Correspondence, autograph manuscripts, and one printed broadside song documenting aspects of the social and creative life of the poet John Hall-Stevenson. Contents include manuscripts of verses by John Hall-Stevenson and Robert Lascelles; letters by members of his club and social circle, including a lengthy letter by Jean-Baptiste Tollot discussing Laurence Sterne's character and good nature (1762 April 4) and another describing events in Geneva immediately after the expulsion of Jean-Jacques Rousseau (1764 January 8); and related correspondence, including a letter of advice from Hall-Stevenson to his grandson John Wharton and several business letters received by Wharton. The printed broadside song, "Trout Hall," is extensively annotated in Hall-Stevenson's hand.
Description:
Formerly owned by William Durrant Cooper. Purchased from Paul Grinke on the Edwin J. Beinecke Book Fund, 1972., John Hall-Stevenson (1718-1785), was a poet, a country gentleman, and a close friend of Laurence Sterne, whom he met at Cambridge and who based the character of Eugenius in Tristram Shandy on him. Hall-Stevenson founded a club of "Demoniacks," which met at "Crazy Castle," his country seat, and was loosely modeled on Sir Francis Dashwood's Monks of Medmenham. His published works included Crazy Tales and Fables for Grown Gentlemen, both of which were reprinted several times during his lifetime. He died at home in March, 1785., and The collection also contains a photocopy of W. Durrant Cooper's "Seven Letters Written by Sterne and His Friends;" a copy of the bookseller's catalogue; and a handwritten finding aid for the collection.
Subject (Topic):
Authors, English--18th century and English literature--18th century
Correspondence, autograph manuscripts, and one printed broadside song documenting aspects of the social and creative life of the poet John Hall-Stevenson. Contents include manuscripts of verses by John Hall-Stevenson and Robert Lascelles; letters by members of his club and social circle, including a lengthy letter by Jean-Baptiste Tollot discussing Laurence Sterne's character and good nature (1762 April 4) and another describing events in Geneva immediately after the expulsion of Jean-Jacques Rousseau (1764 January 8); and related correspondence, including a letter of advice from Hall-Stevenson to his grandson John Wharton and several business letters received by Wharton. The printed broadside song, "Trout Hall," is extensively annotated in Hall-Stevenson's hand.
Description:
Formerly owned by William Durrant Cooper. Purchased from Paul Grinke on the Edwin J. Beinecke Book Fund, 1972., John Hall-Stevenson (1718-1785), was a poet, a country gentleman, and a close friend of Laurence Sterne, whom he met at Cambridge and who based the character of Eugenius in Tristram Shandy on him. Hall-Stevenson founded a club of "Demoniacks," which met at "Crazy Castle," his country seat, and was loosely modeled on Sir Francis Dashwood's Monks of Medmenham. His published works included Crazy Tales and Fables for Grown Gentlemen, both of which were reprinted several times during his lifetime. He died at home in March, 1785., and The collection also contains a photocopy of W. Durrant Cooper's "Seven Letters Written by Sterne and His Friends;" a copy of the bookseller's catalogue; and a handwritten finding aid for the collection.
Subject (Topic):
Authors, English--18th century and English literature--18th century
Correspondence, autograph manuscripts, and one printed broadside song documenting aspects of the social and creative life of the poet John Hall-Stevenson. Contents include manuscripts of verses by John Hall-Stevenson and Robert Lascelles; letters by members of his club and social circle, including a lengthy letter by Jean-Baptiste Tollot discussing Laurence Sterne's character and good nature (1762 April 4) and another describing events in Geneva immediately after the expulsion of Jean-Jacques Rousseau (1764 January 8); and related correspondence, including a letter of advice from Hall-Stevenson to his grandson John Wharton and several business letters received by Wharton. The printed broadside song, "Trout Hall," is extensively annotated in Hall-Stevenson's hand.
