"Pitt, Hastings, and Thurlow, the State Jugglers, are on a platform outside the gate of St. James's Palace. Above the gate projects the sign of the Crown inn, across which rests a plank forming a see-saw; on this the King (right) as Punch sits facing Queen Charlotte, dressed as Judy or Mother Shipton; she takes a pinch of snuff, the King holds out his hands as if in disapproval. A crowd of suppliants surrounds the platform. Pitt, bending towards them, pulls ribbons from his mouth; three men on the extreme left hold out their arms eagerly: one is a naval officer, a 'Log Book' under his arm shows that he is Sir Alexander Hood, see BMSat 5536, K.B. elect, see BMSat 7318. The second is Wilkes; the third cannot be identified. Hastings kneels between Pitt and Thurlow, his hands crossed humbly on his breast, a copious stream of coins issues from his mouth. Dundas, Lansdowne, Sydney, a bishop, and a fifth suppliant hold out their hats eagerly to catch the coins. Thurlow stands erect, his hands on his hips, flames and smoke issuing from his mouth inscribed "Hell-Fire, my Soul, Dam, Blast, Eyes, Heaven, Curse, Limbs, Blood". A little chimney-sweep [The sweep is said to represent Frederick Montagu, one of the Commissioners in Fox's India Bill. Wright and Evans.] and a ragged fishwife, a basket of fish on her head, stand gazing at him with wonder and admiration. On the extreme right, at the side of the platform, Fox, supported on the shoulders of Burke, slyly holds out his hat behind Thurlow; Sheridan (?) [Identified by Wright and Evans as the Duke of Norfolk] supports them. Beneath the title is etched : '"Who wrought such wonders as might make "Egyptian sorcerers forsake "Their baffled mockeries, & own ''The palm of magick our's alone.'' Churchll'."--British Museum online catalogue
Description:
Title from item., Printmaker identifiedin British Museum catalogue as Gillray who disguised his identity by signing the work with Sayers's initials., Sheet trimmed on one side within plate mark, with loss of design., Cf. No. 7320 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Numbered '39' in upper right corner of plate., and Quotations from Charles Churchill, 1731-1764.
Publisher:
Pubd. May 16th 1788 by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Hastings, Warren, 1732-1818, Thurlow, Edward Thurlow, Baron, 1731-1806, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, Sheridan, Richard Brinsley, 1751-1816, Wilkes, John, 1725-1797, Sydney, Thomas Townshend, Viscount, 1733-1800, Lansdowne, William Petty, Marquis of, 1737-1805, Melville, Henry Dundas, Viscount, 1742-1811, Norfolk, Charles Howard, Duke of, 1746-1815, and Bridport, Alexander Hood, Viscount, 1726-1814
Subject (Topic):
Chimney sweeps, Fishmongers, Jugglers, and Seesaws
"A drunken debauch in the new Union Club, see BMSat 9698. A long table, the cloth removed, one end cut off by the left margin, stretches almost across the design, slanting back slightly from the left, where it is in the foreground, and where Fox, grossly corpulent, sits in an armchair asleep, his feet on the table, a pipe in one hand. Nearly opposite his feet is the chair of state, on the table; on the empty seat is the Prince's cocked hat with triple plume, his motto 'Ich Di[en]' within the crown. The chair is backed by an elaborate architectural canopy with ornate pilasters on which swags of fruit and flowers are carved in relief: (left) grapes and lemons (materials for punch), and (right) roses and shamrocks. Above the seat are figures of Britannia and Erin, kissing, standing on a curved base inscribed 'The Union'. On the back of the chair are two clasped hands, elaborately irradiated. The chair is surrounded by broken wine-bottles; its former occupant, the Prince, lies on his back under the table, one arm flung over Lord Stanhope, who lies unconscious, clasping a bottle. On the Prince's stomach rest two feet in shoes with spiked, upcurved toes. In the foreground, opposite the Prince, Norfolk lies with his head against the seat of his overturned chair, looking very ill. All who are not incapacitated or fighting are toasting the Union (except Lansdowne and Parr, see below). On the table sits Moira, dressed as in BMSat 9386, a glass of wine held high above his head, his right leg thrust forward, while he stretches back to take the hand of Lord Clermont, [This is clear from the resemblance to BMSat 9575, and is supported by the shamrock which he and the other Irishmen wear. It is confirmed by 'London und Paris', vii. 80, where it is said that he and Moira were once bitter enemies. He is identified by Grego as General Manners, see BMSat 9288.] seated next Sheridan on the farther side of the table. Facing Clermont and in back view, Camelford sits erect, wearing a Jean de Bry coat (see BMSat 9425) and small round hat, with cropped hair. [The identification (that of Grego) is confirmed by BMSat 9716, Wright and Evans give Burdett, E. Hawkins 'Mr Manners'.] Beside him (right) two waiters bring in a full tub of Whiskey Punch, which they spill; one treads on the face of the prostrate Nicholls. Near the end of the table (right) sits Derby, his large head and crumpled features grotesquely caricatured. In the foreground on the extreme right Montagu Mathew (as in BMSat 9560) and Skeffington (as in BMSat 9557) advance dancing arm-in-arm, with tipsy grace, the former with a bottle in each hand; one reversed, the other, held above his head, splashes its contents over his partner's uplifted glass. (The pair, according to 'London und Paris', vii, 1801, p. 76, were known as inseparables in fashionable London resorts, cf. BMSat 9755.) ..."--British Museum online catalogue
Description:
Title etched below image., Four lines of verse on either side of title: "We'll join hand in hand, all party shall cease, "and glass after glass, shall our union increase ..., and 1 print : etching with engraving on wove paper, hand-colored ; plate mark 30 x 44.2 cm, on sheet 31.0 x 46.9 cm.
