- Creator:
- Williams, Charles, active 1797-1830, printmaker
- Published / Created:
- [26 June 1804]
- Call Number:
- 804.06.26.01+
- Image Count:
- 1
- Resource Type:
- still image
- Description:
- Title from caption below image., Sheet trimmed within plate mark., Printmaker from British Museum catalogue., Printseller's announcement following imprint: Folios of caracatures [sic] lent out for the evening., Watermark: Strasburg Lily., and Modern ms. annotations on mount identify several figures in the print; mounted to 29 x 39 cm.
- Publisher:
- Pubd. June 26th, 1804 by S.W. Fores, 50 Piccadilly
- Subject (Name):
- Pitt, William, 1759-1806, Sheridan, Richard Brinsley, 1751-1816, Norfolk, Charles Howard, Duke of, 1746-1815, Erskine, James Francis, 1743-1806, Windham, William, 1750-1810, Grey, Charles Grey, Earl, 1764-1845, Grenville, William Wyndham Grenville, Baron, 1759-1834, and Fox, Charles James, 1749-1806
- Subject (Topic):
- John Bull (Symbolic character)
- Found in:
- Lewis Walpole Library > A nest of Billy biters lately discovered in an ancient chapel in the West Minster. [graphic]
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2.
- Creator:
- Gillray, James, 1756-1815, printmaker
- Published / Created:
- [1 March 1797]
- Call Number:
- GEN MSS 1387, Box 21 (Oversize), folder 372
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "Pitt (left) as a bank-clerk, very thin and much caricatured, a pen thrust through his wig, stands behind an L-shaped counter offering a handful of bank-notes to John Bull. In his right hand is a scoop with which he sweeps up notes from the counter. John is the yokel of BMSat 8141, but no longer bewildered; he stands stolidly, holding out his left hand for the notes, his right hand in his coat pocket. Fox (right), who wears a high cocked hat with tricolour cockade, bag-wig, and laced suit, says to him: "Dont take his damn'd Paper, John! insist upon having Gold, to make your Peace with the French, when they come". Sheridan bends towards John, saying, "Dont take his Notes! nobody takes Notes now! - they'll not even take Mine!" John answers: "I wool take it! - a' may as well let my Measter Billy hold the Gold to keep away you Frenchmen, as save it, to gee it you, when ye come over, with your domn'd invasion." Behind (right) hands of other Foxites are raised in warning, and on the extreme right is the profile of Stanhope. Behind (left), men hasten towards Pitt with large sacks of notes on their heads. The first two, in judge's robes, are Loughborough with a sack of '20 Shilling Notes', and Kenyon with one of 'Five Pound Notes'. Behind is Grenville with a sack of '10 Shilling Notes'. Other sacks whose bearers are hidden are inscribed '5 Shilling No[tes], 2 Shillin No[tes]', and 'One Shilling'. Under Pitt's counter is a row of large sacks of gold, padlocked and inscribed '£'. On the end of the counter, facing the spectator, is posted a bill headed: 'Order of Council to the Bank of England'."--British Museum online catalogue
- Description:
- Title etched below image. and Temporary local subject terms: Sacks of money -- Bank notes.
- Publisher:
- Pub. March 1st, 1797, by H. Humphrey, New Bond Street
- Subject (Name):
- Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Sheridan, Richard Brinsley, 1751-1816, Stanhope, Charles Stanhope, Earl, 1753-1816, Grenville, William Wyndham Grenville, Baron, 1759-1834, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, and Kenyon, Lloyd Kenyon, Baron, 1732-1802
- Subject (Topic):
- John Bull (Symbolic character)
- Found in:
- Lewis Walpole Library > Bank-notes, paper-money, French-alarmists, O, the devil, the devil! ah! poor John-Bull!!! [graphic]
3.
