Caption title., Letterpress with woodcut illustration., A illustrated broadside printed on silk., With an image of a woman weeping at a tombstone enscribed with the words "Great Britain's Queen, the injured Caroline., Around the border, following the title: Minister! go hang thyself in justice to mankind, for if after this, you die by the ordinary course of Nature, all honest men will be disgraced by sharing even a common death with you., In verse., First line: Hark! - whence proceeds that awful sound ..., and In a contemporary (or early) gilt wood frame, 19 x 16 cm, hanging hook at top; likely framed for domestic display. For further information, consult library staff.
Publisher:
publisher not identified
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821
"Broadside; the text in five columns: small cuts I-X on the left and right, each with an eight-line verse below it; cuts XI and XII above and below the three centre columns. Cut I. The Queen's arrival in England, and Marriage. The Prince leads her ashore from a small boat. Cut II. Taking farewell of Charlotte [1814]. Mother and daughter weep, turning from each other; the Princess approaches a ship's boat, Cut III. Her Return--Landing at Dover [June 1820]. She is rowed to shore by two sailors. Cut IV. Her Trial in the House of Lords. A simplified but recognizable view. Cut V. Her Acquittal. She drives in an open carriage past Carlton House. Cut VI. Procession to St. Paul's. A similar carriage scene with St. Paul's in the background. Cut VII. The Highlanders' Address. Highlanders in a carriage with banners (cf. British Museum Satires No. 13934). Cut VIII. Refused Admittance into the Abbey. She gestures at the partly closed door between a sentry and the rejecting doorkeeper. Cut IX. Death-Bed of the Queen. The bed surrounded by weeping mourners. Cut X. Embarkation of Her Body at Harwich. The coffin is swung by tackle into a ship's boat. Cut XI. The Queen's Funeral Procession at Brunswick. The coffin, with crown and royal arms, is borne towards a church door (right) where girls scatter flowers. Cut XII. Queen Caroline's Tomb. Britannia weeps, and her Lion registers anger, beside the tomb of Caroline The Injured Queen of England, topped by a large urn on which is her bust portrait. The text includes the funeral prayer, 'A Dirge' and 'An Elegy . . .' (28 11.): 11. 7-10: 'A seperation hardly to be borne, Her only Daughter from her arms was torn! And next discarded--driven from her home, An unprotected Wanderer to roam!' The verses below Cut XII end: 'For the King shall be Judg'd with the poor of the earth, And, perhaps the poor man will be greater than he. Until that great day we leave Caroline's wrongs, Meantime, may, "Repentance" her foes o'ertake; O grant it kind POWER, to whom alone it belongs' AMEN. Here an end of this Hist'ry we make."--British Museum online catalogue
Description:
Caption title., "Quod Jas. C-tn--h, Dec. 10th, 1821."--Bottom of sheet., Woodcuts with accompanying letterpress text, mostly in verse., "Entered at Stationer's Hall."--Below imprint in square brackets., "Price 2d."--Upper right., and For the first edition, see No. 14255 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10.
Publisher:
Printed and sold wholesale and retail by J. Catnatch, 2, Monmouth Court, 7 Dials
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Charlotte Augusta, Princess of Great Britain, 1796-1817,, Great Britain. Parliament. House of Lords,, and St. Paul's Cathedral (London, England),
Subject (Topic):
Death and burial, Arrivals & departures, Carriages & coaches, Parades & processions, Deathbeds, Funeral processions, and Tombs & sepulchral monuments
Reflections on a flower-garden in a letter to a lady
Description:
In two parts, with separate titlepages, pagination and register., The second part is entitled 'Reflections on a flower-garden in a letter to a lady'., Each part has a final leaf of errata., Tipped in: Two small engravings of Hervey from Cooke's Classics., Tipped in: Two drawings. A wash drawing with pen and ink of a memorial to Anne Stonhouse; a pen and ink frontispiece with caption title: "He gave himself a ransom for all"., and With clipping (19th century) and unidentified ms. notes.
