"Two designs. [1] Scene outside the Queen's house (left) in Portman Street. Four men in court-dress hurry across the street from the door assailed by the mob. In front is Wilberforce (right) holding a 'Petition to the Queen'; he exclaims "Oh! Dear! Saints never were so served before." From the other three (Stuart-Wortley, Bankes, and Sir T. Acland) ascend the words "These are aw-full times as the Scot's man said" [ ? the 'Scotsman', a conspicuously Queenite paper]. In the foreground (left) a man, saying "There he goes Dr Cantwell," and a boy spit copiously at them. The crowd: "Hiss! hiss"; "No Cantwell"; "out out"; "Spit on 'em." Brougham stands in the doorway; Denman behind him; he says "What quantities of rabbid saline!!" The Queen stands on a balcony, the base of which is 'a Good Foundation--(ie) Innocence--'. She says "No Tricks, you faithful representitaves [sic] of the people." [2] A corner of the House of Commons with the Speaker (Manners-Sutton) in the Chair (right), calling "Order! Order!" Beside the table and on the Speaker's right a member stands shouting "Privilege! Privilege." Behind is a group of members, freely sketched. One man looks down from the gallery."--British Museum catalogue
Description:
Title etched below image., Printmaker from the British Museum catalogue., Sheet trimmed within plate mark., and Mounted on page 30 of: George Humphrey shop album.
Publisher:
Pubd. July 3d, 1820, by W. Benbow, St. Clements Church Yard, Strand
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wilberforce, William, 1759-1833, Wharncliffe, James Archibald Stuart-Wortley, Baron, 1776-1845, Bankes, Henry, 1757-1834, Acland, Thomas Dyke, Sir, 1787-1871, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Denman, Thomas Denman, Baron, 1779-1854, and Canterbury, Charles Manners-Sutton, Viscount, 1780-1845
Subject (Topic):
Politicians, Crowds, Balconies, and Legislative bodies
"Satire: a balance with George IV and his ministers with green bags on one pan being outweighed by Queen Caroline alone on the other, with John Bull cheering in the centre and soldiers toasting her at the right."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on page 34 of: George Humphrey shop album.
Publisher:
Pubd. June 1820 by Benbow, St. Clements Church Yard, Strand
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, and Wood, Matthew, Sir, 1768-1843.
Subject (Topic):
John Bull (Symbolic character), Politicians, Scales, Bags, Soldiers, and Toasting
"The House of Lords, as arranged for the Bill of Pains and Penalties, see British Museum Satires No. 13825, is seen from the right, so that the angle of the left and end walls form the centre of the design, the throne being on the right. The peers are crowded together to watch the entry of the Queen, complacently seated on a black ram with the head of Bergami; the animal wears two orders, and from its neck hangs a disc inscribed 'Santa Carolina', see British Museum Satires No. 13810. Immediately behind her walks Alderman Wood, wearing his furred gown and holding a decanter. Behind him, and in the foreground, marches Brougham, followed by Denman and Lushington. Her other followers hold long staves. A plebeian fellow in a red gown just behind the barristers may be Fellowes, her chaplain. A woman and a fashionably dressed man walking together are probably Lady Anne Hamilton and Keppel Craven, the Queen's Vice-Chancellor. From the crowd of her supporters emerges a pole supporting a cap of Liberty, and a placard: 'May our Wives be like Her' (which is against pictures of the allegations of the 'trial', see below). In the foreground (left) a ragged Savoyard sings, turning the handle of an orgue de barbarie slung from his neck. On the woolsack, in front of