- Creator:
- Gillray, James, 1756-1815, printmaker
- Published / Created:
- [10 December 1796]
- Call Number:
- 796.12.10.01+
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "John Bull (left), a stout countryman wearing jack-boots, rides (right to left) through a wood on a wretched hack, ready to fall under his weight. Pitt kneels on the ground (right) in profile to the left, aiming a blunderbuss (which is supported on crossed sticks) point-blank at John; it is inscribed 'Standing Army'. He masquerades as a beggar: his dress is tattered, on the ground is his hat, containing coins; he says: "Good Sir, for Charity's sake \ "have Pity upon a poor ruin'd Man; - \ "drop if you please, a few bits of \ "Money into the Hat, & you shall \ "be rewarded hereafter -" From his coat-pocket project a cocked pistol and a paper: 'Forced Loan in reserve'. He points to a document on the ground beside him: 'Humble Petition, for Voluntary - Contribution Subscriptions & new Taxes, to save the Distres'd from taking worse Courses.' John Bull has dropped his righteins and holds his hat, full of guineas; he looks with melancholy distrust at Pitt, but drops guineas into his hat. His horse, disfigured with sores, is evidently the white horse of Hanover, its head-band is red and blue, the Windsor uniform (cf. BMSat 8691, &c). From the bushes behind Pitt emerge the heads and shoulders of (right to left) Dundas, Grenville, and Burke, each with a pistol levelled at John Bull. Dundas wears Highland dress, Grenville peer's robes and a grenadier's cap with the letters 'Wm R' (cf. BMSats 7479, 7494, &c.): he looks down reflectively at Pitt instead of at his victim, implying that he is his cousin's henchman; Burke has a pen in his hat. On the left is a signpost pointing (right) 'From Constitution Hill' (cf. BMSat 8287) and (left) 'To Slavery Slough by Beggary Corner.'"--British Museum online catalogue
- Alternative Title:
- John Bull escaping a forced loan
- Description:
- Title etched below image., Temporary local subject terms: Highwaymen -- Beggars -- Weapons: blunderbuss -- Pistols -- Petitions -- Reference to Loyaly Loan -- Symbols: White Horse of Hanover -- Coins: guineas -- Signposts., and Mounted to 32 x 48 cm.
- Publisher:
- Pubd. Decr. 10th, 1796, by H. Humphrey, New Bond Street
- Subject (Name):
- Pitt, William, 1759-1806, Melville, Henry Dundas, Viscount, 1742-1811, Burke, Edmund, 1729-1797, and Grenville, William Wyndham Grenville, Baron, 1759-1834
- Subject (Topic):
- John Bull (Symbolic character)
- Found in:
- Lewis Walpole Library > Begging no robbery, i.e., voluntary contribution, or, John Bull escaping a forced loan a hint from Gil Blas / [graphic]
- Creator:
- Cruikshank, Isaac, 1764-1811, printmaker
- Published / Created:
- [19 April 1796]
- Call Number:
- 796.04.19.01+
- Image Count:
- 1
- Description:
- Title from item., Printmaker identified in British Museum catalogue., Eight lines of verse in two columns below title: Budgets & loans so thick we see ..., Temporary local subject terms: Taxes: Dog Tax, April 1796 -- Gibbets -- Doghouses -- Treasury: allusion to Treasury -- Emblems: bonnet rouge., and Watermark: Strasburg lily with initials G R below.
- Publisher:
- Pubd. April 19, 1796, by S.W. Fores, N. 50 Piccadilly
- Subject (Name):
- Sheridan, Richard Brinsley, 1751-1816, Fox, Charles James, 1749-1806, Stanhope, Charles Stanhope, Earl, 1753-1816, Pitt, William, 1759-1806, Portland, William Henry Cavendish-Bentinck, Duke of, 1738-1809, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, Grenville, William Wyndham Grenville, Baron, 1759-1834, Melville, Henry Dundas, Viscount, 1742-1811, and Burke, Edmund, 1729-1797
- Found in:
- Lewis Walpole Library > Effects of the dog tax [graphic].
