V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Marie Louise, a handsome and buxom young termagant, has seized the imperial crown and sceptre, and threatens Napoleon (left) who crouches behind the smaller of two Chairs of State on the seat of which is his tricorne hat. She looks towards him, one toe resting on the seat of the chair, the crown raised as if she was about to hurl it; she declaims: "By the Head of Jove, I hate him worse than Famine or Diseases, Perish his Family, let inveterate Hate Commence between our Houses from this Moment, And meeting never let them bloodless part." The sceptre she holds out above the head of Talleyrand (right) who has fallen on his back and raises his hands to protect his head, shouting, "Be gar she will give us all de finishing Stroke". He is unrecognizable except for his crutch and his lame leg with its surgical shoe. Across his breeches are the words 'I shall never rise again'. Napoleon exclaims distractedly: "Oh Tally Tally rise and rally". Behind is a tall ghost-like figure (? Louis XVI) clutching a sheet round his curiously drawn form, and shouting "Marblue--Vat a Crown Cracker she be". Behind the Empress is the 'Coronation Chair', surmounted by a battered crown from which flies off a cock inscribed 'Gallic Cock Roupee'. In the foreground lie heaped-up crowns, including two imperial crowns, a Papal tiara (cf. British Museum Satires no. 11360), the iron crown of Italy (as in British Museum Satires no. 10432), and a laurel wreath."--British Museum online catalogue
Alternative Title:
Great little emperor playing at bo-peep
Description:
Title etched below image., Printmaker from British Museum catalogue., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., "Price one shilling coloured.", and Leaf 16 in volume 1.
Publisher:
Pubd. May 15th, 1810, by Thos. Tegg, No. 111 Cheapside
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821, Marie Louise, Empress, consort of Napoleon I, Emperor of the French, 1791-1847, Talleyrand-Périgord, Charles Maurice de, prince de Bénévent, 1754-1838, and Louis XVI, King of France, 1754-1793
Title etched below image., Printmaker from unverified card catalog., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Literary quotation: Shakespeare -- Warts., Owner's mark: Lugt., no. 2832., Mounted to 33 x 47 cm., and Watermark.
Publisher:
Pubd. as the act directs for the proprietor by W. Moore, No. 48 New Bond Street & W. Dickie, opposite Exeter change
Subject (Geographic):
Great Britain, America., and India.
Subject (Name):
Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, Hastings, Warren, 1732-1818, North, Frederick, Lord, 1732-1792, and Francis, Philip, 1740-1818
Subject (Topic):
Impeachment, Obesity, Colonies, Weather vanes, and Gambling
Ferdinand VII, seated on a throne on a low platform inscribed "TIRANIA", is flanked by two advisers, the Devil on the left and a friar on the right. At the friar's feet, in the foreground, a demon burns newspapers with a firebrand. Tortures of the Inquisition are seen in the background
Description:
Title from text in image., A close copy, with same imprint but with other inscriptions translated into Spanish, of a print by George Cruikshank entitled "The curse of Spain". Cf. No. 13009 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Six lines of text below image: En tanto que los bravos españoles, Derramaban su sangre por Fernando, El á Napoleon felicitaba, Por las victorias que en el suelo hispano, Sus sanguinárias huestes conseguian-- Ved las hazañas de este Monstruo infando. La Ferdinanda. Lib. 1. v. 129., Cf. Cohn, A.M. George Cruikshank: a catalogue raisonné, 1303., Cf. Reid, G.W. A descriptive catalogue of the works of George Cruikshank, 868., and Watermark: J. Whatman 1818.
Publisher:
Washington
Subject (Name):
Ferdinand VII, King of Spain, 1784-1833 and Napoleon I, Emperor of the French, 1769-1821.
Townshend, George Townshend, Marquis, 1724-1807, artist
Published / Created:
[1762?]
