"Half length portrait in profile to the left of a man holding a music score. He is fat and smiling, and wears his own scanty hair. After the title is engraved, "Singing Psalms of a Morning and over a Bowl of Punch Scotch Tunes at Night.""--British Museum online catalog
Alternative Title:
Mr. Campbell the jolly presenter of the Cannongate Kirk in Edinburgh
Description:
Title from item., Attributed to Gillray by T. Haviland Burke and D. Perrins., Date from British Museum catalogue., and Sheet trimmed to plate mark.
Head and shoulder profile caricature of clergyman in wig and bands, with face absurdly concave in shape, features accentuated by jutting chin and protruding hair
Description:
Title from item. and MD of publisher's name forms a monogram.
"Horsley, stout and prelatical, in apron, gaiters, and buckled shoes, walks in profile to the right, holding cane and tricorne hat in gloved hands."--British Museum online catalogue
Alternative Title:
Late Right Reverend Dr. Samuel Horsley, Lord Bishop of St. Asaph
Description:
Title etched below image., "A reissue, with altered title, of a plate published in 1802, 'A trip from Rochester to St. Asaph', the final figure of the date being altered and '4 Spring Gardens' inserted with a caret"--Curator's comments, British Museum online catalogue., 1 print : etching on wove paper, hand-colored ; plate mark 24.9 x 20.1 cm, on sheet 32.2 x 25.1 cm., Window mounted to 51 x 36 cm., and Mounted opposite page 560 (leaf numbered '154' in pencil) in volume 3 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Robert Dighton
Subject (Geographic):
Wales
Subject (Name):
Horsley, Samuel, 1733-1806 and Horsley, Samuel, 1733-1806.
"Horsley, stout and prelatical, in apron, gaiters, and buckled shoes, walks in profile to the right, holding cane and tricorne hat in gloved hands."--British Museum online catalogue
Alternative Title:
Late Right Reverend Dr. Samuel Horsley, Lord Bishop of St. Asaph
Description:
Title etched below image., "A reissue, with altered title, of a plate published in 1802, 'A trip from Rochester to St. Asaph', the final figure of the date being altered and '4 Spring Gardens' inserted with a caret"--Curator's comments, British Museum online catalogue., and Leaf 38 in an album with the spine title: Characatures by Dighton.
Publisher:
Robert Dighton
Subject (Geographic):
Wales
Subject (Name):
Horsley, Samuel, 1733-1806 and Horsley, Samuel, 1733-1806.
"Archbishop Moore stands in profile to the left, holding his episcopal tricorne in his (gloved) left hand. He wears a short bushy powdered wig, episcopal waistcoat and apron, with stockings and buckled shoes."--British Museum online catalogue
Description:
Title etched below image., Leaf 37 in an album with the spine title: Characatures by Dighton., and Watermark, trimmed: [E]dmeads 1808.
Five men, heads and shoulders only. Three of the men face each other. The man on the top left wears a nightcap and pince-nez on the tip of his long, hooked nose. The man on the top right looks down and wears the garb of a clergyman with a bishop's mitre on his head. The man on the bottom left wears a wig, a high stock and jabot and has a long nose. The man in the bottom center looks cross-eyed at the other men. The man on the bottom right has a very bulbous nose and face
Alternative Title:
Good morning to your nightcap
Description:
Two heads on left were copied for a print: Good Morning to your Nightcap. See Lewis Walpole Library impression (786.07.07.01)., Inscription in graphite pencil on verso: Original drawing for 'Good Morning to Your Nightcap' Pubd by S.W. Fores July 7, 1786., and Henry Kingsbury, British painter and engraver, fl. 1775-1804 (see Brisith Museum online catalogue).
Title supplied by cataloger., Place and date of imprint conjectured from that of book., Probably from: A series of original portraits and caricature etchings by the late John Kay. Edinburgh : Adam and Charles Black, 1877, v. i., Numbered in lower right of plate: 73., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.