"Henry, Prince of Wales kneeling at the foot of Henry IV's bed, holding the crown, looking up at his father and begging pardon for having taken it up, explaining that he had thought him dead, not sleeping and had been berating the crown for the trouble it had caused."--British Museum online catalogue
Description:
Title engraved below image. and 'Shakspeare' above title.
Publisher:
Published April 23, 1798, by J. & J. Boydell, at the Shakspeare Gallery, Pall Mall & No. 90, Cheapside
Gloucestershire tragedy; or, The true lovers' downfall and True lovers' downfall
Description:
Verse- "Near Guildford town, I hear,"., Printed in six columns with the title above the first three., In this setting the imprint is printed on the item., Mounted on leaf 25. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 3.
Publisher:
Printed and sold at No. 4, Aldermary Church-Yard
Subject (Geographic):
Great Britain
Subject (Topic):
Betrothal, Ballads, English, Courtship, Fathers and daughters, and Broadsides
BEIN Z17 097 Copy 2: Imperfect, p. 547-553 wanting: 14018., BEIN Z17 097 Copy 2: From the library of the Press Club, London: 14018, 14055., BEIN Z17 097 Copy 2: Tax stamp: 14018., BEIN Z17 097 Copy 2: Manuscription annotations: 14055., BEIN Z17 097b: These are negative photostats made by Yale University Library from originals in the library of the American Antiquarian Society., BEIN Z17 097c: These are variant issues., BEIN 2007 +S15 2729-2979: Bound with Gazette de Londres issues of the same dates in chronological order. Autograph: JHG, with ms annotations in the same hand., BEIN 2014 +829: Title from spine: Ecclesiastical courts: acts & bills. From the library of William Stubbs, Bishop of Oxford. Perforated stamp of the American Congregational Association, Boston. No.1 of 2 titles bound together., Lewis Walpole Library 53 C292 821Su: Supplement announcing the death of Queen Caroline on August 7, 1821., Original editor: Henry Muddiman. (cf. NCBEL)., Title from caption., Below title: "Published by authority.", Imprint from colophon; printer's address changes., Colophon varies; later issues list Edw. Jones as printer, <1688>-1706; M. Jones, 1706-<1707>; J[acob]. Tonson, <1707>-1715; S[amuel]. Buckley, 1716-1730; Edward Owen, 1731-1756; E[dward]. Owen and T[homas]. Harrison (sometimes just Thomas Harrison), 1757-1788. Some colophons lack names., Price sometimes at end of colophon; in 18th century sometimes at foot of p. 1., Printed in two columns., Includes British and Parliamentary news, marriage and death notices, bankruptcies, official appointments, patent medicine advertisements at end of most issues., Also available on microfilm from Research Publications, Inc, Micro Methods Ltd. and British Library., and No. 1502 (!), April 27-May 1736 reprinted in New York gazette, no. 557, June 28-July 5, 1736.
Date of publication from ESTC., A song - "Young virgins fair, of beauty bright ----"., In four columns with the title above the first two and the imprint below the last column; the columns are not separated by rules. In 2 parts., Mounted on leaf 61. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 3.
The infant Shakespeare is seated on the train of Nature's gown. He is surround by the passions. On either side are Joy and Sorrow. Behind them are, on the right, Love, Hatred, and Jealousy; on the left, are Anger, Envy, and Fear
Description:
Title etched below image., The word 'Shakspeare' between the figures at the top of image, mostly burnished from plate., Two lines of text on either side of title: Nature is represented with her face unveiled to her favourite child, who is placed between Joy and Sorrow. On the right hand of Nature, are Love, Hatred, & Jealousy, on her left, Anger, Envy, & Fear., Plate to Boydell's Shakespeare Gallery, vol. I, no. 2, large format., and Original painting is in the Folger Shakespeare Library collection.
Publisher:
Pubd. Septr. 29, 1799 by J. & J. Boydell, at the Shakspeare Gallery, Pall Mall, & No. 90, Cheapside, London
Caption title., Printed in two columns with a woodcut at the head of each column, and playing cards surrounding text., Text begins: The serjeant commanded his party to the church, and when the parson had ended his prayer, he took his text; and all of them that had a Bible pulled it out to find the text, but this soldier had neither Bible, almanack, nor common prayer book, but he put his hand in his pocket and pulled out a pack of cards, and spread them before him as he sat, and while the parson was preaching he first kept looking at one card and then at another., Undated; James Catnach was active at this address from 1813 until his retirement in 1838; see Hindley, C. The history of the Catnach Press ..., 1886. Queen Victoria is mentioned in the text: "And also of Queen Victoria, to pray for her.", so the printing date must be after her accession in 1837., and For further information, consult library staff.
Publisher:
J. Catnach, printer, 2 & 3, Monmouth-Court, 7 Dials
Subject (Geographic):
Great Britain.
Subject (Name):
Middleton, Richard, Private in the 66th Regiment of Foot.
Subject (Topic):
Gambling, Prayer, Christianity, Soldiers, Religious life, Almanacs, Playing cards, Religious services, Soliders, and British
Kean as Richard III, directed to the left, stands on a large volume with the word 'Shakespear' written on the top edge. Resting on his head and humped shoulders is a model of Drury Lane Theatre, a massive block, inscribed 'Whitbreads Intire.' On the roof is poised an ugly figure of Fame, blowing through a trumpet 'Puff Puff Puff', and holding behind her a second trumpet, from which issue the words 'Puff Puff P'. At the entrance to the theatre straddles a tiny Whitbread, his legs and arms projecting from a cask which forms his body; he says: "Now by St Paul the work goes bravely on" (altering Richard's words from 'this news is bad indeed'). Kean stoops, leaning on a cross-hilted sword, inscribed 'A Keen supporter'; he has misshapen bandy legs. He says: "Well, as you guess." He wears an ermine-trimmed cap encircled by a crown, slashed doublet and trunk hose, a sleeveless coat bordered with ermine and embroidered with a (Yorkist) rose, with flapped and spurred boots. (The figure, with the position of the arms altered, is a travesty of J.J. Hall's portrait of Kean interrogating Stanley on the approach of Richmond. The costume is correct.) The stage is indicated by curtains flanking the design. In the background are clouds of smoke.--Adapted from British Museum
Description:
Title from text etched below image., Complete imprint statement and dimensions supplied from British Museum impression., and Sheet trimmed within plate mark with loss of characters in the publisher's name.
Publisher:
Pubd. May 7th, 1814 by H. Humphrey, St. James's Street
Subject (Geographic):
England and London.
Subject (Name):
Kean, Edmund, 1787-1833, Kean, Edmund, 1787-1833,, Shakespeare, William, 1564-1616,, and Theatre Royal, Drury Lane (London, England)
Title page in red and black., With a half-title., In this edition the last line of the Dunciad is correctly numbered 620., Horizontal chain lines., Signatures: [A]², B-E⁸, F⁴ (F4 blank), ²A-H⁸, I²., and One of ten volumes rebound in mottled calf by Riviere for Sir William Fraser (1826-1898), three of which are added volumes not Horace Walpole's. With Horace Walpole's bookplate 1 and press-mark K.5.22 in Manuscript Catalogue of 1763 (marked 9 vols. but only 7 were sold); moved to the Glass Closet. Also with bookplates of Sir William Fraser, Beverly Chew, and James Wyckoff.