- Creator:
- Hogarth, William, 1697-1764, printmaker
- Published / Created:
- [1726]
- Call Number:
- Folio 75 H67 800 v.1 (Oversize)
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- A riot in the street beside Temple Bar, the western boundary of the City of London, with the mob hanging and burning effigies of the members of the Rump Parliament; an effigy of Hudibras is carried in from the right on a pole by a man who carries in his other hand a sign "Down wth the Rumps"; he is followed by a crowd of men gesturing with sticks, brooms, and other tools. Rumps of beef burn over fires in the street
- Alternative Title:
- Burning the rumps at Temple-barr
- Description:
- Title engraved below image., State, publisher, and date from Paulson., One of twelve large illustrations for Samuel Butler's Hudibras, 1725/6., Sheet trimmed to plate mark., and On page 38 in volume 1. Plate trimmed to: 27.1 x 49.8 cm.
- Publisher:
- Philip Overton and John Cooper
- Subject (Geographic):
- England. and Great Britain
- Subject (Name):
- Butler, Samuel, 1612-1680. and Temple Bar (London, England)
- Subject (Topic):
- Puritans, Crowds, Effigies, Executions in effigy, Fires, Riots, Signs (Notices), and History
- Found in:
- Lewis Walpole Library > Burning [the] rumps at Temple-barr [graphic]
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- Creator:
- Hogarth, William, 1697-1764, printmaker
- Published / Created:
- [1726]
- Call Number:
- Folio 75 H67 800 v.1 (Oversize)
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- A riot in the street beside Temple Bar, the western boundary of the City of London, with the mob hanging and burning effigies of the members of the Rump Parliament; an effigy of Hudibras is carried in from the right on a pole by a man who carries in his other hand a sign "Down wth the Rumps"; he is followed by a crowd of men gesturing with sticks, brooms, and other tools. Rumps of beef burn over fires in the street
- Alternative Title:
- Burning the rumps at Temple-barr
- Description:
- Title engraved below image., State, publisher, and date from Paulson., Caption on either side of title, begins: "That Beastly Rabble that came down. From all the Garretts in the Town ...", Numbered "11" above and to the right of the upper margin., One of twelve large illustrations for Samuel Butler's Hudibras, 1725/6., and On page 38 in volume 1. Plate trimmed to: 27.3 x 50.2 cm.
- Publisher:
- Philip Overton and John Cooper
- Subject (Geographic):
- England. and Great Britain
- Subject (Name):
- Butler, Samuel, 1612-1680. and Temple Bar (London, England)
- Subject (Topic):
- Puritans, Crowds, Effigies, Executions in effigy, Fires, Riots, Signs (Notices), and History
- Found in:
- Lewis Walpole Library > Burning [the] rumps at Temple-barr [graphic]
- Creator:
- Hogarth, William, 1697-1764, printmaker
- Published / Created:
- [1726]
- Call Number:
- Sotheby 93+ Box 205
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- A riot in the street beside Temple Bar, the western boundary of the City of London, with the mob hanging and burning effigies of the members of the Rump Parliament; an effigy of Hudibras is carried in from the right on a pole by a man who carries in his other hand a sign "Down wth the Rumps"; he is followed by a crowd of men gesturing with sticks, brooms, and other tools. Rumps of beef burn over fires in the street
- Alternative Title:
- Burning the rumps at Temple-barr
- Description:
- Title engraved below image., State, publisher, and date from Paulson., Caption on either side of title, begins: "That Beastly Rabble that came down. From all the Garretts in the Town ...", Numbered "11" above and to the right of the upper margin., and One of twelve large illustrations for Samuel Butler's Hudibras, 1725/6.
- Publisher:
- Philip Overton and John Cooper
- Subject (Geographic):
- England. and Great Britain
- Subject (Name):
- Butler, Samuel, 1612-1680. and Temple Bar (London, England)
- Subject (Topic):
- Puritans, Crowds, Effigies, Executions in effigy, Fires, Riots, Signs (Notices), and History
- Found in:
- Lewis Walpole Library > Burning [the] rumps at Temple-barr [graphic]
- Creator:
- Hogarth, William, 1697-1764, printmaker
- Published / Created:
- [1726]
- Call Number:
- Kinnaird 63K(b) Box 315
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- A riot in the street beside Temple Bar, the western boundary of the City of London, with the mob hanging and burning effigies of the members of the Rump Parliament; an effigy of Hudibras is carried in from the right on a pole by a man who carries in his other hand a sign "Down wth the Rumps"; he is followed by a crowd of men gesturing with sticks, brooms, and other tools. Rumps of beef burn over fires in the street
- Alternative Title:
- Burning the rumps at Temple-barr
- Description:
- Title engraved below image., State, publisher, and date from Paulson., One of twelve large illustrations for Samuel Butler's Hudibras, 1725/6., Sheet trimmed to plate mark., and Sheet trimmed: 285 x 501 mm.