the peers, sits Eldon, saying "Go and Sin no more" (words quoted by Denman in his speech for the defence). On his right stands Grey, hands crossed on his breast, bowing towards the ram. Behind the Chancellor stands a peer, saying, "Innocent as our Wives." On Eldon's left stands a tall man, wearing the ribbon of St. Patrick. On the end of a bench in the right foreground sits a peer who has some resemblance to Liverpool. Behind him stands a man resembling Lord Holland. Among a crowd on the steps of the throne is Wellington. From closely seated peers (left) rises the word 'Guiltless'. In the right foreground, and screening himself by a cloth, a crouching incendiary, resembling Cobbett, holds a torch to a pile of papers. These are Addresses, with, at the base, 'Gunpowder Treason'. The other inscriptions are 'London Address', 'Leeds Address', 'Manchester Address'. The gallery (left) is crowded with spectators; against it and above the heads of those on the floor of the House is a medley of canvasses, supported on poles; on these incidents from the evidence against the Queen are depicted. [1] A Turk, Mahomet, dances (see British Museum Satires No. 13929). [2] The Princess and Bergami sit amorously together. [3] Bergami helps the Princess to dress as the Muse of History (see British Museum Satires No. 13890, &c.). [4] Bergami bathes the Princess (see British Museum Satires No. 13819, &c.). [5] Bergami and the Princess in a carriage (see British Museum Satires No. 13820). [6] The pair look from the tent on the polacca at a helmsman (see British Museum Satires No. 13818, &c.). [7] They inspect statues of Adam and Eve in a grotto ('Parl. Deb.', N.S. ii. 1094). [8] They sit together on the deck of the polacca ('ibid.', pp. 895, 920). [9] Seated under a canopy they are rowed on Lake Como. [10] The Princess dances a pas seul. Enclosed in an oval below the title are the Queen's words: "Here I am Riding on a Black Ram Like a w-e as I am, . . . Therefore I pray you Mr Steward let me have my C-n again." (By the custom of certain manors a widow who, through unchastity, had lost her freebench, or life interest in her husband's copyhold, could recover it by coming into the court on a ram, and reciting the above words ('crown' replacing the 'land' of the original), given in full in 'The Spectator' for 1 Nov. 1714.) The oval is flanked by the 'Savoyards Song' (? by T. Hook). Seven of ten verses (in the peep-show man's patter): '1. Who be dat de Ram do sit on ? Tis C- purest Q- of Briton. Who loves a Ram & Fleece to sit on. Doodle Johnny Calf.... 5. Who talk of 'Self' in dat Green Ribbon ? Oh! dat be de Man who put a Cap on To marry his W- & lives on Pension. O Vanity, Ingratitude. 6. And who in Grey do bow so civil? Oh! dat be de Great Bow Wow of de Kennel A Whig & half & half a Radical. Doodle Johnny Calf. 7. What Parson he, dat quote de Scripture To prove a W-e to be no impure? Oh! dat be de Protestant Sinecure. Doodle [&c.] 8. And who be dose Bravadoes dere, Who bawl out 'Guiltless' with great Stare? Oh! dey be de Cuckolds among de Peer, Doodle [&c.] 9. But pray, who in de chair do sit-a? Tis honest John di Cancellaria Who wants no Place, but Place to quit-a Ungrateful Johnny Calf. 10. So Sirs, we have shewn you all dose Patrons Who strip from our Eves their Fig Leaf Aprons And damn de characters of English Matrons Be wise in Time John Calf.'"--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Month and year of publication separated within imprint; the month "Decr." precedes publisher's statement "Published by G. Humphrey, 27 St. James's St.", and the year "1820" follows this statement., and Mounted on page 32 of: George Humphrey shop album.
Publisher:
Published by G. Humphrey, 27 St. James's St.
