and Mounted on page 112 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12.
Publisher:
Pub. by J. Thane, Rupert Street, Hay Market
Subject (Name):
Arundel, Thomas Howard, Earl of, 1585-1646,, Howard, Philip Thomas, 1629-1694,, and Strawberry Hill (Twickenham, London, England)
Portrait of Thomas Pellett; half length, to the left, looking to front; wearing cloak with tassles decorating bands across sleeves, wig, and neck scarf; in oval; after Dahl
Description:
Title from later, lettered states., Sheet trimmed to plate mark., On page 208 in volume 3., and Ms. note in pencil in Steevens's hand above print: Proof. In pencil in Steeven's hand above row of three impressions of this portrait: Dr. Pellet. See Nichols's Book, 3d. edit., p. 407.
Publisher:
Pubd. June 1st. 1781 by I. Thane, Rupert Street, Hay Market
Title, printmaker, artist, publisher, and publication date from Catalogue of engraved British portraits preserved in the Department of Prints and Drawings in the British Museum., Date of publication from printmaker's known place of activity., and Sheet trimmed to plate mark.
"Powys, M.P. for Northamptonshire, stands in profile to the left bending forward, both hands extended. The very melancholoy expression in this and other prints is consistent with this practice of prefacing his speeches 'on occasions of great interest, by a copious dicharge of tears which he seemed to command at will', Wraxall, Memoirs, 1884, iii. 280."--British Museum catalogue
Description:
Title from British Museum catalogue., Signed with the monogram of James Sayers., and Mounted on page 7 with three other prints.
"Powys, M.P. for Northamptonshire, stands in profile to the left bending forward, both hands extended. The very melancholoy expression in this and other prints is consistent with this practice of prefacing his speeches 'on occasions of great interest, by a copious dicharge of tears which he seemed to command at will', Wraxall, Memoirs, 1884, iii. 280."--British Museum catalogue
Description:
Title from British Museum catalogue., Signed with the monogram of James Sayers., 1 print : etching with stipple on wove paper ; plate mark 17.7 x 11.2 cm, on sheet 19.3 x 13.3 cm., Mounted with three other prints on leaf 5 of James Sayers's Folio album of 144 caricatures., and The figure in the print is identified by a small strip of paper (approximately 5 x 35 mm) pasted in lower left corner of sheet with their name in letterpress: Mr. Powis.
"Powys, M.P. for Northamptonshire, stands in profile to the left bending forward, both hands extended. The very melancholoy expression in this and other prints is consistent with this practice of prefacing his speeches 'on occasions of great interest, by a copious dicharge of tears which he seemed to command at will', Wraxall, Memoirs, 1884, iii. 280."--British Museum catalogue
Description:
Title from British Museum catalogue., Signed with the monogram of James Sayers., and Numbered '31' in contemporary hand in the upper right corner.