Design incorporates image elements of nos. 5916, 5917, and 7238 and is titled the same as no. 5914 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 5., Plate also published in: Caricatures. [London] : [publisher not identified], [1836?], page 76., Printmaker and questionable date of publication from Grego., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Bunbury, Henry William, 1750-1811, artist., and Harvey, Francis--Ownership.
Subject (Topic):
Caricatures and cartoons --England and Satires (Visual works) --England
"Two designs on one plate, divided by the title. [1] A hussar officer riding in front of his men mismanages his mount, so that it rears slightly, and he is about to slide off. He shouts "March, Trot, Canter, Charge, halt, halt, halt, I mean." He has dropped a trumpet from which issues a blast: "Oh what a Ninny I was to throw Myself off, they're laughing at me avarice Vanity False friendship, Ingratitude, Double dealing, absurdity, Hippocracy, Malice, Cut down Countenance." His sabre lies on the ground, and five riding-switches which have been rolled up in the cloak fastened to the saddle fall from it. On the ground is a paper: 'hints to bad horsemen'. The men (right) gallop up in perfect order holding their sabres erect. One says: "Our Young Whip is not an Old Jockey". In the background (left) is a church or cathedral (perhaps intended for Salisbury), with trees and houses. [2] The rider has just picked himself up (right); the horse, still rearing, looks over its shoulder to say: "You seem more frightened than hurt, You have been taught the Value of Whips more than the use of them." A soldier, holding the trumpet, has ridden up and halts between horse and rider; he says: "I hope your Honor is not hurt." The officer answers: "I am not hurt upon My honour." The men galloping (right) say: "Why our Captain needn't a fallen.""--British Museum online catalogue.
Description:
Jiles (or Giles) Grinagain is a pseudonym., Printmaker from British Museum catalogue., and Title etched between the two images.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Grinagain, Giles, publisher., and Harvey, Francis--Ownership.
"Scene at a conjurer's. A man covered with a shaggy skin, with bull's horns, stands in a circle, impersonating the Devil. A butcher cheers on his dog who is worrying the pseudo-Devil, while the conjurer (left), wearing robes and a fur cap, stands behind, in angry alarm. A stuffed crocodile, celestial globe, &c, decorate the room. An inscription relates at length that the butcher has gone to consult the conjurer about some lost sheep, when his dog springs at the 'Devil', thinking it is a bull; he detects the cheat and refuses to call off his dog. The prose narrative ends: 'so Dog against Devil, for what sum you please!'."--British Museum online catalogue.
Alternative Title:
Dog and the devil
Description:
"Price one shilling.", Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Plate numbered "Z 2" in upper right corner., Printmaker from British Museum catalogue., Title etched below image., and Twelve lines of text below title: A butcher once had lost some sheep, & to discover the thief, went to a reputed conjurer ...
Publisher:
Pub. by T. Tegg, 111 Cheapside,
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., Tegg, Thomas, 1776-1845, publisher., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
Subject (Topic):
Butchers., Crocodiles., Devil., Dogs., Globes., and Magicians.
"In a country wash-house an old woman (left) feeds the fire under a large round copper, from which a youth emerges, raising the loose wooden lid. A young woman (right) deluges him with water from a pump. Another young woman, astonished, leaves the pitcher of beer which she has been filling from a beer-barrel to overflow. A cat runs off with a mouse."--British Museum online catalogue.
Alternative Title:
New cure for love
Description:
Also issued separately., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Plate numbered "E 3" in upper right corner., and Title etched below image.
Publisher:
Pubd. by T. Tegg, N. 111 Cheapside,
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., Rowlandson, Thomas, 1756-1827, artist., and Tegg, Thomas, 1776-1845, publisher.
