Caption title., "Extracted from the Exeter News, of Saturday, June 17, 1826."--Lower edge., An apology for the attitude of many Protestants determined to deny Roman Catholics an equal place in political, social and religious life., Printed in two columns; signed at the end by approximately 70 Catholics, headed by the Duke of Norfolk., and Scraps of paper mounted on verso and with ms. note: Mr. Thomas Hardick. For further information, consult library staff.
Publisher:
publisher not identified
Subject (Geographic):
England. and England
Subject (Topic):
Religious tolerance, Anti-Catholicism, Political rights, and Religion
A "line and dot" series of caricatures featuring scenes with stick figures (or "pin men"), both male and female, engaged in some form of public violence, arranged in two rows, each grouping individually titled. In the first row the designs are titled: "You lie, sir!", "Proceeding to blows", "Friends ending the dispute" and then a larger group of figures with the title "Dispute at cards: ending in a round game". In the second row: "In love I perceive", "Prick'd to the heart. She's gone, she's gone!", "Met to part no more", "O! Thou false wretch", "O, Sophia fairest of women", "How you teaze me Charles" and "I'll seek revenge", and a pair of designs labeled above "The effects of jealousy" and on the left "Now for the fatal blow" and "Keep your distance fellow."
Alternative Title:
Milk Street in an uproar
Description:
Title from text in upper left., Unidentified artist., Date conjectured from that of the published print of the same design., Similar to a print, published by G. Blackman in 1817, and attributed to George Cruikshank in the British Museum catalogue. Cf. Nos. 12955 and 12956 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., and The genre was perhaps originated by G.M. Woodward who designed two plates of acrobatic feats, &c., entitled 'Multum in Parvo, or Lilliputian Sketches shewing what may be done by lines and dots'. See Curator's note to British Museum online catalogue, Registration number: 1935,0522.10.220.b
Paine (head and shoulders only visible) dangles on a noose from a lamp-bracket, the post of which is inscribed 'Rights of This Man'. The head of Orléans with the horns of a devil looks down at Paine from behind the post, which he clutches with his talons. From the lamp dangles an escutcheon, on which are pairs of stays and a chevron, with the motto 'Common Sense'.
Description:
Title from letterpress text below image., Date of publication from British Museum catalogue., With eighteen lines of letterpress text attacking Paine, beginning: Setting forth as how Tom was born at Thetford ..., and Dated '1794' in a contemporary hand. Beneath the date is a later pencil inscription: ‘This is said to contain a strong likeness of Paine and is not a print to be bought.’
Publisher:
publisher not identified
Subject (Name):
Paine, Thomas, 1737-1809, Paine, Thomas, 1737-1809., and Orléans, Louis Philippe Joseph, duc d', 1747-1793
Five rows with titled dot-and-line figure vignettes engaged in various activities including fencing, duelling, interpersonal actions. Top row from left to right show the stick figures (or "pin men"): "Asking to dance", "Leading out", "Hands round", "Down the middle", "Right & left" and "Setting". Second row from left to right: "Cross hands", "Pousette", "Hornpipe", "Tete à tete", "Fainting", and "Taking home royal". Third row: "Battledore", Tight rope", "Single stick". Fourth row: "Believe me", "O' how lovely", "Don't [illegible] me", "Feeling queer". Fifth row: "Feeling querrer", "Attack", and "Friends arriving too late"
Description:
Title from related published print., Formerly mounted on blue paper with residue on the back of the sheet., The first two lines are identical (with the exception for a slight change in the title of the third figure, top row) to a plate entitled "Dottator et lineator loquitur" and published in: Ackermann's Repository of Arts for February 1, 1817, following page 90., An example of the "line and dot" caricature., The genre was perhaps originated by G.M. Woodward who designed two plates of acrobatic feats, &c., entitled 'Multum in Parvo, or Lilliputian Sketches shewing what may be done by lines and dots'. See Curator's note to British Museum online catalogue, Registration number: 1935,0522.10.220.b, and The published print was accompanied by a satirical poem from the artist's perspecive, scorning the great masters' classical training in figure drawing and sculpture.
A gentleman leads a young woman and her mother (or chaperone) to the door of a carriage, held open by the coach driver who wears a top hat and a peculiar grin. In the background is a house or inn with a partially drawn figure (in ink) watching or emerging from the door. On the verso, pencil sketches of two men in top hats, and a smaller figure lightly sketched with a top hat in black ink
Description:
Title devised by cataloger., Signed by the artist in lower left., Date from dealer's description., and On verso are later inscriptions in pencil.
Subject (Topic):
Young adults, Carriages & coaches, Coach drivers, and Dwellings