- Creator:
- Gillray, James, 1756-1815, printmaker
- Published / Created:
- [17 May 1805]
- Call Number:
- 805.05.17.01++
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "A burlesqued illustration of the quotation from 'Paradise Lost' etched below the design ... In the upper left corner of the design, and in the background, an aged St. Peter holds open a small arched door, putting one of his three massive keys into the lock. The irradiated doorway is 'Popish Supremacy'; through it is seen a table, also irradiated, spread with loaves, fishes (cf. BMSat 10697), and wine. A golden staircase receding in perspective ascends in a curve to the door from the summit of the globe, on which 'Ireland' (the more conspicuous) and 'England' are marked. A procession of petitioners winds up the globe from the lower margin of the design; its leaders have begun to ascend the stairs but have been struck by three mighty blasts of wind. These issue from the mouths of Pitt, Hawkesbury (just below), and Sidmouth (considerably lower) Their profile heads emerge from dark clouds on the extreme left. The blasts have overthrown the leading petitioners: Grenville, in bishop's robes, staggers back with outstretched arms, his crozier and mitre fall, and the Catholic Petition blows from his hands, tattered by the wind, in a stream of 'popish' objects which slants upwards across the design. Immediately behind him, full face, the spectacled Buckingham staggers backward. He is dressed as a monk. In front of the two brothers Moira has fallen on his back on the third stair, kicking wildly, his upright l. leg expressing his characteristic stiff rigidity. He wears a surplice over regimentals and spurred boots, and his sword has broken. He has dropped the halter of the Irish bull on which sits Fox, dressed as a cardinal, the central figure of the design. The bull, snorting flames, rears violently, throwing Fox back into a horizontal position. Round its neck is a tricolour ribbon inscribed 'Order of St Patrick', from which hangs a medal with a profile of 'Buonaparte'; on its head is a bunch of shamrock. Fox is a Papal Legate; he is about to fall, and drops his triple cross to which is attached a tattered tricolour banner, inscribed 'Catholic Emancipa[tion']. His cardinal's hat flies off; from his left hand blows a document with many seals: 'Hierarchical Powers of ye Legate-Cardinal Volpone'. Mrs. Fitzherbert, a Mother Abbess, has fallen headlong from the stairs on to the globe. Her r. hand is on Ireland, resting on an open book: ' . . by the Brighton Abbess System of Education for the benefit of Protestant Children'; her left wrist is on England. Her crozier rests on the globe. Her robes, rent by the fall, display bare posteriors and fat, kicking legs, suggesting the connotation of 'abbess' and bawd, see BMSat 5184, &c. Moira has flung his left arm across her. ..."--British Museum online catalogue
- Description:
- Title etched below image., Four stanzas of verse below image, two on either side of title: "And now St. Peter at heav'n's wicket seems ..., and Sheet trimmed within plate mark on upper and lower edges.
- Publisher:
- Pubd. May 17th, 1805, by H. Humphrey, 27 St. James's Street
- Subject (Name):
- Sidmouth, Henry Addington, Viscount, 1757-1844, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Pitt, William, 1759-1806, Grenville, William Wyndham Grenville, Baron, 1759-1834, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Fox, Charles James, 1749-1806, Grey, Charles Grey, Earl, 1764-1845, Grattan, Henry, 1746-1820, Holland, Henry Richard Vassall, Baron, 1773-1840, Sheridan, Richard Brinsley, 1751-1816, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Erskine, Thomas Erskine, Baron, 1750-1823, Windham, William, 1750-1810, Tierney, George, 1761-1830, William IV, King of Great Britain, 1765-1837, Bedford, John Russell, Duke of, 1766-1839, Carlisle, Frederick Howard, Earl of, 1748-1825, Spencer, George John Spencer, Earl, 1758-1834, Norfolk, Charles Howard, Duke of, 1746-1815, Smith-Stanley, Edward, 1752-1834, Burdett, Francis, 1770-1844, and George III, King of Great Britain, 1738-1820
- Subject (Topic):
- Catholic emancipation and Great Britain
- Found in:
- Lewis Walpole Library > End of the Irish farce of Catholic emancipation [graphic]
- Creator:
- Gillray, James, 1756-1815, printmaker
- Published / Created:
- [20 January 1797]
- Call Number:
- 797.01.20.01+
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "French men-of-war are tossed helplessly by huge waves, which are lashed to fury by blasts from the mouths of (left to right) Pitt, Dundas, Grenville, and Windham, whose heads emerge from clouds. Fox is the (realistic) figure-head of 'Le Révolutionaire' (right) which, with broken masts, is about to founder. He receives the full strength of the blasts from Pitt and Dundas, and looks up despairingly, his head against the tricolour stripes which encircle the mast. Playing-cards float in the water by the ship. On the left 'L'Egalité' is wrecked by a blast from Grenville, which shatters a flag-staff, with a flag inscribed 'Vive . . Egalité'. Behind, a vessel disappears in a whirlpool. In the foreground (left) 'The Revolutionary Jolly Boat' is being swamped under the influence of a blast from Windham; the occupants throw up their hands despairingly: Sheridan, standing in the stern, is still unsubmerged; the others (left to right) are Hall the Foxite apothecary, [So Wright and Evans. He has perhaps more resemblance to Dr. Towers.] Erskine, in wig and gown, M. A. Taylor, and Thelwall, washed overboard, with a paper: 'Thelwall's lectures' (see BMSat 8685). [Wright and Evans put Dr. Lawrence's name between that of Sheridan and Erskine; he is not depicted.]."--British Museum online catalogue
- Alternative Title:
- Destruction of the French Armada
- Description:
- Title etched below image., Another signature etched in bottom right portion of image: Js. Gy. des. et f., Another publication line etched in lower left but mostly obscured within margin of image., Sheet trimmed within plate mark., and Temporary local subject terms: Fleets: French fleet -- Storms: gale.
