Manuscript fragment on parchment from a German martyrology
Description:
In Latin., Script: late Caroline minuscule., and Decoration: small initials highlighted in red ink. One four-line initial in red and green ink, in "white vine" style.
Manuscript on parchment (goatskin) of 1) Iohannes de Sacrobosco, Algorismus. 2) Thebit ben Chorat, De recta imaginatione sphaerae. 3) Iohannes de Sacrobosco, De sphaera. 4) Iohannes Campanus of Novara (ascr.), Tractatus quadrantis. 5) Iohannes de Sacrobosco, Compotus. 6) Gerardus Sablonetanus (ascr.), Theorica planetarum (also attributed to other authors). 7) Alfraganus, Liber differentiarum, tr. John of Seville
Description:
In Latin., Script: Copied by a single scribe writing Northern Gothica Textualis Libraria. Numerous and often extensive marginal notes by various 13th and 14th century hands, mostly in small rapid cursive handwriting, some in Italian Gothica Hybrida Libraria., Red paragraph marks and 2-3-line plain initials with guide-letters; on f. 1r a larger flourished littera duplex inbrown and red; the other artt. open with larger plain initials. Numerous pointing hands. Pen-and-ink drawings and diagrams throughout., and Binding: Early, heavy wooden boards recovered with new brown sheepskin. Spine with three raised bands and gold-tooled inscription: "TRACTATUS ASTRONOMICI. MS A.D. 1281".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Sacro Bosco, Joannes de, fl. 1230.
Subject (Topic):
Astrology, Astronomy, Medieval, Illumination of books and manuscripts, Medieval, Latin literature, Medieval and modern, Manuscripts, Medieval, and Mathematics, Medieval
Manuscript on parchment (thin, fine quality) of a collection of chansons. Written probably at the Aragonese court in Naples in the 1470's, perhaps as a wedding gift for Beatrice of Aragon, who married Matthias Corvinus, King of Hungary, in 1476
Description:
In French., Script: Written by one scribe in batarde, usually one line below each staff, but sometimes text written on every other line of the staves., The style of the Chansonnier's initials points to one of the ateliers active in the service of Ferrante I of Naples, in particular to the shop of Matteo Felice. One 2-line initial (f. 1r) tan, shaded purple and green, with curling floral serifs, blue and puce, filled with curling leaves against burnished gold and blue, with white filigree, against gold ground, framed in blue with white filigree; short, 3-stemmed flowers, gold, with brown hair-spray stems project from upper serif and midpoint; 3 gold dots with hair-spray symmetrically disposed around letter; floral border in outer margin, hair-spray stems with gold and green leaves and flowers, blue, purple, and gold at midpoint and terminals. One-line initials throughout, gold, infilled blue or purple, with white filigree, against irregular grounds, purple or blue, edged in black, with white filigree and two short flowering tendrils, as in border on f. 1v; often with a gold dot with hair-spray adjacent in outer margin., and Binding: 19th-20th centuries. Brown goatskin, blind-stamped, by Henri Marius-Michel of Paris (1846-1925), whose name is stamped inside the front cover. Not in his usual style. Included in the center front and back panels are monograms of Baron Joseph Vitta.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Frye, Walter, d. 1474 or 5.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Music, and Songs, French
Stand-alone miniature on paper depicting a Benedictine nun kneeling before Christ and the instruments of the Passion. Banderoles containing devotional phrases extend from the mouths of the nun and Christ; an excerpt from Psalm 31 (Vulgate) is written at the bottom of the miniature
Description:
In Latin., Script: banderole text in a small Gothic bookhand., Decoration: an example of the simple illustration style known as "nonnenarbeiten," which are devotional images produced by medieval nuns for personal use. The nun and Christ are placed in a grassy field comprised of penstrokes covered with a green wash. Details like Christ's wounds are conveyed through penstrokes as well. The instruments of the Passion are individually colored with wash: red and black for the cock, orange for the sponge, and orange for parts of the spear. An alternating blue and orange wash has been used to decorate the border of the miniature., and Binding: individually mounted on parchment.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Benediktinerinnenabtei St. Walburg (Eichstätt, Germany)
Subject (Topic):
Manuscripts, Medieval, Benedictine nuns, Nuns as artists, Devotional objects, and Catholic Church