Maurer, John, active 1720-1742, printmaker, artist
Published / Created:
published according to act of Parliament, 1754, for Stowes Survey.
Call Number:
Quarto 724 771N
Collection Title:
Page 181. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
"View in the park with spectators watching the parade, as George II makes his way to the House of Lords, showing the Horse Guards and the Treasury."--British Museum online catalogue
Alternative Title:
Vüe de la parade dans le Parc de St. James : le Treser, le nouveau batiment de Gardes a Cheval, et la procession du Roy allant a la Chambre des Seigneurs
Description:
Titles engraved below image, in English and French., "An earlier state of this print was first listed in John Bowles's catalogue for 1753, in the series 'Perspective Views in and about London', p.44, number 19"--Curator's comments, British Museum online catalogue, registration no.: R,9.27., Plate from: A survey of the cities of London and Westminster, and the borough of Southwark. London : Printed for W. Innys and J. Richardson [etc.], 1754-55., Sheet trimmed within plate mark on three sides., Plate numbered "5" beneath lower right corner of image., Folded to 25.5 x 24.5 cm; mounted to 32 x 26 cm., and Mounted on page 181 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Publisher:
W. Innys and J. Richardson, etc.
Subject (Geographic):
London (England), Saint James's Park (London, England),, England, and London.
Subject (Name):
George II, King of Great Britain, 1683-1760,, Horse Guards (London, England : Building),, and Great Britain. Treasury
Subject (Topic):
Buildings, Parks, Government facilities, Soldiers, Parades & processions, Spectators, and Carriages & coaches
"View in the park looking towards the Horse Guards, with the Admiralty Office on the left and the Treasury on the right; a carriage following a line of soldiers approaching the arched gateway of the Horse Guards."--British Museum online catalogue
Alternative Title:
Vü̈e de la parade dans le Parc de St. Jacques
Description:
Titles etched below image, in English and French., Date range for publication from the British Museum online catalogue, registration no.: 1880,1113.2309., Plate reissued by Sayer and Bennett and listed in their 1775 catalogue as part of the series "Twelve views of his Majesty's palaces and royal hospitals, and other public buildings in London, &c.", in the section on "Sets of small prints"; see: Sayer and Bennett's enlarged catalogue of new and valuable prints. London : [Sayer and Bennett], 1775, page 87, no. 9., Imperfect; plate number mostly erased from upper right corner of sheet. Missing number supplied from impression in the British Museum., Plate numbered "11" in upper right corner., Mounted to 23 x 38 cm., and Leaf 15 in an album of views of London and its vicinity.
Publisher:
Printed for Robt. Sayer, map & printseller, at the Golden Buck near Serjeants Inn, Fleet Street
Subject (Geographic):
Saint James's Park (London, England),, England, and London.
Subject (Name):
Horse Guards (London, England : Building),, Great Britain. Treasury, and Great Britain. Admiralty
Subject (Topic):
Buildings, Parks, Government facilities, Parades & processions, Soldiers, and Carriages & coaches
"Three volunteers or militiamen, three-quarter length figures, exult at the head of Bonaparte which one of them (right) holds up on a pitchfork, saying, "Here he is Exalted my Lads 24 Hours after Landing." The head is in profile to the left, the sharp well-cut features contrast with those of the chubby yokels. The centre figure, holding out his hat, says, turning to the left: "Why Harkee, d'ye zee, I never liked Soldiering afore, but some how or other when I though [sic] of our Sal the bearns, the poor pigs, the Cows and the Geese, why I could have killed the whole Army my own Self." He wears a smock with the crossed straps of a cartouche-box. The third man (left) in regimentals, but round-shouldered and unsoldierly, says: "Dang my Buttons if that beant the Head of that Rogue Boney - I told our Squire this Morning, what do you think say's I the Lads of our Village can't cut up a Regiment of them French Mounsheers, and as soon as the Lasses had given us a Kiss for good luck I could have sworn we should do it and so we have." All three have hats turned up with favours and oak-twigs, the favours being inscribed respectively (left to right): 'Hearts of Oak'; 'Britons never will be Slaves', and 'We'll fight and We'll Conquer again and again'. In the spaces between these foreground figures is seen a distant encounter between English horse and foot and French invaders, who are being driven into the sea, on which are flat-bottomed boats, all on a very small scale. Two women search French corpses; one says: "why this is poor finding I have emtied the pocketts of a score and only found one head of garlic 9 onions & a parcel of pill Boxes." Cf. British Museum Satires No. 8145."--British Museum online catalogue
Alternative Title:
Levée en masse, or, Britons strike home and Britons strike home
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Publisher's advertisement below image, in lower right: Folios of caracatures [sic] lent out for the evening., and Sheet trimmed to plate mark on top and bottom.
