"Napoleon, trampling over the map of Europe from 'Germany' to the 'British Channel', drops his sabre and raises his left leg, leaving behind the front part of his left foot, planted on the coast and sea between 'Holland' and 'France'. The foot has been slashed off by a little John Bull, who stands on the ocean pointing down at the two islands of 'Great Britain' and 'Ireland', towards which the amputated foot points. John holds a dripping sword, and looks up at the angry giant, saying, "I ax pardon Master Boney, but as we says Paws off Pompey, we keep this little Spot to Ourselves You must not Dance here Master Boney." Blood gushes from both sides of the amputation. Bonaparte, who wears his huge cocked hat, shouts, with gestures of pain and anger: "Ah you tam John Bull!! You have spoil my Dance, !! You have ruin all my Projets!!" 'Switzerland' and 'Italy' are also marked on the map in close proximity to France."--British Museum online catalogue
Alternative Title:
Governor of Europe stoped in his career, Governor of Europe stopped in his career, Little B-n to much for great B-te, and Little Britain too much for great Bonaparte
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Sheet trimmed within plate mark., Publisher's advertisement in lower right: Folios of caracatures lent out., and Mounted at the corners on a leaf: 42 x 30 cm.
Publisher:
Pubd. April 16, 1803, by S.W. Fores, 50 Piccadilly
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821
Subject (Topic):
John Bull (Symbolic character), Napoleonic Wars, 1800-1815, Proposed invasion of England, 1793-1805, Maps, Daggers & swords, and Wounds & injuries
Volume 2, after page 340. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Image Count:
1
Resource Type:
still image
Abstract:
"An altered copy of British Museum Satires No. 10389. The two principal figures are substantially the same, but Mrs. Fitzherbert's expression is less subtle; she looks down at her charge with an exulting smile. The feathers in her hair are set in a fillet inscribed 'Ich Dien', her breasts are almost bare, her drapery is more swirling. Her pouch is inscribed 'Amusements for Young Minds', its contents differ, and her book is a 'Missal'. Above them (left) ls inscribed: 'Angels ever bright and fair" Take, Oh Take me to thy Care,"'. The altar is larger and closer to the ascending figures. In place of the Virgin, the Prince of Wales (half length) stands behind it, looking down at the 'Guardian-Angel'. On the altar, which is inscribed 'Sanctum Sanctorum' is an irradiated chalice. The attendant cherubs are (left) Derby, (?) Grey, Grenville; and (right) Norfolk, Burdett, and Windham. Two cherubs have descended from the circle (right) and look fixedly at close range towards the child; they are Fox and Sheridan. The rays are inscribed: 'Bulls', 'Dispensations', 'Indulgences', 'Luxuries', 'Consecrations', 'Cannonizations', 'Remissions', 'Pardons', 'Beatifications', 'Permissions'. Below the ascending pair, in place of the Pavilion, is the roof of Carlton House."--British Museum online catalogue
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Altered copy of a print by Gillray, published 22 April 1805 by H. Humphrey. Cf. No. 10389 in the Catalogue of prints and drawings in the British Museum, v. 8., Text following title: The designer is particularly indebted to Mr. Peters for the hint for this subject., "Folios of caracatures [sic] lent out for the evening"--Beneath imprint., Printseller's stamp in lower right of plate: S.W.F., Four figures identified at bottom of mounting sheet, their names written in ink: Princess Charlotte; Mrs. Fitzherbert; C. Fox; R.B. Sheridan., Window mounted to 51 x 36 cm., and Mounted after page 340 (leaf numbered '163' in pencil) in volume 2 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Pubd. May 10th, 1805, by S.W. Fores, No. 50 Piccadilly