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, Wood, Matthew, Sir, 1768-1843, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Denman, Thomas Denman, Baron, 1779-1854, Lushington, Stephen, 1782-1873, Fellowes, Robert, 1771-1847, Hamilton, Anne, Lady, 1766-1846, Craven, Keppel Richard, 1779-1851, Grey, Charles Grey, Earl, 1764-1845, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Wellington, Arthur Wellesley, Duke of, 1769-1852, Cobbett, William, 1763-1835, and Holland, Henry Richard Vassall, Baron, 1773-1840
Subject (Topic):
Politicians, Legislative bodies, Interiors, Thrones, Sheep, Wine, Clergy, Crowds, Liberty cap, Organ grinders, Bowing, Torches, and Spectators
George IV is shown as a grotesque sea monster, for which the following description is given below image: "He is of immence size, his head and face bear the appearance of a man, he has the neck of a bull, the body of a huge sea hog, the legs of an elephant, and the tail of a porpoise." The beast lies helpless on the shore facing right, emitting a plume from his mouth containing the words "debauchery", "trifling", "vice", "folly", etc. Queen Caroline's defense lawyers reign in the animal, Brougham on the left wielding a broom and Denman on the right holding a chain attached to the beast's collar. Broom exclaims: "At length I see thee! They death warrant's signed." Below him is written "The mighty Broom of Destruction", and a bundle labeled "more broom sticks" sits beside him. Denman stands at the mouth of a cave marked "A DEN", holding a club labeled "The Queens cause" and saying: "That blow from Broom will end thee." Below him is written "The intrepid Den-Man". Frogs, salamandars, snails, and other aquatic creatures enter the water at the feet of both men. Offshore a vessel, with the figurehead of Queen Caroline and flying a banner bearing her name, shoots and injures the monster, streams of blood with words such as "corruption", "bribery", and "perjury & ingratitude" flowing out of the wounds. In the water on either side of the ship, figures thrash about as they try to escape the scene. One in the group of men (politicians?) on the left says "Non mi Ricordo" as he struggles to stay afloat. Among the three men and one woman on the right is the Duke of Wellington, a member of the clergy, and another lawyer
Alternative Title:
Abyssinian monster, or, The invisible being drawn from his den and Invisible being drawn from his den
Description:
Title etched at top of image., Date of publication from The National Archives' online catalogue, reference: TS 11/115/326/74., Sheet trimmed within plate mark., Text at bottom of image: May the prow of innocence ever cut the foul waves of malice. J. Bull Esqr., Four lines of text below image, beginning: It having long been a desideratum with men of research to discover the souce of the Nile, we have much pleasure laying it before them ..., For a brief mention of this print, see: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10, page li., and Mounted on page 15 of: George Humphrey shop album.
Publisher:
Published by J. Dawson, Camden Town
Subject (Geographic):
England.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Denman, Thomas Denman, Baron, 1779-1854, and Wellington, Arthur Wellesley, Duke of, 1769-1852
Subject (Topic):
John Bull (Symbolic character), Politicians, Sea monsters, Lawyers, Ships, Brooms, Caves, Frogs, and Clergy
"On the left is a pleasant old-fashioned tavern, 'The Kings Head', with a half length portrait of George IV in crown and robes. Ministers are seen within the open window, Castlereagh's profile on the left. A sturdy John Bull in top-boots stands outside, watching with distaste a disorderly and drunken rabble crowding round the door and (broken) window of the opposite house, the sign 'Mother Red Cap', a half length portrait of Queen Caroline, raddled and disreputable, a tricolour cockade in her conical hat. From the end of the beam supporting the sign hangs a pear (emblem of Bergami, see British Museum Satires No. 13869). The house (right) is a ruinous timber structure, shored up by beams. The crowd have a banner of a woman's shift inscribed 'Un Sun'd Snow NB "The Times" Taken in Here.' A man plays drum and pan-pipes. One man empties a bottle of spirits inscribed 'Queens Mixture' down the throat of a drunken fellow lying on his back. A fat man has a tankard of 'Qu[een's] Entire'. The two inns are respectively placarded 'The Original Brunswick House of Call for Loyalists--Pure Wine--Good Spirits --Sound Ale'; and 'The Brunswick Radical House of Call Italian Wines Bergamy Perry [cf. British Museum Satires No. 13869] No Adulteration! NB Good accomodation for all sorts of Cattle. Whitbread's Entire [cf. British Museum Satires No. 10414]--Small Beer.' In the background is a church tower among trees."--British Museum online catalogue, descr
Alternative Title:
Mother Red Cap public house, in oppsition to the Kings Head and Mother Red Cap public house, in opposition to the Kings Head
Description:
Title etched above image., State from British Museum catalogue. For an earlier state published 11 November 1820 as a plate to The Loyalist's magazine, see no. 13975 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Sheet trimmed within plate mark., and Mounted on page 44 of: George Humphrey shop album.
Publisher:
Pub. by G. Humphrey, 27 St. James's St.
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Castlereagh, Robert Stewart, Viscount, 1769-1822, Bergami, Bartolomeo Bergami, Baron., and Whitbread, Samuel, 1764-1815.