Call Number:
762.00.00.110
Image Count:
1
Resource Type:
still image
Abstract:
A satire, with figures drawn virtually in outline, including the images on artist easels. Starting from the right, the Princess of Wales, mother of George III, leans on a table, her skirts around her hips exposing her derrière to the bare-breeched Earl of Bute who stoops toward her. To the left of him is the French minister the Duc of Nivernois who also bows obsequiously toward the Earl and Princess. In the middle of the image are the representatives of Holland and Spain. On the left Hogarth in a Scotch kilt stands before his easel painting a large jack-boot; behind him is another canvas with a portrait of Pitt that has been scratched out. All of the images have speech bubbles in which they discuss how to curry favor at court. The satirical comments are directed against Hogarth after he accepted the position of Serjeant Painter to the King
Alternative Title:
Tit for tat, Kiss my a--e is no treason, and Kiss my arse is no treason
Description:
Title from text etched above image., "By the Marquis Townshend". See British Museum catalogue, no 3978., Publication date from British Museum catalogue., Sheet trimmed within plate mark., and For further information, consult library staff.
Publisher:
publisher not identified
Subject (Name):
Hogarth, William, 1697-1764, Augusta, Princess of Wales, 1719-1772, Bute, John Stuart, Earl of, 1713-1792, Nivernais, Louis Jules Barbon Mancini-Mazarini, duc de, 1716-1798, and Pitt, William, Earl of Chatham, 1708-1778
Caricatured portrait of William Hogarth. An ugly boy wearinga fool's cap and bells and dressed in a girl's clothes is seated in a chair painting Hogarth's portrait of John Wilkes. He is seated before an easel in mid-stroke painting the image of John Wilkes holding the Cap of Liberty; he holds a paint brush and palette in his hands as he turns to talk to a gentleman leaning against the artist's chair (right foreground). Under the chair is Hogarth's dog Trump. In the background is a caricature of Hogarth's "Sigismunda" being a grotesque skiethc of Mrs. Hogarth and with an indecent suggestion
Alternative Title:
Wm. Hogarth Esqr and William Hogarth Esquire
Description:
Title engraved above image., Note below image: Drawn from the life & etch'd in aqua-fortis., Original drawing has been ascribed to Paul Sandby., Sheet trimmed to plate mark., and On page 294 in volume 3. Sheet trimmed image with all text except title: 30.9 x 22.5 cm.
Publisher:
Publish'd according to Act of Parliament by J. Pridden in Fleet Street
Subject (Name):
Wilkes, John, 1725-1797, Hogarth, William, 1697-1764, and Hogarth, Jane Thornhill, 1709?-1789
Subject (Topic):
Artists' materials, Dogs, Painters (Artists), Liberty cap, and Legislators
Caricatured portrait of William Hogarth. An ugly boy wearinga fool's cap and bells and dressed in a girl's clothes is seated in a chair painting Hogarth's portrait of John Wilkes. He is seated before an easel in mid-stroke painting the image of John Wilkes holding the Cap of Liberty; he holds a paint brush and palette in his hands as he turns to talk to a gentleman leaning against the artist's chair (right foreground). Under the chair is Hogarth's dog Trump. In the background is a caricature of Hogarth's "Sigismunda" being a grotesque skiethc of Mrs. Hogarth and with an indecent suggestion
Alternative Title:
Wm. Hogarth Esqr and William Hogarth Esquire
Description:
Title engraved above image., Note below image: Drawn from the life & etch'd in aqua-fortis., Original drawing has been ascribed to Paul Sandby., and Sheet trimmed to plate mark.
