A collection of prints and one drawing (tentatively attributed to Samuel Collings), mostly portraits of Samuel Johnson and James Boswell, mounted in Walpole's copy of James Boswell's The journal of a tour to the Hebrides, with Samuel Johnson (London : Henry Baldwin, for Charles Dilly, 1785).
Description:
Title devised by cataloger., Also bound in are three prints described in the Catalogue of prints and drawings in the British Museum; these are cataloged separately., and Original boards with new back but old hand-lettered label, uncut. With Horace Walpole's bookplate (BP2 later state) on half-title page. Large Strawberry Hill fleuron. Press-mark R.10, but apparently moved from the Round Tower to the Library in the Offices. Not in Walpole's Manuscript Catalogue of 1763. Bookplate of the Earl of Orford (1813-94), imitated from Horace Walpole's, and bookplate of John A. Spoor. Also with bookplate "AHA".
Subject (Name):
Johnson, Samuel, 1709-1784,, Boswell, James, 1740-1795,, Boufflers, Marie Charlotte Hippolyte, countess of, 1725-1800,, Macpherson, James, 1736-1796,, and Boswell, James, 1740-1795.
BEIN PLAYING CARDS GEN 133: Title label on case shaved with place of publication wanting. Formerly owned by Julia Parker Wightman. From the Cary Collection of Playing Cards., Title from slipcase., and Date inferred from reference to the re-establishment of a "legitimate monarchy" in France.
Publisher:
publisher not identified
Subject (Geographic):
England, Asia, Europe, Africa, and America
Subject (Topic):
Playing Cards, Manners and customs, Costume, and Description and travel
Caption title., Printed on silk, within decorative borders. Engraved portrait of "Caroline Queen of England" beneath title., Broadside addressed from the Brass Founders and Braziers in support of Queen Caroline in October 1820, a month before the withdrawal of the Pains and Penalties Bill which aimed to annul Caroline’s marriage to George IV. Beneath the address is a response from Queen Caroline together with an ‘Order of the Procession’ in support of the queen., First lines: May it please Your Most Excellent Majesty. We, the operative Workers of Brass ... do most humbly and dutifully approach your Most Gracious Majesty, to offer our congratulations on your Majesty’s return ..., and For further information, consult library staff.
Publisher:
Printed and published by J. Cowie, 58 Shoe Lane, Holborn
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821. and Brass Founders and Braziers.
To William Davison, chemist, druggist, & apothecary
Description:
Date from manuscript annotation on Lewis Walpole Library copy., Engraved invoice for the pharmacist, stationer, and printer William Davison of Alnwick., and Invoice completed in manuscript to "Major Frankland, West Glanton"; numbered "231" in upper right and dated "1821 October 17" in lower left. For further information, consult library staff.
All engraved including title page on verso of first leaf., Date from publication based on known date of Thomas Hope's commission for the work by Henry Moses. Cf. Designs of modern costume, engraved for Thomas Hope of Deepdene. London : Costume Society, 1973., Plates signed: H. Moses del. et sc., and Bound in contemporary straight-grain red morocco, bordered in blind on covers, spine gilt in compartments; with a bold autograph on the recto of front free marbled end-paper: Edward Bell.For further information, consult library staff.
Publisher:
Pubd. by Henry Setchel & Son 23 King Strt. Covt. Garedn
BEIN PLAYING CARDS GEN 132: Title card pasted to sleeve. Formerly owned by Julia Parker Wightman. From the Cary Collection of Playing Cards. and Title card and 25 numbered cards depicting inhabitants of various countries.
Print shows a building at Harrow with four figures in the foreground and five in the distance
Description:
Title etched below image., Sheet trimmed within plate mark., Plate from: The history of the colleges of Winchester, Eton, and Westminster. London : Printed for and published by R. Ackermann ..., MDCCCXVI [1816]., Joseph Constantine Stadler was a German painter and engraver who worked in London., Window mounted to 36 x 51 cm., Mounted opposite page 3 (leaf numbered '31' in pencil) in volume 1 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan., and Imperfect; imprint statement partially worn away from sheet.
Publisher:
Pubd. June 1, 1816, at 101 Strand, for R. Ackermann's History of Harrow School
One of a collection of four similar images; the other three images are titled: Mr. Kean as Othello; Miss Hargraves as Amy; Miss Bartolozzi as the page in The marriage of Figaro. Formerly part of an album (now lost), each on the same size sheet but different colors and attributed to different artists. Annotations in red ink are by the same hand. Presumably these collages, made using the same farbics, were made by friends and exchanged as gifts. In this collage a full-length image of a woman, identified as Miss Vestris: her head and neck, arms, and boots have been cut from an unidentifed print or prints while her costume and hat and their trimming are cut from satin cloth with additional decorated paper trimming. On the verso written in red ink, two poems: "The Snow Drop by Henry Neele" and "I Saw Thee Weep, Byron" transcribed in two columns
Alternative Title:
Madame Vestris as Don Giovanni
Description:
Title written at bottom of sheet., Signed with initials in lower right corner; artist "H.A.S" is unidentified., Date of production from recipient's note on the verso of one of the collages and other internal evidence., and The poem on verso "The Snow Drop" in the Oriental Herald and Journal of General Literature, volume 16, page 502 and signed "W. B." Also published in May 1828 in the The Ariel: A literary and cricial gazette (Philadelphia), vol. 2. no.1.
Subject (Name):
Vestris, Lucia Elizabeth Bartolozzi, 1797-1856,, Mozart, Wolfgang Amadeus, 1756-1791., and Da Ponte, Lorenzo, 1749-1838.
Subject (Topic):
Characters, Actresses, British, and Operas & operettas
One of a collection of four similar images; the other three images are titled: Mr. Kean as Othello; Miss Hargraves as Amy; Madame Vestris as Don Giovani. Formerly part of an album (now lost), each on the same size sheet but different colors and collages attributed to different artists. Annotations in red ink are by the same hand. Presumably these collages, constructed using the same fabrics, were made by friends and exchanged as gifts. In this collage a full-length image of a woman, identified as Miss Bartolozzi, with her head and neck, hands, and boots cut from an unidentifed print or prints while her costume and hat and their trimming are cut from satin cloth with additional decorated paper trimming. On the verso in two columns written in red ink and ruled in red ink: On the left the title of a poem only "Lines on my garden". On the right: Song, "My own Blue Bell".
Description:
Title written below image., Artist statement written at top of sheet; "Master Butcher" is unidentified., and Date of production from recipient's note on the verso of one of the collages and other internal evidence.
Subject (Name):
Vestris, Lucia Elizabeth Bartolozzi, 1797-1856, and Da Ponte, Lorenzo, 1749-1838.