"Lord Temple, naked, wtth large feathered wings bound to his upraised arms, attempts to fly after his father, Buckingham, who is soaring upwards. But his wings are disintegrating; feathers, which are quill pens, fall from them, and he is about to descend heavily on to a viciously pointed stake which is planted in the cobbles of the roadway. His wings are splashed with red, i.e. with sealing-wax. The stake is inscribed 'Stake out of Public-Hedge!' Buckingham (as Daedalus), whom distance makes much smaller than his bulky nephew, is borne up on intact, outspread wings inscribed 'Tellership of \ the Exchequer'. His naked posteriors are grotesquely large. Both are lit by broad slanting beams from a sun in the upper right. corner of the design containing the heal of George III looking down with surprised severity at Temple. On the opposite side of the wide roadway is a handsome detached house, representing the Paymaster's house in Whitehall. A negro servant in livery stands at the door handing up a package to a man in a cart inscribed 'Stationary Office', which is piled with similar packages and bundles of pens. Clouds of black smoke rise from the chimneys but are deflected by the sun."--British Museum online catalogue.
Description:
Four stanzas of verse, in two columns, etched below title: In former days the poet sings, an artist skill'd and rare ..., The questionable digit '8' in 'April 28' in imprint statement seems to have been etched over a different digit., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Buckingham and Chandos, Richard Temple Nugent Brydges Chandos,--Duke of,--1776-1839--Caricatures and cartoons., Buckingham, George Nugent Temple Grenville,--Marquess of,--1753-1813--Caricatures and cartoons., George--III,--King of Great Britain,--1738-1820--Caricatures and cartoons., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"The procession has advanced to the door of a church (r.) which a parson closes, dropping his prayer-book, open at the 'Burial Service'. Only his arms and robe are visible; he says: " - no Burial here, for Broad-Bottom: - he died a Roman; - besides, - 'tis a felo-de-se case; - take him to the next 4 cross-roads; & the Family has a large Stake always ready!" Only the acolyte at the head of the procession has realized this check: little Lord Henry Petty drops his bell and candle and capers in dismay. The three pall-bearers (a fourth is hidden behind the coffin) are (l. to r.) Sidmouth, Lord St. Vincent, and Windham. All wear mourning hats, scarves, and cloaks, and clutch handkerchiefs, weeping large tears. Below the coffin are seen the robes and bare sandalled feet of monks. On the top of the coffin is Grenville, face downwards, and showing the back of his wig, and a dome- shaped hump denoting his famous 'broad-bottom' (see BMSat 10530). At the four corners are ostrich plumes. On a placard on the side of the pall: 'Gul: Baro: de Broad-Bottom Obiit die Martis 24° A: D. 1807'. Behind the coffin walks the Pope, in his tiara and robes, weeping and supported between the Marquis of Buckingham and his son Lord Temple. Both weep with gestures of extravagant grief; both are dressed as priests. Behind, thin and ascetic, is Howick, a barefooted monk, holding up the Pope's long robes. Behind walk arm-in-arm, both shambling and dissipated, Sheridan clutching a bottle of 'Brandy' and General Fitzpatrick, from whose pocket hangs a paper: 'Tears of Hedge Lane' [a squalid resort of prostitutes in Westminster]. Both wear mourning hats, scarves, and cloaks. Next, Erskine and Ellenborough walk together; Erskine claps to his eye his beloved and discarded Chancellor's wig. At the end of the procession and on the extreme left. are Lauderdale and Moira wearing his cocked hat with a mourning scarf and cloak. All weep, registering deep distress. There is a landscape background."--British Museum online catalogue.