Publisher:
Pub. Augt. 6th, 1803, by S.W. Fores, 50 Piccadilly
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and Napoleon I, Emperor of the French, 1769-1821.
Subject (Topic):
Napoleonic Wars, 1800-1815, Proposed invasion of England, 1793-1805, Soldiers, British, French, Militias, Pitchforks, Heads (Anatomy), Decapitations, and War casualties
Cartes-de-visite photographs created primarily by photographers in San Francisco and northern California, ca. 1855-1895. Images consist chiefly of portraits depicting children, women, and men, in single, couple, and group sittings. Individuals in the images comprise various ethnic and cultural backgrounds, including Asian American and African American persons. The portraits also include persons with unique physical features, including midgets, dwarves, and giants. Occupations and group memberships represented in the portraits include butchers, circus performers, freemason, miners, musicians, sailors, and soldiers. Other images include portraits of dogs, and copy photographs of drawings, paintings, and dolls, Portraits of identified individuals include Baby Belmont, Frederick Coombs, Tom Coughlan, Tony Denier, Issac Sherwood Halsey, Little Clara Jenkins, Henrietta Lichau, and Eugenie Olanie. Other identified individuals include: Mollie Brown, a bareback somersault horse rider; A. Kerpen, a man with an eight-foot long beard; William Ingraham Kip, first Protestant Episcopal bishop of California; and two scholars in academic gowns, presumably from the University of California, George F. Stone and viticulturist Emmett Rixford, Individual photographers with galleries located in San Francisco include: T. A. Brown, John M. Bryan, Alexander Edouart, Sr., Oscar Foss, John D. Godeus, Thomas Houseworth, Benjamin Franklin Howland, J. Jackson, John Lucas Kingsley, Henry Kruse, Charles Lainer, H. Luther, Charles Albert Marston, George Daniels Morse, Eadweard Muybridge, Silas Wright Selleck, Jacob Shew, William Shew, Joseph Trinidad Silva, Hector William Vaughn, Carleton E. Watkins, John A. Winberg, and Lai Yong, Corporate photographic galleries and partnerships located in San Francisco include: Bayley & Winter, Bradley & Rulofson, Brown & Otto, Chalmers & Wolfe, City Mart Photographic Gallery, Currier & Winter, Edouart & Cobb, Hamilton & Kellogg, Hoebel & Luther, Houston's Excelsior Gallery, I. W. Taber & Company, Lawrence & Houseworth, New York Gallery, Peoples Art Gallery, Watkins' Yosemite Art Gallery, and Wise & Prindle, Individual photographers in other locations throughout California include: Joseph P. Lowe of Auburn; H. H. Frye of Chico; George W. Valleau of Colusa; H. H. Halsey of Dutch Flat; Amasa Plummer Flaglor of Eureka; Ellison Lassell Crawford of Georgetown; S. Johnson of Gilroy; Lewis Jackson Stinson of Marysville; Edward Abraham Kusel of Oroville; L. Dowe and George Ross of Petaluma; Flave H. Gaines of Red Bluff; A. P. Bailey and John A. Todd of Sacramento; James Atkins Clayton of San Jose; H. Schoene of Santa Clara; John E. D. Baldwin of Santa Cruz; John Pitcher Spooner of Stockton; Murry Dunham and James Girard Smith of Vallejo; Issac Sherwood Halsey of Volcano; and Skelton Sanford Noble and B. F. Stevens from unidentified locations, and Photographic galleries and partnerships in other locations throughout California include: Mains & Von Hasseln of Camptonville; Bluett & Fardon and Dunham & Lathrop of Oakland; Sanders & Stinson of Marysville; and Abell & Welsh of Roseburg, Oregon
Description:
Digital version available; and Title devised by cataloger.
