"A tall handsome young woman walks, left to right, looking to the left with a coquettish smile. An ugly man (left), small and deformed, one leg heightened by an iron, looks up at her, saying, "Queer my Sconce but thats a D------d fine Woman, now if she has got any Shiners, I've a great mind to Noose, and tip her the go by when I'm tired of her." Both are fashionably dressed and wear spencers (see BMSat 8192). The lady wears a long fur boa, with a large muff. A pavement of large flagstones completes the design."--British Museum online catalogue
Description:
Title from item., Sheet trimmed mostly within plate mark., Printseller's announcement following publication statement: Where prints and drawings are lent on the plan of a library., and Watermark: Strasburg lily with initials G R below.
Publisher:
Pubd. April 30, 1798, by S.W. Fores, No. 50 Piccadilly, corner of Sachville [sic] St.
A pretty young woman carries an enormous fur muff above her head. A key hangs from a string around her neck
Description:
Title etched below image., Imperfect; sheet trimmed within plate mark on bottom edge with loss of imprint statement. Imprint supplied from impression at the Library of Congress, call no.: PC 3 - 1787 [P&P]., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted to a strip of paper on lower edge.
Publisher:
Pubd. Jany. 1st, 1787, by J. Wicksteed, No. 30 Henrietta Str., Covent Garden
George III, submerged in water, his head and hands raised in supplication above the waves, is being pulled out by four men standing in "Victory's Boat." They are, from left to right, Admiral Keppel, Lord Shelburne, John Dunning, and the Duke of Richmond. A "Diving Bell" with a head of a judge, possibly Thurlow, is attached to the boat by another rope. Watching from the shore are Charles James Fox, with a fox's head, and Edmund Burke. Fox comments that "As maligrida [Shelburne] now does reign / all their labour is in vain," to which Burke adds, "if boreas was here he would much swell / and prevent the efects of the Diving Bell." 'Boreas,' the fictitious designer of this print is Lord North. The printmaker Twitcher is Lord Sandwich. The title alludes to the loss of the warship "Royal George" during repairs in Portsmouth in 1782
Description:
Title etched below image., Attributed to John Nixon. See British Museum catalogue., Sheet trimmed to plate mark., and Mounted to 32 x 43 cm.
Publisher:
Pub. 21st. Jan. 1783, by W. Humphrey, No. 227 Strand
Subject (Geographic):
England., England, and Great Britain
Subject (Name):
George III, King of Great Britain, 1738-1820., Lansdowne, William Petty, Marquis of, 1737-1805., Keppel, Augustus Keppel, Viscount, 1725-1786., Dunning, John, Baron Ashburton, 1731-1783., Richmond, Charles Lennox, 3rd Duke of, 1735-1806., Fox, Charles James, 1749-1806., Burke, Edmund, 1729-1797., Thurlow, Edward Thurlow, Baron, 1731-1806., and Royal George (Ship)
Subject (Topic):
Diving bells, Shipwrecks, Boats, Ropes, Drowning, Crowns, Clothing & dress, and Politics and government
"Mrs. Clarke and four other women stoop down and directs blasts from large posteriors, defined by tight dresses, against the sails of a windmill (right) which pivot upon the head of the Duke of York. The four sails are inscribed respectively, Army, State, Navy, Church. The mill, on a low hill to which a winding path ascends, is Commission Warehouse. The names of the five meretricious-looking women are inscribed on their posteriors. One clutching a tree, on the extreme left, and advantageously placed on a hillock, is Carey. She says: If this wont raise the Wind, I do not know what will, This is not the first time I have employed my bottom to raise the Wind. The other four are close together: Cressaid, Sutherland, Cook, and Clarke, who says: Aye and no bad way to raise an Army-also. Between the women and the mill stands a dismayed little man with arms extended; he says: O ho this will not bring Grist to my Mill I must put a stop to this; and remove this Mill to Charing Cross."--British Museum online catalogue
Description:
Title from caption below item., Printmaker identified In British Museum catalogue., Sheet trimmed to plate mark on three sides., and Watermarks: Budgen 1805.
