Plate 17. Queen Charlotte's collection of Hogarth works. Leaf 17. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The young couple are seen in a large, well-furnished room that is in a state of disorder after a night's entertainment; the Viscount is collapsed in a chair having just arrived, the clock showing 1:20 a.m. His sword lies at his feet, broken, and a bonnet hangs from his pocket, suggesting his infidelity; the lap dog sniffs at him suspiciously. The wife's evening's activities at home are suggested by the book "Hoyle on whist" open on the rug in the middle of the floor, a deck of cards on the floor below a card table in the next room, and in the foreground two violins, one with its case open, on the back of an overturned chair, suggesting the wife's own infidelity. The estate steward walks away in disgust at his apparent failure to engage either the husband or the wife in addressing the wad of bills that he has in his hands or the ledger under his arm; in his pocket he carries a pamphlet entitled "Regeneration." Through an archway, a disheveled and sleepy servant scratches his cap; the walls are decorated with paintings of religious figures
Alternative Title:
Marriage à-la-Mode, Pl. 2.
Description:
Title etched below image., State from Paulson., After the painting "Tête à Tête" in the National Gallery, London., and Plate 17 in the album: Queen Charlotte's collection of Hogarth works.
Plate 16. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The Earl Squander and a city merchant arrange the marriage of their son and daughter in a grand sitting room. The Earl, whose coronet is stamped on all his possessions, unfolds a diagram of his illustrious family tree as the alderman focuses on the marriage contract and his payment. The extravagantly dressed young groom-to-be looks at his reflection in a glass while his future bride listens intently at the lawyer's soft words. Through the window is a view of a palatial house under construction, presumably for the new couple as the plans are labelled "A Plan of the New Building of the Rt. Honble..." The walls of the room are covered with paintings of Roman and Old Testament scenes as well as the screaming face of Medusa. In the foreground on the right, two dogs are chained together, one lying down but looking out the corner of his eyes at the viewer, the other looking off to the right
Alternative Title:
Marriage a-la-mode. Pl. I
Description:
Title engraved below image., State from Paulson., After the painting "The Marriage Settlement" in the National Gallery, London., 1 print : etching on laid paper ; plate mark 38.2 x 46.8 cm, on sheet 46 x 59 cm., and Plate 16 in the album: Queen Charlotte's collection of Hogarth works.
Plate 16. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The Earl Squander and a city merchant arrange the marriage of their son and daughter in a grand sitting room. The Earl, whose coronet is stamped on all his possessions, unfolds a diagram of his illustrious family tree as the alderman focuses on the marriage contract and his payment. The extravagantly dressed young groom-to-be looks at his reflection in a glass while his future bride listens intently at the lawyer's soft words. Through the window is a view of a palatial house under construction, presumably for the new couple as the plans are labelled "A Plan of the New Building of the Rt. Honble..." The walls of the room are covered with paintings of Roman and Old Testament scenes as well as the screaming face of Medusa. In the foreground on the right, two dogs are chained together, one lying down but looking out the corner of his eyes at the viewer, the other looking off to the right
Alternative Title:
Marriage a-la-mode. Pl. I
Description:
Title engraved below image., State from Paulson., After the painting "The Marriage Settlement" in the National Gallery, London., 1 print : etching on laid paper ; plate mark 38.2 x 46.8 cm, on sheet 46 x 59 cm., and Plate 16 in the album: Queen Charlotte's collection of Hogarth works.
Plate 21. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The countess is shown swooning in a chair in her father's house near London Bridge (seen through the window on the left). At her feet a bottle with a label "laudanum" alongside an execution broadside tells us that Silvertongue has been hanged for killing her husband and that she has attempted suicide. Her young child (wearing a leg brace as a result of congenital syphilis) is held up for a last kiss by an old woman, while her father removes her wedding ring. An apothecary strikes the simple-minded servant for procuring the laudanum; a doctor leaves by a door to right. Fire buckets line the hallway. The floor of the room is bare; a heavy chair near a table is overturned, a starving dog chewing at the calf's head on the table. Other decorations include a weight-driven wall-clock, the paintings of Dutch peasant subjects and a man relieving himself against a wall, and a set of ledgers indicates that accounts are kept up to date
Alternative Title:
Marriage a-la-mode. Plate 6
Description:
Title etched below image., 1 print : etching and engraving on laid paper ; plate mark 38.3 x 46.6 cm, on sheet 46 x 59 cm., and Plate 21 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Topic):
Adultery, Children, Death, Dogs, Interiors, Merchants, Nobility, Paintings, Pharmacists, People with disabilities, Physicians, Servants, Suicides, and Syphilis
Plate 21. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
The countess is shown swooning in a chair in her father's house near London Bridge (seen through the window on the left). At her feet a bottle with a label "laudanum" alongside an execution broadside tells us that Silvertongue has been hanged for killing her husband and that she has attempted suicide. Her young child (wearing a leg brace as a result of congenital syphilis) is held up for a last kiss by an old woman, while her father removes her wedding ring. An apothecary strikes the simple-minded servant for procuring the laudanum; a doctor leaves by a door to right. Fire buckets line the hallway. The floor of the room is bare; a heavy chair near a table is overturned, a starving dog chewing at the calf's head on the table. Other decorations include a weight-driven wall-clock, the paintings of Dutch peasant subjects and a man relieving himself against a wall, and a set of ledgers indicates that accounts are kept up to date
Alternative Title:
Marriage a-la-mode. Plate 6
Description:
Title etched below image., 1 print : etching and engraving on laid paper ; plate mark 38.3 x 46.6 cm, on sheet 46 x 59 cm., and Plate 21 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Topic):
Adultery, Children, Death, Dogs, Interiors, Merchants, Nobility, Paintings, Pharmacists, People with disabilities, Physicians, Servants, Suicides, and Syphilis
Bretherton, James, approximately 1730-1806, printmaker, publisher
Published / Created:
[2 July 1772]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Page 81. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
"Two persons walking away from the spectator down a rectangular piece of grass, bounded by shrubs, and also on the left by a symmetrical line of trees. Under the shrubs on the right is a garden seat. The nearer figure wears a hood and cloak over very voluminous skirts, but a sailor's trousers are indicated through the petticoat. At this figure a dog (right) is barking. He walks behind, and in pursuit of, a young woman."--British Museum online catalogue
Alternative Title:
Jack on a cruise. A missey in [the] offing
Description:
Title from text below image., Text within etched banner in top part of image: Jack on a cruise. A missey in [the] offing., Sam Sharp-Eye is the pseudonym of an undetermined artist; questionable attribution to Bunbury from British Museum catalogue., Sheet trimmed to plate mark leaving thread margins., Mounted on page 81 of: Bunbury album., 1 print : etching with drypoint on laid paper ; sheet 23.9 x 19.2 cm., and Sheet trimmed to plate mark.
