Title from item., Attributed to Newton by curator based on other works of this artist in the collection., Sheet trimmed within plate mark., Reduced copy of a print published in London on May 26, 1791, by W. Holland., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Literature: satire on Paine's The Rights of Man -- Reading -- Readers., and Watermark: name (illegible).
Publisher:
publisher not identified
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, consort of George III, King of Great Britain, 1744-1818, Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Wollstonecraft, Mary, 1759-1797, Pitt, William, 1759-1806, Sheridan, Richard Brinsley, 1751-1816, and Jenkinson, Charles, 1727-1808
"Fox as Guy Vaux kneels on one knee beside a pile of three barrels which he is about to fire with a lighted paper inscribed 'Rights of Man', holding up a dark lantern in his left hand. Burke, dressed as a watchman, rushes towards him and seizes Fox's left wrist, turning the rays of the lantern on his face, while he springs the rattle in his outstretched right hand. His long staff rests on his shoulder and he wears a long coat with a triple collar, badged on the left sleeve with a crown. He says, ""Hold Miscreant - I arrest thee in the name of the British Constitution, which thou art undermining - I arrest thee in the name of human nature, which thou hast most cruelly outraged; - I arrest thee in the name of that Monarch whom thou dost wish to deprive of dignity, & of that people whom thou hast most basely deluded! - Nay, no fawning: - thy Tears & thy hypocrisy make no impression on the mind of truth & Loyalty: - therefore, Enemy of all good! yeild to that punishmt which has long waited those "crimes which are left as yet unwhipt of Justice"". Fox, who wears a slouch hat and a long cloak buttoned over his mouth, says, "O Lord! O Lord! that ever my aim should be discover'd when I had taken such pains to disguise myself - for Heavens sake, Watchman, what have I done that I should be apprehended? - what have I done only answer me that! - dare you accuse me only for what you think I intended to do ? - have I ever assassinated the King, or blown up the Lords ? - as to this Gunpowder here, I only intended to set fire to it merely to clear the Nation of Buggs: - for goodness sake do let me go: - or if I must suffer do let it be without holding up my own dark Lanthorn in my Face, for my Eyes are so weak with crying to think I should be charged with such Villainy, that I cannot bear the Light." Large tears fall from his eyes. The barrels are inscribed 'Gunpowder', one 'for the King', another 'for the House of Lords'. Behind, Sheridan escapes up a flight of steps, he follows another conspirator whose leg is visible on the extreme right. He says, I must be off while I can; as to my Friend there, why, if he does go to pot there's the more room for me! - I wish I could squeeze out a Tear or two as well as he, it might impose on the Mob, if they should stop me: - but I've come that humbug so often before, that my Eyes - Da-n my Eyes! there's not one drop left in them." ..."--British Museum online catalogue
Description:
Title from text in lower right corner of image., Printmaker from British Museum catalogue., Text below title: NB his associates were all taken afterwards & executed., Sheet trimmed leaving thread margins., Temporary local subject terms: Charles Fox as Guy Vaux -- Allusion to George II, King of Great Britain, 1738-1820 -- Plot against House of Lords -- Gunpowder Plot, 1604 -- Dark lantern -- Watchman's rattle -- Burke as watchman -- Watchman's staff -- Denounced coalition -- Quarrel: Fox and Burke, 1791 -- Puns: 'Vaux' for Fox -- Burke's spectacles., 1 print : etching, hand-colored, on laid paper ; sheet 356 x 502 mm, mounted to 37 x 56 cm., Sheet trimmed within plate mark., and Identifications in Thomas Kirgate's hand written at bottom of sheet.
