An album of English social satires, most later copies of prints after designs by Gillray and Bunbury. Many of the prints have been annotated with comments by W.S. Lewis
Alternative Title:
Krech album
Description:
Title from spine., Also titled by W.S. Lewis: Krech album., and Bound in half calf with marbled paper boards and spine title "Colored caricatures" in gold lettering.
In an open landscape, an elegantly dressed Columbine is seated on a rock and taking a pinch of snuff from a large snuffbox. Her head is turned back slightly towards Harlequin who stands behind her gesturing dramatically
Alternative Title:
Harlequin
Description:
Title engraved below image., Dated by costume., Sheet trimmed to plate mark., Eight lines of verse in two columns (four lines under each name): Columbine. What would'st thou have fonr Harlequin? ... Harlequin. My charmer all I mean is love ..., One of a series of prints with the Commedia dell'arte characters., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted to 17 x 17 cm, window mounted to 23 x 19 cm.
In an open landscape, Harlequin is sitting on a rock, holding a little boy across his lap and whipping his bare bottom with a birch rod. Columbine, coming up from behind them, tries to intervene
Alternative Title:
Harlequin
Description:
Title from item., Dated based on another print in this series: Columbine. Harlequin., Imperfect; sheet trimmed within plate mark resulting in loss of most of the plate number in upper right corner., Eight lines of verse in two columns (four lines under each name): Columbine. Will whipping ever mend a child? ... Harlequin. Pray hold yr. tongue how shoud you know ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: Pro patria.
Christopher Columbus demonstrating how to make an egg stand on its end. The five observers look at the cracked egg, upright on the table, in amusement at the evidence of an inventive mind at work. Two other eggs intertwined with two eels lie on a plate in the center of the table. A dog peeps over the edge of the table in the foreground; the cutlery is pushed off to one side
Description:
Title etched below image., After Hogarth's print of the same title., Date suggested by Isaac., Sheet trimmed to plate mark at top edge., Plate numbered "29" in upper right corner., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Christopher Columbus demonstrating how to make an egg stand on its end. The five observers look at the cracked egg, upright on the table, in amusement at the evidence of an inventive mind at work. Two other eggs intertwined with two eels lie on a plate in the center of the table. A dog peeps over the edge of the table in the foreground; the cutlery is pushed off to one side
Description:
Title etched below image., After Hogarth's print of the same title., Date suggested by Isaac., Sheet trimmed to plate mark at top edge., Plate numbered "29" in upper right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching ; plate mark 16.3 x 23.5 cm, on sheet 18.6 x 26.5 cm., and Printed on wove paper; hand-colored.
Christopher Columbus demonstrating how to make an egg stand on its end. The five observers look at the cracked egg, upright on the table, in amusement at the evidence of an inventive mind at work. Two other eggs intertwined with two eels lie on a plate in the center of the table. A dog peeps over the edge of the table in the foreground; the cutlery is pushed off to one side
Description:
Title etched below image., After Hogarth's print of the same title., Date suggested by Isaac., Sheet trimmed to plate mark at top edge., Plate numbered "29" in upper right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching ; plate mark 16.3 x 23.5 cm, on sheet 19.3 x 26.5 cm., and Printed in raw sienna ink on wove paper.
Title from caption below image., Date of publication based on creation date of the original painting., "Galrie. Histque. de Versailles"--Upper left corner., "Sie. VI, son. 3"--Upper right corner., "Diagraphe et pantograph-Gavard"--Lower right corner., and Plate numbered "723" above image, centered.
Title from captions below images., Printmaker from initials on first print in the series., Date of publication based on watermarks from other prints in the series., and Four designs on one plate, each individually captioned.
Title from caption below image., Publication date from local card catalog record., Caption continues: ... I wish he could see us now -eh., and Temporary local subject terms: Ethnic stereotypes -- Black servants -- Racist images -- Drinking -- Card playing -- Room screens -- Portrait paintings -- Pictures amplify subject.
The song which Arne contributed to Garrick's Shakespeare adaptation 'Florizel and Perdita, or, The winter's tale', the other music being by Boyce; arr. on two staves for low voice and harpsichord; with a version for the flute or guitar
Alternative Title:
Winter's tale. Come, come my good shepherds
Description:
Caption title. Without imprint. and For further information, consult library staff.
Publisher:
Publisher not identified
Subject (Topic):
Songs (Low voice) with harpsichord, Incidental music, and Excerpts, Arranged