Publisher:
Publish'd as the act directs 2d July 1772 by J. Bretherton, No. 134 New Bond Street
Subject (Geographic):
Kensington Gardens (London, England),
Subject (Topic):
Gardens, Shrubs, Trees, Sailors, British, Costumes, and Dogs
"Design in a circle. A man and wife seated at a circular breakfast-table. The man, who is obese and a gourmand, sits in profile to the right. holding a bowl with a spoon in it in one hand, a bill of fare in the other inscribed "Soup . . . Turbot. Duck . . Lamb". He is wearing spectacles and a large piece of food projects from his mouth. The cook (right) is showing his master a dead duck, which he holds up in his right hand; in his left, and partly supported by his knee, is a tray on which are two lobsters and a turbot. The lady, who is also fat, holds up her hands in horror at the cook, who, from his leanness, his profile, and his bag-wig, solitaire, and ruffled shirt, is evidently a Frenchman. He wears a white cap and an apron, a large knife is thrust under his belt. On the left a footman enters carrying in each hand a plate piled with muffins. Tea-things are on the table. Under the table a small dog, befouling the floor, is partly visible. Behind is a screen of several leaves, on the top of which is a bird, resembling a large dove."--British Museum online catalogue
Alternative Title:
Man of taste
Description:
Title from text below image., Sheet trimmed within plate mark., Temporary local subject terms: Breakfast menu -- Breakfast selections displayed -- Tea service -- Male costume: Morning, 1780 -- Female costume: Morning, 1780 -- Domestic service -- Black footman., and Mounted on page 55 of: Bunbury album.
Publisher:
Publish'd Octr. the 10th, 1781, by J.R. Smith, No. 83 opposite the Pantheon, Oxford Street
Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
publish'd 1st March 1777.
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Page 73. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire on a gullible young gambler; a street scene with a group of local Newmarket men and a small boy pointing at an open-mouthed young gentleman his right hand in his pocket holding a riding whip accompanied by an Italian greyhound; a street dog defecates in front of the young man; the wall behind the men has been chalked with the name of the famous racehorse Mambrino; in the distance three men converse outside a building."--British Museum online catalogue
Description:
Title etched below image., Imprint statement lightly etched and barely visible., Companion print to: Newmarket : a shot at a hawk., Temporary local subject terms: Newmarket -- Slang: Pigeon., Mounted on page 73 of: Bunbury album., and 1 print : etching and drypoint with rocker on laid paper ; plate mark 24.9 x 27.0 cm, on sheet 32.4 x 34.1 cm.
publish'd according to act of Parliament May 1st, 1751.
Call Number:
Folio 75 H67 764 (Oversize)
Collection Title:
Plate 59. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
At his trial before Felix the Roman Governor of Judea, a very short St. Paul stands on a stool so as to be seen. The stool is steadied by a fat angel who is fast asleep and so unaware of the angry looking dog who wears a collar etched with the name 'Felix'. In this state an imp has been added under the stool on which Paul stands; he is sawing through one of the legs of the stool. He stands addressing a gallery filled with people in Dutch dress. On the left behind a curtain the orator Tertullus tears up his speech; at his feet a demon pieces the fragments together. On the right Justice is shown as a fat woman who is not blind, one eye is not covered by the blindfold, in her left hand are the scales and in her left a butcher's knife. All the faces are caricatured; many of the audience hold their noses. In the distance can be seen boats on a river and a windmill
Alternative Title:
Paul before Felix burlesqued
Description:
Title etched above image., State and publisher from Paulson., Sheet trimmed to plate mark., 1 print : etching with some mezzotint tone on laid paper ; plate mark 25.9 x 34.8 cm, on sheet 31.1 x 39.1 cm., Mounted on leaf 59 x 46 cm., and Plate 59 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Name):
Paul, the Apostle, Saint.
Subject (Topic):
Angels, Courtrooms, Demons, Dogs, Judicial proceedings, Justice, Rulers, and Saints