Publisher:
Published by S. W. Fores 50 Piccadilly
Subject (Geographic):
England
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827 and Clarke, Mary Anne Thompson, 1776-1852
"A French recruit (left), an English recruit (right) face each other in profile, both are standing erect in a soldierly way, but are in civilian clothes except for the favour in the Englishman's round hat, and except for the bulky knapsack of fur or skin which each wears. They are described in words engraved beneath the title: "Monsieur all ruffles no Shirt Wooden Pumps and Stockingless" and "Jack English with Ruddy face and belly full of Beef". The Frenchman holds a slim cane, the Englishman a stout cudgel. Behind the former (left) are frogs and rats or mice, behind the latter cows and sheep, to illustrate the supposed contrast between French and English fare."--British Museum online catalogue
Alternative Title:
Contrasted recruits
Description:
Title from item., Sheet trimmed., Reissue, with publisher's name added to the plate, of no. 5862 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and Date from print of same title; See British Museum satire no. 5862 which lacks imprint.
Publisher:
Sold by W. Humphrey, No. 227 Strand
Subject (Topic):
National characteristics, French, National characteristics, British, and Clothing & dress
"A thin man wearing a coat with military facings, draws after him (right to left.) a small four-wheeled carriage, similar to a bath-chair or perambulator, inscribed Cox Heath. In it sits a child with a doll. A dog stands at her feet barking at the man who draws the carriage, who has a bundle strapped to his back, apparently containing hay. At the back of the carriage in the place of a footman stands a ragged dwarfish man. On the farther side of the carriage is a recruiting sergeant playing a fife. In the foreground (right) a fat woman, the wife of the man drawing the carriage, walks along carrying a basket containing bottles and a large umbrella in her right hand; a musket is tucked under her left arm. She and the three men all wear oak-leaves in their hats. In the distance the tents of the camp are indicated. An inscription beneath the title has been cut off. One of a number of satires on the militia and the camp of Coxheath, see BMSat 5523, &c."--British Museum online catalogue
Alternative Title:
Recruiting sergeant and contented mates
Description:
Title from item. and Sheet trimmed within plate mark.
Publisher:
publisher not identified
Subject (Geographic):
England
Subject (Topic):
Military camps, Baby carriages, and Clothing & dress
Copy in reverse of the first state of Plate 3 of Hogarth's 'The Rake's Progress' (Paulson 134): A room at the Rose Tavern, Drury Lane (after the painting at Sir John Soane's Museum); to left, Tom, surrounded by prostitutes and clearly drunk, sprawls on a chair with his foot on the table; one young woman embraces him and steals his watch, another spits a stream of gin across the table to the amusement of a young black woman standing in the background; one woman drinks from the punchbowl; another is removing her clothes in order to perform "postures"; to the right, a harpist and a door through which enters a man holding a large dish and a candle, and a pregnant ballad singer holding a sheet lettered "Black Joke"; on the walls hang a map of the world to which a young woman holds a candle and framed prints of Roman emperors, all (except that of Nero) damaged. A second version of the paintings is at the Atkins Museum (Kansas City, Missouri).
Alternative Title:
Rake's progress. Plate 3 and What wretched Fate succeeds his guilty Joys, ...
Description:
Title from text engraved above image., "Plate 3"--Lower right below design., Verses below image in three columns, four lines each: What wretched Fate succeeds his guilty joys, ..., The ornamental borders along the left and right edges are printed from a separate plate (images 25 x 2.8 cm, on plate mark 5.7 x 36.5 cm)., A reissue, with a new publication line and with ornamental borders added, of the third of eight prints in a series; all are copies of the first states of Hogarth's plates with new verses in the columns below the image; copies were made with Hogarth's consent in 1735. See Paulson, R. Hogarth's graphic works (3rd ed.), page 90., and Original publication line: Published with the consent of Mr. William Hogarth by Tho. Bakewell according to Act of Parliament July 1735.
Publisher:
Publish'd wth. [the] consent of Mrs. Hogarth, by Henry Parker, at No. 82 in Cornhill
A lady, seated and in fashionable dress wears a towering coiffure, which a French hairdresser adjusts her curls from behind while standing on the topmost rungs of a ladder. In front of the woman a naval officer sights through an octant to the top of her hairdo
Description:
Title from item.
Publisher:
Printed for R. Sayer & J. Bennett No. 53 Fleet Street as the Act directs
Subject (Geographic):
England
Subject (Topic):
Hairdressing, Astronomical instruments, Ladders, Wigs, Hairstyles, and Clothing & dress
Title from item., Printmaker identified from the original drawing in the Huntington Library., From Laurie and Whittle series of drolls., Four lines of text below title: Old gentleman (reading) Last Monday a society of college youths rang a peal of 4000, 500 changes in the space of two hours and twenty minutes ..., Plate numbered '213' in lower left corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Newspapers: Courier -- Glass: wine bottles -- Eyeglasses -- Reference to gambling.
Publisher:
Published 20th March 1798 by Laurie & Whittle, 53 Fleet Street, London