Publisher:
Pubd. May 14th, 1791, by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, and Sheridan, Richard Brinsley, 1751-1816
"Fox as Guy Vaux kneels on one knee beside a pile of three barrels which he is about to fire with a lighted paper inscribed 'Rights of Man', holding up a dark lantern in his left hand. Burke, dressed as a watchman, rushes towards him and seizes Fox's left wrist, turning the rays of the lantern on his face, while he springs the rattle in his outstretched right hand. His long staff rests on his shoulder and he wears a long coat with a triple collar, badged on the left sleeve with a crown. He says, ""Hold Miscreant - I arrest thee in the name of the British Constitution, which thou art undermining - I arrest thee in the name of human nature, which thou hast most cruelly outraged; - I arrest thee in the name of that Monarch whom thou dost wish to deprive of dignity, & of that people whom thou hast most basely deluded! - Nay, no fawning: - thy Tears & thy hypocrisy make no impression on the mind of truth & Loyalty: - therefore, Enemy of all good! yeild to that punishmt which has long waited those "crimes which are left as yet unwhipt of Justice"". Fox, who wears a slouch hat and a long cloak buttoned over his mouth, says, "O Lord! O Lord! that ever my aim should be discover'd when I had taken such pains to disguise myself - for Heavens sake, Watchman, what have I done that I should be apprehended? - what have I done only answer me that! - dare you accuse me only for what you think I intended to do ? - have I ever assassinated the King, or blown up the Lords ? - as to this Gunpowder here, I only intended to set fire to it merely to clear the Nation of Buggs: - for goodness sake do let me go: - or if I must suffer do let it be without holding up my own dark Lanthorn in my Face, for my Eyes are so weak with crying to think I should be charged with such Villainy, that I cannot bear the Light." Large tears fall from his eyes. The barrels are inscribed 'Gunpowder', one 'for the King', another 'for the House of Lords'. Behind, Sheridan escapes up a flight of steps, he follows another conspirator whose leg is visible on the extreme right. He says, I must be off while I can; as to my Friend there, why, if he does go to pot there's the more room for me! - I wish I could squeeze out a Tear or two as well as he, it might impose on the Mob, if they should stop me: - but I've come that humbug so often before, that my Eyes - Da-n my Eyes! there's not one drop left in them." ..."--British Museum online catalogue
Description:
Title from text in lower right corner of image., Printmaker from British Museum catalogue., Text below title: NB his associates were all taken afterwards & executed., Sheet trimmed leaving thread margins., Temporary local subject terms: Charles Fox as Guy Vaux -- Allusion to George II, King of Great Britain, 1738-1820 -- Plot against House of Lords -- Gunpowder Plot, 1604 -- Dark lantern -- Watchman's rattle -- Burke as watchman -- Watchman's staff -- Denounced coalition -- Quarrel: Fox and Burke, 1791 -- Puns: 'Vaux' for Fox -- Burke's spectacles., and Watermark: Turkey Mills J. Whatman.
Publisher:
Pubd. May 14th, 1791, by H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, and Sheridan, Richard Brinsley, 1751-1816
An allegorical representation of the thesis of Burke's Reflections on the French Revolution as seen through Burke's spectacles. Fox dressed as Cromwell stands ready to strike a tree with an axe, the blade of which is labelled "Rights of man". In the tree are many emblems: a crown, a star of the Garter, a snuffer, the Holy Bible with mitre and chalice, escutcheons representing hereditary nobility and the arms of the Portland and Cavendish families
Description:
Title etched below image., Initial letters of printmaker's name in signature form a monogram., Sheet trimmed to plate mark on top and bottom edges., Two lines of verse etched below title: Nought shall make us rue, if England to itself do rest but true. Shakespeare., and Mounted on page 74.
Publisher:
Publd. by Thos. Cornell, Bruton Street
Subject (Geographic):
France and Great Britain
Subject (Name):
Burke, Edmund, 1729-1797, Burke, Edmund, 1729?-1797., Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Paine, Thomas, 1737-1809., Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Priestley, Joseph, 1733-1804, and Price, Richard, 1723-1791
Subject (Topic):
History, Foreign public opinion, British, Politics and government, Eyeglasses, Demons, Escutcheons (Heraldry), Trees, Axes, Crowns, Bibles, and Skeletons
An allegorical representation of the thesis of Burke's Reflections on the French Revolution as seen through Burke's spectacles. Fox dressed as Cromwell stands ready to strike a tree with an axe, the blade of which is labelled "Rights of man". In the tree are many emblems: a crown, a star of the Garter, a snuffer, the Holy Bible with mitre and chalice, escutcheons representing hereditary nobility and the arms of the Portland and Cavendish families
Description:
Title etched below image., Initial letters of printmaker's name in signature form a monogram., Sheet trimmed to plate mark on top and bottom edges., Two lines of verse etched below title: Nought shall make us rue, if England to itself do rest but true. Shakespeare., 1 print : etching and aquatint on wove paper ; plate mark 35.5 x 25.1 cm, on sheet 37.2 x 26.6 cm., and Mounted on leaf 54 of James Sayers's Folio album of 144 caricatures.