Publisher:
Publish'd Jany. 21st, 1801, by H. Humphrey, St. James's Street
Subject (Name):
Fox, Charles James, 1749-1806, George IV, King of Great Britain, 1762-1830, Stanhope, Charles Stanhope, Earl, 1753-1816, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Norfolk, Charles Howard, Duke of, 1746-1815, Sheridan, Richard Brinsley, 1751-1816, Pitt, Thomas, Baron Camelford, 1775-1804, Nicholls, John, 1745?-1832, Smith-Stanley, Edward, 1752-1834, Skeffington, Lumley St. George, Sir, 1771-1850, Erskine, Thomas Erskine, Baron, 1750-1823, Tierney, George, 1761-1830, Bedford, Francis Russell, Duke of, 1765-1802, Walpole, George, 1761-1830, Lansdowne, William Petty, Marquis of, 1737-1805, Parr, Samuel, 1747-1825, Queensberry, William Douglas, Duke of, 1725-1810, Cholmondeley, George James Cholmondeley, Marquess of, 1749-1827, Kirkcudbright, John Maclellan, Lord, 1729-1801, Hanger, George, 1751?-1824, Jones, Thomas Tyrwhitt, Sir, 1765-1811, and Sturt, Charles, 1763-1812
A stork with the head of Shelburne is shown with its beak buried in the long neck of a glass jar labeled "The Treasury Jar". He smiles triumphantly as he picks up the gold guineas at the bottom; around his neck is the Garter ribbon. To his left is a fox with the bushy eyebrows, bulbous nose, and hairy chin of Charles Fox; he stands with his paws on the jar and a melancholy expression at the inaccessible treasure
Description:
Title from caption below image., Originally published in 14 January 1783 by William Richardson. Cf. No. 6166 in the Catalogue of prints and drawings in the British Museum, v. 5., Sheet trimmed within plate mark., and For further information, consult library staff.
Publisher:
Pubd. by W. Humphrey Jany. 14, 1783, No. 227 Strand
Subject (Name):
Fox, Charles James, 1749-1806, Lansdowne, William Petty, Marquis of, 1737-1805, and Great Britain. Treasury.
Title from item., Sheet trimmed within plate mark., Printmaker from similar print. Cf. British Museum catalogue no. 6387., Original publication statement burnished from the plate., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Temporary local subject terms: Allusion to John Stuart, 3rd Earl of Bute, 1713-1792 -- Personifications: Rumor blowing trumpet -- Brookes's Club, London -- Demon wearing tartan -- Charters -- East India Bill, 1783 -- Gambling: Dice and dice-box -- Crown -- Thistle -- Allusion to Fox-North Coalition, 1783 -- Satire on Pitt's ministry -- King's Prerogative -- Tax-receipt -- Signs: Sign-post -- 'Secret Influence'., and Watermark in center of sheet: J Whatman.
Publisher:
Pubd. 12 Apr. 1784 by H. Humphrey, No. 51 New Bond Street
Subject (Name):
George III, King of Great Britain, 1738-1820, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813., Fox, Charles James, 1749-1806, North, Frederick, Lord, 1732-1792, Lansdowne, William Petty, Marquis of, 1737-1805, Pitt, William, 1759-1806, Thurlow, Edward Thurlow, Baron, 1731-1806, Richmond and Lennox, Charles Lennox, Duke of, 1735-1806, Melville, Henry Dundas, Viscount, 1742-1811, Nugent, Robert Craggs Nugent, Earl, 1702?-1788, Alvanley, Richard Pepper Arden, Baron, 1745-1804, and Kenyon, Lloyd Kenyon, Baron, 1732-1802
Jesuits treatment of his friends, Jesuit's treatment of his friends, and Ins and outs
Description:
Title from item., Sheet trimmed mostly within plate mark., Temporary local subject terms: Vehicles: coaches -- St. James's Palace -- Bonnet rouge -- Emblems: tricolor cockade -- Emblems: olive branch & dove -- Cobblestones., and Watermark: Strasburg bend.
