"Portrait of Sir Samuel Hood, half-length, slightly turned to the right, one hand on his hip, dressed in gold-laced naval uniform with epaulettes upon his shoulders, the star of an order upon his breast and a medal hanging from a thick ribbon about his neck, a sash across his breast, a black stock about his neck."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Window mounted to 51 x 36 cm., and Mounted opposite page 623 (leaf numbered '60' in pencil) in volume 4 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Published May 10, 1813, by T. Cadell & W. Davies, Strand, London
Full-length portrait of a soldier, in profile to the left, a rifle with bayonet resting against his left shoulder
Description:
Title from inscription below image., Unsigned; attributed to Rowlandson., and Probably a study drawing for one of the plates from Loyal Volunteers of London & environs ..., published by R. Ackermann in 1799. For a similar study by Rowlandson for the same publication, see British Museum online catalogue, registration no.: 1871,0812.1666.
"Kemble (scarcely caricatured), as Rolla (the noble Peruvian), stands with his left hand pointing upwards, his right arm thrown back, his head in profile to the right. He wears quasi-classical dress, with barbarian adornments, feathered head-dress, heavy gold belt, and ornaments. The costume appears substantially correct, with some exaggeration of the gold chains and ornaments."--British Museum online catalogue
Description:
Title etched below image., Leaf 26 in an album with the spine title: Characatures by Dighton., and Figure identified as "Kemble" in pencil below plate mark.
Publisher:
Robert Dighton
Subject (Name):
Sheridan, Richard Brinsley, 1751-1816. and Kemble, John Philip, 1757-1823
Picart, Charles, approximately 1780-approximately 1837, printmaker
Published / Created:
[24 January 1810]
Call Number:
Folio 53 Sh52 M78
Image Count:
1
Resource Type:
still image
Abstract:
"Portrait of William Eden, 1st Baron Auckland, half-length, seated to left, looking towards the viewer, wearing coat, waistcoat with standing collar, and frill."--British Museum online catalogue and Bust portrait of Lord Auckland, turned slightly left, facing front, one eyebrow raised, wearing dark jacket and light ruffled shirt
Description:
Title etched below image., Plate from: The British Gallery of contemporary portraits. London : Printed for T. Cadell and W. Davies ... by J. M'Creery ..., 1813-1822., and Bound in before page 279 (leaf numbered '99' in pencil) in volume 2 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Published Jan. 24, 1810, by T. Cadell & W. Davies, Strand, London
Subject (Geographic):
Great Britain. and Great Britain
Subject (Name):
Auckland, William Eden, Baron, 1744-1814, and Auckland, William Eden, Baron, 1744-1814.
Page 289. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
"Satire; an ugly old woman dressed in richly decorated black clothes, leering at a macaroni wearing a wig with an enormous looped queue, one hand on his shoulder while he lays one hand on his breast and smiles admiringly at her; a black page standing behind the old woman and a couple smiling at them as they pass by, in the background to right."--British Museum online catalogue, description of a later state
Alternative Title:
Pshaw, theres no trusting you macaronies
Description:
Title from later state., Additional title from note below image, written in pencil and brown ink: Pshaw, theres no trusting you macaronies., Printmaker from statement of responsibility on later state: Wilson delt. & fecit., Early state, with scratched-letter publication statement only. For a later state with the title "A real-scene on the parade at Bath" and other lettering in lower margin, see British Museum online catalogue, registration no.: 2010,7081.363., Publisher from imprint on later state: London, Publish'd March 21st, 1772, by J. Parker, No. 82, Cornhill., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum., Temporary local subject terms: Macaronies -- Female costume, 1772 -- Male headdresses., Folded to 30.6 x 24.5 cm; mounted to 32 x 26 cm., and Mounted on page 289 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Publisher:
Henry Parker
Subject (Geographic):
Bath (England),
Subject (Topic):
Blacks, Dandies, British, Wigs, Older people, Courtship, Couples, and Servants
Title from dealer's description., Unsigned; attributed to Rowlandson., and Inscribed on verso: Names of the Ships taken by Lord Howe on 1st of June 1794, and brought into Portsmouth Harbour; Sans Pareille 84 Guns, L'America 74, Limpetue 84, Northumberland 84, Achille 76, La Vengeur 74.
Subject (Geographic):
Portsmouth (England)
Subject (Name):
Howe, Richard Howe, Earl, 1726-1799.