Description:
Formerly owned by William Durrant Cooper. Purchased from Paul Grinke on the Edwin J. Beinecke Book Fund, 1972., John Hall-Stevenson (1718-1785), was a poet, a country gentleman, and a close friend of Laurence Sterne, whom he met at Cambridge and who based the character of Eugenius in Tristram Shandy on him. Hall-Stevenson founded a club of "Demoniacks," which met at "Crazy Castle," his country seat, and was loosely modeled on Sir Francis Dashwood's Monks of Medmenham. His published works included Crazy Tales and Fables for Grown Gentlemen, both of which were reprinted several times during his lifetime. He died at home in March, 1785., and The collection also contains a photocopy of W. Durrant Cooper's "Seven Letters Written by Sterne and His Friends;" a copy of the bookseller's catalogue; and a handwritten finding aid for the collection.
Subject (Topic):
Authors, English--18th century and English literature--18th century
Manuscript on paper of a collection of pseudo-Lullian alchemical writings, translated from the French and Catalan originals, with a little additional matter. The codex underwent a transformation in the early 16th century when considerable new matter was added by another English hand on different, thinner paper; leaves have been inserted throughout the original codex.
Description:
Binding: Eighteenth century, English. Dark calf, sides paneled in blind with a roll tool of vine pattern, leafy sprays at the corners, back with six plain compartments and five raised bands, probably original parchment label on second compartment from top bordered with ink rule and lettered in ink: "RAYM. LULLII | OPERA | MANUSCRIPTA". The binding considerably repaired and some leather renewed. Original plain edges, the top blackened., Original text: Headings in red, rubricated. Some pages with diagrams or drawings. The illustrations include Lullian alphabets and tables in the form of wheels, an Arbor philosophorum, a group of flasks, and a good, large drawing of a furnace. Inserted leaves: Red headings, and capitals with slight decoration., Script: The original portion written by a single English gothic cursive hand with heavy standard abbreviation. The inserted leaves (first 4 ff. now extant, ff. 88-96, 163-169, 268-274, and 307-319 [of which f. 167 is a blank and f. 315 is a parchment leaf]) written in another gothic cursive habitually employing writing of different sizes., and Watermarks: Original paper: 1) an extremely primitive-looking unicorn with very short horn and long tail somewhat like Briquet 9962 and 10176; 2) a less primitive unicorn rather similar to Briquet 9985; 3) bullshead with defined eyes and nostrils and with cross above, rather like Briquet 15054. Inserted leaves: a very elegant unicorn mark, more developed than Briquet 10104; and some leaves with a gothic "P" with cinquefoil above, rather like Briquet 8809.
Subject (Name):
Llull, Ramon,--1232?-1316
Subject (Topic):
Alchemy--Early works to 1800, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Manuscript on paper of the writings of Christopher of Paris (pseudonym for a Venetian exile), including his major work, Lucidario, with its supplementary alphabet, plus three letters.
Description:
Binding: Original plain parchment wrapper without ties, back with three raised bands, soiled and worn. Plain edges., ff. 1r-167r correctly paginated 1-333 and the pagination used in the detailed description, the remainder unnumbered, of ff. 170 originally, single leaves apparently canceled originally and cut away by the copyist after ff. 162 and 164, as
noted in the detailed collation, but not noted in the description as the original pagination is consecutive., Mary Mellon, acquired from William Gannon (bookseller), New York, 1941; Mellon MS 145. Gift of Paul and Mary Mellon, 1965., Rubricated, headings often in red., and Script: Written by a single good italic hand, sometimes hasty toward the end of the codex.
Subject (Topic):
Alchemy--Early works to 1800, Alphabet books, Italian letters, Manuscripts, Medieval--Connecticut--New Haven, and Medieval and Renaissance Manuscripts in Beinecke Library
Alanus, de Insulis, d. 1202 Albertus, Magnus, Saint, 1193?-1280 Arnaldus, de Villanova, d. 1311 Jābir ibn Ḥayyān Khālid ibn Yazīd al-Umawī, 7th cent
Published / Created:
[ca. 1400]
Call Number:
Mellon MS 5
Image Count:
282
Resource Type:
Archives or Manuscripts
Abstract:
2r-3v : An early example of alchemical music, the Antiphona, by Johannes de Teschen, written in Hufnagelschrift., Manuscript on parchment (palimpsest) of a large collection of medieval alchemies, both speculative and practical. Includes an important group of writings by Johannes of Teschen, notably his Antiphona with musical notation. Also contains works by Arnold of Villanova, Alanus, Geber, Khalid ibn Yazid, and Albertus Magnus., and MS 5 is notable for its large collection of medieval alchemies, both speculative and practical, and especially for the important group of writings by Johannes of Teschen.
