Caption title., Date based on publisher John Pitts's street address. See: Todd, W.B. Directory of printers and others in allied trades, London & vicinity, 1800-1840, page 151., In one column with a woodcut above the title., A slip song., In verse., First line: A sweet country life is both pleasant and charming ..., and For further information, consult library staff.
Publisher:
Printed and sold by J. Pitts, No. 14 Great St. Street, Andrew Seven Dials
Page v. Journal of a tour to the Hebrides, with Samuel Johnson, LL.D.
Image Count:
1
Resource Type:
still image
Abstract:
"A companion print to British Museum Satires No. 7029. Johnson (left) climbs up a mountain on hands and knees, his oak stick in his left hand. Boswell follows, also on hands and knees; he licks Johnson's posteriors, saying, "I shall record this". Johnson says, "Come Bossy". Behind and below them a loch and mountain (right) are indicated. In the foreground (left) is a huge thistle."--British Museum online catalogue
Alternative Title:
Tomtit twittering on an eagle's back-side
Description:
Title etched below image., Sheet trimmed within plate mark on three sides., A companion print to: A tour to the Hebrides., On paper with a watermark (trimmed)., and Tipped in at page v in Horace Walpole's copy of: Boswell, J. The journal of a tour to the Hebrides, with Samuel Johnson, LL.D. London : Printed by Henry Baldwin, for Charles Dilly, in the Poultry, 1785.
Publisher:
Published 19th April 1786 by S.W. Fores, at the Caricature Warehouse, No. 3 Piccadilly
Subject (Name):
Boswell, James, 1740-1795., Johnson, Samuel, 1709-1784, and Boswell, James, 1740-1795
Subject (Topic):
Mountains, Climbing, Staffs (Sticks), and Thistles
Relief shown by hachures. Depths shown by soundings and form lines., Inscribed "To the Right Honourable Hugh Earl Percy ... with His Lordship's permission ... by ... Wm. Faden.", and Includes text, "References to the batteries," and "A list of the principal farms in Rhode Island."
Publisher:
Engraved & printed for Wm. Faden
Subject (Geographic):
Narragansett Bay (R.I.), Rhode Island, and Narragansett Bay
Opposite title page. Journal of a tour to the Hebrides, with Samuel Johnson, LL.D.
Image Count:
1
Resource Type:
still image
Abstract:
"A companion print to British Museum Satires No. 7030. Johnson, as a bear with a human head (a profile portrait), walks (left to right) up a mountain. Boswell as an ape with a quasi-human head is seated on the bear's back facing the tail, which he holds up, beckoning with his right hand to two bare-legged men in Highland dress who are climbing up the mountain behind Johnson. In the foreground are thistles."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed to plate mark leaving thread margins., A companion print to: A tom tit twittering on an eagle's back-side., On paper watermarked "W.J.", and Tipped in opposite title page in Horace Walpole's copy of: Boswell, J. The journal of a tour to the Hebrides, with Samuel Johnson, LL.D. London : Printed by Henry Baldwin, for Charles Dilly, in the Poultry, 1785.
Publisher:
Published 19th April 1786, by S.W. Fores at the Caricature Warehouse, No. 3 Piccadilly
Subject (Geographic):
Scotland.
Subject (Name):
Boswell, James, 1740-1795., Johnson, Samuel, 1709-1784, and Boswell, James, 1740-1795
Subject (Topic):
Ethnic stereotypes, Clothing & dress, Bears, and Monkeys
"A broadside on Matthew Skeggs, a publican who became famous for miming music-making with a broomstick while making matching vocal sounds; with a round mezzotint after a painting by Thomas King, showing Skeggs facing towards the right, next to the portrait an etched broomstick surmounted by a dancing hog, and a suspended horn; with engraved title and verses of one poem and of one song text by Henry Howard in two columns."--British Museum online catalogue
Alternative Title:
Introduction. Each buck & jolly fellow has heard of Skegginello
Description:
Engraved broadside, in verse in two columns., Printmaker identified as Richard Houston in the British Museum catalogue., Date from British Museum., At head of title: Introduction. Each buck & jolly fellow has heard of Skegginello. The famous Skegginallo that grunts so pretty upon his broomsticado. Such music he has made, O. Twill spoil the fiddling trade, O. And that's a pity. ..., and Mezzotint portrait at head signed, with fictitious signature: "G Pigganinne Fecit". After a portrait by Thomas King.
Publisher:
Printed for John Ryall, at Hogarth's Head, in Fleet Street
Caption title., "Words cannot express her worth. Time will reveal her loss"--Beneath title., First line: Britons! Oh Britons! weep ..., and For further information, consult library staff.
