Two men fight with swords as a woman in her bed looks on in horror. Possibly the scene where Zeluco arrives in Nerina's bedroom unannounced and catches her with another lover
Description:
Title devised by cataloger., Signed in ink lower left: F. James del. 1803., A partial wash oval on verso., and As laid in the folder: a second sheet with graphite pencil notes for the engraver? "ABCDE G R W 17056 proportion 3 x 5 scale 1/8" - 1".
A group of drawings that illustrate select scenes from Laurence Sterne's novel The life and opinions of Tristram Shandy, gentleman. The drawings vary in level of detail and completeness; one is a slight pencil sketch, two are more detailed drawings in pen and ink over pencil, and three are elaborate drawings in ink and wash. The drawings are bound in as either the frontispiece or before the frontispiece, one in each of the six volumes of the eighth edition of the work. Several of the compositions were later engraved, presumably from larger designs by Bunbury
Description:
Collection title devised by cataloger., The drawings are unsigned, and only one has a title written at the bottom., Bound in H.W. Bunbury's copy of: Sterne, L. The life and opinions of Tristram Shandy, gentleman. London : Printed for J. Dodsley, 1770., In slipcase., and With H.W. Bunbury's original drawings (cataloged separately) bound in; also with verses in unidentified hand on end-papers of v. 4.
Volume 3, after page 214. Anecdotes, observations, and characters, of books and men.
Image Count:
1
Resource Type:
still image
Abstract:
Depiction of the monument to John Gay in Westminster Abbey; a sculptural bust of Gay, in profile to the right, sits in an oval and rests on a plinth supported by a cherub to the left, who drapes a cloth over the right side of the oval. An obelisk with ornaments is behind, all beneath an arch supported by columns. A memorial by Alexander Pope is inscribed on the plinth, and a dedication from the Duke and Duchess of Queensberry is inscribed at the bottom of the monument
Description:
Titled devised by curator., Signed by the artist in lower right corner., Possibly a design drawing for an engraving with the signatures "H. Gravelot delin." and "J. Scotin sculp." and the publication line "Publish'd Sep. 29, 1738, by J. & P. Knapton & T. Cox". This plate was issued as the frontispiece to: Fables. By the late Mr. Gay. Volume the second. London : Printed for J. and P. Knapton, and T. Cox, 1738., and Mounted after page 214 (leaf numbered '108' in pencil) in volume 3 of an extra-illustrated copy of Joseph Spence's Anecdotes, observations, and characters, of books and men.
A calm pastoral scene with a young man rests against the trunk of a tree as he plays a clarinet. To his right, a young woman, slightly turned away, looks back at him with a reflective expression on her face
Description:
Title devised by cataloger., Date based on companion drawings signed, dated, and executed by F. James., and Tentatively identified as an illustration for Oliver Goldsmith's The vicar of Wakefield.
A group of portrait drawings depicting some of the correspondents included in a French collection of Madame du Deffand's letters. The drawings are inserted throughout both volumes of the printed text, supplementing the engraved portraits and other plates that were either issued with the work or added later
Description:
Collection title devised by cataloger., All but one of the drawings have the sitter's name added in pencil below, and all but two are signed "ABaudet Bauderval" (with the initial letters forming a monogram). The artist is tentaitvely identified as A. Baudet-Bauderval, a lithographer who was active in France in the mid-19th century; see person record in the online catalogue of the Bibliothèque nationale de France., Bound in a copy of: Du Deffand, M. Correspondance complète de la marquise du Deffand avec ses amis le président Hénault-Montesquieu-d'Alembert-Voltaire-Horace Walpole ... Paris : H. Plon, 1865., and Extra-illustrated with plates, portraits, drawings.
Subject (Name):
Du Deffand, Marie de Vichy Chamrond, marquise, 1697-1780, d'Averne, Sophie de Brégis, comtesse, active 1721-1723,, Pont-de-Veyle, 1697-1774,, Choiseul, Louise Honorine Crozat, duchesse de, 1734-1801,, Saint-Lambert, Jean-François de, 1716-1803,, Luynes, Marie Brûlart de La Borde, duchesse de, 1684?-1763,, Chaulnes, Anne Josèphe Bonnier de La Mosson, duchesse de, 1718-1787,, Vallière, Anne Julie Françoise de Crussol, duchesse de, 1713-1797,, Luxembourg, Madeleine-Angélique de Neufville-Villeroy, duchesse de, 1707-1787,, and Rochefort, Marie Thérèse de Larlan de Kercadio, comtesse de, 1716-1782,
One man armed with a pistol pushes away another man who stands ready to attack with a raised bludgeon in his right hand. A visibly distressed woman with outstretched arms appears to plead with the combatants as another man restrains her with his arms around her waist
Description:
Title devised by cataloger. and Date based on companion drawings for Zeluco executed by F. James and dated 1803.
A sketch by Bentley for Thomas Gray's Ode on the destruction of the Welsh bards: in a landscape with a tree on the left and mountains in the distance (right), four men on horseback confront a bearded man who holds hold out his arm in defense while hiding his harp behind his back. In the right foreground, a figure of a child amongst the riders
Description:
Title devised by curator., Date and attribution based on other drawings for the publication., Horace Walpole's ms. note on mount below image: This and the two following are sketches for Mr. Gray's Ode on the destruction of the Welsh bards., With watermark and countermark in center of sheet: L.V. Gerrevink and IV., and Formerly mounted (folded) on leaf 11 in an album assembled by Horace Walpole: Drawings and designs by Richd. Bentley ... [Strawberry Hill], [ca. 1760].
A sketch by Bentley for Thomas Gray's Ode on the destruction of the Welsh bards: a landscape with figures on horseback and the bard with attendants on a cliff on the upper left. On the verso, lower edge, a sketch of a head with a helmet in grey wash with swatch of wash background
Description:
Title devised by curator., Date and attribution based on other drawings for the publication., With watermark on top portion of sheet: L.V. Gerrevink., Horace Walpole's ms. note on mount below image on leaf 11 referring to this and the image above on leaf 12: This and the two following are sketches for Mr. Gray's Ode on the destruction of the Welsh bards., and Formerly mounted on bottom half of leaf 12 in an album assembled by Horace Walpole: Drawings and designs by Richd. Bentley ... [Strawberry Hill], [ca. 1760].
A sketch by Bentley for Thomas Gray's Ode on the destruction of the Welsh bards: three bearded figures one of whom holds a harp (the bard).
Description:
Title devised by curator., Date and attribution based on other drawings for the publication., Horace Walpole's ms. note on mount below image on leaf 11 referring to this and the image below on leaf 12: This and the two following are sketches for Mr. Gray's Ode on the destruction of the Welsh bards., and Formerly mounted on top half of leaf 12 in an album assembled by Horace Walpole: Drawings and designs by Richd. Bentley ... [Strawberry Hill], [ca. 1760].