Description:
Title from text at top of image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Buckingham, George Nugent Temple Grenville,--Marquess of,--1753-1813--Caricatures and cartoons., Ellenborough, Edward Law,--Baron,--1750-1818--Caricatures and cartoons., Erskine, Thomas Erskine,--Baron,--1750-1823--Caricatures and cartoons., Fitzpatrick, Richard,--1747-1813--Caricatures and cartoons., Grenville, William Wyndham Grenville,--Baron,--1759-1834--Caricatures and cartoons., Grey, Charles Grey,--Earl,--1764-1845--Caricatures and cartoons., Harvey, Francis--Ownership., Hastings, Francis Rawdon-Hastings,--Marquess of,--1754-1826--Caricatures and cartoons., Humphrey, Hannah, active 1774-1817, publisher., Lansdowne, Henry Petty-Fitzmaurice,--Marquess of,--1780-1863--Caricatures and cartoons., Lauderdale, James Maitland,--Earl of,--1759-1839--Caricatures and cartoons., Pius--VII,--Pope,--1742-1823--Caricatures and cartoons., Sheridan, Richard Brinsley,--1751-1816--Caricatures and cartoons., Sidmouth, Henry Addington,--Viscount,--1757-1844--Caricatures and cartoons., St. Vincent, John Jervis,--Viscount,--1735-1823--Caricatures and cartoons., and Windham, William,--1750-1810--Caricatures and cartoons.
"Two fat friars gormandize in a Gothic cloister, seated in easy chairs. A lean old friar or lay brother brings in a sucking-pig. On the ground beside them are a chest of 'Relicks', bottles of 'Tokay' and 'Lackrymy Christi', church plate, with a 'Consecrated Cup' and a paper: 'Absolu[tion] Confess[ion] of Miss Wagtail.' On the wall is pinned a large print, 'Food for the Convent' [see British Museum Satire No. 3777]: a friar walking to the convent door with a large sheaf of corn on his back, from which project the head and feet of a girl. On a window recess are a skull, hour-glass, and cross ..."--Description of an alternate state in British Museum online catalogue.
Alternative Title:
I am a friar of orders grey.
Description:
"Sir E. Bunbury" may refer to the artist H.W. Bunbury. See British Museum catalogue., For state numbered "Q. 2", see no. 10924, in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Grego identifies a companion print: Monastic fare., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Title etched below image., Two columns of verse below title: I am a friar of orders grey, And down the vallies I take my way; I pull not blackberry, haw or hip, Good store of ven'son does fill my scrip, My long bead roll I merrily chaunt, Wherever I walk no money I want; And why I'm so plump the reason I'll tell ... "Who leads a good life, is sure to live well." What baron, or squire, or knight of the shire, Lives so well as a holy friar ..., and Verses are a parody of Thomas Percy's Reliques of ancient English poetry. See British Museum catalogue.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Bunbury, Henry William, 1750-1811, attributed name., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., and Tegg, Thomas, 1776-1845, publisher.
"A gouty 'cit' (right), using an ear-trumpet, sits in an arm-chair facing a delinquent in Highland dress, who bows low. One swathed leg rests on a stool, on the other foot is a slashed shoe. At his right hand is a table with writing-materials; on the other side of this sits a bedizened wife, holding a fan against her hideous profile. Behind the Scot stands a fat constable holding a long staff. The Scot: "I own your Worship-- I was a little inebriated but your Worship knaws "Nemo Mortatium [sic]-- Omnibus / "Hooris Saupit [horis sapit]!!" The Justice: "What's that you say fellow about Whores in a Saw Pit--a very improper place to go with such company--I wonder you are not ashamed to mention such a thing and before my Wife too!!--but however as it is your first offence I will discharge you this time--but never come here with such a story again!!"."--British Museum online catalogue, description of a later state.
Alternative Title:
Magistrates mistake
Description:
"Price one shilling coloud.", Cf. Grego, J. Rowlandson the caricaturist, v. 2, page 236., For a reissue with date burnished from end of imprint statement and plate number changed, see no. 11971 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Plate numbered "33" in upper left., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Tegg, Thomas, 1776-1845, publisher., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
Subject (Topic):
Criminals., Ethnic stereotypes., Gout,--depicted, Judges. , and Spouses.