Publisher:
Publish'd according to Act of Parliament by J. Pridden in Fleet Street
Subject (Name):
Wilkes, John, 1725-1797, Hogarth, William, 1697-1764, and Hogarth, Jane Thornhill, 1709?-1789
Subject (Topic):
Artists' materials, Dogs, Painters (Artists), Liberty cap, and Legislators
"An elaborate composition, divided by the arc of a rainbow which supports a woman who stands at a large dark canvas daubing at a goblin-like bearded figure intended for Titian. She holds a palette and brushes, but her paints are mixed together in an earthenware pot like those used by house - or sign-painters (as in BMSat 7770); this stands on the rainbow at her feet; an ass with the wings of Pegasus kneels to drink greedily from it. His wings are covered with words: 'Review', 'Magazines', 'Advertis[er]', 'Squib', 'Herald', 'Times', 'True Briton', 'Puff' [repeated many times], 'World', 'Morning Chronicle', 'Evening Post', 'Star', 'Sham Abuse', 'Squibbs', 'Oracle', 'Courier'. Above the canvas, and at the apex of the design, is an eagle surrounded with flames, and the centre of rays which illuminate black clouds in the upper part of the print; in its claws is a scroll: 'Venetian. Manuscript'. The artist is poised on high-heeled shoes, her quilted petticoat is ragged, but from her waist hangs a vast train which drapes the rainbow and terminates in peacock's feathers. This is held up by three naked Graces. Along the rainbow is etched: 'redeunt Titianica regna, jam nova progenies coelo demittitur alto'. Part of a reflected rainbow issues from the painting on the canvas, with a fainter version of the inscription '. . . va pro[gen]ies . . . demittitur alto', letters being concealed by the hair of the artist and by a flamboyant winged figure seated on the rainbow; he blows his trumpet, from which issue the words: 'You little Stars, hide your diminish'd Head[s].' These words terminate in thick clouds from which five stars fall like meteors, leaving trails inscribed: 'Rubens', 'Correggio', 'Michael Angelo', 'Raphael', 'Parmegiano'. Beneath the rainbow is a paved floor. In the foreground (left) the head and shoulders of (the ghost of) Sir Joshua Reynolds emerge, pushing up one of the stones; he is draped in a shroud, but wears spectacles; in his right hand is his ear-trumpet, his left is raised admonishingly ..."--British Museum online catalogue
Alternative Title:
Seven-wise-men consulting the new Venetian oracle
Description:
Title etched below image., Text above image: Ah! ha! Ah! ha! Messrs. Van-Butchell! Ireland! Charles! Lane & Lackington! What are you now? ah! ha! ah! ha! ha! ha! ha!!!, Sheet trimmed within plate mark., and Matted to 72 x 56 cm.
Publisher:
Pubd. Novr. 2d, 1797, by H. Humphrey, St. James's Street
"Thurlow, in his Chancellor's wig and gown, kicks with much vigour the back of a bishop whom he urges along a road in the direction of a signpost (right) pointing 'To Durham' (the only title of the print). The bishop wears a mitre, a gown, and extravagantly large lawn sleeves; his left hand is raised deprecatingly, his right is behind his back as if to ward off the Chancellor's kick. Thurlow's arms are raised above his head; in his right hand is his hat. In the background (left) is a cathedral; a devil flying over it indicates that it is Lincoln. Beneath the design is engraved a dialogue between the two brothers: 'Græcari Nescio - Apage Thomas, Græcari non est Græci Loqui, sed est Epulari, Saturari, Expleri, Satiari, Helluari - Epulas quadrifariam vel Centifariam dispertire - In Capite, fortunisque hominum Te longe longeque honestiorum dominari - Ohe! Græcus Sum - Salve Græcule frater fraterrime - '."--British Museum online catalogue
Alternative Title:
Graecari nescio
Description:
Title derived from signpost in the top right of image. See British Museum catalogue., Questionable attribution to J. Baldrey from the British Museum catalogue., Temporary local subject terms: Horace Walpole's copy of this print is in NYPL -- Clergy: Bishop -- Signposts -- Lincoln Cathedral -- Devils -- Kicks -- Mitres -- Lord Chancellor's wig and gown., and Watermark.
Publisher:
Pubd. Feby. 1, 1788 by I. Baldrey, No. 19 Holborn
Subject (Name):
Thurlow, Edward Thurlow, Baron, 1731-1806 and Thurlow, Thomas, 1737-1791
Title from item., One line of text in lower right below image: I rece'd [the] pleasant lettr but shall tell Mr. W-t., Thirteen lines of verse in three columns below image: Ungrateful P--t. You have me bitt! ..., Temporary local subject terms: Statues: statue of Queen Anne on pedestal -- Ghosts: the Duchess of Marlborough -- Lightning bolts -- Female dress: Queen Anne's dress -- Lighting: candlesticks -- Furniture: screen -- Tables -- Chair -- Mirror -- Furnishings: wall clock and bracket -- Fireplace: gratel -- Letters -- Watches -- Legacy., and Watermark: countermark IV.
Publisher:
publisher not identified
Subject (Name):
Anne, Queen of Great Britain, 1665-1714, Marlborough, Sarah Jennings Churchill, Duchess of, 1660-1744, Chesterfield, Philip Dormer Stanhope, Earl of, 1694-1773, and Pitt, William, Earl of Chatham, 1708-1778