Publisher:
Publd. by Thos. Cornell, Bruton Street
Subject (Geographic):
France and Great Britain
Subject (Name):
Burke, Edmund, 1729-1797, Burke, Edmund, 1729?-1797., Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Paine, Thomas, 1737-1809., Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Priestley, Joseph, 1733-1804, and Price, Richard, 1723-1791
Subject (Topic):
History, Foreign public opinion, British, Politics and government, Eyeglasses, Demons, Escutcheons (Heraldry), Trees, Axes, Crowns, Bibles, and Skeletons
An allegorical representation of the thesis of Burke's Reflections on the French Revolution as seen through Burke's spectacles. Fox dressed as Cromwell stands ready to strike a tree with an axe, the blade of which is labelled "Rights of man". In the tree are many emblems: a crown, a star of the Garter, a snuffer, the Holy Bible with mitre and chalice, escutcheons representing hereditary nobility and the arms of the Portland and Cavendish families
Description:
Title etched below image., Initial letters of printmaker's name in signature form a monogram., Sheet trimmed to plate mark on top and bottom edges., and Two lines of verse etched below title: Nought shall make us rue, if England to itself do rest but true. Shakespeare.
Publisher:
Publd. by Thos. Cornell, Bruton Street
Subject (Geographic):
France and Great Britain
Subject (Name):
Burke, Edmund, 1729-1797, Burke, Edmund, 1729?-1797., Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Paine, Thomas, 1737-1809., Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Priestley, Joseph, 1733-1804, and Price, Richard, 1723-1791
Subject (Topic):
History, Foreign public opinion, British, Politics and government, Eyeglasses, Demons, Escutcheons (Heraldry), Trees, Axes, Crowns, Bibles, and Skeletons
"Pitt, very thin and elongated, poises on one toe on a tight-rope; he holds a long balancing-pole in both hands, on one end (left) sits the Sultan, on the other (right) Catherine II. The Turk, whose end of the pole is slightly the lower, clutches it desperately, saying, "My dear Billy, do help me to make another push, & I'll give you - half of my Seraglio". The fat Empress sits with her hands on her hips; she wears a crown, in her right hand is a sceptre, in her left a paper inscribed 'New Russian Conquests'. She says "Both Billy - the Flat, & yourself may do your worst you circumcised dog! get me down if you can! - I'll match you all, & swallow Thousands more!" Pitt stands with his head raised arrogantly in profile to the right; he says, "The old Hag cannot move me, & Seraglios cannot bribe me: - I have nothing to do with these matters - my Pole will always remain level - ". On the ground beneath the rope stands a dwarfish Sheridan (right) in profile to the left, grotesquely caricatured as a clown; he wears trousers and long sleeves which cover his hands and hang down. He says: "O! the Devil! the Devil! The Cow leaps over the Moon! And if I could once get up on the Rope, Lord! I'd fill my Pockets soon: - I mean, I would soon bring her down: fol der lol, fol der ol"."--British Museum online catalogue, description of an earlier state
Alternative Title:
Posterity of the immortal Chatham turned posture master
Description:
Title etched below image., Printmaker from description of earlier state in the British Museum catalogue., Reissue, with added plate numbering. Cf. No. 7846 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Date of printing based on that of Bohn's Suppressed plates., Plate probably from: Bohn, ii, 8, Suppressed plates., Text following title: Vide Sherridans speech., Sheet trimmed to plate mark, and the number "8" has likely been erased from sheet., and Temporary local subject terms: Circus performances: walking on rope -- Allusion to Russian conquests -- Clowns -- Allusion to Sheridan's speech in the House of Commons, 15 April, 1791 -- Allusion to William Pitt, Earl of Chatham, 1708-1778.
Publisher:
Publishd. April 21st, 1791, by H. Humphrey, N. 18 Old Bond St.
