A confrontation in a bedchamber between a black woman in a nightgown in bed by four men. One man holds a candle. The woman is slapping the one man to her right on the cheek while another pulls him away. A fourth man is pointing towards her shoulder
Alternative Title:
Discovery
Description:
Title etched below image., Printmaker, publisher and date from Paulson., See Catalogue of prints and drawings in the British Museum. Division I, political and personal, v. 3, no. 2600., Ms. note in Steevens's hand: Original., Ms. note above in pencil: See Mr. Nichol's Book, 3rd ed. p. 442. Given me by the Right Honourable William Windham., Ms. note below in pencil: Sold for £7.7.0., and On page 7 in volume 1. Sheet trimmed to: 17.3 x 19.5 mm.
A confrontation in a bedchamber between a black woman in a nightgown in bed by four men. One man holds a candle. The woman is slapping the one man to her right on the cheek while another pulls him away. A fourth man is pointing towards her shoulder
Alternative Title:
Discovery
Description:
Title etched below image., Printmaker, publisher and date from Paulson., See Catalogue of prints and drawings in the British Museum. Division I, political and personal, v. 3, no. 2600., 'Hogarth' written in ink below title., and Mounted to 24.7 x 36.5 cm.
"Satire on John Rich and his new theatre in Covent Garden with a procession moving from left to right across the east end of the market square and entering the colonnade leading to the theatre. John Gay is carried on a porter's back preceded by a crowd, one of whom cries "Gay for ever". He is followed by Rich, as Harlequin, driving an open carriage drawn by six satyrs, with Columbine and a spotted dog (a disguise adopted by Rich as Harlequin in "Perseus and Andromeda", 1730). Two authors bow obsequiously to Rich, another wheels a barrow of plays towards the theatre, bootblacks also bow, but in the lower right-hand corner, Alexander Pope defecates on sheets from the Beggar's Opera (the great triumph of Rich and Gay). Actors in costume, some identified in the verses below, follow the carriage, and a cart containing properties including "A Box of Thunder and Lightening", brings up the rear. Beyond the main procession is a large crowd of admirers and a closed carriage; St Paul's church in the background is clearly identifiable."--British Museum online catalogue
Alternative Title:
His triumphant entry into Covent-Garden
Description:
Title etched above image., Signed twice: once in the shadowing lower left of design (illegible) and again above first stanza., Formerly attributed to Hogarth. See Paulson., First recorded as having been published in 1811 by Robert Wilkinson. See British Museum online catalogue., "Price 6d."--Lower right., Three columns of ten lines each etched below image: Not with more glory through the streets of Rome ... For such a day he sees not ev'ry year., In Steevens's hand in pencil above the print: A pretended Hogarth which nevertheless has sold for £4.4.0. See Nicholss book, 3d edit. p. 161., and On page 54 in volume 1.
Publisher:
publisher not identified
Subject (Geographic):
Covent Garden (London, England)
Subject (Name):
St. Paul's Church (Covent Garden, London, England),, Gay, John, 1685-1732,, Hall, John, active 1734,, Quin, James, 1693-1766,, Pope, Alexander, 1688-1744,, Rich, John, 1692-1761,, Ryan, Lacy, 1694?-1760,, and Walker, Thomas, 1698-1744,
Sancho sits beside his physician Pedro Rezzio who stays his hand that is posed with a fork full of meat. Two platters have already been placed on the table, and two more (one with a rabbit and the other with clams) are brought to the table by two young servant boys. On the left a group of three ladies stand behind Sancho's chair, one pointing to him. Behind the physician on the right a larger group of men, one woman, and a black man laugh at the scene around the table. In the upper right on a balcony, three musicians play for the guests below. From the lower right, a dog looks at a platter of food
Alternative Title:
Sancho at the magnificent feast prepared for him at his government of Barataria and Sancho's feast
Description:
Title from caption below image., Statement of responsibility in lower right, following imprint., State from Paulson., Title continues: " ... Pedro Rezzio his phisician [sic], out of great care for his health ordering every dish from the table before the governour tasts it.", Sheet trimmed within plate mark, On page 85 in volume 1. Mounted on sheet: 29.2 x 29.9 cm., and MS pencil note in Steevens hand above print: See Nichols's Book, 3d edit. p. 248.
Publisher:
Printed for H. Overton & J. Hoole at the White Horse without Newgate
Sancho sits beside his physician Pedro Rezzio who stays his hand that is posed with a fork full of meat. Two platters have already been placed on the table, and two more (one with a rabbit and the other with clams) are brought to the table by two young servant boys. On the left a group of three ladies stand behind Sancho's chair, one pointing to him. Behind the physician on the right a larger group of men, one woman, and a black man laugh at the scene around the table. In the upper right on a balcony, three musicians play for the guests below. From the lower right, a dog looks at a platter of food
Alternative Title:
Sancho at the magnificent feast prepared for him at his government of Barataria and Sancho's feast
Description:
Title from caption below image., Also signed lower right, following imprint: W. Hogarth inv. et sculpsit., State from Paulson., "Price 1s."--Upper right corner., Title continues: " ... Pedro Rezzio his phisician [sic], out of great care for his health ordering every dish from the table before the governour tasts it.", and Sheet trimmed within plate mark; signature on lower right faint.