Subject (Name):
Fitzherbert, Maria Anne, 1756-1837, George IV, King of Great Britain, 1762-1830, Smith-Stanley, Edward, 1752-1834, Grey, Charles Grey, Earl, 1764-1845, Grenville, William Wyndham Grenville, Baron, 1759-1834, Norfolk, Charles Howard, Duke of, 1746-1815, Burdett, Francis, 1770-1844, Windham, William, 1750-1810, Fox, Charles James, 1749-1806, and Sheridan, Richard Brinsley, 1751-1816
"A more realistic rendering of the squib, illustrated in British Museum Satires No. 11414, &c., the text slightly altered. Seven designs in two rows, three above and four below, the verses etched across the upper part of each. [1] A close-up view of part of the east front of the new theatre, not accurately drawn, but showing the portico and its flanking sculptures of 'Antient Drama' and 'Modern Drama'. Above: 'This is . . .' [&c.]. [2] An arc of the third tier of boxes, showing three boxes crowded with fashionables in polite conversation; one lady only looks at the stage, using a glass. Above: 'These are the Boxes . . .' [&c.]. [3] A similar view of three pigeon-holes showing lighted chandeliers suspended from brackets below them. The occupants of the front row sit, those behind stand in a massed crowd; all are behaving well. Above: 'These are the Pigeon holes made for the poor, over the Boxes . . .' [&c.]. [4] A bust portrait of Catalani, singing, with tense bony neck, a claw-like hand on her breast. Above: 'This is the Cat . . .' [&c.]. [5] A bust portrait of an obese neatly dressed 'cit' in profile to the left, fiercely blowing a trumpet from which issues the word 'Hiss'. In his right hand is a paper: 'The Age of Reason [cf. No. 8646] a New Comedy perform[ed] by J Bull & C°'. Above: 'This is John Bull. . .' [&c.]. [6] A bust profile portrait of Townsend, neatly dressed, and wearing a top-hat. His right arm is outstretched as if to seize John Bull in the adjacent design; in his left hand is a constable's crowned staff. Above: 'This is the Thief taker . . .' [&c.]. [7] A bust portrait of Kemble, sternly frowning, in profile to the left, clasping a rolled document inscribed 'King John'. He wears ordinary dress with swathed neck-cloth and high-collared coat. Above: 'This is the Manager . . .' [&c.]. (Cf. British Museum Satires No. 11419.)"--British Museum online catalogue
Description:
Title etched below image. and Attributed to Charles Williams in the British Museum catalogue.
Publisher:
Pubd. Septr. 1809 by Walker, No. 7 Cornhill
Subject (Geographic):
England and London.
Subject (Name):
Catalani, Angelica, 1780-1849, Townsend, John, 1760-1832, Kemble, John Philip, 1757-1823, and Covent Garden Theatre,
Subject (Topic):
John Bull (Symbolic character), Theaters, Interiors, Chandeliers, Theater audiences, Bugles, Prices, and Anger
"Two fighting-cocks, with the heads of Napoleon and Pitt, face each other across the English Channel. Napoleon (left) has a large ruff of tricolour feathers and enormously long spurs, but his wings and tail feathers are clipped. His cliff is the higher; he leans forward, saying, "Eh Master Billy, if I could but take a flight over this Brook I would soon stop your Crowing, I would Knock you off that Perch, I swear by Mahomet, the Pope and all the Idols I have ever Worshiped." Pitt stands on a large royal crown which brings his feet almost to a level with those of Bonaparte; he stands erect, thus towering above his rival; he has very short spurs but a fine tail and wings; he crows: "Tuck a roo - too that you never can do!!!" Below them lies the sea with a fleet of ships in full sail close to the English coast."--British Museum online catalogue
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Sheet trimmed within plate mark., Publisher's advertisement in lower right: Folios of caracatures lent out for the evening., and Mounted at the corners on a leaf: 29.5 x 42 cm.