- Publisher:
- Pubd. Jany 20th, 1797, by H. Humphrey, New Bond Street
- Subject (Name):
- Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Melville, Henry Dundas, Viscount, 1742-1811, Grenville, William Wyndham Grenville, Baron, 1759-1834, Sheridan, Richard Brinsley, 1751-1816, Windham, William, 1750-1810, Taylor, Michael Angelo, 1757-1834, Thelwall, John, 1764-1834, and Erskine, Thomas Erskine, Baron, 1750-1823
- Found in:
- Lewis Walpole Library > End of the Irish invasion, or, The destruction of the French Armada [graphic]
- Creator:
- Cawse, John, 1779-1862, printmaker
- Published / Created:
- Jany 1st, 1800.
- Call Number:
- 800.01.01.03+
- Image Count:
- 1
- Resource Type:
- still image
- Description:
- Title from item., Printmaker from British Museum catalogue., Printseller's announcement following publication statement: where folios of caricatures are lent for the evening., Sheet trimmed within plate mark., and Temporary local subject terms: Buildings: Treasury -- Elections: Westminster election, 1800 -- Literature: allusion to Sheridan's Pizarro -- Lighting: watchman's lantern -- Animals: watchdog -- Thieves -- Bags of money -- Cap of liberty as bonnet rouge.
- Publisher:
- Publishd by S.W. Fores, Piccad
- Subject (Name):
- Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Sheridan, Richard Brinsley, 1751-1816, Melville, Henry Dundas, Viscount, 1742-1811, and Grenville, William Wyndham Grenville, Baron, 1759-1834
- Subject (Topic):
- John Bull (Symbolic character)
- Found in:
- Lewis Walpole Library > John Bulls watchman neglecting his duty!!! [graphic].
- Creator:
- Gillray, James, 1756-1815, printmaker
- Published / Created:
- [9 April 1790]
- Call Number:
- 790.04.09.01+ Impression 1
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "A bull, chained, muzzled, and blindfolded, his horns tipped, but snorting fire, is baited by dogs urged on by Pitt who runs forward (right), holding heavy chains labelled 'New Excise Fetters for John Bull'. Pitt points at the bull, shouting, "At him! at him! Tally-ho, ho, ho." From his pocket hangs a paper inscribed 'New Excises intended upon Cyder, Flour, Hardware, Linnens, Woolens, Coals, Butchers Bakers Cheese-mo[ngers] Fish, Water'. Pitt and his dogs are hurrying from the Treasury, over the gate of which the word Treasury has been scored through by Rose, who stands on a ladder on the extreme right, painting the word 'Excise-Office' in large letters. A rose takes the place of his head; in his left hand is his paint-pot inscribed 'Kings' Yellow'. The bull's legs are chained to a post inscribed 'Excise'; he is snorting "Liberty! Liberty! and no Excise! Huzza!" The dogs have human heads and inscribed collars. The two foremost are 'Billy Grenv[ille]', with a pen behind his ear, and 'Dundas'. The Duke of Richmond ('Ordnance') is on the bull's back, biting his ear. Behind are 'Jenky' (Lord Hawkesbury), 'Sir Pepper' (Arden), 'Sydney, Cam' (Camden), and a dog perhaps intended for Carmarthen. In the foreground, lying on a heap of Tobacco which has fallen from a cask so inscribed (which he befouls), is Thurlow, a dog with the head and wig of Thurlow, his collar inscribed 'Snap Dragon', fiercely gnawing a large bone inscribed 'Opposition' at one end and 'Ministry' at the other, while he glares up at Pitt."--British Museum online catalogue
- Description:
- Title etched below image., Printmaker from British Museum catalogue., Sheet trimmed within plate mark., and Temporary local subject terms: Bull baiting -- Chains -- Muzzles -- Blindfolds -- Treasury building -- Dogs -- Bones -- Barrels -- Ladders -- Allusion to excises -- John Bull (Symboiic character).
