"A foppish parson, directed to the left, wearing a voluminous surplice over a high 'dandy' (cf. British Museum Satires No. 13029) collar, with bands, and displaying elegant be-ringed hands, preaches from a pulpit, the upper part only of which is depicted. In his eye is stuck a monocle with short handle and cord. A large book is on his pulpit-cushion, which is elaborately trimmed with gold fringe, and he reads with a complacent smile: "And behold in these times the Dan-dees were" / "arrayed in Garments of divers fashions--and in" / "fine Linens curiously wrought--and moreover--" / "they were gazed upon by the bretheren of the Land," / "in which they dwelt--and the people marvelled." / "Lib. 2-- ver 6. 7. 8"."--British Museum online catalogue
Description:
Title etched below image., Possibly a later state, with imprint removed, of a print published 6 February 1818 by S.W. Fores. Cf. No. 13016 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Date of publication based on description of possible earlier state in the British Museum catalogue., and Sheet trimmed within plate mark.
Publisher:
publisher not identified
Subject (Topic):
Dandies, British, Clergy, Preaching, Pulpits, and Rings
"A stout lady (left), her hands in a muff, cannonades into a fat parson walking in the opposite direction. Behind (right) a rider urges his horse forward; on the left a pedestrian walks into a pond."--British Museum online catalogue
Description:
Title from item., Printmaker identified from the original drawing in the Huntington Library., From the Laurie & Whittle series of Drolls., Plate numbered '144' in lower right corner., Temporary local subject terms: Parsons -- Female costume -- Walking staves -- Signposts., and Watermark: fleur-de-lis.
Publisher:
Published 22d Decr. 1794 by Laurie & Whittle, 53 Fleet Street, London
"Satire on three bishops competing to become Archbishop of Canterbury in succession to William Wake."--British Museum online catalogue
Description:
Title from item., Publication date from British Museum catalogue., 'Price 6d.'--Lower right corner of plate., Temporary local subject terms: Buildings., and Watermark: countermark IV.
Title from caption below image., Temporary local subject terms Dishes: tankards -- Smoking: tobacco -- Allusion to tythe pig., and Watermark: Strasburg lily.
Design consists of twenty-one individually-captioned panels arranged in three horizonal rows illustrating Johnny's arrival in Jamaica, his contracting Yellow Fever, his illness and temporary recovery, his brief participation in Jamaican society, his relapse and eventual death from the fever
Alternative Title:
Johnny Newcome in the island of Jamaica
Description:
Title from caption below image., Date altered on this impression from 1800 to 1803., Companion print to: Martial law in Jamaica., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Watermark: J. Whatman Turkey Mill., and Date in imprint altered in ms. from "1800" to "1803."
Publisher:
Pubbished [sic] by Willm. Holland, No. 50, Oxford Street
Subject (Geographic):
Jamaica
Subject (Topic):
Social conditions, Black people, Bedrooms, Cemeteries, Clergy, Coffins, Couples, Death, Interiors, Physicians, Vomiting, and Yellow fever
Title etched below image., Place and date of publication extrapolated from that of book; see British Museum catalogue., One of 14 plates from: Something concerning nobody / edited by Somebody. London : R. Scholey, 1814., Sheet trimmed within plate mark., Numbered "4"., and Watermark trimmed.
Engraving of William Hogarth’s 1748 painting ‘O the Roast Beef of Old England’ (London, Tate Britain), which he had himself published as a print. The scene is set at the Gate of Calais (after the painting in the Tate Gallery) with a fat monk prodding a large sirloin of beef carried by a cook, on either side are two French soldiers, one of whom spills his bowl of thin soup as he gazes in amazement at the beef; on the left, three market women with crosses hanging from their necks admire a skate in a basket of fish; on the right, two ragged men carry a large pot of soup while another drinks from a bowl, and a Scottish soldier cowers beneath an archway; in the middle distance, to left, Hogarth himself is seen sketching at the moment when a soldier’s hand takes him by the shoulder; beyond, through the gate, is a religious procession
Alternative Title:
Gate of Calais
Description:
Title engraved below image., Date of publication based on publisher's street address; Sayer's premises in Fleet Street were not numbered until ca. 1766. See British Museum online catalogue., Text of Theodosius Forrest’s cantata 'The Roast Beef of Old England' printed in letterpress beneath image in two columns., Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 180., and Watermark.
Publisher:
Printed for Robt. Sayer, No. 53 Fleet Street
Subject (Geographic):
England
Subject (Name):
Hogarth, William, 1697-1764.
Subject (Topic):
Foreign public opinion, French, Artists, Clergy, Eating & drinking, Ethnic stereotypes, and Religious processions
Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[3 November1794]
Call Number:
Drawer 794.11.03.01
Image Count:
1
Resource Type:
still image
Description:
Title from caption below image., Design consists of twenty-two figures in two rows, each with text etched above., Sheet trimmed within plate mark on lower edge and to plate mark on other edges., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Male costume, 1794 -- Female costume, 1794 -- Conventions -- Reference to guillotine -- Allusion to French Revolution -- Reference to Jacobins -- Male costume: Reference to sans-culottes -- Black females., and Watermark: 1794 J. Whatman.
Title from caption below image., Restrike. Date of printing based on watermark., Publisher's advertisement following imprint: Folio's of caracatures [sic] lent out for the evening., Design consists of twelve figures in two rows, each with lines of text etched above., Plate numbered in upper right corner: Vol. 2, pl. 1., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Preachers -- Pulpits., and Watermark: Fellows 1823.
Publisher:
Pubd. April 16th, 1796, by S.W. Fores, No. 50 Piccadilly, corner of Sackville St.