"Prince Leopold sits enthroned, flanked by his new subjects; he wears uniform with a crown, and sits on a two-tiered circular dais in a chair of state, the seat of which is covered with giant thorns. Punctured and frightened, he grasps the arms of his chair with crisped fingers; his toes are drawn back, touching the ground, and he looks towards a savage-looking Greek (right) who kneels before him with a long knife held behind his back. A similar ruffian kneels on the left; others approach menacingly from the left, one smoking a long pipe and grasping a knife. They wear Greek costume with embroidered jackets and full white breeches. On the right are long-robed ecclesiastics, headed by a bearded patriarch with a cross in one hand, a knife in the other."--British Museum online catalogue
"In the centre of the design is an open grave from which a hand raises a wand topped by miniature antlers. It divides Lady Graves (left), youthful and handsome, from Cumberland, in the uniform of the Royal Horse Guards (Blues). They advance towards each other, he with arms outstretched. The title (her words) continues: 'Then come my love TO TIHS' [sic] (his words)."--British Museum online catalogue
Alternative Title:
Alas there is no happiness on this side the grave!!! : - Then come my love to this and Resurrectionist
Description:
Title etched below image; alternative title etched above image: The resurrectionist., Later state, with text added above image; for an earlier state lacking this text, see no. 16012 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 11., Imprint continues: ... sole pub. of W. Heaths etching., and Sheet trimmed within plate mark.
Publisher:
Pub. Feb. 1st, 1830, by T. McLean, 26 Haymarket ...
Subject (Name):
Graves, Mary Paget, Lady, 1783-1835 and Ernest Augustus, King of Hanover, 1771-1851
King William IV dressed as a sailor dances in the centre of a semicircle of ministers who have black bodies and are partially draped. Among the ministers are Peel and Scarlett on the left, Lyndhurst and Wellington on the right both of whom wear nose-rings. Scarlett encircles Ellenborough, who, with Sugden, is behind the King. Their tribal dance celebration alludes to the relief that the ministers must have felt to be able to retain their positions with the new reign. William IV was a popular King and a stark contrast to George IV and was liable to wild bursts of passion as is suggested here. He and the Duke of Wellington (then prime minister) got on very well, hence the retainment of his ministers. He is dressed in sailor garb in reference to his years in the navy. The tribal dress of the ministers refers to the far-flung shores that William visited
Description:
Title etched below image. and Sheet trimmed to plate mark.
Publisher:
Pub. July 19, 1830, by T. McLean, 26 Haymarket
Subject (Geographic):
Great Britain. and Great Britian.
Subject (Name):
William IV, King of Great Britain, 1765-1837, Scarlett, James, Sir, 1769-1844, Ellenborough, Edward Law, Baron, 1750-1818, Lyndhurst, John Singleton Copley, Baron, 1772-1863, Peel, Robert, 1788-1850, Wellington, Arthur Wellesley, Duke of, 1769-1852, Sugden, Edward Burtenshaw, 1781-1875, George IV, King of Great Britain, 1762-1830., William IV, King of Great Britain, 1765-1837., Wellington, Arthur Wellesley, Duke of, 1769-1852., Scarlett, James, Sir, 1769-1844., Peel, Robert, 1788-1850., Lyndhurst, John Singleton Copley, Baron, 1772-1863., and Ellenborough, Edward Law, Baron, 1750-1818.
"Duchess of Kent sits regally on the throne, holding the orb, and turning her head to watch Princess Victoria, who sits (left) on Prince Leopold's knee, holding the sceptre (in the form of a hand of Justice, cf. BM Satires No. 12247) and with the crown half-extinguishing her little head. He wears uniform, sits on a lower seat, but with his right foot on a footstool. He holds out twin cherries to the child, saying, 'Now we'll play at Bob Cherry--open your mouth'. On a table (left) are Sweet Meats and Sugar Candy, on the floor a (mature) doll. On the right, framed by pillars, is the Council Chamber. Wellington presides, in the royal chair, turning arrogantly to say: 'As president of the Council--who shall gainsay me--' [Bathurst was Lord President of the Council]. Behind him Grenadier Guards with fixed bayonets stand at attention. Inconspicuously at his right hand, and below the dais, sits William IV. Peel stands at a side-table (right), his back to Wellington, looking conspiratorial. The (?) Archbishop is among those seated on Wellington's left."--British Museum online catalogue
Description:
Title from caption below image., Sheet trimmed within plate mark., and Numbered in ms. at top of sheet: 123.