Publisher:
Pubd. March 27th, 1803, by S.W. Fores, 50 Piccadilly
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and Pitt, William, 1759-1806
Subject (Topic):
Napoleonic Wars, 1800-1815, Proposed invasion of England, 1793-1805, Game fowl, Cockfighting, Crowns, Cliffs, Bodies of water, and Ships
V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A sequence of eight libellous representations arranged in two rows, each with a caption. (1) She is stout, homely, and rather truculent as 'A Planters Daughter.' (2) As a clumsy and bejewelled parvenue she is 'A French Countess'. (3) In weeds she holds a handkerchief to one eye: 'A Widow.' (4) Elegantly dressed, she holds out heavily shackled wrists: 'A Prisoner'. (5) Similarly dressed, she raises a forefinger and holds a fan before one eye: 'A Loose Fish.' (6) She dances, Maenad-like, snapping thumb and forefinger, as 'Barras's Mistress' [see British Museum Satires No. 10369]. (7) She wears a military tunic and plumed helmet, and holds a riding-switch as 'A Generals Lady.' (8) Walking in profile to the left. holding out a sceptre and wearing a jewelled gown and a crown, she is fat and vulgar as 'An Empress' [see British Museum Satires No. 10362]."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed to plate mark on bottom edge., Companion print to: The progress of the Emperor Napoleon., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately?, Plate numbered "236" in upper right corner., 1 print : etching ; sheet 24.7 x 35 cm., On wove paper, hand-colored., and Annotation on right margin, scratched through: W.L. Spenser, Esq.
Publisher:
Pubd. April 20th, 1808, by Thos. Tegg, 111 Cheapside
Subject (Name):
Josephine, Empress, consort of Napoleon I, Emperor of the French, 1763-1814
"The Regent, scarcely caricatured, rides (right to left) a white horse with the (bloated) head of Sheridan, the flank being branded 'P R'. The horse walks along a cobbled street which is strewn with large stones on each of which is the head of a member of the Opposition. Sheridan says: "Never fear, my dear Master, I will carry you through this ugly road in safety--I'll hick all the vile stones aside that would impede your way, and your old Hack, Sherry, you will find able to support you to the last." On the stone under his hoof is the head of Grenville. Two others have already been kicked aside: (?) Holland, and, in the foreground, the Duke of Norfolk. Others (left to right) are: Buckingham (in spectacles) and Whitbread, Grey, Lord Temple, Moira, and Erskine. Others are not characterized. The street leads into 'Manchester Square', showing that the Prince is on his way to Hertford House."--British Museum online catalogue
Description:
Title etched below image., Attributed to Charles Williams in the British Museum online catalogue., 1 print : etching ; sheet 23 x 32.6 cm, Printed on wove paper, hand-colored., and Imperfect; sheet trimmed within plate mark on three sides, resulting in loss of bottom half of title from lower edge.
Publisher:
Pubd. March 1812 by Wm. Holland, No. 11 Cockspur Street
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, Grenville, William Wyndham Grenville, Baron, 1759-1834, Grey, Charles Grey, Earl, 1764-1845, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Erskine, Henry, 1746-1817, Holland, Henry Richard Vassall, Baron, 1773-1840, Norfolk, Charles Howard, Duke of, 1746-1815, Sheridan, Richard Brinsley, 1751-1816, Whitbread, Samuel, 1764-1815, and Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834.
Subject (Topic):
Politicians, Horses, Riding habits, and Cobblestone streets
"The Regent, scarcely caricatured, rides (right to left) a white horse with the (bloated) head of Sheridan, the flank being branded 'P R'. The horse walks along a cobbled street which is strewn with large stones on each of which is the head of a member of the Opposition. Sheridan says: "Never fear, my dear Master, I will carry you through this ugly road in safety--I'll hick all the vile stones aside that would impede your way, and your old Hack, Sherry, you will find able to support you to the last." On the stone under his hoof is the head of Grenville. Two others have already been kicked aside: (?) Holland, and, in the foreground, the Duke of Norfolk. Others (left to right) are: Buckingham (in spectacles) and Whitbread, Grey, Lord Temple, Moira, and Erskine. Others are not characterized. The street leads into 'Manchester Square', showing that the Prince is on his way to Hertford House."--British Museum online catalogue
Description:
Title etched below image., Attributed to Charles Williams in the British Museum online catalogue., and Sealing wax present on verso; remains of album page at top.
Publisher:
Pubd. March 1812 by Wm. Holland, No. 11 Cockspur Street
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Buckingham, George Nugent Temple Grenville, Marquess of, 1753-1813, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, Grenville, William Wyndham Grenville, Baron, 1759-1834, Grey, Charles Grey, Earl, 1764-1845, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Erskine, Henry, 1746-1817, Holland, Henry Richard Vassall, Baron, 1773-1840, Norfolk, Charles Howard, Duke of, 1746-1815, Sheridan, Richard Brinsley, 1751-1816, Whitbread, Samuel, 1764-1815, and Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834.
