"The happy family engaged in the noblest work of humanity, that of relieving the indigent, and giving succour to the aged and infirm". See S. Ireland's Graphic illustrations of Hogarth, p. 128
Description:
Title devised by cataloger., Series title from caption below image; plate number in upper right., Plate from: Graphic illustrations of Hogarth from pictures and drawings in the possession of Samuel Irland author of this work, v. 2, opposite page 128., and Prints trimmed within plate mark with loss of imprint. Imprint from impressions as issued in bound volume: Lewis Walpole Library 75 H67 S794.
Title from text printed on verso of previous plate in the series., Publication information from a closing plate in the series with intact imprint statement: The water doctor, or, hydropathyist., Numbered 'Plt. X' in upper left corner from: The sure water cure., and On same sheet, verso: Going to the bath's.
"A copy by Rowlandson after the 1774 Bunbury print, 'The hopes of the family - an admission at the university', a satire on a socially aspirational family: a youth is being examined by a tutor for admission to Cambridge university; the tutor, in academic robes, is seated at a table pointing at a large volume resting beside a globe; the youth stands counting on his fingers while his eager father, wearing countryman's boots, urges him on; on the left a woman, probably the tutor's housekeeper, holds two further volumes, and on the right an elegant undergraduate stands smiling; on the wall behind are portraits of "Dr Allcock" and a woman, a Roman bust with turned down mouth on the lintel above the door, and a frame with the plan and elevation of a building."
Description:
Title supplied by cataloger, based on that of the print on which this design is based., Printmaker and date of publication from British Museum online cat., registration no.: 2006,U.1348., Restrike. Date of printing based on watermark., A reduced copy of no. 4727 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Similar to and perhaps related to a series of small copies by Rowlandson of earlier Bunbury satires, published in 1803 by R. Ackermann. See Rowlandson the caricaturist / by Joseph Grego. London, Chatto and Windus, 1880, v. ii, p. 42-43., Watermark: J. Whatman 1828., Imperfect; artist's signature erased from sheet., and A border enclosing the design and shading to the lower portion of the design added in pencil.
"A copy by Rowlandson after the 1774 Bunbury print, 'The hopes of the family - an admission at the university', a satire on a socially aspirational family: a youth is being examined by a tutor for admission to Cambridge university; the tutor, in academic robes, is seated at a table pointing at a large volume resting beside a globe; the youth stands counting on his fingers while his eager father, wearing countryman's boots, urges him on; on the left a woman, probably the tutor's housekeeper, holds two further volumes, and on the right an elegant undergraduate stands smiling; on the wall behind are portraits of "Dr Allcock" and a woman, a Roman bust with turned down mouth on the lintel above the door, and a frame with the plan and elevation of a building."--British Museum online catalogue
Description:
Title supplied by cataloger, based on that of the earlier print from which this design was copied., Printmaker and date of publication from British Museum online catalogue, registration no.: 2006,U.1348., A reduced copy of no. 4727 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Similar to and perhaps related to a series of small copies by Rowlandson of earlier Bunbury satires, published in 1803 by R. Ackermann. See Rowlandson the caricaturist / by Joseph Grego. London, Chatto and Windus, 1880, v. ii, p. 42-43., On same sheet: Miseries of London., and Mounted to 56 x 37 cm.
Publisher:
publisher not identified
Subject (Topic):
Dogs, Families, Social mobility, Students, Teachers, Teaching, and Portraits
Title devised by cataloger., Plate from: The Freeholder's magazine, or, Monthly chronicle of liberty, v. 2? (1770)., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Trades: farriers -- Crimes: horse-stealing -- Orders: Star of the Garter.
Publisher:
publisher not identified
Subject (Name):
George III, King of Great Britain, 1738-1820. and Henry Frederick, Prince, Duke of Cumberland and Strathearn, 1745-1790
Title assigned by cataloger., Plate from: Human passions delineated in above 120 figures ... by Timo. Bobbin. [Manchester] : John Heywood, 1773., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Rustics -- Drinking -- Containers: tankard.
Title assigned by cataloger., Plate numbered "21" in upper right corner., Other prints in the series were designed and etched by either Tim Bobbin or Thomas Sandars., Restrike of a plate from: Human passions delineate ... by Timo[thy] Bobbin. Manchester : Printed and published by John Heywood, 1773., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Money lenders -- Macaronies -- Property deeds., and Mounted on verso is description in verse of the image: Plate 21. My lord at Arthur's sharp'd of all his store, I 'th' morning quested how to finger more ...
publish'd as the act directs June 1773. and [printed 1816]
Call Number:
773.06.00.24.1
Image Count:
1
Resource Type:
still image
Description:
Title assigned by cataloger., Other prints in the series were designed and etched by either Tim Bobbin or Thomas Sandars., Plate from: Human passions delineated ... by Timo. Bobbin. Manchester : Printed and published by John Heywood, 1773., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Macaronies -- Wigs: toupée wigs -- Wigs: club wigs --Nosegays -- Female dress, 1773.., and Watermark: 1816.
Title assigned by cataloger., Other prints in the series were designed and etched by either Tim Bobbin or Thomas Sandars., Plate from: Human passions delineated in above 120 figures ... design'd in the Hogarthian style ... by Timo[thy] Bobbin. [Manchester] : John Heywood, 1773., Plate numbered '24' in upper right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Macaronies -- Toupée wigs -- Club wigs -- Nosegays -- Female dress, 1773.
Publisher:
publisher not identified
Subject (Geographic):
England
Subject (Topic):
Clothing & dress, Dandies, British, Wigs, Corsages, and Flowers
Title assigned by cataloger., Other prints in the series were designed and etched by either Tim Bobbin or Thomas Sandars., Plate numbered '26' in upper right corner., Restrike of a plate from: Human passions delineated in above 120 figures, droll, satyrical, and humourous: design'd in the Hogarthian style ... By Timo[thy] Bobbin. [Manchester] : Printed and published by John Heywood, Manchester, 1773., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Old women -- Farmers -- Itinerant vendors -- Wares: wooden spoons -- Tools: rakes., and Mounted on verso is description in verse of the image: Plate 26. Old squint-ey'd Nan, who by the paltry trade, oOf selling wooden-spoons and ladles, made ...