Publisher:
Printed for H. Overton & J. Hoole at the White Horse without Newgate
published according to act of Parliament, Feb. 1, 1751.
Call Number:
Folio 75 H67 800 v.2 (Oversize)
Collection Title:
Plate 77. Queen Charlotte's collection of Hogarth works. Leaf 53. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
In the street outside the Thavies Inn, Holborn, the coach driver Tom Nero beats the horse that has collapsed under the weight of the overturned coach, having been overloaded with four lawyers who try to scramble out the door. To the right in the foreground, another man beats to death a sheep. Behind him in the mid-distance a sleeping drayman runs over a small boy with his cart loaded with barrels. To the left a driver uses a pitchfork to prod a donkey burdened with two men, a barrel, and a large trunk on its back. In the distance, a crowd of men follow a bull being baited by a dog. On the side of the building on the left, broadsides advertise a cock-fight and a boxing bout between James Field and George Taylor at Broughton's Amphitheatre
Description:
Title engraved above image., State from Paulson., Second plate in a series of four: The four stages of cruelty., "Price 1d"--Below design, lower right edge., and On page 155 in volume 2. Sheet trimmed within plate mark to: 37.4 x 30.5 cm.
published according to act of Parliament, Feb. 1, 1751.
Call Number:
Sotheby 70++ Box 315
Collection Title:
Plate 77. Queen Charlotte's collection of Hogarth works. Leaf 53. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
In the street outside the Thavies Inn, Holborn, the coach driver Tom Nero beats the horse that has collapsed under the weight of the overturned coach, having been overloaded with four lawyers who try to scramble out the door. To the right in the foreground, another man beats to death a sheep. Behind him in the mid-distance a sleeping drayman runs over a small boy with his cart loaded with barrels. To the left a driver uses a pitchfork to prod a donkey burdened with two men, a barrel, and a large trunk on its back. In the distance, a crowd of men follow a bull being baited by a dog. On the side of the building on the left, broadsides advertise a cock-fight and a boxing bout between James Field and George Taylor at Broughton's Amphitheatre
Description:
Title engraved above image., State from Paulson., Second plate in a series of four: The four stages of cruelty., and "Price 1d"--Below design, lower right edge.
published according to act of Parliament, Feb. 1, 1751.
Call Number:
Kinnaird 53K(b) Box 215
Collection Title:
Plate 77. Queen Charlotte's collection of Hogarth works. Leaf 53. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
In the street outside the Thavies Inn, Holborn, the coach driver Tom Nero beats the horse that has collapsed under the weight of the overturned coach, having been overloaded with four lawyers who try to scramble out the door. To the right in the foreground, another man beats to death a sheep. Behind him in the mid-distance a sleeping drayman runs over a small boy with his cart loaded with barrels. To the left a driver uses a pitchfork to prod a donkey burdened with two men, a barrel, and a large trunk on its back. In the distance, a crowd of men follow a bull being baited by a dog. On the side of the building on the left, broadsides advertise a cock-fight and a boxing bout between James Field and George Taylor at Broughton's Amphitheatre
Description:
Title engraved above image., State from Paulson., Second plate in a series of four: The four stages of cruelty., "Price 1d"--Below design, lower right edge., 1 print : etching with engraving on laid paper ; sheet 38.3 x 32 cm., and Sheet trimmed within plate mark. Imperfect; price erased from sheet.
published according to act of Parliament, Feb. 1, 1751 [that is, between 1790 and 1835]
Call Number:
Print20073
Image Count:
1
Resource Type:
still image
Abstract:
In the street outside the Thavies Inn, Holborn, the coach driver Tom Nero beats the horse that has collapsed under the weight of the overturned coach, having been overloaded with four lawyers who try to scramble out the door. To the right in the foreground, another man beats a sheep to death. Behind him in the mid-distance a sleeping drayman runs over a small boy with his cart loaded with barrels. To the left a driver uses a pitchfork to prod a donkey burdened with two men, a barrel, and a large trunk on its back. In the distance, a crowd of men follow a bull being baited by a dog. On the side of the building on the left, broadsides advertise a cock-fight and a boxing bout between James Field and George Taylor at Broughton's Amphitheatre
Description:
Title engraved above image., State from Paulson., Second state, with price mostly burnished from plate. This state of the plate was first issued in The original works of William Hogarth (London : Sold by John and Josiah Boydell, 1790). It was reissued, with some lines strengthened by the engraver James Heath, in The works of William Hogarth (London : Printed for Baldwin, Cradock, and Joy ..., 1822); another edition was published by Baldwin & Cradock in 1835. See Paulson., Second in a series of four: The four stages of cruelty., and Temporary local Medical Library subject terms: Prevention of cruelty to animals.
Publisher:
publisher not identified
Subject (Name):
Field, James, -1715. and Taylor, George, boxer.
Subject (Topic):
Bullfighting, Carts & wagons, Carriages & coaches, Donkeys, Dogs, Rake's progress, Punishment & torture, Signs (Notices), Sheep, Accidents, and Children