Subject (Topic):
Politicians, Taverns (Inns), Crowns, Robes, Crowds, Intoxication, Alcoholic beverages, Pears, Banners, Street musicians, and Churches
"Heading to a printed broadside. Four Ministers, summoned by the King, sit at a table bending over a crown broken into two pieces. Sidmouth (right), tilting forward his seat, which is a commode, holds his clyster-pipe; in his pocket is a bottle labelled 'Strong Mixture'. He says: "There seems to have been a flaw in it for some years it only required a slight tap to do all the mischief." Liverpool, next him, says: "Some Foreign Cement or a decoction of steel lozenges [see British Museum Satires No. 13513] properly applied may stick them together for the present, but I'm afraid it won't last long, the parts seem of opposite compositions." Castlereagh says, with a sinister smile: "By the Ghost of my Father I will hold it together by a Tringular [sic] Proceeding. & whip it all round" [see British Museum Satires No. 14135]. Wellington, dressed as a field-marshal, and wearing cavalry boots with huge spurs, sits in a chair decorated with military emblems; he says: "Steel filings and leaded paste is the only Composition to be depended on." At his feet are bayonets and cannon-balls, with (left) a cannon, and a huge ball inscribed 'Bolus'. Behind Sidmouth stands George IV (right) in consultation with Eldon; he weeps, holding his handkerchief to his eye, and says, pointing to his Ministers: "Cant Sid my Tool and L--r--pl, Some how contrive to mend it." Eldon, in Chancellor's wig and gown, holds the lower end of the mace against his chin with a puzzled scowl. He answers: "Dash my Wig if I know what to do! my head's in Chancery." Beside him are two 'Old Green Bags done with' [see British Museum Satires Nos. 13735, 13986]. At the King's feet is a paper: 'Straight Jacket'. By Sidmouth's chair are papers: 'A Blister for the Radicals if they Kick up a Row'; 'A Gagging Bandage', with a pot of 'Poison for the Q . . .' [cf. British Museum Satires No. 13868]. Also the words 'Filth', 'Dirt'. On the extreme left, John Bull, a stout and formidable 'cit', is seated on a bale inscribed 'Knowledge is Power' [see British Museum Satires No. 14005]. One hand is on his hip, the other on a bludgeon of 'English Oak'. He says, frowning at the Ministers: "I think the following prescription would be the best Cement, a handful of reformation; a large portion of the abolition of Sinicures [sic], a ladle full of the reduction of Taxes, with a plentiful solution of the Oil of Just Claims, and attention to the wants of an industrious part of the Community, would more safely ensure a permanent union with the separate pieces than all the cement or steel lozengers [sic] in the world." The Queen looks in through a small window, Wood looking over her shoulder; they watch the proceedings, tense and indignant. Above the King's head is a shelf of 'Chinese Toys from Hot Creek': a little pagoda flanked by figures of (left) a fat lady and a thin man (the Conynghams) and (right) a squatting obese man (the King). The last two of seven verses (of a 'New Version'): "She claims a share "To all (I swear!) "That I possess;--but mind her "Good C--tl--gh, "Look sharp--d'y' see "There's Radicals behind her. "A stronger pill "'S required still "Than G--ff--d's famous lotion; "Your brains well shake, "The corners rake, To give the jade a motion."--British Museum online catalogue
Alternative Title:
Disasters of a green-bag chief!!!
Description:
Title from letterpress text below image., Printmaker and date of publication from the British Museum catalogue., Sheet trimmed within plate mark on three sides., and Mounted on page 38 of: George Humphrey shop album.
Publisher:
publisher not identified
Subject (Geographic):
England.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Eldon, John Scott, Earl of, 1751-1838, Wellington, Arthur Wellesley, Duke of, 1769-1852, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Wood, Matthew, Sir, 1768-1843, Conyngham, Elizabeth Conyngham, Marchioness, -1861., and Conyngham, Henry, Marquess, 1766-1832.
Subject (Topic):
John Bull (Symbolic character), Politicians, Tables, Crowns, Medical equipment & supplies, Bayonets, Cannons, Cannon balls, Crying, Ceremonial maces, Bags, and Windows
"Caricature broadside with a satire of two men bowing to present a petition to Queen Caroline above three columns of letterpress."--British Museum online catalog
Description:
Title from letterpress text below image., Date of publication from the British Museum online catalogue., Imperfect; sheet trimmed with loss of imprint statement and price from bottom edge. Missing text supplied from impression in the British Museum, registration no.: 1975,0118.29., "Price one shilling"--Following imprint statement., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on page 42 of: George Humphrey shop album.