- Publisher:
- Philip Overton and John Cooper
- Subject (Geographic):
- England. and Great Britain
- Subject (Name):
- Butler, Samuel, 1612-1680. and Temple Bar (London, England)
- Subject (Topic):
- Puritans, Crowds, Effigies, Executions in effigy, Fires, Riots, Signs (Notices), and History
- Found in:
- Lewis Walpole Library > Burning [the] rumps at Temple-barr [graphic]
- Creator:
- Hogarth, William, 1697-1764, printmaker
- Published / Created:
- [1726]
- Call Number:
- Kinnaird 63K(a) Box 315
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- A riot in the street beside Temple Bar, the western boundary of the City of London, with the mob hanging and burning effigies of the members of the Rump Parliament; an effigy of Hudibras is carried in from the right on a pole by a man who carries in his other hand a sign "Down wth the Rumps"; he is followed by a crowd of men gesturing with sticks, brooms, and other tools. Rumps of beef burn over fires in the street
- Alternative Title:
- Burning the rumps at Temple-barr
- Description:
- Title engraved below image., State, publisher, and date from Paulson., One of twelve large illustrations for Samuel Butler's Hudibras, 1725/6., and Sheet trimmed to plate mark.
- Publisher:
- Philip Overton and John Cooper
- Subject (Geographic):
- England. and Great Britain
- Subject (Name):
- Butler, Samuel, 1612-1680. and Temple Bar (London, England)
- Subject (Topic):
- Puritans, Crowds, Effigies, Executions in effigy, Fires, Riots, Signs (Notices), and History
- Found in:
- Lewis Walpole Library > Burning [the] rumps at Temple-barr [graphic]
- Creator:
- Hogarth, William, 1697-1764, printmaker
- Published / Created:
- published according to act of Parliament, Feb. 1, 1751. and [between 1790 and 1835]
- Call Number:
- Print20074
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- Tom Nero, now a highwayman, has been arrested for the murder. He stands in the churchyard over the body of his pregnant lover, Ann Gill, whose throat and wrist are severed. One from the group of men who have apprehended Tom show him the knife as the others restrain him; they are armed with pitchforks, sticks, and other farm tools. Ann lies on her back on the ground, the bundle of plate that she has stolen from her mistress at Nero's request spilling out at her side. The light from the lantern in the left foreground illuminates the contents of Ann's letter to Tom telling the story of her entanglement and guilt. A box with her initials is open revealing a copy of the Book of Common Prayer and a copy of God's revenge against murder. Also on the ground near the lantern are Tom's pistol and a collection of watches that he has stolen. The clock in the church tower shows 1:00; a bat and owls circle overhead
- Description:
- Title engraved above image., Restrike of a plate first published in 1751. This later printing was issued in The original works of William Hogarth (London : Sold by John and Josiah Boydell, 1790). The plate was again issued, with some lines strengthened by the engraver James Heath, in The works of William Hogarth (London : Printed for Baldwin, Cradock, and Joy ..., 1822); another edition was published by Baldwin & Cradock in 1835., Third in a series of four: The four stages of cruelty., Three columns each with four lines of verse etched below design: To lawless love when once betray'd, soon crime to crime succeeds: at length beguil'd to theft, the maid by her beguiler bleeds. Yet learn, seducing man! Nor night, with all its sable cloud, can screen the guilty deed from sight; foul murder cries aloud. The gaping wounds, and blood stain'd steel, now shock his trembling soul: but oh! what pangs his breast must feel, when death his knell shall toll.", "Price 1s"--Bottom left below design., Temporary local Medical Library subject terms: Prevention of cruelty to animals -- Murder -- Pregnancy., and Price statement has perhaps been partially burnished from plate; it is lightly printed but visible on this impression.
- Publisher:
- Wm. Hogarth and publisher not identified
- Subject (Topic):
- Cemeteries, Criminals, Churches, Homicides, and Pregnant women
- Found in:
- Medical Historical Library, Cushing/Whitney Medical Library > Cruelty in perfection [graphic]
- Creator:
- Hogarth, William, 1697-1764, printmaker
- Published / Created:
- [1738] and [printed 1756]
- Call Number:
- Folio 75 H67 800 v.1 (Oversize)
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- The scene from Book 3, Chapter 8 in which Sancho is shown removing the fetters from Gines de Pasamonte's wrist. Quixote is on horseback, a lance braced under his arm as he confronts his opponent whose sword is posed to strike
- Alternative Title:
- Freeing of the galley slaves
- Description:
- Title etched below image., Title from Paulson: Freeing of the galley slaves., State, publisher, and date from Paulson., Sheet trimmed to plate mark., "Book 3rd. Ch: 8th"--Below title., "Vol. I. p. 129"--Below image, lower left., and On page 88 in volume 1. Trimmed to plate mark: 242 x 184 mm.
- Publisher:
- Robert Dodsley?
- Subject (Name):
- Cervantes Saavedra, Miguel de, 1547-1616.
