A fashionably dressed young woman stands before the mirror on her dressing table, a box of pins in her hand. Standing behind her on her huge bustle or "cork rump", her bespectacled hairdresser arranges her mountainous headdress, consisting of rows of curls on the sides and topped by rows of vegetables with ostrich plumes at the summit. A maid carrying a basket of feathers and vegetables approaches on the right
Description:
Title from item.
Publisher:
Publish'd the act directs June 9, 1777, by J. Lockington, Shug Lane, Golden Square
Subject (Geographic):
England
Subject (Topic):
Hairstyles, Hairdressing, Skirts, Dressing tables, Interiors, Women domestics, and Clothing & dress
In a cobbler's workshop a shoemaker has seized his wife by the arm and is about to beat her with a leather strap. Her partly laced stays are being tightened by the weight of the cobblers hammer. She wears her hair in the monumental fashion, and her high heels are visible beneath the hem of a quilted skirt. To the left is a chair beneath a casement window, while a bird in a cage is suspended from the ceiling on the right
Alternative Title:
Cobler's wife in the fashion and Cobbler's wife in the fashion
Description:
Title from item. and Eight lines of verse in 2 columns below image beginning: "The hoity head & toity waist, As now they're all the ton ..."
Publisher:
Published Novr. 4th 1777 by Wm. Hitchcock No.5 Birchin Lane
Page 243. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
A dandy, with a large hat, walking stick (or bludgeon), and spurs on his boots, stands at the counter of a shop as he turns away from the pretty woman who awaits his order. Three other dandies sit at a table on the right sipping a drink (hot chocolate? or coffee service) and reading. Behind them through a large window is a view of the city
Description:
Title from item., Four columns of verse below image: My name's Tippy Bob with a watch in each fob ..., Numbered "276" beneath lower left corner of image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and 1 print : mezzotint ; plate mark 35.1 x 25.2 cm, on sheet 36 x 26 cm, mounted to 37 x 27 cm.
Publisher:
Publish'd 28th March 1792, by Robt. Sayer & Co., Fleet Street, London
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Coffeehouses, Dandies, British, and Interiors
Page 243. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
A dandy, with a large hat, walking stick (or bludgeon), and spurs on his boots, stands at the counter of a shop as he turns away from the pretty woman who awaits his order. Three other dandies sit at a table on the right sipping a drink (hot chocolate? or coffee service) and reading. Behind them through a large window is a view of the city
Description:
Title from item., Four columns of verse below image: My name's Tippy Bob with a watch in each fob ..., Numbered "276" beneath lower left corner of image., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : mezzotint on wove paper ; sheet 35.2 x 25.4 cm., Sheet trimmed to plate mark leaving thread margins., and Tipped in at page 243 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Publisher:
Publish'd 28th March 1792, by Robt. Sayer & Co., Fleet Street, London
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Coffeehouses, Dandies, British, and Interiors
Page 243. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
A dandy, with a large hat, walking stick (or bludgeon), and spurs on his boots, stands at the counter of a shop as he turns away from the pretty woman who awaits his order. Three other dandies sit at a table on the right sipping a drink (hot chocolate? or coffee service) and reading. Behind them through a large window is a view of the city
Description:
Title from item., Four columns of verse below image: My name's Tippy Bob with a watch in each fob ..., Numbered "276" beneath lower left corner of image., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publish'd 28th March 1792, by Robt. Sayer & Co., Fleet Street, London
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Coffeehouses, Dandies, British, and Interiors
Three men and two women in a lottery insurance office, one man with quill pen behind desk. The other individuals all hold bills reading "Mess. Gosling & Co. pay the bearer one hundred..." Sign on back wall reads "Tickets insured by Iohnson & Co." and coat of arms of George III is visible on wall to the right. One of the women is a barmaid and holds 2 tankards
Description:
Title from text below image., Sheet trimmed within plate mark., and Imprint from Lottery magazine.
