Manuscript on paper of Antonio de Ferrariis (called himself Galateo after his birthplace, d. 1517), De situ Iapygiae. His work is a geographical, historical, epigraphical and literary description of Iapygia, i.e. the Southeastern part of Italy (now Apulia).
Description:
In Latin., Script: Three scribes, all writing Humanistica Cursiva: hand A copied ff. 1r-20v, 24v-26v, 31r-36r line 10, 36v last three lines (Libraria); hand B copied ff. 21r-24r, 27r-30v (Currens); hand C copied f. 36r line 10-36v, except the last three lines (Currens under Gothic influence)., No decoration., Water stains. Some pages badly damaged by the acid ink., and Binding: The damaged covers of the original binding are mounted on the new binding in brown leather. Blind-tooled, featuring two square frames bordered by fillets and rolls.
Subject (Geographic):
Connecticut, New Haven., Italy, and Puglia (Italy)
Subject (Name):
Ferrari, Antonio de, 1444-1517.
Subject (Topic):
Latin literature, Medieval and modern, Manuscripts, Medieval, and Description and travel
Manuscript on parchment of 1) Joannes de Sacro Bosco, De sphaera. 2) Unidentified Cosmographicae libellus. 3) Nicolas Oresme, Traite de la sphere, in a Latin translation apparently extant only in this manuscript
Description:
In Latin., Script: Written by one person in small fere-humanistic script bordering on cursive, verso., Simple decorative initials, 5- to 2-line, in red. Headings, paragraph marks, strokes on majuscules at beginning of sentences, and marginal notes, in red., Seventeen carefully executed astronomical drawings and two tables, in red, black, yellow and beige, accompany arts. 1 and 3., and Binding: 18th-19th centuries. Limp vellum case. "Tractatus spere" on tail edge.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Sacro Bosco, Joannes de, active 1230.
Subject (Topic):
Astronomy, Medieval, Cosmography, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on paper (highly polished) of Xenophon, De venatione, translated into Latin by Leonicenus Omnibonus and preceded by a dedicatory epistle to John Tiptoft
Description:
In Latin., Watermarks: similar in design to Briquet Oiseau 12127., Script: Written in a well formed italic by a single scribe., Spaces left for rubrics and initials., and Binding: Nineteenth century. Paper case with paste paper sides. Rebound in Yale Conservation Studio in 1982.
Manuscript, in unidentified hand, on paper, containing an Italian translation of Antonio Guainerio's De venenis
Description:
In Italian., Title assigned by cataloger., Script: humanist hand., Decoration: one six-line decorated initial in gold on rectangle border with floral decoration (f. 1r). Two-line initials in red and blue ink throughout. Rubrication., Layout: single column of 24 lines., Binding: 17th-18th c. deer skin over paper boards., and Watermark is a variant of Briquet 6597-6600, Northern Italy, 1465-80.
Subject (Topic):
Materia medica, Medicine, Manuscripts, Medicine, Medieval, and Venom
Manuscript on parchment of a Diploma for a doctorate in Theology accorded to Iosephus Prudentius from the University of Padua, June 1598
Description:
In Latin., Script: Written by Franciscus de Oddis, in an elegant italic., On f. 1r, a full vine-scroll border, in purple ink with grapes and highlights in gold, outlined in double purple lines; a 5-line initial, gold, with purple and gold vines. Headings and names of persons in humanistic bookhand or square capitals, in gold., and Binding: Nineteenth century. Brown leather wrapper, gold-tooled.
Subject (Geographic):
Connecticut, New Haven., and Padua (Italy)
Subject (Topic):
Illumination of books and manuscripts, Medieval and Manuscripts, Medieval
Manuscript on paper (sturdy) of Martial, Epigrams. Apparently written in some haste. Lines were frequently omitted (then added in the margins) and poor planning resulted in a big blank space on f. 186r-v; some rubrication bled from one folio to the next
Description:
In Latin., Watermarks: several unidentified in gutter, including the letter R., Script: Written in informal humanistic scripts by multiple scribes. Each made notes in the margins for the rubricator (at least two distinct hands that alternate through the manuscript; some rubrics are illegible)., Plain initials in red; rubrics stop on f. 220r., and Binding: Nineteenth century. Bound by Zaehnsdorf (established ca. 1842) in half green goatskin with green cloth sides.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Martial.
Subject (Topic):
Epigrams, Latin, Manuscripts, Medieval, and Verse satire, Latin
Manuscript on parchment of Martial, Epigrams. The codex was misbound; the epigrams are out of order. Excerpts from the critical commentary of Domizio Calderini (Professor of Rhetoric at Rome in 1470) surround the text on ff. 1r-24v and 165r-193r. With an unidentified prose text outlining the development of civilization
Description:
In Latin., Script: Written by one scribe in a neat italic for the text and a less formal hand for the commentary and for the unidentified text on ff. 193r-194v., Gold initials, 5-line, on blue, dark red and green grounds, with white and gold highlights, mark the beginning of each book. Small, plain initials, alternating red and blue, for each epigram. Commentary and titles, in various shades of red., Final folios creased and rubbed; some loss of marginal text due to trimming and wear., and Binding: 18th-19th centuries. Vellum case, blind-tooled.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Martial.
Subject (Topic):
Epigrams, Latin, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Scholia, and Verse satire, Latin
In Latin., Watermarks: (1) Scissors, Briquet?; Piccard, Werkzeug und Waffen IX, 1103-1199, 1328-1332?; (2) Anvil, Briquet?; Piccard?; (3) Hunting Horn, Briquet?; Piccard?., Script: Written by a single scribe in a small rapid Humanistica Cursiva under strong Gothic influence; the latter is especially visible in the forms of d and final s. Headings in Humanistica Textualis. The margins contain contemporary annotations in Humanistica Cursiva., The decoration is wanting. Space for 3-line initials was provided at the opening of Books II-XLIV and for larger initials at the beginning of the Prologue and of Book I. Guide letters for the initials are visible in the left margin. On f. 100v a coarse human head in profile has been drawn in pen and ink (15th century)., and Binding: Original half leather (red goatskin), heavy wooden boards, one clasp attached to the front cover. Spine (damaged) with three raised bands.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Iustinus. and Trogus, Pompeius.
Subject (Topic):
Classical literature, History, Ancient, and Manuscripts, Medieval
Manuscript on parchment of Justinus, Epitome in libros Pompeii Trogi. Portions of the text in the first gathering are lacking; some leaves are misbound
Description:
In Latin., Script: Written in neat italic by a single scribe who also added frequent marginal notes., One fine 6-line initial (f. 1r), gold, with white-vine ornament, on blue, pink, and green ground decorated with white, gold, and blue dots extending into side and upper margins, the vines inhabited by birds, insects, and putto; gold dots and brown hairsprays. A coat of arms in lower margin (effaced and blotted out) supported by a winged putto, set in ornament similar to above. Large blue capitals, 5- to 4-line, in blue, throughout. Headings and Roman numerals for books (in upper margin of recto), in red, for ff. 1r-35r., and Binding: Nineteenth century. Citron goatskin, gold-tooled, by C. Lewis; his note regarding binding, in Latin, on f. ii recto.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Justinus, Marcus Junianus. and Trogus, Pompeius.
Subject (Topic):
Illumination of books and manuscripts, Medieval and Manuscripts, Medieval