Subject (Geographic):
California. and California
Subject (Name):
Abell, Frank George, Jr., 1844-1910., Bailey, A. P., Baldwin, John E. D., Bayley, Wilbur Fisk., Bluett, William H., Bradley, Henry William, 1813-1891., Brown, T. A., photographer., Bryan, John M., Chalmers, James Calder, Jr., Clayton, James Atkins, 1831-1896., Cobb, David., Coombs, Frederick, 1803-1874., Coughlan, Tom., Crawford, Ellison Lassell, 1833-1895., Currier, Amos., Denier, Tony, 1839?-1917., Dunham, Allen Murray, ca. 1834-ca. 1924., Dunham, Murry., Edouart, Alexander, 1818-1892., Fardon, George Robinson, 1807-1886., Flaglor, Amasa Plummer, 1848-1918., Foss, Oscar., Frye, H. H., Gaines, Flave H., Godeus, John D., Halsey, Henry H., Halsey, Isaac Sherwood, 1828-1895., Hamilton, Charles F., Houseworth, Thomas, 1829-1915., Jenkins, Clara., Johnson, Andrew, 1808-1875., Johnston, Amasa Park, ca. 1837-1931., Kellogg, Andrew J., Kingsley, John Lucas, ca. 1939-1869., Kip, William Ingraham, 1811-1893., Kruse, Henry., Kusel, Edward Abraham., Lainer, Charles., Lathrop, Frank Henry., Lawrence, George S., Lichau, Henrietta., Lowe, Joseph P., Mains, James Riley., Marston, Charles Albert., Mautz, Carl., Morse, George Daniels., Muybridge, Eadweard, 1830-1904., Noble, Skelton Sanford., Olanie, Eugenie., Prindle, Edward H., Rixford, Emmett H., Ross, George, 1832-1893., Rulofson, William Herman, 1826-1878., Sanders, Stephen Poole., Selleck, Silas Wright, ca. 1828-1885., Shew, Jacob, 1826-1879., Shew, William J., 1820-1903., Silva, Joseph Trinidad., Smith, James Girard, 1836-, Spooner, John Pitcher, 1845-1917., Stevens, B. F., Stinson, Lewis Jackson., Stone, George F., Taber, I. W. 1830-1912. (Isaiah West),, Todd, John A., 1827-1899., Valleau, George W., Vaughn, Hector William., Watkins, Carleton E., 1829-1916., Welsh, John Oliver, ca. 1840-ca. 1913., Winberg, John A., Winter, Daniel., Winter, Robert, ca. 1821-1893., Wise, James H., 1812-, Wolfe, Samuel Augustus., Yong, Lai., Abell & Welsh., Bayley & Winter., Bluett & Fardon., Bradley & Rulofson., Brown & Otto., City Mart Photographic Gallery., Currier & Winter., Dunham & Lathrop., Edouart & Cobb., Foss & Halsey., Freemasons, Hamilton & Kellogg., Hoebel & Luther., Houston's Excelsior Gallery., I. W. Taber & Company., Mains & Von Hasseln., Peoples Art Gallery., and Sanders & Stinson.
Subject (Topic):
African Americans, Asian Americans, Photographers, Circus performers, Dolls, Dwarfs (Persons), Giants (Folklore), Miners, Musicians, Sailors, Soldiers, and Tall people
Ten hand-colored engravings, depicting scenes from the Battle of Seringapatnam, form the border of a writing sheet, one each along the upper and lower edges and four on either side. Illustrations include, at the top, a battle scene; portraits of the British generals, Harris and Stuart; Tippoo Saib discovered among the slain, Tippoo's sons surrender; A sepoy upon a charge, An Indian soldier; Tippoo Sultan, Tippoo Sultan's wife; a design with flags, drums, cannons, swords and bugles. The battle scene and the image with the two sons include images of elephants
Alternative Title:
Conquest of Seringapatnam
Description:
Title from head of sheet., Numbered '65.' in lower right corner., With blank center of sheet filled in manuscript in black ink with an adage and a poem and signed: John Halton June 12th, Prescot School, 1801., and With watermark and countermark.
Publisher:
Published 18th Novr. 1799 by Laurie & Whittle, 53, Fleet Street
Subject (Geographic):
India, India., Śrīraṅgapaṭṭaṇa., and Indian
Subject (Name):
Tipu Sultan, Fath ʻAli, Nawab of Mysore, 1753-1799, and Tipu Sultan, Fath ʻAli, Nawab of Mysore, 1753-1799