A satire on the Duke's pressure on the King to accept Emancipation. "Wellington stands in profile to the right, dressed as the driver of a mail-coach, holding his whip and (as way-bill) a paper resembling the 'Gazette', headed 'Bill' [i.e. for Catholic Relief]. His (gloved) left hand touches the broad brim of his hat. He wears a triple-caped greatcoat, tight at the waist, over tightly strapped white trousers, and is smart and erect, in contrast with his rival, see British Museum satires no. 15736"--British Museum online catalogue
Description:
Title etched below image., Plate signed using William Heath's device: A man with an umbrella., For a close copy published by E. King, see no. 15731A in the British Museum catalogue., and Watermark: J. Whatman 1829.
Publisher:
Pub. April 1829 by T. McLean, 26 Haymarket
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830. and Wellington, Arthur Wellesley, Duke of, 1769-1852
Subject (Topic):
Catholic emancipation, Coach drivers, Newspapers, and Whips
"A hand printing-press of metal (a Stanhope Press), supported on the stout legs of a man in breeches which seem to belong to a John Bull, puts to flight mere pigmy humans: two flee to the right, one propelled by a kick from a huge buckled shoe; two others have fallen. Two levers or handles serve as arms; one has a hand which grasps a giant pen, the feather entwined with three serpents which spit flame at the departing legs and cocked hat of Wellington, who, kicked into the air, disappears behind the upper right margin of the design. Another pair of legs, with the black stockings and buckled shoes of Eldon, project from the upper left margin; beside them a single leg and a broom indicate the departing Brougham. A second lever supports a print, 'The Man Wot Drives The Sovereign', copied from British Museum satires no. 15731; a flame issues from the press, threatening to scorch or destroy the print. The press is topped by a cap of Liberty inscribed 'Free Press' and encircled with a wreath. A little demon (a printer's devil) rushes towards the press from the left, holding up a big ink-ball."--British Museum online catalogue
Description:
Title etched below image., Attributed to William Heath in the British Museum catalogue., Imprint continues: ... sole publisher of P. Pry caricatu[...]., and This image was possibly published in Paul Pry, a newspaper dedicated to exposing political corruption and religious fraud. William Heath often worked with Thomas McLean and is well known for his caricatures and satirical imagery.
Publisher:
Pub. May 30th, 1829, by T. McLean, 26 Haymarket ...
Subject (Geographic):
Great Britain.
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852, Eldon, John Scott, Earl of, 1751-1838., and Brougham and Vaux, Henry Brougham, Baron, 1778-1868.
Subject (Topic):
Free press and fair trial, Wit and humor, Pictorial, John Bull (Symbolic character), Arcimboldesque figures, Demons, Kicking, Liberty cap, and Printing presses
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A huge pot rests directly on a fierce fire from blazing bank-notes. The scene is outside the Bank of England, the façade being on the extreme right. From it porters are carrying huge stacks of 'Notes' to add to the flames. The pot is inscribed 'Bank Pot' [twice], and 'Cash Payments at the Bottom of this Pot', where it is badly cracked owing to the fire. The pot is filled with Bank Directors, whose heads and arms emerge. They shriek: "I am in a Stew"; "I am sure the Pots Crackd," and "Take care it don't Break." A fashionably dressed man ascends a ladder leaning against the pot (right); he shouts to those inside "have you found the Gold." The fire is being stirred up by (?) Peel; Vansittart, in his Chancellor of the Exchequer's gown, uses a mace to push the man up the ladder. Huge clouds of smoke ascend from the fire covering much of the design; they are inscribed 'Smoke' and 'Cash Payments Smoke'. Two spectators stand on the left, watching the hurly-burly. One, a 'cit', says: "There's a pretty Kettle of Fish." The other, a countryman in a smock, answers: "Lord bless you they ban't Fish they be all paper"."--British Museum online catalogue
Alternative Title:
Directors in a stew
Description:
Title etched below image., Questionably attributed to William Heath in the British Museum catalogue., Plate numbered "356" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., and Leaf 68 in volume 5.
Publisher:
Pub. June 22, 1819, by T. Tegg, 111 Cheapside
Subject (Geographic):
England.
Subject (Name):
Bank of England., Vansittart, Nicholas, 1766-1851, and Peel, Robert, 1788-1850
William IV sculls a randan under the arch of a bridge with Wellington at the stern and Peel in the bow. He looks over his shoulder at the other two and says, "Come look a head." Wellington responds, "Bound apprentice to a waterman I larnt a bit to row." All are wearing loose white shirts with knotted scarves, resembling sailors
Description:
Title etched below image., Sheet trimmed within plate mark with a partial loss of signature., Printseller's announcement following publication statement: Election caricatures executed for gentlemen in 3 hours., and Window mounted to 26 x 35 cm.
Publisher:
Pub. 21 July 1830, by T. McLean, 26 Haymarket
Subject (Geographic):
Great Britain
Subject (Name):
William IV, King of Great Britain, 1765-1837, Wellington, Arthur Wellesley, Duke of, 1769-1852, Peel, Robert, 1788-1850, and Great Britain Parliament
Subject (Topic):
Elections, 1830, Politics and government, Row boats, and Rowing races
Wellington drives a large new coach pulled by three horses with human heads. He is dressed in a a triple-caped greatcoat and broad brimmed hat and flicks the long whip with skill on the backs of the horses depicted with the heads of John Bull and on either side, stock characters of an Irishman and Scotsman wearing traditional hats. They ride on a road labelled "national debt' as the horses hoves sink in the mud labelled "sinking fund." Peel rides behind in the conductor's seat. One of the four curtains on the windows of the omnibus is pulled aside to reveal George IV about to kiss Lady Conyngham. The splash board of the new omnibus is painted with the gold initials 'GR' and a crown
Alternative Title:
Omnibus
Description:
Title etched below image., Sheet trimmed within plate mark., and Printseller's announcement following publication statement: sole publisher of WH's etchings.