Publisher:
Pub. by S.W. Fores, Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Lansdowne, William Petty, Marquis of, 1737-1805, Pitt, William, 1759-1806, Melville, Henry Dundas, Viscount, 1742-1811, Fox, Charles James, 1749-1806, and Sheridan, Richard Brinsley, 1751-1816
"A fantastic representation of the supper at the ball given by the eleven Knights of the Bath installed on 19 May in Westminster Abbey, see BMSat 7318. Full accounts appeared in the newspapers, and the scene depicted appears intended for 'the Prince of Wales, Duke of York, and a select party of their friends' who 'supped privately in the cotillon room'. 'London Chronicle', 27 May 1788. The guests sit on each side of a long narrow table, scantily provided with food, the bench on the near side of the table showing legs and feet in characteristic attitudes. The design, long as it is, shows only a section of the table, the ends not appearing. [Pl. 1.] On the extreme left, on the near side two elderly and ugly ladies lean ingratiatingly towards Major Topham, the seat of whose breeches is decorated with Prince of Wales's feathers. On the opposite side, on the extreme left, is a couple identified as Sir J. Johnstone and lady. He is very unlike the herculean uncouth figure described by Wraxall, 'Memoirs', 1884, iv. 404. Next (opposite Topham) Lord Bathurst takes wine with Lord Stormont who grasps a decanter of French Wine. Burke, seated next Topham, on whom he turns his back, holds out an empty plate towards Hastings on the opposite side of the table who keeps to himself a whole ham; they regard each other with wary suspicion. On Hastings's left sits Mrs. Hastings, also looking warily at Burke. She is decked with jewels and wears a small crowned turban as a head-dress. Next her is a man wearing a ribbon and star, drinking, who is identified as the Marquis of Buckingham (K.G.). Opposite Mrs. Hastings sits a very fat lady talking to a lean man wearing epaulettes. They are identified as Mrs. Hobart [Whom she does not resemble] (actually Miss Jefferies) and Col. Jekyll. Next Jekyll, Lord Sandwich and an ugly (unidentified) man share the same jelly-glass, holding between them the plate on which it stands. On the extreme right, on the farther end of the table, a man of plebeian appearance drinks from a tankard; he is identified as Dr. Parr. The man between him and Buckingham is identified as the Duke of Portland, whom he does not resemble. [Pl. 2.] On the extreme left the Duke of Grafton turns towards the fat Mrs. Hobart (identified as Miss Jefferies). Opposite him a stout man drinking from a jelly-glass has been identified as Lord Nugent (whom he does not resemble). Next him Cornwallis, wearing ear-rings, puts his arm round the shoulder of a lady, identified as Lady Clive, who looks languishingly at him as she takes a (?) peach. Next her is Lord North. Opposite him is a man identified as Sir George Shuckburgh [He is unlike the Shuckburgh of Gillray's 'French Habits' (1798)] who takes his neighbour by the arm offering her a glass of wine; she demurs deprecatingly. On the farther side of the table, with no one seated opposite him, is the Prince of Wales, a fork held to his mouth (as in BMSat 8111), sitting impassively between Lady Archer and Lady Cecilia Johnston, two bedizened harridans, who ogle him, putting their hands on his shoulders. Next Lady Cecilia (right) is Mrs. Fitzherbert, ogling Wilkes, who sits next her, squinting and leering. On the near side of the table is a man in back view wearing a ribbon and (right) Lord Carlisle talking to Lord Heathfield who sits behind a sirloin of beef. Opposite him and on the extreme right is a pretty young lady identified as Miss Bingham. [Pl. 3.] On the extreme left, on the near side of the table, a middle-aged couple, holding knives and forks, turn to each other with animated smiles. Opposite them sits a good-looking young man wearing a ribbon and star (perhaps Lord Mornington). On his left the Duke of Richmond turns with an expression of pained surprise to Lord Rawdon. Opposite this pair two stout men turn to each other, both drinking. The central group of this plate, a pendant to that of the Prince of Wales on pl. 2, is the Duke of York sitting between two pretty young women, his right arm is round the shoulder of one, probably Lady Tyrconnel, the other holds his left arm and shoulder; both look languishingly at him. On the near side of the table are two more couples: Lord Amherst (caricatured) puts an arm round the waist of a lean and ugly old woman wearing the fashionable false 'derrière' in an exaggerated form. On the extreme right Lord Derby, his hand on his breast, drinks wine with the witch-like Lady Mount Edgcumbe. On the