Subject (Topic):
First of June, Battle of the, 1794, Harbors, Warships, British, French, Crowds, Cannons, Carriages & coaches, Peg legs, and Victories
"Portrait of George Morland; half length, to the left, holding drawing of woman, head turned to look at viewer; after Muller; illustration to Cunningham's 'Lives of the Painters' (London: 1830)."--British Museum online catalogue, description of published state
Description:
Title from published state., Artist and printmaker from statements of responsibility on published state: Robt. Muller ; W.C. Edwards., Proof before letters. For the published state with the imprint "London, Published by John Murray, Albemarle St., 1830," see British Museum online catalogue, registration no.: 1927,1126.1.30.58., Proof state of a plate from: Cunningham, A. The lives of the most eminent British painters, sculptors, and architects. London : J. Murray, 1830-39 (v. 2, opposite page 222)., Window mounted to 51 x 36 cm., and Mounted before page 687 (leaf numbered '130' in pencil) in volume 4 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
"Portrait standing three-quarter length with his right hand inside his coat, holding papers in his left hand, head turned in three-quarter profile to left; wearing dark suit, white cravat and his hair short, with long sideburns; pillar behind at left."--British Museum online catalogue, description of a later state
Alternative Title:
Right Honble. G. Canning, M.P. and Right Honourable George Canning, M.P.
Description:
Title devised by cataloger; alternative title from lettered state., Artist and printmaker from statements of responsibility on lettered state: Painted by T. Stewardson Esqr., portrait painter to H.R.H. the Princess of Wales ; engrav'd by William Ward, engraver to their R.H. the Prince Regent & Duke of York., Proof before letters. For the lettered state with the title "The Right Honble. G. Canning, M.P.", see British Museum online catalogue, registration no.: 1902,1011.6204., Publication information inferred from imprint on lettered state: Publishd. Novr. 1, 1813, by Wm. Ward, 24 Buckingham Place, Fitzroy Square., Sheet trimmed within plate mark on two sides., Bound in opposite page 550 (leaf numbered '138' in pencil) in volume 3 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan., and Manuscript title "George Canning" in ink below image.
Plate 1. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A self-portrait of Hogarth painting Thalia, the Comic Muse holding a satyr's mask in her left hand and a book in her right hand. On the pillar to her left is engraved the words "Comedy 1764." Hogarth is seated in a chair leaning forward toward the easel, looking to right, wearing an indoor cap and a loose coat; he holds a palette, brushes and palette knife, a pot of oil on the floor beside the chair. A volume of prints and a burin can be seen in a niche in the wall behind the easel. Leaning against the leg of the easel is a copy of "Analysis of Beauty", the accompanying print protruding from its pages
Alternative Title:
William Hogarth 1764
Description:
Title, state, publisher, and date from Paulson., After the painting in the National Portrait Gallery, London., 1 print : etching and engraving on laid paper ; plate mark 40.3 x 35 cm, on sheet 57 x 42.7 cm., Mounted on leaf 59 x 46 cm., and Plate 1 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Name):
Hogarth, William, 1697-1764,
Subject (Topic):
Painting, Muses (Greek deities) in art, Artists, and British
Plate 1. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
A self-portrait of Hogarth painting Thalia, the Comic Muse holding a satyr's mask in her left hand and a book in her right hand. On the pillar to her left is engraved the words "Comedy 1764." Hogarth is seated in a chair leaning forward toward the easel, looking to right, wearing an indoor cap and a loose coat; he holds a palette, brushes and palette knife, a pot of oil on the floor beside the chair. A volume of prints and a burin can be seen in a niche in the wall behind the easel. Leaning against the leg of the easel is a copy of "Analysis of Beauty", the accompanying print protruding from its pages
Alternative Title:
William Hogarth 1764
Description:
Title, state, publisher, and date from Paulson., After the painting in the National Portrait Gallery, London., 1 print : etching and engraving on laid paper ; plate mark 40.3 x 35 cm, on sheet 57 x 42.7 cm., Mounted on leaf 59 x 46 cm., and Plate 1 in the album: Queen Charlotte's collection of Hogarth works.
Publisher:
Wm. Hogarth
Subject (Name):
Hogarth, William, 1697-1764,
Subject (Topic):
Painting, Muses (Greek deities) in art, Artists, and British