Publisher:
Pub. July 8, 1830, by T. McLean, 26 Haymarket
Subject (Name):
Victoria Mary Louisa, Duchess of Kent, 1786-1861, Victoria, Queen of Great Britain, 1819-1901, Léopold I, King of the Belgians, 1790-1865, Wellington, Arthur Wellesley, Duke of, 1769-1852, and William IV, King of Great Britain, 1765-1837
Subject (Topic):
Ceremonial objects, Crowns, Dolls, Military uniforms, British, and Thrones
"In a room filled with bales, chests, and plunder the Conyngham family prepare to depart. Lord Conyngham (left), in shirt-sleeves but elegant, tugs at the cord of an enormous bundle. Lady Conyngham struggles with the lock of a treasure-chest, saying, 'There is no such thing as getting those Devilish Locks of Bramahs open'. Her daughter carries on her shoulder the skeleton of the giraffe (see British Museum Satires No. 16108). A cupboard topped with the Royal Arms displays bare shelves; plate is heaped on the floor."--British Museum online catalogue
Description:
Title etched above image., Sheet trimmed within plate mark., Quoted text below image: "Had sly Ulysses at the Sack - of Troy, brought thee his pedler's pack - vide Cleaveland., and Offset of another impression on verso.
Publisher:
Pub. July 1st, 1830, by T. McLean, 26 Haymarket
Subject (Name):
Conyngham, Elizabeth Conyngham, Marchioness, -1861, Conyngham, Henry, Marquess, 1766-1832, and Athlumney, Harriet Maria Somerville, Lady, -1843
Subject (Topic):
Giraffes, Skeletons, Luggage, Clothes chests, and Cupboards
"John Bull, a fat "cit", is beset by descending water covered with the word 'Tax', many times repeated, in which dogs, cats, and pitchforks fall with violence. His eyes and spectacles are transfixed by a pitchfork inscribed 'Window Tax'; the shaft of another inscribed 'Malt & Hops Tax' sticks in his bleeding mouth, dislodging teeth. His paunch is pierced with a third fork; the handle, inscribed 'Tax ...' [&c. &c], supports an angry cat, spitting 'Tax ...' Another falling cat knocks off his wig, which emits a cloud of powder inscribed 'Powder Tax'. His gouty feet, in slashed shoes, are stabbed by three pitchforks: 'Corn Laws' [the biggest, cf. British Museum Satires No. 15510]; 'Leather Tax'; 'Land Tax'. A 'Dog Tax' strikes down J. B.'s dog, its collar inscribed 'Poor Tray'. Another dog worries a cat (left). J. B. holds up a derelict umbrella, inscribed 'Trade', pierced by many prongs and useless."--British Museum online catalogue
Alternative Title:
Raining cats dogs and pitchforks with the prongs downward
Description:
Title etched above image., Caption title below image., and Text below caption title: It must be the fault of the weather - for when it rains - it rains taxes - & when it shines - it shines taxes.
Publisher:
Pub. March 20, 1830, by T. McLean, 26 Haymarket, London
Subject (Geographic):
Great Britain
Subject (Topic):
Taxation, John Bull (Symbolic character), Animal attachs, Cats, Dogs, Pitchforks, and Umbrellas
William IV sculls a randan under the arch of a bridge with Wellington at the stern and Peel in the bow. He looks over his shoulder at the other two and says, "Come look a head." Wellington responds, "Bound apprentice to a waterman I larnt a bit to row." All are wearing loose white shirts with knotted scarves, resembling sailors
Description:
Title etched below image., Sheet trimmed within plate mark with a partial loss of signature., Printseller's announcement following publication statement: Election caricatures executed for gentlemen in 3 hours., and Window mounted to 26 x 35 cm.
Publisher:
Pub. 21 July 1830, by T. McLean, 26 Haymarket
Subject (Geographic):
Great Britain
Subject (Name):
William IV, King of Great Britain, 1765-1837, Wellington, Arthur Wellesley, Duke of, 1769-1852, Peel, Robert, 1788-1850, and Great Britain Parliament
Subject (Topic):
Elections, 1830, Politics and government, Row boats, and Rowing races
"Prince Leopold (right), in uniform, puts his head through a glassless aperture in a window in the door of his 'Grecian Establish[ment]--Co[burg]', to look intently at a fat Turk who stands in profile to the right, elaborately dressed and holding a long pipe with smoking bowl. The door, partly cut off by the right margin, is flanked by a Corinthian pillar and set in a wall on which are placards: 'This . Shop!!! will shortly open under entire new Management--Vivant [sic] Rex'; a Union Jack poster (partly covered); the Russian eagle, and a fleur-de-lis, the two last inscribed 'Loan'. The Turk: 'What have you taken the Shop? well if you take my advice you will not give Your Customers too much Credit for I can tell you they are a queer set to deal with by the bye they nearly ruined me--and mind that you look sharp after your Shopmen'."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., and Window mounted to 50 x 36 cm.
Publisher:
Pub. April 10, 1830, by T. McLean, 26 Haymarket
Subject (Name):
Léopold I, King of the Belgians, 1790-1865
Subject (Topic):
Turks, Ethnic stereotypes, Doors & doorways, National emblems, and Signs (Notices)