- Subject (Topic):
- Lancers, Rescues, Enslaved people, and Swords & daggers
- Found in:
- Lewis Walpole Library > Don Quixote releases the galley slaves [graphic]
- Creator:
- Hogarth, William, 1697-1764, printmaker
- Published / Created:
- [1738] and [printed 1756]
- Call Number:
- Kinnaird 69K(c) Box 105
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- The scene from Book 3, Chapter 8 in which Sancho is shown removing the fetters from Gines de Pasamonte's wrist. Quixote is on horseback, a lance braced under his arm as he confronts his opponent whose sword is posed to strike
- Alternative Title:
- Freeing of the galley slaves
- Description:
- Title etched below image., Title from Paulson: Freeing of the galley slaves., State, publisher, and date from Paulson., Sheet trimmed to plate mark., "Book 3rd. Ch: 8th"--Below title., and "Vol. I. p. 129"--Below image, lower left.
- Publisher:
- Robert Dodsley?
- Subject (Name):
- Cervantes Saavedra, Miguel de, 1547-1616.
- Subject (Topic):
- Lancers, Rescues, Enslaved people, and Swords & daggers
- Found in:
- Lewis Walpole Library > Don Quixote releases the galley slaves [graphic]
- Creator:
- Hogarth, William, 1697-1764, printmaker
- Published / Created:
- published according to act of Parliament, Feb. 1, 1751 [that is, between 1790 and 1835]
- Call Number:
- Print20072
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- In a London street, young boys inflict various forms of cruelty upon animals. In the centre, a boy (Tom Nero), identifiable by the badge on his shoulder as a pupil of St. Giles's Parish School, thrusts an arrow into a dog's anus; he ignores the offer of a large tart from a sympathetic young gentleman (said by Paulson to be a compliment to the young George III). To his left on the front of the balustrade, a boy draws a prophetic picture of Tom hanging from the gallows. Below Tom, another boy ties a bone to a dog's tail. In the lower left, a dog disembowels a cat. In the center foreground another boy kneels on the cobblestones, about to release a cock, as another boy prepares to a stick at it; the boy behind him holds a second cock. On the balustrade one boy holds a torch while his companion blinds a bird with a wire. Further to the left on the balustrade a group of boys laugh at the sight of two cats fight as they are hung by their tails from a gibbet-shaped lamp post. Above them a cat with a pair of wings tied to its back has been tossed out the attic window to see if it could fly
- Description:
- Title engraved above image., State from Paulson., Second state, with price mostly burnished from plate. This state of the plate was first issued in The original works of William Hogarth (London : Sold by John and Josiah Boydell, 1790). It was reissued, with some lines strengthened by the engraver James Heath, in The works of William Hogarth (London : Printed for Baldwin, Cradock, and Joy ..., 1822); another edition was published by Baldwin & Cradock in 1835. See Paulson., First in a series of four: The four stages of cruelty., Quotation engraved below image: "While various scenes of sportive woe, the infant race employ, and tortur'd victims bleeding shew, the tyrant in the boy. Behold! A youth of gentler heart, to spare the creature's pain. O take, he cries - take all my tart, but tears and tart are vain. Learn from this fair example - you whom savage sports delight, how cruelty disgusts the view while pity charms the sight.", and Temporary local Medical Library subject terms: Prevention of cruelty to animals.
- Publisher:
- publisher not identified
- Subject (Topic):
- Animal fighting, Balustrades, Boys, Cats, Cockfighting, Dogs, Gallows, Lampposts, Punishment & torture, and Rake's progress
- Found in:
- Medical Historical Library, Cushing/Whitney Medical Library > First stage of cruelty [graphic]
- Creator:
- Hogarth, William, 1697-1764, printmaker
- Published / Created:
- [1726] and [printed ca. 1768]
- Call Number:
- Sotheby 83+ Box 205
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "An emblematic scene with an oval portrait of Samuel Butler mounted on a pedestal on which is carved a relief showing a satyr whipping figures of Rebellion, Hypocrisy and Ignorance dressed as puritans, while he drives a chariot drawn by Hudibras and Ralpho; in the foreground, on the left, a satyr holds up a volume of Butler's poem as a guide for the carver (a boy dressed only in an apron), and on the right a young satyr holds up a mirror to a figure of Britannia."--British Museum online catalogue
- Alternative Title:
- Hudibras frontispiece and explanation
- Description:
- Title engraved below image., State and date from Paulson., and Caption on either side of title: The basso releivo, on the pedestal, represents the general design, of Mr. Butler, in his incomparable poem, of Hudibras. Viz. Butler's genious in a car lashing around Mount Parnassus in the persons of Hudibras & Ralpho, Rebellion, Hypocrisy and Ignorance the reigning vices of his time.
- Publisher:
- Printed for Robt. Sayer, map & printseller, at No. 53 in Fleet Street
- Subject (Geographic):
- England., Great Britain, and Parnassus, Mount (Greece),
- Subject (Name):
- Butler, Samuel, 1612-1680, and Butler, Samuel, 1612-1680.
- Subject (Topic):
- Puritans, History, Britannia (Symbolic character), Religion, Satyrs (Greek mythology), Tombs & sepulchral monuments, and Vice
- Found in:
- Lewis Walpole Library > Frontispiece and its explanation [graphic]