Publisher:
Printed and Published by S.W. Fores, 41 Piccadilly
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830., Castlereagh, Robert Stewart, Viscount, 1769-1822, and Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828
"A hand, 'Manus Populi', extends into the design from the upper margin, holding a chain from which hangs a pair of scales. On one (right), close to the ground, sits the Queen, hands crossed on her breast, saying: "My innocence will support me & my Country will protect me-- 10 Great Men against one unprotected Woman are fearful odds." The other scale, high in the air, is completely filled by a green bag, see British Museum Satires No. 13735, from the mouth of which emerges the head of George IV, crowned. Attached to the beam, by a rope round his neck, hangs a military officer, holding a huge key; as a makeweight he dangles vainly against the left side of the King's bag. Three men standing below pull at the scale, trying to drag it down: they are Sidmouth (left), a judge in back view (? Leach), and Castlereagh (right), who says: "We cannot do it, and I told you so at first, & if she opens her bag we shall be stifled all of us." The King looks down at them with a distressed expression, saying: "Pull you lubbers.""--British Museum online catalogue
Alternative Title:
Green bag, its contents and all its appendages are insufficient to turn the scale of public opinion
Description:
Title etched below image., Date precedes publisher's statement in imprint., and Sheet trimmed to plate mark.
Publisher:
Pubd. by S.W. Fores, 41 Piccadilly
Subject (Geographic):
England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, and Leach, John, 1760-1834
Subject (Topic):
Politicians, Military officers, British, Keys (Hardware), Scales, and Bags
"George IV (three-quarter length), surrounded by admiring Ministers, holds up a big extinguisher made of paper and inscribed 'Speech from the Throne', which he is about to place over a crowd of tiny Jacobins who surround the Queen and Alderman Wood. All these 'Lilliputians' are on a round table, whose top forms the base of the design except on the right. The terrified Jacobins fall on to papers inscribed 'Libels', 'Address' [twice], 'Sedition'. Alderman Wood steps on the back of one in a frantic effort to escape with the Queen whom he holds in his arms. She is a fat virago, holding up a fire-brand (cf. British Museum Satires No. 13895) inscribed 'Sedition', whose smoke rises into the extinguisher, and a large money-bag, '50 000 per Ann', labelled 'Crumbs of Consolation'. Other Jacobins flee to left and right, escaping the extinguisher, but either falling calamitously from the table, or about to be grasped by the hand of Eldon who sits at the table (left). They have banners and caps of Liberty on poles (or pikes). Among the fugitives is a Don Quixote (left) in armour, wearing Mambrino's helmet, galloping off on horseback, holding a banner. A terrified Jacobin (right) drops a 'Tailors Adress'. Ministers watch the approaching extinction with pleasure: Eldon has a grim smile, Sidmouth and Castlereagh behind him register, one eager delight, the other bland satisfaction. Wellington (right), close behind the King, smiles triumphantly, Liverpool beside him, is in profile, surprised, pleased, and imbecile. The King, three-quarter length, is a cynical Adonis, in military uniform. Behind his head is a framed picture: an irradiated sun containing features dispels dark clouds, putting bats, serpent, owl, &c., to flight; beside it is a dark disk containing the features of the Queen, in eclipse (reversing the situation in British Museum Satires No. 14012)."--British Museum online catalogue
Alternative Title:
King of Brobdingnag & the Lilliputians and King of Brobdingnag and the Lilliputians
Description:
Title etched below image., Two lines of quoted text below title: "Confound their politick's, frustrate their knavish tricks." "God save the king"!, Text above image: Ah! ha! Madam Q-!, Monsr. W! Messrs. Radicals, Addressers, & Co.!! Where are you now?!!! Ah ha! ha! ha! ha!, Sheet trimmed within plate mark., and Mounted on page 33 of: George Humphrey shop album.
Publisher:
Pubd. April 7th, 1821, by G. Humphrey, 27 St. James's Street, London
Subject (Geographic):
England.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wood, Matthew, Sir, 1768-1843, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Eldon, John Scott, Earl of, 1751-1838, Wellington, Arthur Wellesley, Duke of, 1769-1852, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, and Quixote, Don (Fictitious character)
Subject (Topic):
Politicians, Fire extinguishers, Tables, Crowds, Documents, Torches, Money, Banners, Liberty cap, and Military uniforms