Subject (Topic):
Politicians, Horses, Riding habits, and Cobblestone streets
"Mrs. Clarke (left) and Mrs. Carey (right) (see British Museum Satires No. 11050) berate each other; both wear evening dress, with feathers in their hair, those of Mrs. Carey being the taller. The Duke, wearing regimentals, watches the quarrel, equally distant from both. Mrs. Clarke, arms akimbo, says: "Why how now Madam Carey, although you are so Warey In saveing of your cash, John Bull and I we both will try, And settle all your hash." [see 1803 Isaac Cruikshank print for an earlier use of this phrase, BM impression 1868,0808.7141/ PPA108823] Mrs. Carey retorts: "Why how now Madam Clarke------ Why since you thus can chatter------ And thus betray your spark------ I wonder whats the matter with, you, Madam Clarke!!" The Duke looks at Mrs. Clarke, stopping his ears, a leg raised in angry protest; he says: "Zounds! the thunder of Valencienes was Music to this". Behind Mrs. Clarke is a cockatoo on a high perch, screaming: "go it! go it"; a chair has been overturned, and a mastiff, its collar inscribed 'John Bull', barks at the Duke. A small dog behind Mrs. Carey also barks. She stands with her back to the fire. On the chimney-piece a china Cupid aims his arrow at a heart on the trunk of a tree."--British Museum online catalogue
Alternative Title:
Rival queens, or, A scene in The beggars opera and Scene in The beggars opera
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., and Sheet trimmed to plate mark.
Publisher:
Pubd. March 1809 by Walker, Cornhill
Subject (Geographic):
Great Britain.
Subject (Name):
Clarke, Mary Anne, 1776?-1852 and Frederick Augustus, Prince, Duke of York and Albany, 1763-1827
Subject (Topic):
Military officers, British, Mistresses, Quarreling, Headdresses, Cockatoos, Dogs, and Fireplaces
"Diogenes stands in the House of Commons between the two front benches; both arms are thrown out towards Burdett with a dramatic gesture; in one hand is his lantern, illuminating the patriot at close range; small clouds at his feet indicate that he is a ghost. He turns his head to look steadily at three members on the front Ministerial bench (left), saying: "An Honest Man is the noblest work of God" [Pope, 'Essay on Man', quoted by Burns, cf. British Museum Satires No. 11562]. The three culprits (unrecognizable) register shame and terror, their hair standing on end. Burdett stands by the front bench (right) on which is his hat, displaying to the frightened Ministers (one intended for Perceval) a document headed 'Magna Charta--Pro Rege, lege, grege' [see British Museum Satires No. 11547]. Except for one member on the front bench, those behind Burdett stand, five being depicted, three of whom wave their hats. All the occupants of the gallery wave still more emphatically. In the background and on the left is the Speaker's Chair; the diminutive Abbot, author of the famous Warrant, see British Museum Satires No. 11545, &c., holds up a hand in astonished alarm. Burdett was in the Tower during May, see British Museum Satires No. 11558. 'Hair on end' is an allusion to Lethbridge, see British Museum Satires No. 11538."--British Museum online catalogue
Alternative Title:
Ghost of Diogenes, more hair on end
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Lettered above image: Tegg's Caricatures, No. 111 Cheapside, no. 13. Price one shillg. colod., and Text below title: Diogenes being observed looking about with a lanthorn alight a noon day, was asked what he was hunting after when he replied, for an honest man.
Publisher:
Pubd. May 1810 by T. Tegg, 111 Cheapside
Subject (Geographic):
Great Britain.
Subject (Name):
Diogenes, -approximately 323 B.C., Burdett, Francis, 1770-1844, Perceval, Spencer, 1762-1812, Abbot, Charles, Baron Colchester, 1757-1829, Lethbridge, Thomas Buckler, 1778-1849., and Great Britain. Parliament. House of Commons,