farther side of the table are two unidentified men, one of whom drinks from his plate; next him is a pretty young woman. On the extreme right Dundas turns to speak to his left-hand neighbour; he grasps a decanter and glass, spilling his wine. [Pl. 4.] On the farther side of the table Philip Francis turns to speak to Dundas. Opposite him, and on the extreme left, a stout lady, identified as Lady Salisbury (see BMSat 6115), sits in back view, her petticoats enormously inflated behind. She speaks to no one: Pitt, her right hand neighbour, leans behind the back of the Speaker (alternatively identified as Thurlow) to touch glasses with Fox, who smiles amiably, holding a decanter in his right hand. Cornwall bends avidly over his plate; he wears his Speaker's wig, the mace lies across his knees. Four figures sit opposite this group: the ugly Pepper Arden who gazes admiringly at a pretty young woman on his left; she appears displeased at her position between Arden and a fat woman who puts both knife and fork to her mouth. Next the latter is Lord Lansdowne, who seizes affectionately the hand of Lord Sydney who turns towards him with a smile; they drink to each other. Next Fox on the near side of the table a plain and elderly couple drink to each other; both are thin. They are identified as Lady Powlett and Sir H. Powlett. Opposite them, and, like the lady on his left, intent on his plate, is a military officer identified as General Bligh. His neighbour is old and haggard, her hair elaborately dressed. Next her and on the extreme right two men carouse together, both wear stars; one is identified as the Duke of Bedford, the other (right) as the Duke of Norfolk (neither had an order). Opposite, a man wearing a ribbon pours out wine for an elderly and ugly lady who receives the attention with a gesture of satisfaction. They are identified as Sir George and Lady Yonge. He is identical with the ass whose profile is shown on the extreme right in BMSat 7318, who can hardly be Yonge who appears elsewhere in that print."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Text in lower right corner of plate 4: All the works of Bunbury, & Gillray, to be had of S.W. Fores, No. 3 Piccadilly., A design on four plates, the prints to be pasted together to form a long strip; the imprint is on plate 1, the title on plate 2 and plate 3, the inscription relating to Bunbury, &c, on plate 4., Framed to 31 x 216 cm., and Several of the figures are identified in different hands below design. For further information, consult library staff.
Publisher:
Publish'd June 4th, 1788, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
Topham, Edward, 1751-1820, Bathurst, Henry Bathurst, Earl, 1714-1794, Mansfield, David Murray, Earl of, 1727-1796, Burke, Edmund, 1729-1797, Hastings, Warren, 1732-1818, Hastings, Anna Maria Apollonia von Chapuset, 1747-1837, Sandwich, John Montagu, Earl of, 1718-1792, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Cornwallis, Charles Cornwallis, Marquis, 1738-1805, North, Frederick, Lord, 1732-1792, Archer, Sarah West, Lady, 1741-1801, Johnston, Henrietta Cecilia, Lady, 1727-1817, Fitzherbert, Maria Anne, 1756-1837, Carlisle, Frederick Howard, Earl of, 1748-1825, Richmond and Lennox, Charles Lennox, Duke of, 1735-1806, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, George IV, King of Great Britain, 1762-1830, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Amherst, Jeffery Amherst, Baron, 1717-1797, Mount Edgcumbe, Emma Gilbert, Lady, 1729-1807., Smith-Stanley, Edward, 1752-1834, Dundas, Henry, 1742-1811, Francis, Philip, 1740-1818, Cecil, Mary Amelia, Marchioness of Salisbury, 1750-1835., Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Cornwall, Charles Wolfran, 1735-1789, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Lansdowne, William Petty, Marquis of, 1737-1805, and Sydney, Thomas Townshend, Viscount, 1733-1800
Depicts a fox (Charles James Fox) hanging from a gibbet around which dance members of the Conway family, headed by a blindfolded General Conway who is led by the nose by Shelburne. The Conways are all depicted as rats, with the exception of General Conway and his brother Lord Hertford. Shelburne is shown Janus-like with two faces, his own and that of the Devil. Refers to the resignation of Fox after Shelburne's appointment and Conway's support of the latter. A sequel to British Museum satire 5966
Description:
Title from item., Printmaker from British Museum catalogue., and Temporary local subject terms: Hon. Edward Conway, Cannon of Christ Church, 1757-1785 -- Ministries: fall of Rockingham's ministry --Literature: allusion to Little Red Riding Hood -- Conway family as rats -- Mottoes: sic transit gloria mund.