Publisher:
Printed for J. and J. Rivington, in St. Paul's Church-yard; and J. Leake, at Bath
Subject (Topic):
Death, Spiritual life, and Tombs & sepulchral monuments
Engraved card printed within black mourning border, illustrated above title with an image of Prince Leopold leaning mournfully over his wife Princess Charlotte's tomb, which is adorned with her portrait and topped with an urn. Sixteen lines of verse are engraved at the bottom
Description:
Title from item., All engraved., First line of verse beneath title: Weep, England, weep! They pride is gone ..., and For further information, consult library staff.
Publisher:
T. Crabb
Subject (Geographic):
England.
Subject (Name):
Charlotte Augusta, Princess of Great Britain, 1796-1817 and Léopold I, King of the Belgians, 1790-1865,
Subject (Topic):
Death and burial, Tombs & sepulchral monuments, and Grief
Ghost of poor Molly who was drowned in Richard's mill pond
Description:
Date of publication supplied by cataloger., Anonymous. By Hannah More., Verse begins: "Quoth Richard to Bob, "let things go as they will,"., In two columns with a woodcut and title centered above both; a second woodcut near the foot of the second column; all enclosed within an ornamental border., Cf. no. T194204 in ESTC., Lewis Walpole Library copy: Sheet trimmed within border; imprint statement wanting., Mounted on leaf 31. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2.
Publisher:
publisher not identified
Subject (Topic):
Tombs & sepulchral monuments, Graves, Cemeteries, Bedrooms, and Ghosts
Engraved card printed within black mourning border, illustrated above title with an image of Prince Leopold and Britannia in front of Princess Charlotte's tomb adorned with her portrait and topped with an urn. Six numbered stanzas of a hymn and two staves of music are engraved at the bottom
Description:
Title from item., All engraved., First lines of "The funeral hymn, being part of the burial service paraphrased": 1. How short, how narrow is the span, how few the years allow'd to man! ..., "The music selected and alter'd by E.W. Smith, of St. Georges Chapel, Windsor"., and For further information, consult library staff.
Publisher:
Published by Thos. Crabb, Ivy Lane, Paternoster Row
Subject (Geographic):
England.
Subject (Name):
Charlotte Augusta, Princess of Great Britain, 1796-1817 and Léopold I, King of the Belgians, 1790-1865,
Subject (Topic):
Death and burial, Britannia (Symbolic character), Tombs & sepulchral monuments, Grief, and Musical notation
Caption title., A poem, printed within black mourning border, illustrated above title with an image of an urn mounted on a plinth, her life dates engraved on the plinth; behind a weeping willow. Five stanzas of verse in letterpress at the bottom., Illlustration signed: Snowdon, Wigmore Street., First lines of verse: O! look, my sister, yonder our princess lay; How fragrant is her tomb, her very clay! ..., and 'Maria' written in black ink above imprint statement. For further information, consult library staff.
Publisher:
Published for the Authoress, and sold by T. Gardiner and Son, 20, Princes-Street, Cavendish-Square; N. Hailes, London Museum, Piccadilly; and T. Sizuer, Juvenile Library, 259, Oxford-Street, and 209, Piccadilly
Subject (Geographic):
England.
Subject (Name):
Charlotte Augusta, Princess of Great Britain, 1796-1817
Verse begins: "Attend, ye lovers, and give an ear"., In four columns with the title and two woodcuts above the first two; the columns are separated by columns of type ornaments., The left woodcut is found in other broadsides with Bow Church Yard and Aldermary Church Yard imprints; the date range is that covering both imprints; see David Stoker, "Another look at the Dicey-Marshall publications: 1736-1806", The Library, ser. 7, v. 15:2 (June 2014), 111-157., Susan’s surname appears in other editions as either Massie or Mease., Mounted on leaf 60. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2.
Publisher:
publisher not identified
Subject (Topic):
Couples, Cemeteries, Tombs & sepulchral monuments, Skulls, and Staffs (Sticks)