Publisher:
publisher not identified
Subject (Name):
Charlotte Augusta, Princess of Great Britain, 1796-1817
"An elderly man shambles from right to left in profile, right hand on his stick, left hand in his coat-pocket. He wears a hat with a curved brim, a curled, old-fashioned brown wig, a long coat, and an overcoat, with ill-fitting gaiters reaching to the thigh. Two seals hang from a fob. He is Councillor John Morris or Morriss."--British Museum online catalogue
Description:
Title etched below image. and Leaf 57 in an album with the spine title: Characatures by Dighton.
"The stage of Covent Garden Theatre is seen from the right with a small part of the pit in the left foreground; the boxes and galleries adjoining the stage form the background on the left. The pittites are standing and blow trumpets, spring rattles, ring bells, and shout. Those in the crowded boxes behave in the same way; with one exception all are men. Two men occupy each of the two boxes over the stage-door; they watch passively. The musicians' seats are empty, but candles burn beside their open music-books, and one of the orchestra stands facing the audience, threatening them with fist and baton. On the stage three men stand together addressing the audience. The man in the centre holds out a paper: 'Riot Act'; he says: "We shall Read the riot act". Behind them stands Kemble wearing a tail-coat and white trousers, appealing to the audience with his hands meekly together as if in prayer. Large notices and placards hang from the galleries and boxes: 'Old Prices' [five times]; 'Harris will but Kemble won,t'; 'No Kembles No more insults'; 'Kemble remember the Dublin Tin Man'; 'No Foreign Sofas'; 'Iohn Bull against Iohn Kemble'; 'No Catalani'; 'Old Prices' [three times]; 'No Italian Private Boxes'; '£6000 for Caterwauling'; 'Catalani', below a print of a cat dressed as a woman, and singing 'Me Yo' from a music-book; 'No Catalani!! Mountain-- Billington, and Dickons for ever'; 'Ol Price for ever No caterwauling'; 'Old Prices No Catalani'; a gigantic placard: 'Statement-- £ Subscribed -- £80-000 Fire Office -- 50-000 Old Materials -- 25-000 155-000 New Theatre ---- 150-000 Managers of it ---- 5-000' Held up by a 'John Bull' in the pit who blows a trumpet: 'No Catalani No Pigeon Holes Old Prices No Private Boxes'. A man shouts from a box: "Off Off Off Off"; he springs a rattle."--British Museum online catalogue
Description:
Title etched below image., Attributed to Isaac and George Cruikshank in the British Museum catalogue., Date of publication from British Museum catalogue., and Matted to 47 x 54 cm, with a token for a box seat, Prince's side (BPS), New Theatre Covent Garden 1809.
Publisher:
publisher not identified
Subject (Geographic):
England and London.
Subject (Name):
Kemble, John Philip, 1757-1823., Nares, John, 1754-1816., Billington, Elizabeth, 1765-1818., Catalani, Angelica, 1780-1849., Dickons, Maria, approximately 1774-1833., Harris, Thomas, -1820., Reed, James, active 1808., Mountain, Rosoman, approximately 1768-1841., and Covent Garden Theatre,
Subject (Topic):
Interiors, Stages (Platforms), Actors, Orchestras, Theater audiences, Theaters, and 1809
Caption title., Printed on silk, within decorative borders. Engraved portrait of "Caroline Queen of England" beneath title., Broadside addressed from the Brass Founders and Braziers in support of Queen Caroline in October 1820, a month before the withdrawal of the Pains and Penalties Bill which aimed to annul Caroline’s marriage to George IV. Beneath the address is a response from Queen Caroline together with an ‘Order of the Procession’ in support of the queen., First lines: May it please Your Most Excellent Majesty. We, the operative Workers of Brass ... do most humbly and dutifully approach your Most Gracious Majesty, to offer our congratulations on your Majesty’s return ..., and For further information, consult library staff.
Publisher:
Printed and published by J. Cowie, 58 Shoe Lane, Holborn
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821. and Brass Founders and Braziers.
Caption title., "Extracted from the Exeter News, of Saturday, June 17, 1826."--Lower edge., An apology for the attitude of many Protestants determined to deny Roman Catholics an equal place in political, social and religious life., Printed in two columns; signed at the end by approximately 70 Catholics, headed by the Duke of Norfolk., and Scraps of paper mounted on verso and with ms. note: Mr. Thomas Hardick. For further information, consult library staff.
Publisher:
publisher not identified
Subject (Geographic):
England. and England
Subject (Topic):
Religious tolerance, Anti-Catholicism, Political rights, and Religion