"Napoleon and Talleyrand plant the genealogical tree of Lord Moira, inscribed 'Royal Pippin'. On the r. Grenville, Howick, and Buckingham ply their axes on the trunk of a huge oak-tree: 'The Royal-Oak'. In the background are rows of other 'Royal Pippins', just grafted on old stocks. Talleyrand digs the hole, placing his deformed foot on his spade. Napoleon, in profile to the right., is about to plant the pippin, whose root is a coroneted apple inscribed 'William the Norman Robber'; on its branches are other coroneted or crowned pippins. The main stem culminates in the whiskered face of Moira, wearing a royal crown. This is reached through a 'Plantagenet beheaded in 1415', and 'Henry de la Pole beheaded in 1538'. Collateral branches are 'Duchess of Clarence put to death in 1453', 'Hungerford Beheaded 1406', 'Crookback Richard killd at Bosworth', 'Edmund 4th Son of Henry 3d Beheaded', 'Countess Salisbury Beheaded in 1505.' Napoleon wears his large plumed bicorne, the peak on his neck, jack-boots, and a gardeners apron over his uniform. His long sabre is inscribed 'Corsican Grafting Knife.' Talleyrand wears a laced coat and cocked hat of the ancien régime, with bag-wig, sword, clerical bands, and rosary. From his pocket hangs a paper: 'Projet pour Agrandisser les Jardins Imperial'. In the foreground (l.) are three grafts ready to be joined to stocks; they lie against a basket labelled 'Grafts of King-Pippins for Brentford, Wimbleton, & Botley'. The centre and longest has the head of Cobbett, the others have the heads of Burdett and Horne Tooke. All wear royal crowns; Tooke has clerical bands. The 'Royal-Oak' (r.), an aged but still magnificent tree, whose trunk is gashed by the axes of the late Ministers, has a large royal crown in the centre of its branches, flanked by four giant acorns: 'Protestant Faith' (near a withered branch), 'Integrity of the Lords', 'Independence of the Commons', 'Liberty of the Press'. All the wood-cutters are in their shirt-sleeves. Grenville is back-to-back with Talleyrand; a cross dangling from a rosary hangs against his massive posterior, his waistcoat is striped in tricolour, his axe is a 'Catholic Cleaver'. Behind him the spectacled Buckingham raises a 'Broad-Bottom Hatchet' [see BMSat 10530]. Howick (r.), very thin and aggressive, plies a 'Whig Cleaver'. Funguses grow round the tree and on the lower part of the trunk. In the background is the Imperial nursery garden: rows of newly joined grafts the point of junction with the stock being an egg-shaped lump of 'Corsican Clay'. Crowned heads sprout from green leaves; they are (l. to r.): 'Eutrurian [sic] Pippin', 'Wirtemburg Pippin' [the face that of a plump woman, nd probably intended for the Queen, see BMSat 10440], 'Saxon Pippin', 'Holland Pippin', 'Itaian [sic] Pippin'. Many others, less defined, recede in perspective."--British Museum online catalogue.
Alternative Title:
Little Corsican gardener planting a royal-pippin-tree and Little Corsican gardiner planting a royal-pippin-tree
Description:
Text below title: Vide, the Berlin Telegraph of May 21st, 1807, article: the Genealogy of the Royal Race of the King of Ballynahinch. See Morg. Post, June 17th. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Buckingham, George Nugent Temple Grenville,--Marquess of,--1753-1813--Caricatures and cartoons., Burdett, Francis,--1770-1844--Caricatures and cartoons., Cobbett, William,--1763-1835--Caricatures and cartoons., Grenville, William Wyndham Grenville,--Baron,--1759-1834--Caricatures and cartoons., Grey, Charles Grey,--Earl,--1764-1845--Caricatures and cartoons., Harvey, Francis--Ownership., Hastings, Francis Rawdon-Hastings,--Marquess of,--1754-1826--Caricatures and cartoons., Humphrey, Hannah, active 1774-1817, publisher., Napoleon--I,--Emperor of the French,--1769-1821--Caricatures and cartoons., Talleyrand-Périgord, Charles Maurice de,--prince de Bénévent,--1754-1838--Caricatures and cartoons., and Tooke, John Horne,--1736-1812--Caricatures and cartoons.