Title from text engraved above image., Attributed to P.V.D. Berge in an unverified card catalog record., Publication date from book in which this plate was published., Earlier lettering burnished from plate and replaced with title and verse of this edition., On one sheet with five columns of letterpress., Four lines of verse below image: Schoon de eid'le Hoop nog hoopt, het actie boomtze sterft ..., Plate 49 from: Het groote tafereel der dwaasheid ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Watermark., Sheet numbered '49' in pencil in an unidentified hand in upper right corner, recto; mounted to 46 x 33 cm., and Title translation on verso of mount: The emanciation and death of the share tree.
In avenue of trees beside a rail-fence, an old farmer's wife (right), wearing spectales and dressed in black silk hat and mantle and muslin apron, starts back in astonishment at seeing her daughter (left) dressed in the extreme fashion of 1765-1775, with high hair and hat perching on top; at the girl's feet (left) is a small lap-dog
Description:
Title etched below image., Sheet trimmed within plate mark., and Copy of a print originally published by Carington Bowles in 1770. See no. 4537 and 4538 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5.
Publisher:
Publish'd as the Act directs, 11th October 1779 by Robert Wilkinson, at No. 58 in Cornhill
In avenue of trees, an old farmer's wife (right), dressed in black silk hat and mantle and muslin apron, starts back in astonishment at seeing her daughter (left) dressed in the extreme fashion of 1765-1775, with high hair and hat perching on top; to the left a black page boy holds the girl's lap-dog. In the distance on the left is a house with two gable windows
Description:
Title from caption below image., Sheet trimmed to plate mark., "From an original drawing by Grimm." See Stephens., Companion print of: Welladay! is this my son Tom!, Cf. "Be not amaz'd dear mother. It is indeed your daughter Anne" no. 4537 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires / F.G. Stephens, v. 4. Published by Carington Bowles in 1770., No. 6 in a bound in a collection of 69 prints with a manuscript title page: A collection of drolleries., and Bound in half red morocco with marbled paper boards and spine title "Facetious" in gold lettering.
Publisher:
publisher not identified
Subject (Geographic):
England
Subject (Topic):
Black people, Clothing & dress, Dandies, British, Daughters, Dogs, Hairstyles, Servants, and Mothers
Title from item., Sheet trimmed within plate mark., Six lines of text below title: An Irish gentleman, deranged in his mind, made two attempts one morning to drown himself ..., and Temporary local subject terms: Irishmen: laborer -- Suicide -- Buildings: churches -- Young men -- Fences: stile.
Title etched above image., Text below image: Acapulca., Date of publication from British Museum catalogue., Plate from: A political and satyrical history of the years 1756 and 1757. In a series of ... prints. London : Printed for E. Morris, [1757]., Plate numbered '38' in upper right corner., Temporary local subject terms: Satire on Admiralty -- Royal die and dice box -- Emblems: anchor -- Playing cards -- Naval battles: seizure of the Acapulca galleon., and Mounted to 18 x 26 cm.
Title from text in lower margin., Alternate title and date supplied by curator., Text is from Ovid's Metamorphoses., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Mounted with ink inscription.Trimmed within plate mark.
Publisher:
publisher not identified
Subject (Name):
Aesculapius (Roman deity).
Subject (Topic):
Hospitals, Staff of Aesculapius, Plague, Gods, Sick persons, Beds, and Snakes
A proposed ticket design for Broughton's Amphitheatre, Hanway Street, London, showing two pugilists in action, bare-chested and with fists raised
Description:
Title from text in banner at bottom of image., A proposed ticket design for Broughton's Amphitheatre, Hanway Street, London., Cf. "Broughton & Slack" in: Graphic illustrations of Hogarth, from pictures, drawings, and scarce prints in the possession of Samuel Ireland, author of this work. London : R. Faulder, 1794-1799, v. 2, p. 120., Annotated on verso by W.S. Lewis: Fulbrigg, May '57 (ticket proposed for Broughton's Amphitheatre) (Wm Windham) ca 1742., and Ms. note in unidentified hand: Broughton's amphitheatre was opened 10 March 1743.
Title from item., Date from pencil notation, lower right: 8 juin 67., Place of publication derived from street address., Above image: Actualités 104., In image lower right: 29., Originally published in La Charivari, 8 June 1867., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., Temporary local Medical Library subject terms: Physicians caricatured; Clysters; Medical Congresses, international., and At lower right, in pencil: 8 juin 67.
Publisher:
A. de Vresse R Rivoli 55 and Lith. Destouches rue Paradis Pre. 28.
Subject (Topic):
Enema, Physicians, Meetings, Medical equipment & supplies, and Robes
Title from item., Printmaker from the 1771 edition. Printmaker's name burnished from plate., Publication date inferred from the date of partnership formed by Henry Carington Bowles and Carver after Carington Bowles's death in 1793. See Plomer, H.R. Dictionaries of printers and booksellers, p. 31., One line of quote below title: Cut it down while cumbreth it the ground., and Temporary local subject terms: Tree of life -- Vices: names on fruit of tree -- Death: skeleton with axe -- Emblems: scorpions and snakes as evil -- Emblems: dove of peace -- Emblems: lightining as wrath of God -- Mouth of Hell -- Destruction: woods and villages laid low -- Allegorical figures: angel(?) -- Bible: quotation from Luke, xiii, 7.
Publisher:
Printed for Bowles & Carver, Map & Printsellers, No. 69 in St. Pauls Church Yard, London