Publisher:
Edward Johnson
Subject (Geographic):
England
Subject (Topic):
Lottery winners, Lotteries, Drinking vessels, Interiors, Coats of arms, and Clothing & dress
A fashionable interior (after the painting at Sir John Soane's Museum) with Tom, in elegant indoor dress, surrounded by tradesmen vying for his custom: a poet, a wigmaker, a tailor, a musician at a harpsichord (with a list of presents given by aristocrats to the popular castrato, Farinelli), a fencing master, a prizefighter with quarter-staffs (said to be James Figg), a dancing master, a landscape-gardener (said to be Charles Bridgeman), a bodyguard, a huntsman and a jockey. In the background on the left in an antechamber, a man holds a letter entitled "Epistle to Rake ..."
Description:
Title, printmaker, and state from Paulson., 'Plate 2d.'--Lower right below image., Four columns of four lines each etched below image: Prosperity, (with Harlot's smiles, Most pelasing,w hen she most beguiles,) ..., Ms. note in Steevens's hand in pencil at bottom margin of print: Given me by Mr. Henderson., Ms. note in ink (another hand?) below image at right: Scotin fe: aqua fortis., and On page 67 in volume 1.
Publisher:
Wm. Hogarth
Subject (Topic):
Clothing & dress, Harpsichords, Interiors, Merchants, Musicians, Rake's progress, Servants, Tailors, and Young adults
Plate 9. Queen Charlotte's collection of Hogarth works. Leaf 9. Album of William Hogarth prints.
Image Count:
1
Abstract:
A fashionable interior (after the painting at Sir John Soane's Museum) with Tom, in elegant indoor dress, surrounded by tradesmen vying for his custom: a poet, a wigmaker, a tailor, a musician at a harpsichord (with a list of presents given by aristocrats to the popular castrato, Farinelli), a fencing master, a prizefighter with quarter-staffs (said to be James Figg), a dancing master, a landscape-gardener (said to be Charles Bridgeman), a bodyguard, a huntsman and a jockey. In the background on the left in an antechamber, a man holds a letter entitled "Epistle to Rake ..."
Alternative Title:
Prosperity, (with Horlot's [sic] smiles, most pleasing when she most beguiles) ..., Prosperity, (with Horlot's smiles, most pleasing when she most beguiles) ..., and Prosperity, (with Harlot's smiles, most pleasing when she most beguiles) ...
Description:
Title, state, and imprint from Paulson., Fourth state with 'Horlot' corrected to 'Harlot'; scrolls over the harpsichodist's shoulder are hatched, but the floor and the dancing master's coat are not yet hatched., Caption below image in four columns begins: "Prosperity, (with Harlot's smiles, most pleasing when she most beguiles), how soon, sweet foe, can all they train of false, gay, frantick, loud & vain ...", Ms. note in Steevens's hand in pencil at bottom margin of print: Given me by Mr. Henderson., Ms. note in ink (another hand?) below image at right: Scotin fe: aqua fortis., and On page 68 in volume 1.
Publisher:
Wm. Hogarth
Subject (Topic):
Clothing & dress, Harpsichords, Interiors, Merchants, Musicians, Rake's progress, Servants, Tailors, and Young adults
A fashionable interior (after the painting at Sir John Soane's Museum) with Tom, in elegant indoor dress, surrounded by tradesmen vying for his custom: a poet, a wigmaker, a tailor, a musician at a harpsichord (with a list of presents given by aristocrats to the popular castrato, Farinelli), a fencing master, a prizefighter with quarter-staffs (said to be James Figg), a dancing master, a landscape-gardener (said to be Charles Bridgeman), a bodyguard, a huntsman and a jockey. In the background on the left in an antechamber, a man holds a letter entitled "Epistle to Rake ..."
Alternative Title:
Prosperity, (with Horlot's [sic] smiles, most pleasing when she most beguiles) ..., Prosperity, (with Horlot's smiles, most pleasing when she most beguiles) ..., and Prosperity, (with Harlot's smiles, most pleasing when she most beguiles) ...
Description:
Title, state, and imprint from Paulson., Added title from first line of text., and Caption below image in four columns begins: "Prosperity, (with Horlot's smiles, most pleasing when she most beguiles), how soon, sweet foe, can all they train of false, gay, frantick, loud & vain ..."
Publisher:
Wm. Hogarth
Subject (Topic):
Clothing & dress, Harpsichords, Interiors, Merchants, Musicians, Rake's progress, Servants, Tailors, and Young adults