"A disorderly mass of pedestrians fills the pavement outside the White Horse in Piccadilly, the street slanting in perspective from left to right. The pillared porch of the hotel is flanked by large curved windows, above which is the inscription 'Coffee House & Hotel'. The porch is inscribed 'Hatchetts', above it, against the wall, is the (pictorial) sign of a white horse, inscribed: 'Coaches & waggons to all parts of the kingdom'. Above the area railings, which are hidden by the crowd, is a placard (over the entrance to the basement): 'White Horse cellar coaches to all part[s]'. In the foreground (right) a coach and pair with outside passengers is driven recklessly (right to left) by a driver in a many-caped coat; an angry man sprawls by the horses' hoofs, another escapes to the right. A box-like coach or wagon facing in the opposite direction is on the off-side of the first; a man pushes a fat woman in at the back, while two outside passengers are about to fall from the roof, which is open. It is inscribed 'T[O] . . . MERS . . . TURNHAM' [? To Amersham by Turnham Green]. At the edge of the pavement stands a tough-looking coach-tout pointing out the Amersham wagon to an oafish-looking and would-be fashionable countryman whose pocket is being picked by a little Jewish boy; a Jewish woman with a basket of fruit slung from her neck deftly screens him. A raffish tout dressed as a coachman assails alarmed pedestrians with violent gestures. A stout John Bull pushes violently past a Jewish fruit-seller, spilling the fruit, while the Jew takes a watch from his fob. A boy diving for the falling fruit upsets a man carrying on his head and porter's knot a large corded chest. A little chimney-sweep with twisted shin-bones quizzes an amused negro servant, who holds a band-box, and is smartly dressed, but wears an apron. Facing the coaches stands a newsboy, holding up his papers to the passengers. He holds his horn; in his hat is a placard: 'Great News from St Hel[ena]'. Below, where the crowd is thickest in front of the hotel porch, men fight with fists. Two dandies stand under the porch, above the mêlée."--British Museum online catalogue
Description:
Title from caption below image. and Reprint. Originally published by George Humphrey, 29 December 1818.
Publisher:
Pubd. by Thos. McLean, 26 Haymarket
Subject (Geographic):
Piccadilly (London, England), England, and London
Subject (Topic):
Accidents, Carriages & coaches, Chimney sweeps, City & town life, Crowds, Dandies, Dogs, Street vendors, and Taverns (Inns)
Title etched on image., Date portion of imprint emphasized in contemporary ms. hand., Printseller's announcement following imprint: Where prints and drawings are lent out on the plan of a library., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: J Whatman.
Publisher:
Pub. July 10, 1803 by S.W. Fores, No. 50 Piccadilly, corner of Sachville St.
Subject (Geographic):
England.
Subject (Topic):
Boys, City & town life, Dogs, Fighting, Gambling, Intoxication, Pickpockets, Poor persons, Seduction, Street vendors, Taverns (Inns), and Urination
The third print in the series "Four Times of the Day" is set at Sadler's Wells. "A dyer and his wife walking with their dog beside the New River; the wife holds a fan with a design of Aphrodite and Adonis, the husband carries a small child, a somewhat older boy stands behind them in tears because his sister is demanding the gingerbread figure he holds; behind them is a young woman holding a shoe and a cow being milked by another woman; to the right is a tavern with the sign of Sir Hugh Middleton's Head, two women and a man are in the tavern garden, other figures are visible through the window, and a grape vine is climbing up towards the roof."--British Museum online catalogue
Description:
Title, printmaker, state, imprint, and series from Paulson and finished states. Third print in a series: Four times a day and Strolling actresses dressing in a barn., "Price 5 shillings"--Following printmaker's name., Sheet trimmed to plate mark., Ms. note in Steevens's hand below print: See Mr Nichols's book, 3d edit p. 250. This 3rd Plate of the set, was engraved by Baron, the figure of the girl excepted, which being an afterthought, was added by Hogarth's coarser burin., and On page 93 in volume 1. Sheet 498 x 373 mm.