Publisher:
Pubd. August 2d, 1782, by E. D'Achery, St. James's Street
Subject (Name):
Hertford, Francis Seymour Conway, Marquess of, 1719-1794, Conway, Henry Seymour, 1721-1795, Fox, Charles James, 1749-1806, and Lansdowne, William Petty, Marquis of, 1737-1805
Subject (Topic):
Rats, Foxes, Blindfolds, Gallows, Devil, and Dance
Leaf 9. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Image Count:
1
Resource Type:
still image
Abstract:
"Shelburne (left), as the kettle, looks at Fox (right), the porridge-pot, who is running away. Shelburne's body is in the form of a kettle, much blackened underneath; the handle, attached to his chest and shoulders, extends over his head. He has a complacent smile and holds out his hands, pointing towards Fox; his left foot is on the neck of a goose, which lies on its back on the ground. He is saying, "Oh do but look how black his Arse is!" Fox (right) with the head of a fox, his body a large circular pot, blackened underneath, is running away with an alarmed expression, his hands held up, his tongue hanging out. In the centre of the design, between the two figures is a sign-post, its arm, pointing to the right, is terminated by a well-drawn hand holding a die in its fingers, but pointing with its fore-finger in the direction in which Fox is running. The arm of the post is inscribed "TO BROOKS'S"; from it hangs a rope with a noose at the end of it. On the post is hung up a placard inscribed "To be Lett- either as a Gibbet or Direction Post". A landscape with bushes forms the background."--British Museum online catalogue
Description:
Title etched below image., Restrike, with printmaker's name and numbering added to plate; imprint statement has also been burnished away, and the design of the kettle has been altered. For original issue with the imprint "Pubd. July 23d, 1782, by P.J. Leatherhead", see no. 6013 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Plate numbered "15" in upper right corner., Temporary local subject terms: Prudery., and On leaf 9 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Field & Tuer
Subject (Name):
Lansdowne, William Petty, Marquis of, 1737-1805 and Fox, Charles James, 1749-1806
"Shelburne (left), as the kettle, looks at Fox (right), the porridge-pot, who is running away. Shelburne's body is in the form of a kettle, much blackened underneath; the handle, attached to his chest and shoulders, extends over his head. He has a complacent smile and holds out his hands, pointing towards Fox; his left foot is on the neck of a goose, which lies on its back on the ground. He is saying, "Oh do but look how black his Arse is!" Fox (right) with the head of a fox, his body a large circular pot, blackened underneath, is running away with an alarmed expression, his hands held up, his tongue hanging out. In the centre of the design, between the two figures is a sign-post, its arm, pointing to the right, is terminated by a well-drawn hand holding a die in its fingers, but pointing with its fore-finger in the direction in which Fox is running. The arm of the post is inscribed "TO BROOKS'S"; from it hangs a rope with a noose at the end of it. On the post is hung up a placard inscribed "To be Lett- either as a Gibbet or Direction Post". A landscape with bushes forms the background."--British Museum online catalogue
Description:
Title from item., "J.P. Leatherhead" probably a fictitious name. Not identified in British Museum catalogue., Printmaker from British Museum catalogue., Temporary local subject terms: Clubs: Brooks -- Geese as Westminster electors -- Signs: signposts., and Mounted to 37 x 56 cm.
Publisher:
Pubd. July 23d, 1782, by P.J. Leatherhead
Subject (Name):
Lansdowne, William Petty, Marquis of, 1737-1805 and Fox, Charles James, 1749-1806
Lord Shelburne lying at full length asleep supported on pinnacles representing articles of the peace treaty. On the left, Lord Ashburton in a counsellor's wig and gown crouches near his head and holds a bottle to Shelburne's nose. A fox with Fox's head stands on Shelburne's torso as he urinates into his face. On the right, North's head floats in space
Alternative Title:
Prime Minister hag-ridden
Description:
Title from caption below image., Later state of a print published March 4 1783 by R. Rusted with the title: The night mare, or, Hag riddn. minister. Cf. No. 6184 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., and For further information, consult library staff.
Publisher:
Pubd. 29th March, 1783 by W. Humphrey, No. 227 Strand
Subject (Geographic):
Great Britain
Subject (Name):
Lansdowne, William Petty, Marquis of, 1737-1805, Dunning, John, Baron Ashburton, 1731-1783, Fox, Charles James, 1749-1806, and North, Frederick, Lord, 1732-1792