Title from item., Printmaker identified from an original drawing in the Huntington Library., One of a series of Drolls., Four lines of verse in two columns below title: Buck's with Truncheon's swagger and knock down ..., Plate numbered '150' in lower right corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Literature: Foot-pads -- Watches: pocket watch -- Highway robbery -- Milestones -- Bludgeons., and Watermark: Strasburg bend (partial) with initials GR below.
Publisher:
Published 4th May 1795 by Laurie & Whittle, 53 Fleet Street, London
Title from item., Title continued below plate: ... and originally intended for recitation at the Haymarket Theatre during the lent season., Printmaker identified from the original drawing in the Huntington Library., Text of the tale printed in three columns below title: Frank Hayman, once a brother of the brush had talents much distinguish'd in his day ..., Temporary local subject terms: Street scenes -- Domestic service: porters -- Maidservants -- Food: hare., and Watermark: [1]794.
Publisher:
Published 20th February 1798 by Laurie & Whittle, 53 Fleet Street, London
Title from caption below image., Temporary local subject terms Dishes: tankards -- Smoking: tobacco -- Allusion to tythe pig., and Watermark: Strasburg lily.
Title from item., Attribution to Cruikshank from British Museum catalogue., Publisher's announcement following imprint: Where may be seen the completest collection of caricatures in the kingdom, also the head and hand of Count Struenzee. Admitt. 1 s., Temporary local subject terms: John Jeffries, fl. 1790 -- Elizabeth Jeffries, fl. 1790 -- Monsters: George Hanger, Baron Coleraine as 'The Monster'., Watermark., and Matted to 47 x 62 cm.
Publisher:
Pub. May 18, 1790, by S.W. Fores, N 3 Piccadilly
Subject (Name):
Hanger, George, 1751?-1824 and Pitt, William, 1759-1806
Title from item., Publisher's advertisement following the imprint: Where may be seen the completest collection of caricatures &c. in the kingdom. Admittance one shilling., Temporary local subject terms: Allusion to City Remonstrance -- Escutcheons: parody of Ashburton's escutcheons -- Allusion to the Battle of Ushant -- Elections: Westminster, 1790 -- Electors -- Clergy: dissenting minister -- Ships: man-of-war -- Monsters -- Headdress: ships as headdress -- Demons -- Hell -- Emblems: gambling -- Allusion to Test Act -- Barrels -- Tankards., and Mounted to 31 x 46 cm. and mounted again to 33 x 47 cm.
Publisher:
Pub. Aprill [sic] 20th by [S.]W. Fores, No. 3 Piccadilly
Subject (Name):
House, Samuel, -1785, Keppel, Augustus Keppel, Viscount, 1725-1786, Dunning, John, Baron Ashburton, 1731-1783, Holland, Henry Fox, Baron, 1705-1774, Fox, Charles James, 1749-1806, and Hood, Samuel Hood, Viscount, 1724-1816
"John Bull (left) capers clumsily to a tune played by Pitt, Dundas, and two others. He has a drink-bloated profile, wears a round hat and old-fashioned buckled shoes. He says: "Lord love ye my good Masters - do give us something new - I be tired of all the old Jigs - I knows the March to Paris by heart, - and as for Indemnity for the Past, and Security for the future, they are as easy to me as my A-B-C - I want something stilish, and grand." Pitt, seated, plays a large 'cello incorrectly drawn and having a rose under the strings which suggests the viol da gamba. He looks up at John Bull jauntily, saying, "I will endeavour to please you if I can, what do you think of this - it is a grand serious-movement called the Deliverance of Europe or Union with Ireland". Dundas (right), wearing kilt and feathered bonnet with legal wig and bands, stands in profile to the left, impassively playing the bagpipes. Two background figures dejectedly play wind-instruments; one is probably Grenville."--British Museum online catalogue
Description:
Title from item., Printmaker from Krumbhaar. Attributed to Sansom in the British Museum Catalogue., Printseller's announcement following publication statement: Folios of caracatures [sic] lent out for the evening., and Watermark: Strasburg lily.
Publisher:
Pub March 21, 1799, by S.W. Fores, No. 50 Piccadilly
Subject (Name):
Pitt, William, 1759-1806 and Melville, Henry Dundas, Viscount, 1742-1811
Subject (Topic):
John Bull (Symbolic character), Bagpipes, Dance, Musical instruments, and Violoncellos
"Eight three-quarter length figures of women in ovals, arranged in two rows on a dark background. Each has put on a new wig, ranging from heavy ringlets in confused profusion to a shock of lank hair. Some are old and ugly, others passable. Their words are engraved beneath the oval; some are horrified, others complacent."--British Museum online catalogue
Description:
Title from caption below images., Publisher's advertisement below title: Folio's of caracatures [sic] lent out for the evening., Design divided into eight compartments, each individually captioned., and Watermark: A. Stace 1798.
Publisher:
Pub. June 12, 1798, by S.W. Fores, No. 50, Piccadilly, corner of Sachville [sic] St
"Louis XVI sits fatly at a table, carving large pieces from a roast bird, a rolled paper in his pocket inscribed 'Route de Melz'; he turns back to an obsequiously grinning officer wearing a wig and ruffled collar and sleeves, who approaches from an open door to right, bowing and presenting an 'Ordre of la municipalite poor l'Arret de Monsieur Louis de Bourbon', the king saying 'Je me f- de tout cela Laisse moi manger tranqillement'; in the doorway are seen a short man with the fleur-de-lis on his arm and a whip who comments, 'Voila but for his dam guts we had been safe out of their reach', and five heavy-looking soldiers, all with skull-and-crossbone motifs on their bearskin hats. To left, Marie Antoinette stands looking in a mirror, adjusting her neckerchief and saying 'Come my dear Louis havn't you finish'd your two Turkeys & drank your six bottles, you know we shall dine at Mont medy', a fine hat on the chair in front of her. Behind to left, the Dauphin sits grimacing on a water-closet, clutching at himself; his nurse approaches him with a beaker and spoon, saying 'aha! mon Petit Bourbon de shi-ten luck be de good Luck'. On the wall, three frames, the first, titled 'Louis 14', shows a preening figure, nude to the waist with a fistful of thunderbolts, standing on the back of a prostrate figure with several others abject at his feet, a temple to right; the second lacks a picture, but has an upside-down notice stuck in it, reading 'Par le roy'; the third, 'Juillet 14 1789', is the storming of the Bastille."--British Museum online catalogue
Description:
Title from caption below image., Publisher's advertisement following imprint: ... where may be seen the largest collection of caracatures [sic] in the world, admita[nc]e 1 shilling., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Mounted to 41 x 56 cm., Watermark., German translation of title in contemporary hand at bottom of sheet., and Numbered in ms. in lower left corner of sheet: 369.
Publisher:
Pub. July 24, 1791, by S.W. Fores, N. 3 Piccadilly ...
Subject (Geographic):
France
Subject (Name):
Louis XVI, King of France, 1754-1793, Louis XVII, of France, 1785-1795, and Marie Antoinette, Queen, consort of Louis XVI, King of France, 1755-1793
Title from item., Printmaker identified from the original drawing in the Huntington Library and by George., No. 168 in the Laurie & Whittle series of Drolls., One line of text below image: Pam saves me. A flush., Plate numbered '168' in lower left corner., Temporary local subject terms: Cards: loo -- Cards: Pam -- Gambling -- Furniture: chairs -- Card tables., and Watermark: (partial) Strasburg bend.
Publisher:
Published 20th Feby. 1796 by Laurie & Whittle, 53 Fleet Street, London