Title etched at bottom of image., Sheet trimmed to plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Ministers deserting East India reform, December 9, 1766 -- Maps: map of East India -- Coalitions: Bute and Chatham -- Personifications: Popularity -- Reform of the East India Company as a windmill -- Mythology: Atlas -- Hercules -- Personifications: Folly as an East Indian -- Gout: gouty shoes -- East Indians -- Crutches -- Emblems: Dutch East India Company as a windmill., and Identification below title in contemporary hand: Ld. Chatham.
Publisher:
publisher not identified
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792, Pitt, William, Earl of Chatham, 1708-1778, and East India Company.
"Satire on Lord Camden alleging that he had abandonned his liberal principles on becoming Lord Chancellor. Camden, on the left, in his Chancellor's robes is aghast at the appearance of the ghost of his former self when Lord Chief Justice. He holds out a book lettered, "Lex Temporis" and papers lie beside him referring to supposed corrupt practices, "Grants / Reversion / Irish Pensions / Patent of Peerage / Non obstante [licence from the Crown]", and a scroll falls in front of him lettered, "is but 40 days Slavery at outside", a reference to his support of an embargo on corn export for forty days; his mace and purse (lettered "Latent Power") lie on a bench draped with tartan together with a letter reading "... your A--s] & your mace in ye Kennel within a fortnight by G[od] / yours Tom Tilbury [Lord Northington, Camden's predecessor as Lord Chancellor]". Behind the Lord Chancellor is a chair with arms and legs made of boots, upholstered in tartan and with thistles around its back; an oval lportrait showing Lords Bute and Chatham is on the back with the motto "Arcades Ambo"(two of a kind); a boot and Pitt's crutch are tied together and resting ont he back of the chair; burning papers on the cair are lettered "Negabimus / Magna Farta" and "vendemus Justitiam". The ghost holds out a book lettered "Lex Terra"; a scroll falling in front of him reads "The liberty of an English Dw[e]l[ling] cannot be estimated" (a paraphrase of his statement against General Warrants in the John Wilkes case). William Beckford, Camden's former ally, is shown creeping under the bench saying "Hide me ye Sugar Casks", a reference to his wealth from sugar plantations in Jamaica. A row of portraits on the wall show from the left: Lord Northington, Judge Jeffreys, Beckford, Sec[re]t[ary Astley, Chatham, L[or]d S[-]d and William Scrogg[s]; in front of the portraits is a book shelf containing, "Filmer's Patriarcha / Argu[men]t for Ship Money / Judg[ment] ag[ain]s[t] Hamden / Froit Le Roy / Prerogatives Regli / Grotius English Law"."--British Museum online catalogue and Pictures amplifying subject: portraits of various officials
Alternative Title:
Apparition of a late patriot Chief Justice to a modern prerogative Cane
Description:
Title from caption below image., Description based on imperfect impression; sheet trimmed within plate line with loss of last word in title. Title from British Museum catalogue., and Mounted to 31 x 42 cm.
Publisher:
publisher not identified
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792, Pitt, William, Earl of Chatham, 1708-1778, Camden, Charles Pratt, Earl, 1714-1794, Mansfield, William Murray, Earl of, 1705-1793, Beckford, William, 1709-1770, and Northington, Robert Henley, Earl of, 1708?-1772
"Satire on the end of Lord Rockingham's administration shown as a dance at court. The verses below describe the protagonists who have been numbered in pen and ink: in the centre, Princess Augusta (1) dances with Lord Bute (2) their joined hands holding a leading string attached to Pitt (3) with a gouty leg who leans on his crutch, adorned with a coronet, as he converses with America, a half naked native American woman holding a bottle of rum. To the left of the Princess, stand Charles Townshend (4), holding a weathercock, beside his partner Britannia standing on her head, her shield and spear fallen on the ground. Further left, Lord Northington (5) robed as Lord President of the Council holds a glass of wine towards his elaborately dressed young woman (6; identified by Stephens as Betty Careless, although she had died in 1752). On the right, Henry Fox (7) dances with the devil; behind him are a Frenchman saying he will not pay the Canada Bills recompensing Britain after the Seven Years' War, and a Spaniard saying he will not pay the Manilla Ransom, a sum of two million dollars offered to Britain by the governor of Manilla when the city was captured. At far left, the king (8) plays the fiddle accompanied by two Scottish bagpipers. Wilkes (9) flies above, a copy of his Essay on Woman in his pocket, bound for Paris on a broomstick with a witch who says she will take him anywhere but to Scotland; he defecates on the head of Lord Bute. In the foreground stand four politicians: Temple (10) saying that he will get Francis Hayman to paint the scene for his garden at Stowe; Newcastle (11) wearing spectacles; Rockingham (12) wearning boots and carrying a riding whip; Winchilsea (13). Verses below in six columns, each with the chorus, "Doodle doodle doo""--British Museum online catalogue
Alternative Title:
New country dance as danced at Court July the 30th 1766
Description:
Title etched at bottom of image., "The devil seems to have been inspired by the work of Jefferyes Hamett O'Neale and other facial types echo those in prints designed by him"--Curator's comments, British Museum online catalogue registration no.: 1868,0808.4386., Publication date based on advertisement in The Public advertiser, Sept. 4, 1766., Description based on an imperfect impression; sheet trimmed within plate mark at bottom resulting in loss of text below image, including distribution information and price from lower right corner. For missing text, see British Museum online catalogue., Figure numbered '6' is most likely a depiction of Fanny Murray., and Mounted to 28 x 43 cm.
Publisher:
publisher not identified
Subject (Name):
George III, King of Great Britain, 1738-1820, Augusta, Princess of Wales, 1719-1772, Charles III, King of Spain, 1716-1788, Louis XV, King of France, 1710-1774, Bute, John Stuart, Earl of, 1713-1792, Pitt, William, Earl of Chatham, 1708-1778, Holland, Henry Fox, Baron, 1705-1774, Townshend, Charles, 1725-1767, Northington, Robert Henley, Earl of, 1708?-1772, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Rockingham, Charles Watson-Wentworth, Marquis of, 1730-1782, Temple, Richard Grenville-Temple, Earl, 1711-1779, Winchilsea, Daniel Finch, Earl of, 1689-1769, Wilkes, John, 1725-1797, Murray, Fanny, 1729-1778, and Hayman, Francis, 1708-1776.
Subject (Topic):
Influence, Britannia (Symbolic character), Alcoholic beverages, Brooms & brushes, Crutches, Devil, Eyeglasses, Prostitutes, Symbols, Weather vanes, and Witches
Title from item., Publication place and date inferred from those of the original from which this copy was made., Four lines of verse below image: The puppets blindly led away, / Are made to act for ends unknown ..., Reversed copy of No. 4230 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., and Temporary local subject terms: Buildings: St. James's Palace -- Puppets -- Puppeteers -- Theater: stage -- Devil -- Audiences.
Publisher:
publisher not identified
Subject (Name):
Pitt, William, Earl of Chatham, 1708-1778, Bute, John Stuart, Earl of, 1713-1792, Holland, Henry Fox, Baron, 1705-1774, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Sandwich, John Montagu, Earl of, 1718-1792, Norton, Fletcher, 1716-1789, Barrington, William Wildman Barrington, Viscount, 1717-1793, Warburton, William, 1698-1779, Chesterfield, Philip Dormer Stanhope, Earl of, 1694-1773, Winchilsea, Daniel Finch, Earl of, 1689-1769, Lyttelton, George Lyttelton, Baron, 1709-1773, and Granby, John Manners, Marquis of, 1721-1770