Woodward, G. M. (George Moutard), approximately 1760-1809, printmaker
Published / Created:
[2 September 1791]
Call Number:
791.09.02.02
Image Count:
1
Resource Type:
still image
Abstract:
Full length view of a very sad looking French aristocrat, facing the viewer with his hat under his left arm and a copy "Burke on the French Revolution" in his right hand. From his right pocket, a paper entitled "Capture of the French King." In the foreground left, a pile of medals and ribbons (symbols of royal orders) is labeled "Sacred to the National Assembly."
Description:
Title etched below image., Printmaker from companion print: A Democrat., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Countermark: I A.
Publisher:
Pub. Sepr. 2, 1791, by S.W. Fores, N.3 Piccadilly
Subject (Geographic):
France and France.
Subject (Name):
Louis XVI, King of France, 1754-1793 and Burke, Edmund, 1729-1797.
Subject (Topic):
Captivity, History, Foreign public opinion, British, and Upper class
BEIN 1978 +S3 1: No. 17 of 55 works bound together with binder's title: Leisure hour library., Caption title., Text in two columns., and Advertising matter on p. 16.
Manuscript on paper in two parts. Part I (ca. 1700): 1) Treaty between Edward the Elder, King of England and Guthrun II, King of the Danes in East Anglia, 905-906. 2) Leges Edouardi regis, the Laws issued by King Edward the Elder (ca. 902-ca. 924) or Edward the Confessor (d. 1066). Part II (ca. 1650): 3) Annals of Iceland, 636-1394, with partial Latin translation in the margins. Here ascribed by another 17th-century hand to the Icelandic humanist Arngrimur Jonsson (1568-1648).
Description:
In Latin (Part I) and Icelandic (Part II)., Script: Part I (ff. 1-16): Written by one hand in Humanistic Cursive script. Part II (ff. 17-89): Gothica Cursiva for the Icelandic text, Humanistic Cursive script for the English text written in the margin., The acidity of the ink of the Icelandic text has damaged the paper., and Binding: Modern white parchment over cardboard.
Manuscript on parchment (trimmed) of 1) Tacitus, Annales XI-XVI. 2) Tacitus, Historiae I-V. Possibly written for Alfonso II, Duke of Calabria, King of Naples
Description:
In Latin., Script: Written by two scribes; Scribe 1) ff. 1r-126r in a neat, slightly rounded gothic bookhand; Scribe 2) ff. 126v-218v, in a neat humanistic bookhand., Full border, f. 1r, attributed to Nicola Rapicano: white vine, infilled blue, red, and green, with white dots; framed and divided into panels by thin gold bands, the inner frame with a second band in two shades of purple, with white highlights. Outer and lower margins divided by band of fruit, in the outer margin, black with gold highlights, in the lower margin, red with green and gold highlights; divided into sections and at corners by English frets, infilled blue or green with white dots. In center of outer margin, a medallion after a classical coin or cameo, bust of a man in profile with a laurel wreath against a blue ground with fine white filigree; in center of lower margin, coat of arms of Alfonso II, Duke of Calabria, King of Naples (quarterly, first and fourth paly of 4 or and gules [Aragon], second and third argent, a cross potent sable [Calabria]), in a gold and purple quatrilobe frame, a gold diadem above, against a blue ground, as above, supported by four putti. Putti, birds (including a large peacock, center of inner margin), insects, and a bowl of fruit, symmetrically arranged in corners and around swags, often overlapping or passing behind decorative elements. Both inner and outer frame broken by text and marginalia, suggesting that the border is a later addition. Two lines of gold capitals open the text on f. 1r. On f. 136v, a 5-line white vine initial, gold, infilled red, green, and blue, against a blue ground, of inferior execution compared to f. 1r. Two 3-line initials, ff. 25v and 40v, gold or blue with purple or red penwork; each with guide-letters for illuminator., and Binding: Between 1890 and 1900, or 20th century. Dark brown goatskin, blind-tooled with rope work interspersed with copper colored dots in Italian style (15th century) by Leon Gruel (active under his own name between 1891 and 1923).
Subject (Geographic):
Connecticut, New Haven., and Rome
Subject (Name):
Alfonso II, King of Naples, 1448-1495. and Tacitus, Cornelius.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin prose literature, Manuscripts, Medieval, and History
Manuscript on paper (coarse, brown) of annals of Genoa
Description:
In Latin., Watermarks: unidentified bull's head buried in gutter., Script: Written by two scribes. Scribe 1) ff. 1r-45v, 158r-163v, 168r-172v, compact fere-humanistic script with exagerrated flourishes at conclusion of most lines. Scribe 2) ff. 46r-157v, 164r-167v, well spaced informal humanistic script. Marginal annotations and arts. 15-16 added, 15th-16th centuries, by several hands., Stained throughout., and Binding: Nineteenth century. Rigid vellum, gold-tooled. Stamped, in gold, on spine: "Caffari Chronica MS.".
Ed. by C.C. Rafn, F. Magnússon, P.A. Munch, J. Sigurðsson, B. Snorrason, S. Egilsson and others. and Introduction and notes in French; sagas in Icelandic and Latin except Eymundar saga, which is in Icelandic and Latin with a French translation by Christian Jules de Méza.
Ed. by C.C. Rafn, F. Magnússon, P.A. Munch, J. Sigurðsson, B. Snorrason, S. Egilsson and others. and Introduction and notes in French; sagas in Icelandic and Latin except Eymundar saga, which is in Icelandic and Latin with a French translation by Christian Jules de Méza.
Includes bibliographical footnotes. and "I have sought ... to indicate the part played by the scholars and physicians of Islám, and especially of Persia."--Pref.