- Publisher:
- Pubd. April 9th, 1790, by H. Humphrey, No. 18 Old Bond Street
- Subject (Name):
- Pitt, William, 1759-1806, Grenville, William Wyndham Grenville, Baron, 1759-1834, Melville, Henry Dundas, Viscount, 1742-1811, Richmond, Charles Lennox, 3d Duke of, 1735-1806, Jenkinson, Charles, 1727-1808, Alvanley, Richard Pepper Arden, Baron, 1745-1804, Sydney, Thomas Townshend, Viscount, 1733-1800, Camden, Charles Pratt, Earl, 1714-1794, Thurlow, Edward Thurlow, Baron, 1731-1806, and Rose, George, 1744-1818
- Found in:
- Lewis Walpole Library > John-Bull, baited by the dogs of excise [graphic].
- Creator:
- Gillray, James, 1756-1815, printmaker
- Published / Created:
- [9 March 1797]
- Call Number:
- 797.03.09.01+
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "Pitt, a colossal figure (cf. BMSat 8980), bestrides the Rotunda of the 'Bank of England'. His arms and legs are very thin, but his body is formed of a (transparent) sack distended with gold coins and inscribed '£'. His elbows are akimbo, his hands grasp the sides of the sack; from the little finger of his left hand hangs a key, 'Key of Public Property'. Round the mouth of the sack is a heavy chain clasped by a padlock inscribed 'Power of securing Public Credit'. From the sack emerges the pipe-like neck down which coins are passing. Pitt looks arrogantly to the right, a blast issues from his closed lips of many paper notes inscribed 'one'. Near his mouth are a few gold coins which he is presumably inhaling. He wears a crown formed of 'one' pound notes; through it project his ass's ears. The near side of the Rotunda is removed, showing a descending shower of paper and an ascending cluster of coins which are being drawn upwards to join those in the sack. Little figures in and around the rotunda, under Pitt's legs, hold up their hands in dismay at the shower of £1 notes. Among them is a John Bull wearing a smock. Two men hold papers inscribed 'Dividend'; a Jew walks off (left) with 'Scrip'. On the left, behind Pitt's right foot, is the sea-shore; large reeds at its edge blow towards him; among these are five heads wearing bonnets-rouges, each with a label issuing from his mouth: 'Midas has Ears'. They are Fox, Sheridan, Erskine, M. A. Taylor, and (?) Grey. They diminish in size from Fox to Taylor. Across the sea is 'Brest', from which a fleet is setting out. Behind it are black clouds, and an explosion rises from them in which are swarms of tiny figures holding daggers and wearing bonnets-rouges. This spreads behind Pitt's head who appears unconscious of it. He looks down towards three almost naked winged figures: Grenville (left) and Dundas (right) hold up between them a scroll: 'Prosperous state of British Finances. & the new Plan for diminishing the National Debt - with Hints on the increase of Commerce'. Between and above them is Windham, Secretary-at-War, a pen behind his ear. He waves his cocked hat, Grenville his coronet, and Dundas his Scots cap. Beneath the title: 'History of Midas, - The great Midas having dedicated himself to Bacchus [cf. BMSat 8651], obtained from that Deity, the Power of changing all he Touched - Apollo fixed Asses-Ears upon his head, for his Ignorance - & although he tried to hide his disgrace with a Regal Cap, yet the very Sedges which grew from the Mud of the Pactolus, whisper'd out his Infamy, whenever they were agitated by the Wind from the opposite Shore - Vide Ovid's Metamorposes.'"--British Museum online catalogue
- Alternative Title:
- Midas transmuting all into paper
- Description:
- Title etched below image. 'Gold' in title scored through., Three lines of text below title: History of Midas -- The great Midas having dedicated himself to Bacchus ..., Temporary local subject terms: Money: coins -- Bank notes -- Cupids -- Brest -- French fleet., and Mounted to 46 x 33 cm.
