Winchilsea, Anne Kingsmill Finch, Countess of, 1661-1720(?)
Published / Created:
[1680-1700].
Call Number:
Osborn fb70
Collection Title:
[Collection of 17th century poems], [1680-1700].
Container / Volume:
Box 1 | Folder 2
Image Count:
1
Abstract:
Manuscripts, in different hands, of a collection of several dozen primarily satirical and anonymous poems, many scatological. The majority of the poems are political satires, especially concerning the abdication of King James II and the accession of King William III; other targets include Charles Montagu, Earl of Halifax; religious zeal; and France. Other poems satirize women, including Barbara Villiers (afterwards Palmer), Countess of Castlemaine and Duchess of Cleveland, with reference to her affair with rope-dancer Jacob Hall; Mrs. Moseley and her link with Anthony Ashley Cooper, 1st Baron Ashley and 1st Earl of Shaftesbury; and women's conduct generally. The collection also includes a broadside printing of Packington's Pound, as well as numerous satirical songs sung to its tune.
Description:
Binding: marbled covers, detached. and See "Early American Literature, vol. XIV, 1979, concerning the attribution of "A Fart" (p. 193).
Subject (Geographic):
Great Britain--Court and courtiers, Great Britain--Politics and government--1660-1714, and Great Britain--Social life and customs--17th century
Subject (Name):
Cleveland, Barbara Villiers Palmer, Duchess of, 1641-1709, Etherege, George, Sir, 1635?-1691, Hall, Jacob, James II, King of England, 1633-1701. aut, Shaftesbury, Anthony Ashley Cooper, Earl of, 1621-1683, and William III, King of England, 1650-1702
Subject (Topic):
Ballads, English, English poetry--17th century, Political poetry, English, Songs, English, Verse satire, English, and Women--Conduct of life
An engraving above a song: A pretty young woman (Mrs. Bland) sits with her elbow resting on a square piano, facing a man wearing a cocked hat (Braham), who bends towards her, smiling, hands on hips. She weeps: on the piano is a song: 'False Alarms Smile & Tear . . . Laurie & Whittle'. The piano is by 'Broderip'.
Description:
Title from text engraved below image., "False Alarms, or My Cousin' was a comic opera by Kenney first performed at Drury Lane, 12 Jan. 1807. Braham played Edgar Gayland in love with Emily, played by Mrs. Bland." See British Museum catalogue., From the Laurie & Whittle series of Drolls., Eighteen lines of verse in lower portion of print: Said a smile to a tear, on the cheek of my dear ..., and Plate numbered '458' in the lower left corner.
Publisher:
Publish'd March 2, 1807 by Laurie & Whittle, 53 Fleet Street, London
"A broadside on Matthew Skeggs, a publican who became famous for miming music-making with a broomstick while making matching vocal sounds; with a round mezzotint after a painting by Thomas King, showing Skeggs facing towards the right, next to the portrait an etched broomstick surmounted by a dancing hog, and a suspended horn; with engraved title and verses of one poem and of one song text by Henry Howard in two columns."--British Museum online catalogue
Alternative Title:
Introduction. Each buck & jolly fellow has heard of Skegginello
Description:
Engraved broadside, in verse in two columns., Printmaker identified as Richard Houston in the British Museum catalogue., Date from British Museum., At head of title: Introduction. Each buck & jolly fellow has heard of Skegginello. The famous Skegginallo that grunts so pretty upon his broomsticado. Such music he has made, O. Twill spoil the fiddling trade, O. And that's a pity. ..., and Mezzotint portrait at head signed, with fictitious signature: "G Pigganinne Fecit". After a portrait by Thomas King.
Publisher:
Printed for John Ryall, at Hogarth's Head, in Fleet Street
"The cover is Combat Paper. The paper was made by Chris Arendt, a veteran who served part of his term in the Army at Guantanamo Bay. ... The Combat Paper Project can be found at: http://www.combatpaper.org/ ."--Colophon., Original wrappers. Paper for wrappers made from veterans' uniforms., and Poems.
Manuscript, in a single hand, which records the amounts of money, bonds, and interest earned each year, as well as debentures, bounties, certificates, and salaries paid on such items as duties on wine, peppers, candles, apples, and glass; beaver skins; hops; coal; wrought plate; East India wrought silks; rice; linens; and sugar. Following these accounts, possibly in another hand, is a entry in which the writer reflects on "the public welfare" and the contrasting views of youth and age. The manuscript also includes poems and stanzas, with numerous corrections, of poems praising the sun; a poem to "Dr. John"; and a poem titled Farewell Dr. Mai[?].
Description:
In English., Pasted onto flyleaf at end of volume: newspaper clipping regarding a "most remarkable case" which was heard in the Court of the King's Bench circa 1687: Mrs. Booty v. Captain Barnabty., Marbled endpapers., and Binding: full red morocco; gilt decoration, large metal clasps intact.
Subject (Geographic):
Great Britain and Great Britain.
Subject (Name):
Great Britain. Exchequer.
Subject (Topic):
Customs administration, Finance, Public, Accounting, and Revenue
Hortense, Queen, consort of Louis Bonaparte, King of Holland, 1783-1837
Call Number:
Folio 75 B935 805 folder 53 Box 5
Collection Title:
[Scrapbook of drawings].
Image Count:
1
Resource Type:
unspecified
Abstract:
Manuscript poem, in an unidentified hand, consisiting of four numbered stanzas of four lines each. Possibly composed by Queen Hortense of Holland and addressed to Napoleon Bonaparte
Description:
In French., Title from manuscript note in English at bottom of sheet., Possibly from 1806, the year that Hortense became Queen of Holland and the year of death for Richard Bull, who owned and likely assembled the album in which this poem was found., Formerly laid in at page 196 in an album containing 402 pages, bound in red morocco leather with single gilt ruled line; spine stamped in gold "Drawings." Now disassembled and matted separately: Bull, R. Scrapbook of drawings. [England], [not after 1806]., Housed in mylar sleeve matted to 49 x 37 cm., and Original case shelved separately.