Title from caption below image., Artist's signature from impression in the British Museum., Date of publication based on that of the print from which this design was copied. See no. 7229 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Design consists of ten figures arranged in two rows., Companion to a print of the same title and similar design. See Lewis Walpole Library call no.: Bunbury 787.00.00.24+., The Lewis Walpole Library impression: artist's signature erased from lower left corner of sheet, and sheet trimmed within plate mark with partial loss of title., and Temporary local subject terms: Dancing -- Minuet -- Couples.
Title from caption below image., Copy of a print by James Gillray with the same title., Variant state lacking plate number in upper right. Cf. No. 9386A in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Sheet trimmed within plate mark., Seven lines of verse in two columns below image: -Ne'er may his whiskers loose their hue chang'd (like Moll Coggin's tail) to blue! ... vide Anti-Jacobin., Temporary local subject terms: Male dress: quasi-military -- Sideburns -- Walking staves -- Literature: Quotation from the Ode to Lord Moira, by George Ellis (1753-1815) -- Periodicals: Anti Jacobin Review, no. XI., and Numbered '99' in contemporary hand in upper right corner of design; mounted to 37 x 29 cm.
Publisher:
publisher not identified
Subject (Name):
Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826
A pedestrian struggles through deep slushy snow, facing driving snow, with a broken umbrella, the spokes projecting through the cover. He clutches at his cloak and hat; he wears gaiters to the knee with socks over them, and overshoes. Cape and comforter stream behind him. In the background are two buildings. Other figures also struggling through the snow are faintly etched in the distance
Alternative Title:
Merry Christmas and a happy new year in London
Description:
Title etched below image., A reversed and reduced version of a print by George Hunt after M.E. Egerton, published ca. 1825 by Pyall & Hunt. Cf. No. 14999 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Sheet trimmed within plate mark., and Pasted on blue album paper at corners: sheet 19.4 x 15.2 cm.
Publisher:
publisher not identified
Subject (Topic):
Blizzards, Salutations, Snow, Winter, and Umbrellas
Title from text within banners at top and bottom of image., Date of publication from unverified data in local card catalog record., Temporary local subject terms: Christmas greetings -- Christmas., and Mounted to 29 x 21 cm.
Date of publication supplied by cataloger., Songs listed below title: I. The age of man. II. Te Bonny sailor's voyage to Greenland. III. Philander and Daphne, A new song. IV. A new sailor's song. V. A new song of friendship., Mounted on leaf 70 to right. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 2.
Relief shown pictorially., "Vol. I page 717.", Appears in J. Harris' Navigantium atque itinerantium bibliotheca. 1774-1748., and Prime meridian: London.
Date of publication supplied by cataloger., Verse begins: "When first I came to London town,"., In two columns with the title in four lines centered above both; the columns are not separated by rules., Mounted on leaf 55. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 3.
An African woman known as 'Sartje' or the Hottentot Venus stands, left, in profile, a smoking pipe in her mouth and tall staff in her right hand. She has an enormous posterior and stands nude except for a pair of garters around her calves, a thin girdle round her waist, a beaded headdress and beaded necklace. Grenville stands behind her but looks back over his shoulder at her. Dressed in formal court dress, he too is depicted with an enormous posterior. Grenville says: Well I never expected Broad Bottoms from Africa! but one should never dispair! Mind Sherry dont let your Fireey nose touch the Venus for if theres any conbustibls about her we shall be blown up!!" In his pocket is a paper inscribed Chaselor [sic]. Between them, half-kneeling, Sheridan measures her bottom using a compass and answers: I shall be carefull your Lordship! but such a spanker it beats your Lordship's hollow."
Description:
Title from item/, Artist and imprint information based on a close copy with same title and same dialogue with misspellings. Cf. British Museum catalogue, no. 11578., Sheet trimmed within plate mark., Watermark: J Whatman Turkey Mill., and Collector's stamp on verso: half-length raised figure of fox with initials MW below.
Publisher:
Walker Cornhill?
Subject (Name):
Baartman, Sarah, Grenville, William Wyndham Grenville, Baron, 1759-1834, Sheridan, Richard Brinsley, 1751-1816, and Great Britain. Court of Chancery
Subject (Topic):
Officials and employees, Khoikhoi (African people), Africans, and England