- Publisher:
- Pubd. March 9th, 1797, by H. Humphrey, New Bond Street
- Subject (Name):
- Pitt, William, 1759-1806, Melville, Henry Dundas, Viscount, 1742-1811, Grenville, William Wyndham Grenville, Baron, 1759-1834, Windham, William, 1750-1810, Fox, Charles James, 1749-1806, Sheridan, Richard Brinsley, 1751-1816, Erskine, Thomas Erskine, Baron, 1750-1823, Taylor, Michael Angelo, 1757-1834, Grey, Charles Grey, Earl, 1764-1845, and Bank of England.
- Subject (Topic):
- Midas (Legendary character)
- Found in:
- Lewis Walpole Library > Midas transmuting all into [gold] paper [graphic]
- Creator:
- Gillray, James, 1756-1815, printmaker
- Published / Created:
- [7 November 1796]
- Call Number:
- 796.11.17.01+
- Image Count:
- 1
- Resource Type:
- still image
- Abstract:
- "Pitt (right) stands stiffly in profile to the left, holding open a large sack-like wallet inscribed 'Requisition Budget'. He addresses John Bull, the central figure, a stout yokel, who holds out his breeches in his left hand to Pitt, while he touches his hat. The budget and the breeches pockets are full of guineas. Pitt says: "More Money, John! - more Money! to defend you from the Bloody, the Cannibal French - They're a coming! - why they'll Strip you to the very Skin - more Money. John! - They're a coming - They're a coming." Dundas, Grenville, and Burke kneel on the right, bending towards the 'Budget', each with his left hand in an opening in a vertical seam, eagerly grabbing guineas. Behind them is the stone archway of the 'Treasury', with its high spiked gate. Dundas, the most prominent, wears Highland dress and holds a Scots cap full of coins. Grenville wears a peer's robe; Burke is behind. They echo Pitt: Dundas says "Ay! Ay! They're a coming! They're a coming!" Grenville: "Yes! Yes, They're a coming." Burke: "Ay They're a coming." John says: " - a coming? - are they? - nay then, take all I've got, at once, Measter Billy! - vor its much better for I to ge ye all I have in the World to save my Bacon, - than to stay & be Strip'd stark naked by Charley, & the plundering French Invasioners, as you say". His coat and waistcoat are sound, but the pockets hang inside out, empty. His lank hair, knotted kerchief, and wrinkled gaiters denote the small farmer. Behind (left), on the shore, stands Fox looking across the water towards the fortress of 'Brest' flying a tricolour flag. He hails it with upraised arms, shouting: "What! more Money ? - O the Aristocrat Plunderer! - Vite Citoyens! - vite! - vite! depechez vous! - or we shall be too late to come inn for any Snacks of the I'argant! - vite Citoyens! vite! vite!""--British Museum online catalogue
- Alternative Title:
- John Bull giving his breeches to save his bacon
- Description:
- Title etched below image., Sheet trimmed to plate mark on left and bottom edges., and Temporary local subject terms: Yokels -- Money: guineas -- Treasury -- Male dress: Highland dress -- Budgets: Pitt's speech, Dec. 7, 1796
- Publisher:
- Pubd. Novr. 7th, 1796, by H. Humphrey, New Bond Street
- Subject (Name):
- Fox, Charles James, 1749-1806, Pitt, William, 1759-1806, Melville, Henry Dundas, Viscount, 1742-1811, Grenville, William Wyndham Grenville, Baron, 1759-1834, and Burke, Edmund, 1729-1797
- Subject (Topic):
- John Bull (Symbolic character)
- Found in:
- Lewis Walpole Library > Opening of the budget, or, John Bull giving his breeches to save his bacon [graphic]