Description:
Armorial bookplate of Andreas Beham the Elder, dated 1595, engraved by Johann Siebmacher, (d. 1611), Binding: Fifteenth century, German. Presumably original, of oaken boards covered with red-dyed hide, sides framed by triple blind fillets, additional fillets drawn diagonally to form a pattern of lozenges; the original back laid down on a new backstrip preserving the four original raised bands, plus head and foot bands, which are drawn into the boards, fastened with wooden wedges, and reinforced with strips of parchment (cut from a 13th-century manuscript with faint writing in a very small gothic hand) which are glued down to the inside boards. On both covers single nailholes near the corners and two such holes in the center of each cover indicate the removal of brass cornerpieces and centerpieces; a single brass catch with iron bar, fastened by three brass nails, is preserved in the upper cover, the clasp missing from the lower cover indicated only by a mark. Modern leather label on backstrip, stamped in silver between rules top and bottom: ""ALCHEMICAL MISCELLANY MANUSCRIPT FRANCE 15TH C.""., Important capitals painted in red and blue with occasional filiform decoration, rubricated, and capitals frequently stroked red, but without other ornament or illustration., Modern pencil foliation throughout with various early pagination/foliation schemes., Ruled in red ink in two columns of 40 lines each., Script: Written in Gothica textualis by a careful but ill-formed hand in which differing letter forms are often not discrete, with annotations by a later 15th-century cursive hand and occasional notes by other hands of the same period., and Written space 124 x 98 mm.
Subject (Topic):
Alchemy--Early works to 1800, Manuscripts, Medieval--Connecticut--New Haven, Medieval and Renaissance Manuscripts in Beinecke Library, and Music--500-1400
Johannes, de Rupescissa, ca. 1300-ca. 1365 Llull, Ramon, 1232?-1316
Published / Created:
1528
Call Number:
Mellon MS 30
Image Count:
327
Resource Type:
Archives or Manuscripts
Abstract:
Alchemical miscellany, compiled in 1528, perhaps by Niclaus of Sweden, who appears to have signed the last procedure in the volume on f. cclxxxxviiij verso
Description:
Binding: Original blind-stamped brown calf over beveled wooden boards, the sides paneled in vertical patterns of roll tools, two brass catches on upper cover, remains of brass attachments for clasps on the lower; the original backstrip with three raised bands laid down; plain edges; restored by Carolyn Horton, New York, and with a leather title label on the backstrip supplied by her., ff. 322v-346r blank and not scanned. Signatures 2R, 2S, 2T, 2V noted at 329r, 335r, 339r, and 341r, respectively., ff. 348, of which ff. 1-18 are unnumbered, ff. 19- 317 are correctly numbered i-cclxxxxviiij by the scribe, the remaining ff. 318-348 originally blank and unnumbered now partly with later additions, ff. 18 and 322-346 blank, the last leaf serving as the end pastedown., On paper., Script: Very neat and clear gothic cursives, captions by the same hand, written in two parts, the second beginning at f. 201r., Some red sentence-strokes and underlining; red captions and chapter headings with minimal elaboration, carefully laid out on the page, also pen line-fillers at end of each section, as needed for text spacing. A penned brown and red crown as folk symbol at left margin of f. 135r. Infrequent sketches of alchemical vessels in brown or red at side margins, some very slightly trimmed., and Watermarks: 1) a long-stemmed cross above a bull's head; 2) a six-lobed arc above and each lobe surmounted by a three-lobed cross; 3) a crown. All with vertical chain marks, trimmed, not identified.
Subject (Name):
Duveen, Denis I., bookplate, Johannes, de Rupescissa, ca. 1300-ca. 1365. Liber de consideratione quintae essentiae omnium rerum. German, and Llull, Ramon, 1232?-1316