Vuibert, Rémy, approximately 1600-1652, printmaker
Published / Created:
1639.
Call Number:
Print10172
Image Count:
1
Resource Type:
still image
Alternative Title:
Cure of one possessed by the Devil
Description:
Title from item., Date and place of publication from item., In lower margin: cum Privil. Regis Christmi. ; Thren. 4., Sheet trimmed., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Cripples; Miracle cures.
Publisher:
publisher not identified
Subject (Topic):
Exorcism, Medicine in the Bible, Demons, Temples, Disabled persons, Crutches, Saints, and Children
Scene inside a pagoda of the Indian goddess Kamaetzma, with a man seen at center standing on a ladder that disappears into a hole in the floor. The man's left arm is extended, and he has apparently just added to the pile of fruit and flowers on the floor. Additional fruits are stacked in baskets behind the man on the right. Beside the hole, to the left of the man, sits a naked child adorned with flowers. In the background are statues of various multi-armed deities, mounted animal heads, and a bell hung from the wall
Alternative Title:
Inside view of the pagoda of Kamaetzma
Description:
Title etched below image., Variant state, with added publication line, of a plate from: Hurd, W. A new universal history of the religious rites, ceremonies, and customs of the whole world ... London : Printed for Alexander Hogg, [1780?]., Description based on imperfect impression; sheet trimmed within plate mark with probable loss of text above image., and Temporary local subject terms: Cherubs.
Publisher:
Published by Alexr. Hogg
Subject (Geographic):
India
Subject (Topic):
Religion, Rites and ceremonies, Interiors, Pagodas, Ladders, Children, Fruit, and Idols
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[approximately 1833]
Call Number:
Folio 75 G750 833 Copy 2 (Oversize) Box 1
Image Count:
1
Resource Type:
still image
Abstract:
"Emaciated and shaven-headed paupers treated as slaves by cruel overseers: adults beating hemp and children picking rope in the foreground, others in the background manacled to the wall or hanging from the ceiling, tied up by their feet and hands; to right, a manager with a scourge seizing an elderly man, and a man pulling a cart, which he says is full of dead infants to be sold to surgeons; to left, a manager turning away the starving poor who beg to be let in."--British Museum online catalogue
Description:
Title from item., Text below title: Dedicated to those two ugly old women, Mothers Brougham and Martineau., Asterisk in title is explained by note below image, in lower right: * For workhouse, read slave house., Attributed to Charles Jameson Grant in the British Museum online catalogue., Date of publication from British Museum online catalogue., Wood engraving with letterpress text., and No. 57.
Publisher:
Printed and published by G. Drake, 12, Houghton-Street, Clare-Market
Subject (Geographic):
Great Britain. and Great Britain
Subject (Topic):
Almshouses, Children, Forced labor, British, Punishment & torture, Poor persons, Law and legislation, Poor laws, and Political satire, English
Copy in reverse of the first state of Plate 4 of Hogarth's 'The Rake's Progress' (Paulson 135): In this scene two baliffs, one with an arrest notice in his hand, have stopped Tom Rakewell's sedan chair in St. James's Street; Tom is presumably on his way to White's gaming house which can be seen in the background. They are foiled in their attempt to arrest Tom for debt as Sarah Young, the young woman whom he had seduced and abandoned, offers the bailiffs her purse instead. Sarah is now a dealer in millinery as is suggested by the notions falling from her purse. In the right foreground a shoe-black apparently taking advantage of the situation to take hold of Tom's elegant walking stick. Above them a careless lamplighter spills some oil on Tom's head. To the left a Welshman, probably the creditor, honouring St David's day (March 1st) with a leek in his hat, accompanied by his manicured dog, simply watches the scene. In the distance is the gate of St James's Palace with a crowd of sedan-chairs approaching to celebrate the birthday of Queen Caroline
Alternative Title:
Rake's progress. Plate 4 and Tho' prest with debts, [the] Beau maintain's his state, ...
Description:
Title from text engraved above image., "Plate 4"--Lower right below design., Verses below image in three columns, four lines each: Tho' prest with debts, [the] Beau maintain's his state, ..., The ornamental borders along the left and right edges are printed from a separate plate (images 25 x 2.8 cm, on plate mark 25.7 x 36.5 cm)., A reissue, with a new publication line and with ornamental borders added, of the fourth of eight prints in a series; all are copies of the first states of Hogarth's plates with new verses in the columns below the image; copies were made with Hogarth's consent in 1735. See Paulson, R. Hogarth's graphic works (3rd ed.), page 90., Original publication line: Published with the consent of Mr. William Hogarth by Tho. Bakewell according to Act of Parliament July 1735., and Ornamental borders partially obscure image on left and plate number and text on right.
Publisher:
Publish'd wth. [the] consent of Mrs. Hogarth, by Henry Parker, at No. 82 in Cornhill
Subject (Topic):
Interiors, Bailiffs, Dogs, Children, Lamps, Lust, Seduction, Sedan chairs, Seamstresses, Street vendors, Young adults, Ethics, Rake's progress, and Traffic congestion
A family of peddlers camp beside the road. A boy sleeps while an old woman heats a cauldron over an open fire. A man standing beside a donkey leans on a walking stick
Description:
Title etched above image., Sheet trimmed to plate mark on top, bottom and right side., Numbered 'Plate 97' in upper left corner., Plate from: Eccentric excursions, or, Literary & pictorial sketches of countenance character & country in ... England & South Wales, by G.M. Woodward, 1796., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.