A caricature of the new Lord Mayor of London: Harvey Combe stands centerd in the a hall, surrounded by a desperate looking group of people both rich and poor, who kneel and beg. A skeletal man (buthcher?) holds a knife in one hand and a scroll in the other enscribed with a large order for meat: "12 haundres vension, 6 necks do., 8 turtles, 20 brace partridges, 20 pheasants, 20 brace woodcocks, 16 sirloins beef bacon(?) &"". In the foreground lies another sheet which readss "Tripe Soup. Liver & Crow. Fried Tripe. Bill of Fare for 8 Novr." The outgoing Lord Mayor, Sir Richard Glyn, who was notoriously spendthrift during his period in office, is seen being kicked out of the Mansion House holding large money bag with the word "Saving" written on it. The two cats on the left and the dog following the butcher are also thin from malnorishment. Two large spiders have spun large webs below the archway on the left below a two cupids holding a heart molded above the archway
Alternative Title:
New tenants at a mansion house
Description:
Title written below image., Signed with initials and dated by the artist in lower left corner., "Sold by all the printsellers in London, Nov. 9, 1799"--Written in above title., and Original design for a print published 9 November 1799.
Subject (Geographic):
England.
Subject (Name):
Combe, Harvey Christian, 1752-1818 and Glyn, Richard Carr, Sir, 1755-1838
Subject (Topic):
Politicians, Pleading (Begging), Kicking, Poor persons, Interiors, Cats, and Dogs
Grant, C. J. (Charles Jameson), active 1830-1852, artist
Published / Created:
[between 1830 and 1852]
Call Number:
Drawings G761 no. 6 Box D123
Image Count:
1
Resource Type:
still image
Abstract:
A gentleman in a riding habit (left) rides his horse through the door of a cottage startling the family who sit at their dinner table. The man's hunting dog jumps at the young son who sits closest to the door; he screams in terror, his fork and knife frozen part way to his mouth and his leg thrown up, spilling a pitcher from the table. The mother raises up her arms in terror, letting the cutlery fly; in her mouth is a gnawed bone. Behind her is a wall with shelves lined with dishes and mugs. Her husband (right), back to the viewer, turns to the intruder pointing a long spear. His knife and fork are on the floor below his chair. The gentleman addresses the cottagers, "Och, dont disturb y'rselves my Nonies I only want to know whether you cou'd be after informing me where I cou'd meet with a decent night's lodging for man and beast."
Description:
Title from caption written below image in artist's hand, with the words trimmed along the lower edges with loss of the descenders., Date of creation based on Grant's known years of activity., and For further information, consult library staff.
Grant, C. J. (Charles Jameson), active 1830-1852, artist
Published / Created:
[between 1830 and 1852]
Call Number:
Drawings G761 no. 5 Box D123
Image Count:
1
Resource Type:
still image
Abstract:
A view of the interior of a cottage with an old woman asleep in a chair, her feet resting on a low footstool in front of open door (left); in her lap she holds an open book and a pair of spectacles. On the right, a boy in a smock stands on a stool in front of an open cupboard eating from a full bowl. Along the back wall is a pair of casement windows with a drop leaf table below and pictures on the wall to the left. A cat walks across the center of the scene looking up at the boy
Description:
Title from caption in artist's hand written below image., Date of creation based on Grant's known years of activity., Watermark on paper: J. Rump 1825., and For further information, consult library staff.
Subject (Topic):
Boys, Cats, Cupboards, Dwellings, Eating & drinking, Interiors, Sleeping, and Women
A scene from Horace Walpole's Gothic novel The castle of Otranto, with the servant Bianca shown descending a staircase while looking over her right shoulder, a worried expression on her face. Her gaze is directed at the top of the stairs, where a large hand in armor is seen resting on the banister near the landing of the floor above. The arched opening to the landing is flanked on either side with a display of armor and weapons mounted on the wall. Several arched windows and doorways are seen in the shadowy background
Description:
Title devised by cataloger., Signed and dated by the artist in lower left corner., and Bound in opposite page 217 in an extra-illustrated copy of: Walpole, H. The castle of Otranto. Parma : Printed by Bodoni, for J. Edwards, London, MDCCXCI [1791].
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[1806]
Call Number:
Quarto 33 30 Copy 25
Collection Title:
Page 15. Description of the villa of Mr. Horace Walpole ...
Image Count:
1
Resource Type:
still image
Abstract:
A view of the chancel in St. Mary's Church, Sundridge, Kent, with the altar at center beneath a large stained-glass, Gothic window and monuments to the left and right of the altar beyond the altar rail. Visible in an alcove on the right is the bust of Lady Ailesbury, made by her daughter Anne Seymour Damer
Description:
Title devised by curator., Signed and dated by the artist in lower right corner., and Mounted on page 15 in Anne Damer's extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole ... Strawberry Hill : Printed by Thomas Kirgate, MDCCLXXXIV [1784]. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 33.
Subject (Geographic):
Kent (England)
Subject (Name):
Ailesbury, Caroline Campbell, Countess of, 1721-1803. and Damer, Anne Seymour, 1748 or 1749-1828.
Subject (Topic):
Buildings, structures, etc, Interiors, Chancels, Altars, Tombs & sepulchral monuments, and Windows
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[1802]
Call Number:
24 17 791P Copy 9
Collection Title:
Opposite page 223. Castle of Otranto.
Image Count:
1
Resource Type:
still image
Abstract:
A scene from Horace Walpole's Gothic novel The castle of Otranto, with the character Frederic shown flinching back in surprise and horror at the sight in front of him, his arms outstretched and his legs poised for motion. A short distance to the left stands a skeleton wrapped in a hermit's cowl, its fleshless face seen in profile within a hood as it turns toward Frederic. The skeleton stands at an altar on which a cross and an open book sit; beyond the altar is a large, ornate window decorated with quatrefoils, Gothic tracery, and coats of arms. The walls behind Frederic on the right are decorated in a similar motif
Description:
Title devised by cataloger., Signed and dated by the artist in lower right portion of image., Additional statement of responsibility written in pencil at bottom of sheet, in Thomas Kirgate's hand: By George Perfect Harding., and Inlaid opposite page 223 in an extra-illustrated copy of: Walpole, H. The castle of Otranto. Parma : Printed by Bodoni, for J. Edwards, London, MDCCXCI [1791].
A scene from Horace Walpole's Gothic novel The castle of Otranto, with the character Frederic seen in the background on the left, peering around a half-open door into an oratory. In the foreground on the right is a figure, completely hidden within a hooded cloak, kneeling at an altar. An open book and a crucifix sit on the altar; light streams in from the window behind it on the right. On the back wall of the room a statue resides within a raised alcove; a chair sits below the statue, and a framed picture hangs on the wall beside it.
Description:
Title devised by cataloger., Unsigned; artist attribution and date from signature "F. Miller 1802" on similar drawing bound in the same volume., and Bound in after page 222 in an extra-illustrated copy of: Walpole, H. The castle of Otranto. Parma : Printed by Bodoni, for J. Edwards, London, MDCCXCI [1791].