Publisher:
Pub. Oct. 15th, 1829, by T. McLean, 26 Haymarket
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Conyngham, Elizabeth Conyngham, Marchioness, -1861, George IV, King of Great Britain, 1762-1830, Peel, Robert, 1788-1850, and Wellington, Arthur Wellesley, Duke of, 1769-1852
Subject (Topic):
Catholics, Catholic emancipation, Debts, public, John Bull (Symbolic character), Economic conditions, Buses, and British
Title from caption below image., Sheet trimmed within plate mark on upper edge., Temporary local subject terms: Tories -- Dissolution of Parliament -- Policemen -- Scarlett, Sir James York, 1799-1871., and Numbered in ms. at top of sheet: 240.
Publisher:
Pub. May 2d, 1831, by T. McLean, 26 Haymarket
Subject (Name):
Peel, Robert, 1788-1850, Londonderry, Charles William Vane, Marquis of, 1778-1854, Wellington, Arthur Wellesley, Duke of, 1769-1852, Eldon, John Scott, Earl of, 1751-1838, and Ellenborough, Edward Law, Earl of, 1790-1871
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Imprint continues: ... sole publisher of Paul Prys caricatuers, none are original without McLeans name., Sheet trimmed within plate mark., Temporary local subject terms: Popery -- Reference to Constitution -- Ornate staves -- Personification of Hibernia -- Emblems -- Pope's triple crown., and Numbered in ms. at top of sheet: 170.
Publisher:
Pub. June 5th, 1829, by T. McLean, 26 Haymarket ...
Subject (Name):
Wellington, Arthur Wellesley, Duke of, 1769-1852, Peel, Robert, 1788-1850, and Eldon, John Scott, Earl of, 1751-1838
The Duke of Wellington stands before the King who sits on his throne, his right foot resting on a footstool. Dressed in uniform and standing very erect, Wellington holds out a large cross-hilted sword at an angle between himself and the King. From his plumed cocked hat, which he holds behind him, hangs a piece of paper with the words "Military commission to throw dust in John Bull's eyes." Projecting from his back pockets, are two papers labelled "Church patronage" and "Army patronage." A lady, Lady Conyngham, is seen peaking between the curtains behind the throne of the puzzled-looking King. The crown is on a table behind Wellington
Alternative Title:
Throne in danger
Description:
Title etched above image., Figure of a man with an open umbrella is one of artist's devices used by William Heath., and Below design: "There is a power before the throne & a power behind the throne -- greater than the throne itself."
Publisher:
Pub. by T. McLean, 26 Haymarket
Subject (Name):
George IV, King of Great Britain, 1762-1830, Wellington, Arthur Wellesley, Duke of, 1769-1852, and Conyngham, Elizabeth Conyngham, Marchioness, -1861
"The Queen, crowned, in royal robes and with a sceptre in her left hand, sits regally in the Coronation Chair. Justice, blindfolded and menacing, stands at her right hand; Truth, irradiated and holding up her mirror so that its rays illuminate the Queen, is on her left hand. A stone slab supporting the throne rests on eight hydra-heads with serpents' masks. The centre head is that of Eldon, with two other judges, one with a leech on the cheek indicating Leach (see British Museum Satires No. 13740). Castlereagh, very Mephistophelian, is on the extreme left, Sidmouth and Liverpool on the right; there are two unidentified heads, one presumably Harrowby. Round Queen, chair, &c. are clouds. In the upper left corner, two demons, spitting and excreting thunderbolts, carry off the King 'To Hanover'."--British Museum online catalogue
Description:
Title etched below image., Attributed to William Heath in the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 40 of: George Humphrey shop album.
Publisher:
Pub. Nov. 6, 1820, by S.W. Fores, 41 Picadilli [sic]
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Eldon, John Scott, Earl of, 1751-1838, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Leach, John, 1760-1834, and Harrowby, Dudley Ryder, Earl of, 1762-1847
"The King, in Chinese costume and seated on a cushion, among the chinoiseries of the Pavilion (cf. British Museum Satires No. 12749), throws up his arms in terror at the entry (right) of the Queen, closely followed by Alderman Wood. Her demure dress contrasts with that of a woman, who, much alarmed, runs off to the left from beside the King. Sidmouth (left) and Castlereagh (right), both in Chinese dress, are equally terrified, and Lord Eldon peeps anxiously from behind a little pagoda. Both visitors extend an arm towards the King in an authoritative gesture. Words float from them towards the King: 'Nothing extenuate nor set down aught in Malice [Othello, v. ii] men sleeping with her at Black Heath 1808 v. call Hoods [sic].'"--British Museum online catalogue
Alternative Title:
More free than welcome
Description:
Title etched below image., Printmaker from the British Museum catalogue., and Watermark.
Publisher:
Pub. June 17th, 1820, by S.W. Fores, 50 Picadilli [sic]
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wood, Matthew, Sir, 1768-1843, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Eldon, John Scott, Earl of, 1751-1838, and Quentin, Georgina