Subject (Name):
Catherine II, Empress of Russia, 1729-1796, Selim III, Sultan of the Turks, 1761-1808, Pitt, William, 1759-1806, and Sheridan, Richard Brinsley, 1751-1816
A scaffold extends across the foreground: Fox raises an axe to strike the neck of George III, whose head is held by Sheridan. The scaffold is surrounded by a dense and cheering mob. On the right is the gate of the 'Crown & Anchor' tavern, and from two projecting lamp-brackets swing the bodies of Queen Charlotte and Pitt. The houses of the Strand recede in perspective and terminate in Temple Bar, with two heads on spikes; clouds of smoke appear to come from burning houses east of Temple Bar. On the clouds a meretricious Liberty sits enthroned and triumphant.--British Museum catalogue
Description:
Title from caption inscribed in brown ink below image., Title inscribed twice on sheet and struck out once., Imprint statement inscribed in brown ink below title: Pubd. July 19th, 1791 by S.W. Fores No. 3 Piccadilly., Description of published Gillray print in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6, no. 7892., Description of published Gillray print in Works of James Gillray, the caricaturist with the history of his life and times / edited by Thomas Wright. London : Chatto and Windus, [1873?], p. 130., and A 'counterprint' or transfer in brown ink appears on the verso of the mount from another print: A Birmingham toast, as given on the 14th of July by the Revolution Society.
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Tooke, John Horne, 1736-1812, Priestley, Joseph, 1733-1804, Wray, Cecil, Sir, 1734-1805, and Sheridan, Richard Brinsley, 1751-1816
Subject (Topic):
Decapitations, Hangings (Executions), Executioners, Axes, Kings, and Crowds
"A scaffold extends across the foreground: Fox raises an axe to strike the neck of George III, whose head is held by Sheridan. The scaffold is surrounded by a dense and cheering mob. On the right is the gate of the 'Crown & Anchor' tavern, and from two projecting lamp-brackets swing the bodies of Queen Charlotte and Pitt. The houses of the Strand recede in perspective and terminate in Temple Bar, with two heads on spikes; clouds of smoke appear to come from burning houses east of Temple Bar. On the clouds a meretricious Liberty sits enthroned and triumphant. The King's neck rests on a narrow block, his shaved head appears bald, his legs are held up by Horne Tooke, who stands on the left, saying: "O, such a day as this, so renown'd so victorious, Such a day as this was never seen Revolutionists so gay; - while Aristocrats notorious, Tremble at the universal glee." From Tooke's pocket projects a paper: 'Petition of Horne Tooke' (against the return of Fox and Hood for Westminster, see British Museum Satires No. 7690). The King, who supports himself on his hands, says, "What! What! What! - what's the matter now". Fox, enormously stout, straddles behind the King, full face his axe raised in both hands; he wears a mask with large circular eye-holes and fox's ears; he says: "Zounds! what the devil is it that puts me into such a hell of a Funk? - damn it, it is but giving one good blow, & all is settled! - but what if I should miss my aim! - ah! it's the fear of that which makes me stink so! - & yet, damnation! what should I be afraid of? if I should not succeed, why nobody can find me out in this Mask, any more than the Man who chop'd the Calf's-head off, a Hundred & Forty Years ago - and so here goes!" Sheridan kneels in profile to the left holding the King by the ear and nose, he looks up at Fox with a sinister scowl, saying, "Hell & Damnation, dont be afraid give a home stroke, & then throw off the Mask - Zounds, I wish I had hold of the Hatchet." Priestley, behind Sheridan, leans towards the King, saying, "Don't be alarmed at your situation, my dear Brother; we must all dye once; and, therefore what does it signify whether we dye today or tomorrow - in fact, a Man ought to be glad of the opportunity of dying, if by that means he can serve his Country, in bringing about a glorious Revolution: - & as to your Soul, or any thing after death don't trouble yourself about that; depend on it, the Idea of a future state, is all an imposition: & as every thing here is vanity & vexation of spirit, you should therefore rejoice at the moment which will render you easy & quiet". He holds a paper: 'Priestley on a Future State'. Sir Cecil Wray stands with his right hand on Sheridan's shoulder, saying, "Here do give me a little room Joseph that I may be in readiness to catch the droppings of the Small Beer when it is tapp'd; I never can bear to see the Small Beer wasted Joseph!" He holds in his left hand a small cask, 'For Small Beer', and a large pipe; in his pocket is a paper: 'Plan of Chelsea Hospital by Sir Ceci[l] Wray'. The Queen is cruelly caricatured; she swings against Pitt, who is in a death agony with crisped fingers."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., Mounted to 37 x 55 cm., and Collector's annotations on mount.
Publisher:
Pubd. July 19th, 1791, by S.W. Fores, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820, Charlotte, Queen, consort of George III, King of Great Britain, 1744-1818, Pitt, William, 1759-1806, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Tooke, John Horne, 1736-1812, Priestley, Joseph, 1733-1804, and Wray, Cecil, Sir, 1734-1805
Subject (Topic):
Axes, Executioners, Hangings (Executions), and Crowds